Posts Tagged ‘Awards’

Shamus Nay, Scribes Yay

Tuesday, June 9th, 2015

The Private Eye Writers of America announced their nominees for the Shamus awards and, alas and alack, my entries (the novel KING OF THE WEEDS and the short story “It’s in the Book”) were not among them. My congratulations to the nominees, but you’ll have to look elsewhere for lists I’m not on.

Better news for the same two titles comes by way of the Scribe awards. This is a trifle late, having been announced elsewhere a couple of weeks ago, but here goes just the same:

The Ninth Annual Scribe Awards

The International Association of Media Tie-In Writers is pleased to announce the Scribe Award Nominees for 2015.

Acknowledging excellence in this very competitive field, IAMTW’s Scribe Awards honor licensed works that tie in with other media such as television, movies, gaming, or comic books. They include original works set in established universes, and adaptations of stories that have appeared in other formats and cross all genres. Tie-in works run the gamut from westerns to mysteries to procedurals, from science fiction to fantasy to horror, from action and adventure to superheroes. Gunsmoke, Ghost Whisperer, CSI, Star Trek, Star Wars, Shadowrun, Underworld, Man from UNCLE, Doctor Who, Buffy the Vampire Slayer, these represent just a few.

The Scribe Award winners will be announced at ComicCon San Diego in July. The exact day, time and location of the Scribes Panel including the award ceremony will be announced shortly.

IAMTW congratulates the following nominees:

BEST ORIGINAL NOVEL – GENERAL
24: Deadline by James Swallow
Murder She Wrote: Death of a Blue Blood by Don Bain
Mike Hammer: King of the Weeds by Mickey Spillane and Max Allan Collins
Homeland: Saul’s Game by Andrew Kaplan
The Killing: Uncommon Denominator by Karen Dionne

BEST ORIGINAL NOVEL – SPECULATIVE
Sleepy Hollow: Children of the Revolution by Keith R. A. DeCandido
Grimm: Chopping Block by John Passarella
Star Trek: Disavowed by David Mack
Star Trek: Foul Deeds Will Rise by Greg Cox
Grimm: The Killing Time by Tim Waggoner
Pathfinder: The Redemption Engine by James Sutter
Fringe: Sins of the Father by Christa Faust

ADAPTED NOVEL – GENERAL AND SPECULATIVE
Dawn of the Planet of the Apes by Alex Irvine
Noah by Mark Morris
War of the Worlds: Goliath by Adam Whitlach

YOUNG ADULT – ALL GENRES, ORIGINAL AND ADAPTED
Spirit Animals: Blood Ties by Garth Nix and Sean Williams
Battletech: The Nellus Academy Incident by Jennifer Brozak
Penguins of Madagascar by Tracey West

SHORT STORIES
Pathfinder: Hunter’s Folly by Josh Vogt
Mike Hammer: It’s in the Book by Max Collins and Mickey Spillane
Stargate: Perceptions by Diana Botsford
Pathfinder: Queen Sacrifice by Steven Savile
Tales of Valdemar: Written in the Wind by Jennifer Brozek

AUDIO
Dark Shadows: The Darkest Shadow by Nev Fountain
Dark Shadows: The Devil Cat by Mark Thomas Passmore
Blake’s 7: Fortuitis by George Mann
Doctor Who: Iterations of I by John Dorney
Pathfinder Legends: The Skinsaw Murders by Cavan Scott

The awards will once again be presented at San Diego Comic-Con International. And there will be a 40th anniversary of Quarry panel at the con, as well – details for both are forthcoming.

Here’s a nice little article about Barbara Allan and ANTIQUES SWAP.

And here’s a good take on SWAP from Not the Baseball Pitcher.

Finally, here’s a so-so review from Library Journal of THE LEGEND OF CALEB YORK – always good to get reviewed in the trades.

M.A.C.

