Posts Tagged ‘Antiques Ravin’’

Hey Kids! Free Books! And Corona Virus Stuff, Too!!

Tuesday, April 14th, 2020

Now in Paperback!

Or…
Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes
Digital Audiobook: Amazon Kobo
Audio CD:

And now here’s our first Corona Virus-era book giveaway, waiting for you to request a copy, receive, wipe down, read, and review.

We have ten copies of Masquerade for Murder, the new Mike Hammer, and ten copies of the paperback edition of Antiques Ravin’. Request the book of your choice, and if you’re willing to accept the other option, say so. [Note from Nate: All copies are spoken for. Thank you!]

Be sure you’re willing to review the book at Amazon and/or Barnes & Noble, and anywhere else appropriate, including a blog. If you absolutely hate the book, I certainly won’t insist you review it; but everybody else I would like to see put in their two cents (or three or four or five stars).

You know who already likes it? Booklist. Check this out:

A man steps off a curb. A roaring Ferrari sends him “tumbling across the hood” and speeds off. A famous PI witnesses the moment and senses it wasn’t an accident. Days later the victim’s father hires the famous PI to find out what happened. By then we know the PI is Mike Hammer, appearing in the latest of Max Allan Collins’ reconstructions of Mickey Spillane’s unfinished manuscripts. This one is relatively free of Spillane’s posturings about women and society that offend today’s readers, and that’s fortunate, as it’s a first-rate noir adventure, set in 1988, and it boasts some excellent writing. Hammer’s examination of an apartment, for example, goes on for pages and is so masterfully, tensely described one scarcely notices that absolutely nothing happens. As Spillane/Collins move to the finale, which puts a remarkable twist on the “things are not as they seem” chestnut, Hammer broods on his own obsolescence. He’s a dinosaur, a being from the world of Milton Berle and Howdy Doody. Doesn’t bother him. — Don Crinklaw

Nice one, huh? Now, I’m going to keep after all of you to post those Amazon reviews, especially for Masquerade for Murder, Do No Harm, and Girl Can’t Help It, even if you actually paid for a copy. We have some nice reviews on everything, a couple of weak ones but mostly stellar, and could use more.

Now that the bribery and groveling is out of the way, I’m going to discuss something more serious. I have tried to keep it light here since the Covid-19 thing kicked in, but I’m going to talk this time about something that I’ve been dealing with, something that’s been on my mind.

When the whole shelter-in-place thing started, I didn’t get depressed or upset or terribly scared, even though at my age with my underlying health issues I should be hiding under the bed (shout out to Bill Barr, the Jabba the Hutt of the Trump Administration).

My thoughts initially were mostly centered on how lucky I am – I have a beautiful wife who treats me well, my son and his family are just up the street (and we are now interacting after some quarantining of both households for different reasons) (see below), and I am swimming in books, DVDs, Blu-rays and CD’s. My late actor friend Mike Cornelison used to say he wanted to take his vacations in my house.

Not the worst bomb shelter in the world to be stuck in.

And I also initially thought that, as a writer, I would get (technical term ahead) shitloads of work done. This would work out great. I could really dig in. Right. That’s what Jack Nicholson thought when he first typed, “All work and no play makes Jack a dull boy.”

I am working. I am working every day. But I would say my productivity is at about half-speed. I feel sluggish. Most days I stop short of depression, but happiness seems pretty abstract right now…though there are of course moments. But this creative slog surprised me.

Then I started to talk to other writers – book writers and TV/movie writers, all of whom had the same initial thought (“This won’t impact my productivity – I’m going to really get a lot done!”) and ever since have struggled to maintain even half their pace.

Some of it, for me, is specific to our life style. Back in the normal world, Barb and I would take at least one and usually two meals out. Since we both work at home, we have used restaurants as a way to get out, run errands, take a break, and not have to deal with cooking. Now every meal is an event. Often a mini-event, but more goes into it, and energy is expended.

