Posts Tagged ‘Barbara Allan’

“Please Sir, I Want Some More…”

Tuesday, May 9th, 2017

The International Association of Media Tie-In Writers has announced the Scribe Award Nominees for 2017, and I pleased to have three nominations.

Acknowledging excellence in the tie-in field, the IAMTW’s Scribe Awards honor licensed works that tie in with other media such as television, movies, gaming, or comic books. They include original works set in established universes, and adaptations of stories that have appeared in other formats and that cross all genres. Tie-in works run the gamut from westerns to mysteries to procedurals, from science fiction to fantasy to horror, from action and adventure to superheroes.

The Scribe Award winners will be announced at ComicCon San Diego in July. The exact day, time and location of the Scribes Panel including the award ceremony will be announced once it’s known. I am weighing whether or not I’ll be attending this year – if I am, I will host the panel. If not, I have a distinguished author lined up to take over for me.

Here are the nominees:

Adapted – General and Speculative
Assassin’s Creed by Christie Golden
Road to Perdition by Max Allan Collins
Suicide Squad by Marv Wolfman

Audio
Dark Shadows: Blood & Fire by Roy Gill
Torchwood: Broken by Joseph Lidster
Torchwood: Uncanny Valley by David Llewellyn
Doctor Who: Mouthless Dead by John Pritchard

General Original
24: Trial by Fire by Dayton Ward
Don Pendleton’s The Executioner: Missile Intercept by Michael Black
Murder Never Knocks by Mickey Spillane and Max Allan Collins
Robert B. Parker’s Slow Burn by Ace Atkins
Tom Clancy’s True Faith and Allegiance by Mark Greaney

Short Fiction
“A Dangerous Cat” by Mickey Spillane & Max Allan Collins
X-Files “Drive Time” by Jon McGoran
X-Files “An Eye for an Eye” by George Ivanoff
X-Files “Love Lost” by Yvonne Navarro
X-Files “XXX” by Glenn Greenberg

Speculative Original
Assassin’s Creed: Heresy by Christie Golden
Warhammer: 40,000 Warden of the Blade by David Annandale
Star Trek: Elusive Salvation by Dayton Ward
Supernatural: Mythmaker by Tim Waggoner

* * *
Edgar winners 2017
Edgar winners 2017

My thanks to all of you who wrote comments here or dropped me e-mails, or even called, to congratulate me on the MWA Grand Master award.

Your kind thoughts, and this award, mean a great deal to me. My career has included so many different kinds of things that an award for the body of work is especially meaningful. For example, no Edgar category is available for a graphic novel like Road to Perdition; no category acknowledges something like the long-running Ms. Tree. A series like Nate Heller or Quarry, however well-received and influential, rarely has one of its entries singled out for an Edgar nomination.

So this feels especially gratifying. Thank all of you, including the MWA.

Thank you, too, those of you who requested books in our recent giveaway and are starting to post Amazon (and other) reviews. For the rest of you, Amazon and B & N reviews (and they can be very brief) would be much appreciated for the new books – Executive Order, Antiques Frame (Barbara Allan), The Will to Kill, and the paperbacks of Murder Never Knocks and The Big Showdown.

* * *

I know what you’re thinking – what movies have you walked out of lately? Well, Barb and I have been trying to be smarter, making our movie selections more discriminately.

That doesn’t mean we skipped Fate of the Furious – we just went in with our eyes open. And it was the big, dumb fun we expected, if even bigger and dumber. Dumbest thing? The great Jason Stratham phoning Vin Diesel to report the latter’s kidnapped baby boy has been saved before the gunfight to do so begins. Well, that and just about every law of physics being broken. Best laugh: the sincere family prayer at the end from Diesel. Yes, I enjoyed the film, but I hated myself in the morning. No – in the parking lot.

Needing no apologies for liking it is Guardians of the Galaxy Vol. 2, one of the best films of its kind I’ve ever seen. A perfect continuation of the first installment (in which this one is carefully set up), Guardians 2 combines thrills and laughs with offhanded skill – whenever it threatens to get sentimental, the movie quickly slaps us silly with a cynical pay-off or aside…somehow never undercutting the growing affection the characters have for each other. What director/co-writer James Gunn has done is draw far less on Marvel’s convoluted universe and more on Firefly/Serenity and classic Star Trek, which was a very good call indeed.