Supreme Resolutions

Tuesday, December 30th, 2014

This is the time for making New Year’s Resolutions, and mine are fairly typical – lose weight, spend less, that kind of thing. It may not be possible at this late date, but I would like to spread my work out over the year, instead of having it front-loaded as it’s been the last several, punishing years. Though it feels like a plot against me, the reality is that the various editors and publishers I work for have their own agendas, and by accident those agendas want me to deliver promised books in the first six or seven months of the year.

Part of why I’ve gone along with that is to save the second half of the year for a Nate Heller novel. I have been working on the new Heller novel, BETTER DEAD, for several months now (much longer, factoring in the research, which remains on going). It’s been a tough one because it covers two cases and the research just never lets up. The process is start/stop because each chapter – frequently covering two major scenes – requires in depth research. Thank God for the Internet, and a pox upon ye all non-fiction works that lack an index.

The relative slowness of the process this time (not slow by almost anybody else’s standards, I admit) means I’ll be delivering the book a little late – not much, probably a week or even a few days (it’s due Jan. 1). But those days eat into the time allotted for the next book, and endanger the break of a week or so I need to take between projects just to recharge, and to do smaller promised projects, and guide my brain onto a new track. On top of this (not seeking “get well” cards or anything), I am still fighting, after two weeks, a bronchial virus that has hit this part of the Midwest pretty bad.

Writers don’t get sick leave, and deadlines don’t give a damn. The answer here is for me not to be so quick to say yes to deadlines suggested by editors with their own needs. I don’t have a handle on this, but I’m going to have to get one. Fortunately, this virus is limited strictly to a nasty cough, so I have been able to work through it, admittedly at a slower pace than normal.

Not looking for sympathy here – my late friend Paul Thomas used to say, “If you’re looking for sympathy, it’s been ‘shit’ and ‘syphilis’ in the dictionary.” But there are some opportunities on the horizon – having to do with television – that could change the way I organize my writing affairs drastically.

Stay, as they say, tuned.

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Check out the TV program “Books Live: Books We Love,” featuring Amazon editors talking about their favorite book picks in the mystery and thriller, science fiction, romance, and general fiction categories. SUPREME JUSTICE is featured as a top pick in the mystery genre – discussed by Thomas & Mercer editor Alison Dasho and host Laure Roppe. In addition, a reader “thank you” I taped at Bouchercon is included in the segment. You can view the program here: http://www.amazon.com/b/?node=10126410011

I’m pleased to say that SUPREME JUSTICE was also chosen by Suspense Magazine as one of the Best Books of the Year.

Best of Suspense 2014

The editors of Suspense Magazine asked me to answer a few questions, and here they are:

If your book had a soundtrack what would be its signature song?

“America the Beautiful” sung by Ray Charles.

If you could go ‘into’ a book (any book) and live there for a bit, which book would it be? And which character would you be?

I’d like to be Archie Goodwin in just about any Nero Wolfe mystery by Rex Stout.

What is the best book you read in 2014?

Fiction: Jack Carter’s Law by Ted Lewis (I did the introduction for this American edition of the prequel to the classic British crime novel, Get Carter).

Non-fiction: Masters of Sex by Thomas Meier

I’d also like to announce that starting with the next Reeder & Rogers thriller, my collaborator Matthew V. Clemens will be receiving cover billing. This is much deserved and I’m grateful to Thomas & Mercer for allowing me to do this.

By the way, SUPREME JUSTICE is well over 3000 reviews at Amazon now.

Here’s a nice year’s-end recognition of KING OF THE WEEDS.

THE PEARL HARBOR MURDERS (published some time ago) somehow made a “best of” list, too!

SUPREME JUSTICE shares the spotlight with Ed Gorman’s RIDERS ON THE STORM as two great year’s end reads. Nice company to be in!

Finally, SUPREME JUSTICE hit this ten best list, as well. Remember, none of these lists is valid or worth your consideration…unless one of my books is on it.