Excursions into the outer world – like grocery shopping and going to the pharmacy – take up an inordinate amount of time. Recently I learned I’d been exposed to the Corona Virus by (engaging in what reckless behavior, you ask?) going to the eye doctor to pick my new glasses up, in a very controlled way – an appointment, answering questions at the door, I was the only patient in the building, and the optometrist assistants numbered two (one of whom had Covid-19 but didn’t know it yet). This meant a somewhat scary quarantine for both Barb and me, and no contact for two weeks with Nate and his up-the-street brood. And we had just waited out two weeks since the grandkids had stopped going to Day Care.

So my two weeks elapse, and the next day Barb has chills, a 101-plus fever, and other suspicious symptoms. An afternoon is spent at Urgent Care. Barb is tested. While we wait for results, we explore how we will sequester her in a separate part of the house, if need be. I go to the supermarket by myself (I love that they play oldies during the hour reserved for senior shoppers, and that when it’s up, immediately nauseating country western begins). I buy a cart of food designed for me to take care of myself and Barb, meaning a life based around the microwave altar.

The cart of food I buy for $144 is something that if you had shown it to me, say, in December and told me I had selected the items, I’d have said you’re out of your effing mind.

Two days later it turns out Barb doesn’t have the virus.

Back to the store to buy better groceries, and look in vain for hand sanitizer and sanitary wipes. (Tip for male shoppers: sanitary napkins are no substitute.)

So, my point – if there is one – is that it’s hard to be creative when you’re having these at least mildly dystopian adventures.

I hesitate to share any of this, because I know I have it easy. This isn’t really bad at all. And yet. And yet.

There will be no band jobs this summer. There will be no store signings for any of my books, even if bookstores re-open, and no appearances at conventions – San Diego would be madness (it is anyway) and while we haven’t cancelled Bouchercon yet…really? Really? Is that something any of us should do?

My point of view, of course, is that of a 72 year-old man who on paper died a couple of years ago. So I tend to be cautious.

And I am writing. I was fast before, and even slowed down, I’m still productive. But this reminds me of 9/11 – writers like me, both in books and TV/movies, found themselves wondering if anybody wanted, oh, crime/murder stories anymore, or comedy or music. Turns out we did, but most of us had a sluggish week or two.

This is more than a week or two. I think we’ll find our pace, our groove. But not yet.

* * *

Here’s another lovely Masquerade for Murder review, this time from that terrific writer, Ron Fortier.

Check out this killer Pinterest array of Mike Hammer covers.

Chicago Lightning, the Nate Heller short story collection, gets a nice mention here.

My Batman’s Robin explained in this comics piece. Topic not covered: do I care?

And Road to Perdition is one of the best 100 movies on Netflix right now, sez here.

Stay safe. Stay healthy.

M.A.C.

Centuries & Sleuths Rules!

Tuesday, June 11th, 2019

The signing at Centuries & Sleuths on Sunday afternoon was a lot of fun. Not a big group, but dedicated fans – familiar faces plus a couple who drove 3 ½ hours to see me. As Judy Tenuta says, it could happen.

The occasion was Antiques Ravin’ by Barbara Allan and everybody bought a copy. Barb was charming and funny, and I blathered as usual. Lots of good questions, though, and a young woman impressed me with her knowledge of and interest in hardboiled fiction. How wonderful to find a Millennial female who is a fan of Mike Hammer and loves Velda.

Other fans encouraged me to keep writing Hammer, and I assured them that I had another half dozen books I could write from Spillane material.


M.A.C. and longtime fan Mike Doran

I am writing this Sunday night. Monday Brad Schwartz and I will go to WGN-TV to be interviewed by Larry Potash about E.J. O’Hare, the Capone Outfit crony whose son O’Hare Airport is named for. It’s part of promoting the trade paperback of Scarface and the Untouchable, which was just published. As you may recall, it has additional new material that wasn’t in the hardcover, and a few corrections have been made as well.

