Posts Tagged ‘Antiques Frame’

A Cancellation, a Nomination & an Anniversary

Tuesday, June 6th, 2017

HBO/Cinemax has finally officially cancelled the Quarry series, but this comes as no surprise. A shake-up at the network, as well as a conflict between the star (who is committed to another series pilot) and the director of all eight episodes, spelled it out long ago.

What’s most disappointing to me is that my script for season two will not be produced, and I was really happy with it. We had thought some other network might pick the show up, but that now seems unlikely.

I am happy to have had a quality show that gave my Quarry books a higher profile. My hitman has now generated an award-winning short film, a festival-winning feature, and now a first-rate series, and my writing was a part of all three. Maybe we’ll see more of him on screen yet.

More pleasant news came by way of a Shamus nomination for the Spillane/Collins short story, “A Dangerous Cat,” which appeared in The Strand magazine and is also in the collection A Long Time Dead: A Mike Hammer Casebook from Mysterious Press.

Barb and Al, early 1970s
Barb and Al, early 1970s

But the biggest event of the past week was our 49th wedding anniversary, on June 1, which we celebrated with an overnight stay at Galena, Illinois, where always have a wonderful time. For me, it was especially gratifying because – after the various operations and the stroke and all – I was able to spend a long day walking and enjoying myself, feeling very much back to normal (or as close to normal as I ever get). Galena is a quaint, pretty little town of 3500, with lots of boutique shopping and some 65 restaurants. I will be doing a thriller next year set in this scenic community.

On the trip to and from Galena, we finished listening to the audio book of Antiques Frame, so beautifully read by Amy McFadden. It was a reminder to me about how much Barb has grown and flourished as a writer, a profession she never dreamed of entering. Having such a beautiful, talented, smart, funny, patient wife for all these years is the best award/reward I could ever hope for.

The week leading up to the two-way getaway was a busy one, as was the weekend following. I did final edits on the Spillane volume, The Last Stand, which includes the previously unpublished novel of that name, as well as an early ‘50s novella, also previously unpublished, A Bullet for Satisfaction. The latter is a Spillane/Collins collaboration, the former the last solo effort by Mickey. There’s also an introduction explaining the history of both novels. Hard Case Crime will be publishing in both hardcover and soft.

In addition, I wrote the introduction for the collected Dick Tracy Volume 23, for IDW, and dealt with the copy-edited versions of two short stories written by Matt Clemens and me for a pair of horror anthologies. Finally, I wrote the introduction to Scarface & the Untouchable, the joint Capone/Ness bio.

That book now focuses on the Chicago years, with a second volume projected to deal with the rest of Ness’s life. This week I’ll start work on my polish/tweak of the nearly 900-page manuscript. Co-author A. Brad Schwartz and our writing/research associate, George Hagenauer, are working on the bibliography and end notes.

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The complete list of Shamus nominations can be seen at the great site, The Rap Sheet.

Here’s a good current interview with me.

A ton of articles on the cancellation of the QUARRY series are out there, many quoting Michael D. Fuller’s blog post about it. Here’s a good example.

M.A.C.

Antiques on Audio

Tuesday, May 30th, 2017

Our previous update was largely about audio versions of M.A.C. titles, particularly how great a job Dan John Miller does on Nate Heller and will soon be doing for Mike Hammer, now that Stacy Keach has stepped down.

Last year, for the first time, one of our Trash ‘n’ Treasures mysteries under the joint “Barbara Allan” byline was released on audio – Antiques Fate. It was a professional job, and Barb and I were happy to have it out there, but we felt our protagonists – Brandy and Vivian Borne – needed to be more distinctly different in performance. We also felt the audio had given our book a typical cheery cozy mystery feel, whereas the Antiques books are rather subversive send-ups of the genre, with Brandy a put-upon, wry narrator, and Vivian an off-the-wall local theatrical diva. We made our feelings known, and the publisher responded by assigning the very talented, skillful Amy McFadden to the just-released-on-audio, Antiques Frame.

Amy McFadden
Amy McFadden

We are about half-way through the audio, and are delighted with what Amy is doing. She has captured both our main characters, and their narrative voices (we have first-person narration from both Brandy and Mother) beautifully. As her web site notes, “Amy McFadden has narrated over 250 titles in many different genres with a focus on Comedic Fiction, Romance, and not-super-violent Thrillers. She is an Earphones Award winner, and a four-time Audie Award finalist in Humor, Mystery/Thriller and Literary Fiction.”