M.A.C.

Cosby, Capp and Blake

Tuesday, December 9th, 2014
Hickey & Boggs

A few days ago I received in the mail a long-ago pre-ordered blu-ray of HICKEY & BOGGS (1972), one of my favorite private eye movies; it’s an early script by Walter Hill and stars its director, Robert Culp, reunited with his I, SPY co-star, Bill Cosby. A few years before his death, Culp was at the San Diego Con and I was able to chat with him briefly and tell him how much I loved his movie; he seemed very pleased, and would be no doubt be thrilled by the availability of the film. I haven’t watched the disc yet, but I wonder if it’s going to be hard to get past Cosby’s presence in the light of the media storm around him.

I am frankly still trying to sort out my feelings about the Cosby scandal. Based on the where-there’s-smoke-there’s-fire theory, he seems to be a sexual sociopath; but the common aspects of the stories his alleged victims tell are so public, making up a new one wouldn’t be that tough. Public figures are easy targets, and I have to wonder how many famous actors and rock musicians who caroused their way through the Swinging Sixties and the sexual revolution of the Seventies aren’t just a little bit nervous right now. Do you really imagine every groupie Mick Jagger partied with was of legal age?

The best that can be said for Cosby is that he has been a hypocrite, spouting family values and peddling wholesome kiddie entertainment and telling young black men how to behave. You can’t be a pudding pitchman and America’s favorite TV dad and also hang out at the Playboy Mansion (as a married man) and not come up smelling like Brut.

It shouldn’t be necessary to say it, but women are correct that no means no, and that dressing provocatively is not an invitation to dine. At the same time, if I were the father of a gorgeous teenage daughter heading out to a party at Caligula’s place, I just might advise her that she’s putting herself in harm’s way.

Rich and powerful men – and show biz figures are often regular folks who rose (from poverty, in many cases) to dizzying heights – often think decadence is a privilege. But even if Cosby is the monster he’s being made out to be, should the court of public opinion pass the ultimate verdict? I’m just asking. When the journalistic landscape is blurred with blogs, and even Rolling Stone messes up on this very same issue of sexual misconduct (on campus), aren’t we being urged to listen to our basest instincts? Cosby has never been criminally charged. Allegations of misconduct many decades old are as unreliable as memories of that vintage.

My favorite comic strip is Li’l Abner, and I consider Al Capp a genius – a great writer, satirist, artist. But I have long struggled with the sexual misbehavior of Capp’s last years (concurrent with a shrill swing to the right in his comic strip, lessening its impact and its legacy). I dealt with this in my novel STRIP FOR MURDER, for which I’ve taken some heat as a Capp basher. I am anything but a Capp basher – he probably has few bigger fans. But he seems, tragically, to have fallen prey either to mental illness or his worst demons. Or perhaps it’s as easy (and hard) as this – a bad human being can also be a great artist.

The Capp conundrum has never stopped me from enjoying Li’l Abner. On the other hand, I can’t watch a NAKED GUN movie without squirming when O.J. is on screen. And Robert Blake was once a favorite of mine, but since the murder of his wife, I can’t watch anything he’s in. Will I react the same way to HICKEY & BOGGS? Don’t know yet.

Jackson Pollock killed a young woman and injured another when, in a deep drunken depression, he crashed his car. He killed himself, which is an artist’s privilege, but what the hell business did he have endangering one woman and murdering another? Does that make his art invalid? Does it put the splatter into his splatter paintings? I honestly don’t know.

Artists – and I include writers and film people and painters and our entire sorry breed – are all, to some degree, messed up. My wife Barb, in her wisdom, says that all an artist owes us is the art. God knows what Sinatra did behind closed doors, but oh when he was at the microphone. Bing Crosby beat up his boys, and two or three of ‘em killed themselves; but what would Christmas be without Der Bingle?