Brad appeared at the Printer’s Row book expo on Sunday while Barb and I (Barbara Allan, remember?) did the signing and talk at Centuries and Sleuths.

I do precious few bookstore appearances these days, but Centuries and Sleuths, with its emphasis on history and mystery is special, as are Augie and his wife Tracy Alesky, the owners of the cozy but book-packed shop.


M.A.C. and Augie

Barb and Tracy

Bob Goldsborough showed up, before Barb and I did our talk, to get some books signed by me, and by him to me, as well. He is doing a fantastic job continuing the Nero Wolfe series, and we make an obnoxious mutual admiration society.

* * *

Here’s a terrific review of Last Stage to Hell Junction.

M.A.C.

An Anniversary and a Passing

Tuesday, June 4th, 2019

I celebrated 51 years of marriage to Barbara Jane (Mull) Collins this weekend. The weather was lovely and we had a wonderful time together, which included delicious meals, walks in the sun, the new Godzilla movie, and a successful search for a summer wardrobe for yrs truly. Other details are too intimate to share, but let me say…if I could marry this woman a second time, I would.

I am burying the lede (I hate spelling it that way!), but Barb and I, in our Barbara Allan mode, will be appearing for Antiques Ravin’ at Centuries and Sleuths in Forest Park, Illinois, at 2 pm on Sunday June 9. That’s at 7419 Madison St, Forest Park, IL 60130. The phone there is 708-771-7243. Centuries and Sleuths specializes in history and mystery, so perhaps it’s no surprise that we love it.

* * *

The great portrait artist, Everett Raymond Kinstler, had died at 92 – a long life well-lived. To me, and many others in the world of comics, his portraiture is overshadowed by his early work for the pulps, paperback covers and comic books.

Some of what follows is drawn from my introduction to the Hermes Press collection of pre-Disney Zorro comics.

Several decades ago, when I was just beginning to write the Dick Tracy comic strip, I wrote Everett Raymond Kinstler a fan letter about his Zorro comics. He wrote back, astonished that anyone was still interested in such ancient work, and invited me to join him in his studio at the fabled Player’s Club on my next visit to New York.

I did. He was gracious and friendly, the studio exactly what you’d expect, a high-ceilinged, sunlight-streaming space. He was working on a John Wayne portrait, and I was just becoming aware of what a very big deal this artist was, painter of movie stars and presidents. But what pleased me most was how fond he was – how enthusiastic he remained – about his brief tenure on Zorro. He clearly felt it was his best work in comics.

He was warm and lively and not at all patronizing. He gave me a lovely original that still hangs in my office – the inside front cover of a ‘50s crime comic book (he also gave me a signed copy of his book on painting portraits with a drawing on the flyleaf). I also have a Classics Illustrated page that I bought from Heritage for a relative song a few years ago (pictured here).

As the years have passed, this much-respected artist never shied away from or downplayed his formative years in the pulps and in comics, and that in itself makes him a remarkable man.

I spoke with him maybe ten years ago at a San Diego Comic Con and we caught up. I’ve received lovely Christmas cards from him over the years, and he was very happy that I had managed to get his Zorro art collected in book form by Hermes Press.

Look, this guy encountered – and painted – many of the great figures of the Twentieth Century. And yet he had not a particle of snobbery in his make-up. He loved having worked in the comics.

The book to get about this great man and great artist is Everett Raymond Kinstler: The Artist’s Journey Through Popular Culture – 1942-1962. It’s a hundred bucks at Amazon but Bud’s Art Books has it at bargain prices ($30 for the hardcover, $15 for the trade paperback!). Order it here, but move quickly.

But you should also track down Zorro: The Complete Dell Pre-Code Comics from Hermes Press, which I introduced and edited. It’s out of print and somewhat pricey, but ebay has a couple of copies for around fifty bucks.

Read about Ray Kinstler and see some examples of his work here.

Read one of his great Zorro stories here.