* * *

Check out this great review of The Big Showdown at Gravetapping.

I receive a nice mention at this Detectives Without Borders posting.

And this one, too.

Here’s a piece about villains who had balls enough to visit the Batcave, featuring my Tommy Carma.

Finally, here’s a nice review of Better Dead, posted a while back that I only just ran across.

M.A.C.

Antiques Frame Just Published

Tuesday, April 25th, 2017

Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes
MP3 CD:

This week Antiques Frame, the latest “Trash ‘n’ Treasures” mystery by Barb and me (writing as Barbara Allan), goes on sale. There’s also an audio book, which we’ve sampled but haven’t listened to all the way through, though the narrator this time is much more to our liking.

I realize that certain of my readers may not be inclined to pick up a “cozy” mystery, but some reviewers have realized that the series is in part a tongue-in-cheek send-up of that genre, and also that the novels have a certain edge, even if they aren’t Mike Hammer or Nate Heller or Quarry.

This particular novel has special meaning for me – not because it’s my favorite in the series (that might be Antiques Fate, just out in mass market paperback) but because it represented a real breakthrough for me. Antiques Frame was the first book I (co-)wrote after my open-heart surgery and the stroke I had, just for fun, on the operating table. As regular readers here may recall, I woke up in the hospital to a right arm and, to some degree, right side that were as useful as a broken hinge.

At the hospital I had both physical therapy and occupational therapy, and was helped by a number of terrific people in those disciplines. My right side came back within days – I was walking well and able to do the exercises asked of me, from riding stationery bikes to going up and down stairs. But my right hand remained feeble. The idea of typing with it again seemed abstract. The most disheartening thing was that I had lost my signature.

The doctors and therapists assured me I would get my right hand back, and the doctors especially implied the use would just back on its own. Not true. I had to work hard at it, with exercises ranging from rubber band contraptions to just flat out trying to write my name over and over again.

For a writer, the loss of his or her signature is a blow to the ego, to the very idea of identity. I was determined to get it back. But my biggest fear was losing the ability to type with both hands. Fortunately, almost immediately, I had some ability to use the hand – weak as hell, though. At home I soon found that a computer keyboard is sensitive enough that very faint pressure is all that’s required. My typing style is two-fisted, having trained on (and for a long time using) manual typewriters.

So my left hand was typically strong and my right weak as a kitten. This required backing off on my left. I began writing e-mails and this weekly blog. Very soon I was able to type passably well, and the first project I tackled – still spending time with physical and occupational therapy, for several weeks here at home before going to a facility – was my draft of Antiques Frame.

Again, if you’re a regular visitor here you may know how Barb and I operate on these books. We come up with a title and a basic plot, and sometimes plot the books together and sometimes our plotting session has been good enough that Barb can break down the chapters in an outline of sorts herself. She also does character lists and time lines. The book had been plotted, roughly, before my hospital stay.

She writes a rough draft, usually 200 to 250 pages. I then write my draft of 300 to 325 pages, mostly adding jokes and polishing, plus expanding dialogue. This time she wrote a good deal of her draft in my hospital room on a laptop. As the books are humorous mysteries, I’m not sure how she managed that.

When I began working on the book, I discovered that she had (not surprisingly) done a fine job, but (somewhat surprisingly) the humor quotient was typically high. In my diminished state, I hoped I could keep the thing funny, too. Frankly, I was hoping it would just be in English. But the effort went well, and working on a “Barbara Allan” was the perfect way for me to get back up on the writing horse and write/ride.

My right hand came back within a couple of months, pretty much strong as ever. And several more months later, when the galley proofs arrived of Antiques Frame, I swallowed hard and sat down to read them. I was amazed to find out the book was not only in English, but a solid and very funny entry in the series. It’s a reminder that writers live chiefly in their heads – their physical state is something they have to deal with, obviously, but as long as the mental engine is firing on all cylinders, the rest is incidental.