I would like to think that I will have no trouble watching HICKEY & BOGGS or episodes of I, SPY (I’ve never seen an episode of Cosby’s famous sitcom). But I’m not sure. I seem to be selective about who I forgive. Still, I come away with two things: Barb’s notion that artists only owe us their art; and my notion that the Internet is not the place to go for a fair trial.

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ASK NOT did not win the Nero, an award I very much covet because (among other reasons) it is so damn cool looking. The winner was my friend David Morrell. Read all about it here.

Check out this nice review of THE GIRL HUNTERS blu-ray.

This is a lovely write-up about the Shamus Awards banquet at the recent Bouchercon.

Here’s a great review of the Nate Heller novel, MAJIC MAN.

What do you know? Some kind words about my BATMAN work, specifically the short story “Sound of One Hand Clapping.”

Finally, here’s a very interesting look at Warren Beatty’s half-hour “sequel” to the DICK TRACY film, co-starring my pal Leonard Maltin.

M.A.C.

21 Years Later—A Third Shamus!

Tuesday, November 18th, 2014

I’m afraid my long streak of losing the Shamus has been broken – “So Long, Chief,” the Spillane/Collins story that appeared in the Strand magazine and was nominated for an Edgar – won the Shamus Best Short Story award Friday night at the PWA banquet in Long Beach. Very gratifying to have the Spillane/Collins collaboration receive this kind of validation.

Bouchercon 2014
MAC Receiving 2014 Shamus Best Short Story for “So Long, Chief”

All the winners are at this link.

Bouchercon 2014
Left to right: Grant Bywaters, Sue Grafton, Brad Parks, Lachlan Smith, M. Ruth Myers, M.A.C.

The event was well-attended – over one hundred in a packed room at Gladstone’s restaurant – and the reviews were generally very good. Barb and I filled in for usual hosts Bob Randisi and Christine Matthews, as Bob is recovering from eye surgery and not able to travel. The food was quite good, and the service too, and the waterfront setting nicely noir; but the venue wasn’t ideal – poor sound system and rather crowded, with a cramped presentation area. But a certain sense of intimacy was created.

Bouchercon 2014
Barb and S.J. Rozan, who is about to present the Best Paperback Award

Speeches were short and to the point, and warm memories of Jerry Healy and Marty Meyers, both of whom we lost this year, made for a somewhat bittersweet mood (as did the absence of Bob and Christine). The two big names in female P.I. fiction made a rare joint appearance, as Sara Paretsky presented the Best Novel Award, and Sue Grafton picked up the “Hammer” award for her character Kinsey Millhone – that award, named for Mike Hammer, goes to a character that has had a big impact on the genre as well as longevity.

Bouchercon 2014
Barb presenting the Hammer Award to Sue Grafton

For me – beyond the highlight of winning a Shamus after a 21-year dry spell, what the Private Eye Writers of America banquet meant was the end of a rewarding if punishing first full day at Bouchercon.

Bouchercon 2014
Kensington editor Michaela Hamilton, agent Dominick Abel, and Barbara Collins

It began with a breakfast with my TOR/Forge editor, the funny and very smart Claire Eddy, as we discussed Nate Heller’s future (which is of course in the past). At eleven I did a two-hour interview (with a full camera crew) for Thomas & Mercer, creating material for a new Kindle mystery site. Then back to the convention hotel (the modernistic and rather unfinished-looking Hyatt) for an hour-and-a-half signing of ASK NOT at a TOR-sponsored hospitality suite event. From there came a 3:00 panel on obscure but worthwhile mystery writers (I did Ennis Willie, Horace McCoy and Roy Huggins, as well as made a case for Rex Stout’s Nero Wolfe series as a hardboiled private eye series of comparable stature to Hammett, Chandler, and Spillane). Always fun to be on a panel with the great Gary Phillips, and audience members were taking notes like a bunch of court reporters.