I’ve lost another hero, but if I could live that long, and continue to work at my peak as Ray did, I would be content.

* * *

Here’s an interesting, insightful review of my 1976 novel, Quarry (actually written around 1972).

And, finally, Ron Fortier has reviewed the splendid trade paperback from Brash Books of Black Hats.

M.A.C.

Hey Kids! Book (and Audio) Giveaway!

Tuesday, May 7th, 2019

Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes
Digital Audiobook: Amazon Kobo
Audio CD:

Hardcover:
E-Book: Google Play Kobo
Digital Audiobook: Google Play Kobo

Digital Audiobook: Amazon
MP3 CD: Amazon
Audio CD: Amazon

We have a giveaway again of two books – the new Trash ‘n’ Treasures mystery, Antiques Ravin’, and the new Caleb York western, Last Stage to Hell Junction. Ravin’ is a finished hardcover book and Last Stage a nice, trade paperback-style Advanced Reading Copy, including the color cover. Nine copies of each are available. State your preference but also your willingness to look at the other title as a substitute (or your lack of willingness/interest in doing so).

As usual, the idea is that you will write a review at Amazon and/or Barnes & Noble, or at your own blog (multiple appearances encouraged). I ask only that if you hate the novel you receive in the giveaway, you consider not reviewing it at all; but that’s up to you, of course.

Write me directly at macphilms@hotmail.com. If you have won before, don’t assume I already have your address – you must give me your snail-mail info in that e-mail. No foreign (and this includes Canada) entries.

Ravin’ is out now, so reviews can appear immediately. Last Stage isn’t out till the end of the month (May 28 to be exact), and Amazon won’t run reviews until the book is published. So wait before you submit. Not sure what the Barnes & Noble policy is.

Now for my first audio giveaway. I have three CD versions of Girl Most Likely and three MP3 CD audios of it, as well. You must specify which format(s) you can use. Your review will appear with the regular reviews of the e-book and “real” book write-ups, so I’d encourage you to mention you are reviewing an audio and address the quality of the narration, as well.

Speaking of reviews, Murder, My Love has a rather skimpy number of reviews (although very good ones) at Amazon, and if you’ve read and liked the book, I’d appreciate you weighing in there. Reviews need not be lengthy – you can go long and detailed or short and sweet, as you like.

It occurred to me to do my first audio giveaway here because Barb and I just finished listening to Girl Most Likely as read by Dan John Miller. Dan is a terrific reader, and – as some of you know – he has been the “voice” of Nate Heller for years now. He’s also narrated a Quarry and two Mike Hammer novels, as well What Doesn’t Kill Her and the Reeder and Rogers political thrillers by Matt Clemens and me. He’s a fantastic narrator and in much demand, and I’m lucky to have him.

Remember when I said I wouldn’t talk about Girl Most Likely reviews here anymore? Did you really believe that? Truth is we’ve had many very good reviews (I’ll link to one really nice one below), and continue to hold at four stars on Amazon, with 72 reviews currently. What is different about the Girl Most Likely reviews is the nastiness of the outlying bad reviews, which – as I’ve said – seem largely to come from fans of my more overtly noir-ish material (like Quarry, Heller, Hammer) and from young women with politically-correct agendas.

When the novel came out, I kept track of the reviews at Amazon and Goodreads (including the bizarrely nasty ones from the UK, where readers had access a month early). I did this because Girl Most Likely is published by Amazon – actually, Thomas & Mercer, their mystery/suspense line – and I am keen to keep working with them, so I needed to know what kind of response they were getting.

So, in the process, I got a little battered by the occasional snarky, nasty reviews. This made hearing Dan John Miller read Girl Most Likely (Barb and I listened to it on a recent Chicago trip) a pleasure and, frankly, a relief. It reminded me that I’d been proud of the book when I delivered it, and allowed me to be proud of it now.