Read more about her here.

Speaking of the Antiques series, we recently completed Antiques Wanted. I interrupted work on the Eliot Ness/Al Capone joint bio to work on it, when Barb delivered me her rough draft. I also have been working on a Spillane book for next year’s centenary of his birth, completing an early ‘50s novella, A Bullet for Satisfaction, and editing his last solo novel, The Last Stand, for joint publication by Hard Case Crime. Should be a very special book – Mickey finished The Last Stand a few weeks before he passed.

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Gregg Allman died at home last week at age 69.

I admit to not being an enthusiast of Southern Rock, but Allman’s talent is inescapable. I did not know him, but we intersect in an interesting way.

In 1967, as some of you know, my band the Daybreakers went to Nashville to record. My father had been a high school music teacher and one of his students became a successful country western artist – Jack Barlow. Barlow’s producer was Buddy Killen, the top music publisher in Nashville – his Tree Music was where Ms. Tree’s name came from, by the way. Killen, a very nice, sophisticated man, was also a major Nashville producer. He agreed, as a favor to Barlow, to record and produce a session with the Daybreakers. We figured we’d go home with something professional to release locally.

Killen had some top country artists on his roster, including Barlow. But he also had a major r & b artist, Joe Tex, who was released by Atlantic’s subsidiary, Dial. The Atlantic execs had told Killen he needed to round out his roster with a rock act, so he was on the lookout. After our session, he signed us to five-year contracts and, in early ‘68, “Psychedelic Siren” was released. It became a regional hit, and has since become oddly famous, covered any number of times by other groups, and included on various compilations of Sixties garage band rock. To some, it is my major claim to fame.

But back in 1967, times changed in a short time span, with our Paul Revere & the Raiders/Turtles approach dating almost immediately – we heard “Purple Haze” and “Light My Fire” on the radio, driving back to Iowa, and exchanged a collective, “Uh oh.” We learned those two songs at our next practice.

Where does Gregg Allman come in?

Well, Killen signed one other rock act – a group called, at the time, the Allman Joys.

“They were really way ahead of their times, I realize now,” Killen said, talking about the Allman Brothers, not the Daybreakers.

Our one Dial single was DIAL #45-4066. The Allman Joys’ “Spoonful” was DIAL #45-4046. A recent E-bay auction brought $89 for the Allman Joys single. But “Psychedelic Siren” went for $199.99.

Either way, Killen dropped us both.

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Here’s a nice article on why the Road to Perdition film is an overlooked masterpiece (they left out that I created the story, though).

M.A.C.

Still Crazy About “Gun Crazy”

Tuesday, May 16th, 2017

People are always asking me what I read.

It’s one of the most common questions a writer gets, and I guess I understand it – apparently comes from a desire by a reader to get recommendations from someone whose work they like, and/or validation for books they like from that writer.

I disappoint people when I reveal how little I read of contemporary crime fiction. I’ve stated my reasons many times, but one reason I haven’t discussed much is the busman’s holiday aspect – not that, at the end of working day immersed in crime and mystery, I want nothing more to do with my genre of choice. Rather, that the writing process has worn out the same muscles that are used for reading.

So come evening, Barb and I watch plenty of crime and mystery TV and movies, although admittedly the movies tend to be older ones (like the books in the genre that I do read) and the TV tends to be British. I have a PAL friendly DVD player, and a Region B friendly Blu-ray player, letting me order discs from the UK all the time. We just watched the third season of Broadchurch, for example, and liked it very much. We also watched an excellent British series called The Forgotten, about very old, very cold cases. Also the fourth season of Endeavor and the third season of The Fall. We are looking forward (I’ve already ordered them) to seasons of Midsomer Murders, Murdoch Mysteries, the first season of Tennison, and the last season of Ripper Street.

So I’m very much still interested in the genre, although much of the American brand of TV mystery leaves me lukewarm to cold.

And much of my “reading” of mystery fiction these days is listening to audio books in the car. We have six-hour drives to St. Louis to see son Nate and his bride and our grandson, fairly frequently, and our day trips run to Chicago (four hours one-way) and Des Moines (three hours one-way). We listen to my own stuff – right now, Dan John Miller is doing a great job on Executive Order – and are happy to have Antiques Frame on audio to listen to next. We re-listen to Rex Stout novels and novellas for the umpteenth time, have been through all of Christie, and quite a few Simenon “Maigrets” (after watching the complete French/Belgian series starring Bruno Cremer – loved it).