The other thing I learned is how good my wife has gotten at writing, and how generally wonderful a woman she is – actually, I already knew, but the experience of taking my pass on Antiques Frame was sweet confirmation.

* * *

Barb and I are preparing for our NYC trip for the Edgar awards and my receiving the Grand Master award. That’s on Thursday evening. For those of you in the New York area, here’s the line-up for the Wednesday Edgar-week symposium, which includes Charles Ardai of Hard Case Crime interviewing me.
Symposium Schedule

Cost: $95 members; $125 non-members – with a $15 retroactive discount for those who join MWA within 30 days after.

8:30 – 8:50: Registration

8:55 – 9:00: Welcome – MWA’s Executive Vice President – Donna Andrews

9:00 – 9:50: Meet the Class of 2017 – Best First Novel Nominees
Moderator: STEFANIE PINTOFF, 2010 Best First Edgar Winner (City on Edge, Bantam)
Panelists: Flynn Berry (2017 Best First Edgar Nominee – Under the Harrow, Penguin Books)
Bill Beverly (2017 Best First Edgar Nominee – Dodgers, Crown Publishing)
Joe Ide (2017 Best First Edgar Nominee – IQ, Little, Brown & Co – Mulholland Books)
Nick Petrie (2017 Best First Edgar Nominee – The Drifter – G.P. Putnam’s Sons)
Lili Wright (2017 Best First Edgar Nominee – Dancing with the Tiger – Marian Wood/Putnam)
Heather Young (2017 Best First Edgar Nominee – The Lost Girls – William Morrow)

10:00 – 10:50: From the Writer’s Desk, Part 1
Grand Master Max Allan Collins interviewed by Charles Ardai

11:00 – 11:50: Just the Facts – If you’re not writing what you know, you’re writing what you want to know – and today’s savvy reader will send you a note if you get it wrong, How do writers of fiction and nonfiction crime approach research? When do they know they’ve researched enough?
Moderator: LAURIE R. KING, MWA NorCal Chapter President (Murder of Mary Russell – Bantam)
Panelists: Ruth Franklin (2017 Best Critical/Bio Nominee – Shirley Jackson – W.W. Norton)
Laurence Leamer (2017 Best Fact Crime Nominee – The Lynching – William Morrow)
Kate Summerscale (2017 Best Fact Crime Nominee – The Wicked Boy – Penguin Press)
Caroline (Charles) Todd (2017 MHC Award Nominee – The Shattered Tree – William Morrow)
James Ziskin (2017 Best PBO Nominee – Heart of Stone – Seventh Street Books)

11:50 – 1:00 Lunch Break (On Your Own)

1:00 – 1:50: Nursery Noir – Writers of mysteries for young readers may have the toughest audience of all. How do dark stories translate for the teen and tween set? How do adult writers get into the minds – and hearts – of kid readers?
Moderator: LORI RADER-DAY, MWA Midwest Chapter President (The Day I Died – William Morrow)
Panelists: Brent Hartinger (2017 Best Young Adult Nominee – Three Truths and a Lie – Simon Pulse)
April Henry (2017 Best Young Adult Nominee – The Girl I Used to Be – Christy Ottaviano Books)
Sarah Lariviere (2017 Best Juvenile Nominee – The Bad Kid – Simon & Schuster BFYR)
James Ponti (2017 Best Juvenile Nominee – Framed! – Aladdin)
Billy Taylor (2017 Best Young Adult Nominee – Thieving Weasels – Penguin YR – Dial Books)
Susan Vaught (2017 Best Juvenile Nominee – Things Too Huge to Fix by Saying Sorry – Paula Wiseman Books)