Bouchercon 2014
Left to right: Sarah Weinman, M.A.C., Gary Phillips, Charles Kelly, Sara J. Henry, Peter Rozovsky

Immediately thereafter, I appeared on a panel on screenwriting and adapting books to film – well-attended and pretty good, but a little “inside” – after which Barb and I ran over to the restaurant to put the PWA banquet in motion.

First thing Saturday, Barb was on a terrific panel – one I frankly had figured would be pretty thin (pets in mysteries) – where she really knocked it out of the park. The other panelists were also very strong and (almost) as funny as Barb. After that, we did our only Con-sponsored signing, as there had been no time the day before to sign after my two panels. Immodestly I will say that we had a huge line and I signed non-stop for an hour and a half, during much of which Barb was signing, too. Such great people, such enthusiastic readers. What a joy.

More meetings followed, with editors from Thomas & Mercer and Kensington, all positive and fun. T & M presented me with a plaque for selling 175,000 copies of SUPREME JUSTICE in June 2014 alone. Our friend and editor Michaela Hamilton (whose guy Eugene George generously provided some of the pics here) talked to Barb and me about the ANTIQUES series, and some Caleb York brainstorming went on as well.

The con flew by, obviously, and since we’re having nasty Iowa weather (it’s 12 degrees as I write this), that California sun (and Ocean breeze) (and palm trees) were tough to leave behind. It was gratifying to meet and talk to so many fans, but unfortunately a lot of them were surprised to find us there. Both Barb and I were left out of the program book, though we had submitted mini-bios and pics as requested; and my name was spelled inconsistently in the schedule of panels and on my name tag (lots of “Allen”). It’s a byproduct of Bouchercon being a fan-run con – though that is part of its charm – because the tastes of local fans can lead to some sloppy handling of authors attending.

Bouchercon 2014
Phoef Sutton, M.A.C., Lee Child, and Lee Goldberg

SPOILER ALERT: Bitch session follows.

I will present my personal award for general crappiness to American Airlines. Sunday was a nightmare getting home. American Airline neglected to inform us that the last leg of our flight home (Moline) had been cancelled – we only found out semi-accidentally, getting ready to board a flight to Dallas/Fort Worth when we volunteered to check our carry on items. At that point the counter guy stumbled onto the info that we couldn’t get home from Dallas today. So we didn’t board and sought out the customer service area, where a long line of displaced customers stood like Titanic passengers hoping to find room in a life boat. There one chatty employee was blithely handling everybody in an I-have-all-the-time-in-the-world manner.

I had better luck with an AA 800 line rep, although much of the news was bad – even if we went to Dallas/Ft. Worth and got a hotel room, there were no Moline flights out the next day. Our Long Beach Bouchercon trip seemed about to include two days (minimum) in Dallas. Finally I re-routed to Chicago, where there were also no Moline flights available, but with some difficulty I was able to line up a rental car for us to drive home. Again, no help from AA – they seized just about everybody-on-the-flight’s carry-on bags (ours had already been sized and deemed well within bounds by AA staff on entry of the terminal), and sent them to baggage claim, dooming us all to lost time. Then, to top off their service from hell, they gave us the wrong baggage claim carousel number – I just happened to spot what looked like our carry-ons down at another carousel, where they were taking a ride to oblivion. So AA cost us yet more time, when it was already 11 p.m. The Enterprise rental car outfit was terrific, however, as was National, the sister company through whose 800 number I was able to find a car to get us home.

At 3:15 a.m.

So farewell, American Airlines! Allow me to middle-finger salute you as you fly into that so richly deserved oblivion where you dispatched the carry-ons that you had so feverishly wrested from our grasp.

* * *

Here’s a terrific review of ASK NOT at I Love a Mystery. Full disclosure: it’s by Larry Coven, who appeared in my films MOMMY’S DAY and REAL TIME: SEIGE AT LUCAS STREET MARKET.

And check out this nice DEADLY BELOVED review at the Just a Guy That Likes to Read blog.

M.A.C.