I did understand some of the negative response better. Some readers were really put off by the cover labeling the novel “A Thriller.” What a thriller is, exactly, no one really knows. Like noir, it’s a term that everyone defines for themselves and then holds others to that definition.

Otto Penzler, for example – a mystery fiction expert if ever there was one – holds the ludicrous position that no private eye book or movie can be considered noir. Okay, but nobody told Chandler that when he wrote the Marlowe novels and certainly nobody told Mickey Spillane when he created Mike Hammer. One Lonely Night isn’t a noir novel? Kiss Me Deadly isn’t a noir movie? Otto, you prove that an informed opinion is still just an opinion.

The closest I can come to defining the modern thriller is that it has, well, a lot of thrills in it – action and suspense – and the antagonist is known to the reader and the protagonist. In other words, not a mystery.

But I conceived Girl Most Likely as a hybrid of thriller and mystery. The killer would get point of view chapters, but I would withhold the killer’s identity and add a mystery aspect to the plot. This seems to have wildly confused certain readers. (By the way, the killer’s chapters are not “first person,” as many reviewers have stated – they are in second person.)

A good number of reviewers – both amateur and professional – have gotten hung up on the thriller definition provided by the cover. One particularly smug reviewer at Amazon said the novel was a “cozy.” Right. A cozy with three on-stage butcher knife slayings by a maniac, and a nighttime chase in the woods by said butcher knife-wielding maniac of the two protagonists, with the maniac (SPOILER ALERT) dying a graphically bloody death, as well. Yessir, a cozy. Pass the tea and cookies.

Probably what hearing the audio did for me was remind me that some of the things certain people don’t like about the book – the lack of a tough guy hero, the somewhat abrupt (Spillane-style) finish, the clothing and physical descriptions, the setting descriptions, the Chicago mob sub-plot – were all very deliberate choices. And I don’t regret one of them.

A writer of fiction, as I’ve noted here before, is collaborating with each reader. I always assume that the reader is at least as smart as I am, and this has never really failed me. Yet not all readers, even very smart ones, know how to meet a book (or a film or a piece of music) on its own terms. And, of course, not everyone’s taste is the same.

Take Antiques Ravin’. There are four “trade” magazines in the publishing business, and these days it’s rare for a book in a long-running series to get reviewed at all. Just scoring a notice from one of these publications – even if it’s a negative review, and these are all tough places to get good reviews – is a big deal these days, for a novel in a series.

But take a gander at these (all of these originally included lengthy plot summaries):

“The melodramatic Vivian and pragmatic Brandy play off each other like foils in a 1930s screwball comedy, and Poe puns, witty asides, and quirky townspeople keep things light. Series fans and newcomers alike will have fun.”
–Publishers Weekly

“Plenty of plausible suspects make this one of the best in Allan’s long-running series, which is always humorous and full of tips for antiques hunters.”
–Kirkus Reviews

“Framed effectively by the antique business, and including plenty of details about Poe and his work, this satisfying, humorous cozy – with its well-drawn, quirky characters – is a hoot. Chapters end with tips on how to collect rare books.”
–Booklist

“Wordplay and fun references to Poe combine in this humorous cozy follow-up to Antiques Ho-Ho-Homicides. The humor is doubled with two narrators, Brandy and Vivian, who are supposedly writing a ‘nonfiction true crime account’ of this latest mystery.”
–Library Journal

That, my friends, is a Grand Slam, and I don’t mean at Denny’s. I can’t think of another time in my career when I got reviewed by all four of these trades, and favorably, in one fell swoop.

And yet the Lesa’s Book Critiques blog finds the humor too broad in Ravin’, complaining about the wordplay, even though she admits, “Their characters certainly are original, and, as I said, the mystery is actually well done,” but she “won’t be picking up the fourteenth in the series, but I know this cozy series has a devoted following.”

Is Lesa wrong?

No, Lesa knows what she likes, and her review is well-written and thoughtful. But we are not to her taste. Humor is a very personal thing. So she doesn’t make a good collaborator for us. But she does not go off on a hissy fit about it, or a snarky rant either.