2:00 – 2:50 Liars Club – Liars, cheats, thieves, murderers – and, sometimes, those are the protagonists. How do writers create characters that keep readers up at night? How do they create empathy in characters who make bad guys look pretty good?
Moderator: JEFFERY DEAVER, 2017 MWA President (The Burial Hour – Grand Central Publishing)
Panelists: Laura Benedict (2017 Best Short Story Nominee – “A Paler Shade of Death” – St. Louis Noir)
Alafair Burke (2017 Best Novel Nominee – The Ex – HarperCollins)
Robert Dugoni (2017 Best PBO Nominee – The 7th Canon – Thomas & Mercer)
Lyndsay Faye (2017 Best Novel Nominee – Jane Steele – G.P. Putnam’s Sons)
Alison Gaylin (2017 Best Novel Nominee – What Remains of Me – William Morrow)
Martha Hillier (2017 Best TV Episode Nominee – “Dark Road” – Vera)

3:00 – 3:50: #AuthorLife – There’s no one way to be a crime writer. Agent/no agent. Small press/big five. Plotter/pantser forever. How did these authors get into the life of crime – and what advice do they have for aspiring writers taking a stab at mystery?
Moderator: MARK STEVENS, MWA Rocky Mtn Chapter President (Lake of Fire – Midnight Ink)
Panelists: Megan Abbott (2017 Best Short Story Nominee – “Oxford Girl” – Mississippi Noir)
Patricia Abbott (2017 Best PBO Nominee – Shot in Detroit – Polis Books)
Reed Farrel Coleman (2017 Best Novel Nominee – Where it Hurts – G.P. Putnam’s Sons)
Tyler Dilts (2017 Best PBO Nominee – Come Twilight – Thomas & Mercer)
Adrian McKinty (2017 Best PBO Nominee – Rain Dogs – Seventh Street Books)
Wendy Corsi Staub (2017 MHC Award Nominee – Blue Moon – William Morrow)

4:00 – 4:50: From the Writer’s Desk, Part 2
Grand Master Ellen Hart – Interviewed by Oline Cogdill

* * *

All the books have been mailed out on our “free books” offer. Just about everyone who requested one got one.

The newly published Executive Order has received some nice notices, like this one.

And another one here.

This article includes me as a mystery writer doing some TV scripting.

Finally, and I kid you not (as Jack Paar used to say), here’s a review of the 1985 trade paperback, The Files of Ms. Tree Vol. 1.

M.A.C.

Hey, Kids! Free Books…Again!

Tuesday, April 11th, 2017

Paperback:
E-Book:
Audio MP3 CD:

Once more, we are going to offer copies of our work – and I’m talking in the editorial “we” to some extent, but also about Barb and me – to the first responders (and not just cops and fireman) among readers who agree to post an Amazon review. Barnes & Noble works, too, and if you have your own blog, that’s great also. But Amazon seems to be where sales get an impact.

As has happened to me too many times to mention, I have a bunch of books coming out more or less at once. So here’s what’s on offer…

The Will to Kill by Mickey Spillane and You Know Who. The new Mike Hammer that I wrote working from Spillane material, and something of a change of pace, with an Agatha Christie-type set-up complete with greedy offsprings in a big remote house.

Antiques Frame by Barbara Allan. Brandy goes to jail accused of murdering the wife of the man she’s been dating for much of the series, and Mother must investigate, including contemplating attracting attention by going “the partial Vivian” (as opposed to the Full Monty). These are funny novels and if they don’t make you laugh, you’re dead from the neck up. Available are a mix of trade paperback advance copies and a few hardcovers.

Antiques Fate by Barbara Allan. This is the paperback reprint of last year’s hardcover. Brandi and her mother go to an English-style village where Vivian will do her one-woman show of “the Scottish play,” and murder most foul will ensue.

The Big Showdown by Mickey Spillane and me. The second Caleb York western, now in paperback. The crazy brothers of somebody Caleb killed in the first book are on the warpath, and they aren’t even Indians. There’s also a mystery growing out of the murder of a recurring character. (Well, not recurring anymore….)

Executive Order by M.A.C. and Matthew V. Clemens. The conclusion to the “Branches of Government” trilogy of political thrillers which are almost as bat-shit crazy as the real world. Have you met Reeder and Rogers yet? If you haven’t tried one of these, what are you waiting for?

Five copies of each are available. Write me at [REDACTED] and list, in order of preference, the books that interest you. You’ll only get one of the titles. If there’s something you already have or aren’t keen on getting, don’t list it.