What I do read, and it tends to be late at night, is a certain amount of non-fiction. Currently I’m reading Brian De Palma’s Split-Screen: A Life in Film by Douglas Keesey, and enjoying it. But I want to recommend a book that you have to go to some trouble to lay hands on.

Gun Crazy: The Origin of American Outlaw Cinema

Gun Crazy: The Origin of American Outlaw Cinema by Eddie Muller is available only here:

http://blackpoolproductions.com/guncrazyretail.html

No Amazon. I stumbled onto a bookstore that carries it (Mysterious Bookshop in NYC). It’s the first American edition of a French book that was available with a wonderful elaborate Blu-ray edition of Gun Crazy.

Muller should need no introduction – he’s the undeniable guru of film noir, the man behind the Noir City Festival and the Noir City Foundation, with its wonderful e-mail magazine and yearly annual. Not surprisingly info is available at www.noircity.com. He’s written acclaimed fiction and non-fiction in the noir vein, and he appears regularly on TCM, every Sunday morning, your time much better spent than watching the Sunday political shows or going to church.

His book on Gun Crazy is remarkable – it’s like reading a terrific Gold Medal paperback that happens to be true, digging into all of the history from my fellow Iowa author MacKinley Kantor to blacklisted screenwriter Dalton Trumbo, from the maniac King brothers to my favorite B-movie director, Joseph H. Lewis. The pictures are so great – photos, documents, script pages – that the book worked beautifully in French, which I can neither read nor speak. In English it’s sheer delight. Muller contends the auteur theory is crap, an opinion with which I don’t entirely agree, but he makes an excellent argument, using Gun Crazy – so often credited to Lewis more or less exclusively – as a case in point.

My history with Gun Crazy goes back to 1967. I saw Bonnie and Clyde before the fuss, and my life was changed – the fusion of true crime and the fiction genre I loved was taken to a whole new level. I was so in the thrall of Bonnie and Clyde that I read everything I could get my hands on about the real outlaw couple, even looking at old newspapers on microfilm (setting the stage for Nathan Heller research), and I set out to see every movie derived from their story.

That was no easy task in 1967. VCRs were almost a decade away, so I was left to the whim of late-night movies and a University of Iowa film series at the student union, where mostly kids came to laugh at old movies that they were so much smarter than. One by one I picked the movies off: The Bonnie Parker Story (1958), cheapjack sleaze (which is okay by me, generally); They Live by Night (1948), terrific movie directed by Nicholas Ray; You Only Live Once (1937), a Fritz Lang-directed film and another good one; and finally Gun Crazy (1950). As a kid, I’d seen a Naked City episode called “A Case Study of Two Savages” that had frightened and excited me, but had no idea Rip Torn and Tuesday Weld were doing Clyde and Bonnie. I caught up with it again a year or so ago and saw the connection, and wondered if it had inspired in any way the Arthur Penn 1967 Bonnie and Clyde.

It’s surprising that the outlaw couple had already generated very good Fritz Lang and Nick Ray movies (also not surprising that a cheapjack Roger Corman-produced film existed, as part of the drive-in movie cash-in on The Untouchables TV show). But what was astonishing about Gun Crazy (in addition to a thousand other things) was that it was better than Bonnie and Clyde. That after having my life changed by Bonnie and Clyde, Gun Crazy changed it all over again, more deeply, and became a movie on my very, very short list of favorites (regular readers here may recall the others: Vertigo, Kiss Me Deadly, Phantom of the Paradise). It’s a love story in the way the best James M. Cain novels are, and that’s high praise.

Eddie Muller’s book on Gun Crazy is so terrific, so entertaining, I had a reaction that I rarely have: Oh, good – I don’t have to write this book…somebody else has done it for me.

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A local paper has published a nice little article about my Grand Master “Edgar” honor, here (look past the misspelled first name, will you?).

And here is Ellery Queen Mystery Magazine’s editor’s blog on the Edgar event, with a nice shout-out to me.

M.A.C.

“Please Sir, I Want Some More…”

Tuesday, May 9th, 2017

The International Association of Media Tie-In Writers has announced the Scribe Award Nominees for 2017, and I pleased to have three nominations.