Barb and I knew from the beginning that the Antiques novels would not be to everyone’s taste. I knew the same thing about Quarry, even back in 1972 when I created him. What I wanted to do – and what Barb and I, as “Barbara Allan,” wanted to do – was create something of our own. Something distinctive.

When you do that, you won’t please everybody. Of course, nothing pleases everybody, but with Quarry, and with the Antiques series, we knew that we would turn a certain number of people off. But we also knew, instinctively, that the people who connected with us – who were good and, well, worthy collaborators – would love what we were doing.

Now, the tricky thing for me is that I have rather broad tastes, and somewhat oddball ones at that. So I have had to come to terms with the fact (and it is a fact) that very few readers out there are going to like everything I do. That within my readership will be groups who only like this, or only like that.

Here’s an example. A good number of Quarry fans won’t read Heller because the books are long. If you read both series, you know how compatible they are, thematically and stylistically and so on. But a Heller novel is a commitment for the reader (just as it was to me). And some fans of a certain style of novel – think Gold Medal Books – just don’t know how to handle a book that’s 100,000 words long.

Here’s another. Some readers of comic books (okay, graphic novels) are not anxious to read prose novels. They are fans only of my comics work. To me, the idea that you would love Ms. Tree, but not gravitate as well to Quarry and Nate Heller is nonsensical. But there it is. And even more common is the reader of my novels who disdains comics. Look at the Amazon reviews of my graphic novels and you’ll see outraged one-star reviews – “This is a comic book!”

As we say in the funnies, sigh.

So what can I do about it?

Not a damn thing. Somebody once said something about following a quest and following a star. Of course, hopeless was in there, too, but what the hell.

Anyway, no more talk about reviews.

I promise.

* * *

At J. Kingston’s Pierce’s wonderful Rap Sheet, he announces the honor that A. Brad Schwartz and I have received for Scarface and the Untouchable. Very cool – do check this out.

A lot of you seem interested in my appearance (and my Scarface co-author’s) in the Dick Tracy strip (thanks to my pal, writer/cop Jim Doherty). This link will take you to a nice write-up about the continuity, with more links to read the entire thing.

Here is a lovely review for Girl Most Likely.

Check out this nice review and interview with me for Girl Most Likely. This was an actual phone interview as opposed to the usual e-mail one.

Another nice Girl interview here, with fun graphics.

Finally, I don’t exactly know what this is, but it looks like a good deal – a “book bundle” that includes some titles of mine.

[Note from Nate: I’ll copy Humble’s explanation below. The short version is: DRM-free highly discounted bundles of eBooks that benefits charity. This bundle includes The Consummata and the Mike Hammer and Quarry’s War graphic novels at the $1 tier, The First Quarry at the $8 tier, and Seduction of the Innocent at the $15 tier.]

The best in hardboiled crime fiction. Ranging from lost noir masterpieces to new novels and comics, these ebooks feature jaw-dropping cover paintings and hold your attention from the first sentence to the last page. With determined detectives, dangerous women, vengeance seekers, and fortune hunters galore, you won’t be able to put these novels down!

Pay $1 or more. Normally, the total cost for the comics and ebooks in this bundle is as much as $333. Here at Humble Bundle, you choose the price and increase your contribution to upgrade your bundle! This bundle has a minimum $1 purchase.

Read them anywhere. The comics in this bundle are available in CBZ, PDF, and ePub formats, so they work on your computer, e-readers, iPads, cell phones, and a wide array of mobile devices! The ebooks in this bundle are available in PDF and ePub formats, so they work on your computer, e-readers, iPads, cell phones, and a wide array of mobile devices! Instructions and a list of recommended reading programs can be found here for comics and here for ebooks.

Support charity. Choose where the money goes – between the publisher and the ACLU via the PayPal Giving Fund. If you like what we do, you can leave us a Humble Tip too!

M.A.C.