IMPORTANT: include in your e-mail your snail-mail address. You’ll likely be skipped over if you don’t. Also, this is only for the USA. Canadians must buy the books to read them. Don’t feel bad – Trump isn’t your president.

Okay? Got the rules?

These go fast, but it usually takes at least a few days, so don’t give up without trying.

And if you’re already a paying customer for any of these, picture me on my knees begging: write Amazon reviews of the books of mine/ours you’ve read lately. Post those reviews on your blogs and Facebook pages, but make sure to do so at Amazon. Will to Kill, a novel people really seem to like, is very under-reviewed. Quarry in the Black could also use some love, and the same goes for Better Dead.

Grass roots attention is important. The trades (Publisher’s Weekly, Booklist, Library Journal, Kirkus) are reviewing less and less of my material, apparently because when a series runs a while, they just don’t bother. Or maybe they just think I write too much. Even Mystery Scene and Ellery Queen are spotty – the last Queen review just lumped a bunch of my books together.

This doesn’t go for just me – any writer you like, any writer you follow, will benefit (and stay in business) by you writing an Amazon review and/or a Blog entry. A good place to start? My stuff.

Thank you.

Speaking of reviews, here’s a nifty one of The Will to Kill.

Here’s a piece wondering if there will be a second season of Quarry, wishing there would be. From your lips to Cinemax’s ear.

Some coverage of the Stacy Keach Mike Hammer audios can be found here.

And Ms. Tree gets some love here, including a podcast (that I haven’t heard yet).

M.A.C.

Between a Rock and a Hard Place

Tuesday, June 7th, 2016

Risking straining your patience, I thought perhaps I should report in on my health status. I’ll pause here for you to say “Goodie goodie” and clap your little hands.

Anyway, after three and a half months since the open-heart surgery, I seem to be doing well. I have completed both my physical therapy and occupational therapy. I’m told my hand, post-stroke, is at about 90%. I fatigue somewhat easily and usually am pretty wasted by mid-evening, though I stay up till midnight. We’re walking twice a day in our neighborhood (I would jump off a bridge before mall walking).

Work goes well. I reported here that Barb and I completed ANTIQUES FRAME, which I started working on about two weeks after getting out of the hospital. After that, I started working on the new Reeder and Rogers political thriller, EXECUTIVE ORDER, and got a third of the way through when I realized the plot needed work. My cohort Matt Clemens has been rewriting his story treatment and I’ll be back at the novel myself in probably a week or two. While Matt did that, I tackled the new Mike Hammer, THE WILL TO KILL. I should finish that this week.

In addition this coming weekend George Hagenauer and Brad Schwartz are coming to Muscatine for an overdue meeting about our joint Ness/Capone biography-in-progress.

A milestone for Barb and me, in several senses, was our trip June 1st and 2nd to scenic Galena, Illinois, a favorite haunt of ours. It involves a lot of walking but also eating (there are 67 restaurants in this town of 3500). We scheduled this trip months ago, figuring I should be in shape to handle it when it rolled around – a fairly long drive and an overnight – and I did fine. We were celebrating our 48th wedding anniversary. What a lucky bastard I am.

Another milestone is coming up – my first Crusin’ band job since the surgery. It’s June 9 outside the First National Bank at Muscatine, open to the public and free. We play 5 to 7 pm. We’ve been rehearsing quite a bit and had a three-hour session Saturday afternoon, which I managed to survive.

Speaking of rock ‘n’ roll, I want to deal with two comments that last week’s update elicited, due to my mini-rant on the Zombies, Monkees and Vanilla Fudge not being in the Rock and Roll Hall of Fame.

Here’s what mystery writer (and audio artist) Mike Dennis had to say:

Max – don’t worry over the Monkees and Vanilla Fudge not making the Rock & Roll Hall Of Fame. It’s a bullshit outfit, created solely to produce the annual induction TV show, and as a side benefit, snag a few tourists into their building to see Jimi Hendrix’s leather pants or whatever. Other than the expected greats — Elvis, Beatles, Stones, etc — the Hall is straining more and more each year to find someone worthy of induction. In recent years, they’ve stooped to one-hit wonders: Buffalo Springfield, Laura Nyro, and others. Who’s next? Norman Greenbaum? Ronny & the Daytonas?