Acknowledging excellence in the tie-in field, the IAMTW’s Scribe Awards honor licensed works that tie in with other media such as television, movies, gaming, or comic books. They include original works set in established universes, and adaptations of stories that have appeared in other formats and that cross all genres. Tie-in works run the gamut from westerns to mysteries to procedurals, from science fiction to fantasy to horror, from action and adventure to superheroes.

The Scribe Award winners will be announced at ComicCon San Diego in July. The exact day, time and location of the Scribes Panel including the award ceremony will be announced once it’s known. I am weighing whether or not I’ll be attending this year – if I am, I will host the panel. If not, I have a distinguished author lined up to take over for me.

Here are the nominees:

Adapted – General and Speculative
Assassin’s Creed by Christie Golden
Road to Perdition by Max Allan Collins
Suicide Squad by Marv Wolfman

Audio
Dark Shadows: Blood & Fire by Roy Gill
Torchwood: Broken by Joseph Lidster
Torchwood: Uncanny Valley by David Llewellyn
Doctor Who: Mouthless Dead by John Pritchard

General Original
24: Trial by Fire by Dayton Ward
Don Pendleton’s The Executioner: Missile Intercept by Michael Black
Murder Never Knocks by Mickey Spillane and Max Allan Collins
Robert B. Parker’s Slow Burn by Ace Atkins
Tom Clancy’s True Faith and Allegiance by Mark Greaney

Short Fiction
“A Dangerous Cat” by Mickey Spillane & Max Allan Collins
X-Files “Drive Time” by Jon McGoran
X-Files “An Eye for an Eye” by George Ivanoff
X-Files “Love Lost” by Yvonne Navarro
X-Files “XXX” by Glenn Greenberg

Speculative Original
Assassin’s Creed: Heresy by Christie Golden
Warhammer: 40,000 Warden of the Blade by David Annandale
Star Trek: Elusive Salvation by Dayton Ward
Supernatural: Mythmaker by Tim Waggoner

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Edgar winners 2017
Edgar winners 2017

My thanks to all of you who wrote comments here or dropped me e-mails, or even called, to congratulate me on the MWA Grand Master award.

Your kind thoughts, and this award, mean a great deal to me. My career has included so many different kinds of things that an award for the body of work is especially meaningful. For example, no Edgar category is available for a graphic novel like Road to Perdition; no category acknowledges something like the long-running Ms. Tree. A series like Nate Heller or Quarry, however well-received and influential, rarely has one of its entries singled out for an Edgar nomination.

So this feels especially gratifying. Thank all of you, including the MWA.

Thank you, too, those of you who requested books in our recent giveaway and are starting to post Amazon (and other) reviews. For the rest of you, Amazon and B & N reviews (and they can be very brief) would be much appreciated for the new books – Executive Order, Antiques Frame (Barbara Allan), The Will to Kill, and the paperbacks of Murder Never Knocks and The Big Showdown.

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I know what you’re thinking – what movies have you walked out of lately? Well, Barb and I have been trying to be smarter, making our movie selections more discriminately.

That doesn’t mean we skipped Fate of the Furious – we just went in with our eyes open. And it was the big, dumb fun we expected, if even bigger and dumber. Dumbest thing? The great Jason Stratham phoning Vin Diesel to report the latter’s kidnapped baby boy has been saved before the gunfight to do so begins. Well, that and just about every law of physics being broken. Best laugh: the sincere family prayer at the end from Diesel. Yes, I enjoyed the film, but I hated myself in the morning. No – in the parking lot.

Needing no apologies for liking it is Guardians of the Galaxy Vol. 2, one of the best films of its kind I’ve ever seen. A perfect continuation of the first installment (in which this one is carefully set up), Guardians 2 combines thrills and laughs with offhanded skill – whenever it threatens to get sentimental, the movie quickly slaps us silly with a cynical pay-off or aside…somehow never undercutting the growing affection the characters have for each other. What director/co-writer James Gunn has done is draw far less on Marvel’s convoluted universe and more on Firefly/Serenity and classic Star Trek, which was a very good call indeed.

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Check out this great review of The Big Showdown at Gravetapping.

I receive a nice mention at this Detectives Without Borders posting.

And this one, too.

Here’s a piece about villains who had balls enough to visit the Batcave, featuring my Tommy Carma.

Finally, here’s a nice review of Better Dead, posted a while back that I only just ran across.

M.A.C.