It’s all bullshit and not worth getting upset about.

There’s much wisdom in what Mike says here, although I think arguments could be made for both Buffalo Springfield (surely one of the most influential ‘60s bands) and Laura Nyro (a great songwriter). But the Hall is indeed bullshit. Trouble is, it’s all rock fans have – it’s our Cooperstown. So we have to make noise about the injustices.

Here’s what my good friend (and former Crusin’ sound man) Charlie Koenigsaecker had to say:

To me the most egregious omission in the Rock HOF would be Love, followed close behind by the Monkees and Zombies.

The MC5 should be in also and I would not look askance at the Fudge. For those who regard the Monkees as a mere vocal group whose musical accomplishments were buoyed by the talents of others, would they have the same reservations regarding the Coasters or the Supremes or the Four Tops or any other group who neither wrote their own material or played on their own records? Plus the Monkees eventually did both write and play on a lot of fine recordings.

I agree with everything Charlie says here, including that the MC5 and Love should be in the Hall.

My point of view here is, I think, one that has a certain amount of credibility. I grew up with rock ‘n’ roll. Saw Elvis on Sullivan. Owned a 78 of “Hound Dog.” Went nuts over Bobby Darin. Saw the Beatles on Sullivan (the Fudge too). Played in rock bands at the peak of the ‘60s/early ‘70s and opened for scads of famous acts.

Here is some of what’s wrong with the Hall of Fame, mostly flowing from a snobbish, narrow view of the history of rock merged with a politically correct bent that allows rap and country in when many key rock artists are omitted.

Where the hell is Pat Boone? I remember very clearly that he and Elvis were, for a long time, the only games in town. Boone gets shit for covering r & b records, but those original records were banned from mainstream radio and it was Boone who popularized them and opened the doors (and made Little Richard and other black artists a ton of money). The guy sold millions of records, and made rock palatable for White America. It’s called history. Deal with it.

The period between Elvis going into the Army and getting out again (or possibly up to the emergence of the Beatles) is mostly ignored by the Hall. It’s a tough call with the popular likes of Paul Anka, Frankie Avalon and Fabian, who are artistically pretty shaky. But what about Bobby Rydell? Has Jan Wenner ever heard “Wild One”? What about Bobby Vee? So many great records, and a top-notch live performer. He’s in the Iowa Rock ‘n’ Roll Hall of Fame, by the way (like my band, The Daybreakers).

Charlie’s point about the Monkees being pilloried for not playing on their records is well-taken. During the ‘60s many great bands were not allowed by their bigtime labels to play on their own records (usually after playing on the first album or so) because it was better for those bands to be out touring and more efficient to use studio musicians for the instrumentals on the records…mostly the Wrecking Crew.

Who, incidentally, played on the records of such Hall of Famers as the Mamas and Papas, the Byrds and the Beach Boys.

One of those Wrecking Crew-ghosted bands – who played on their own first two albums, and their later ones as well – is the Association. They are often dismissed as a vocal group with a folky California sound (Mamas and Papas anyone?) but “Along Comes Mary” is one of the best, most driving singles of its era, and “Never My Love” is one of the two or three most played-on-radio records of the ‘60s…including the Beatles’ output. Slow songs need love, too.

I could easily build a case for Paul Revere and the Raiders, who inspired so many local garage bands. And laugh if you like, but Gary Lewis and the Playboys made a ton of great records. And, I mean, if you’re going to induct Laura Nyro for writing “Eli’s Comin’,” how about a slot for Three Dog Night? And where the hell are the Turtles/Flo and Eddie?

And that’s just the ‘50s and ‘60s. Don’t get me started about Warren Zevon’s absence.

Snobbishness and no sense of history earns the Rock Hall the “bullshit” label that Mike Dennis gives it. But, again – it’s what we’ve got. It is wonderful to see the Dave Clark Five being honored. It’s a thrill to hear Cat Stevens sing and play again.

But rock deserves better. And so do we. And so do a lot great bands and artists.

M.A.C.