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The Zoom presentation Barb and I made Saturday morning (for the DSM Book Festival) was attended by around seventy people, and went very well. This is the first online dual appearance we’ve made. We concentrated on five writing tips each, which not only gave participants some decent advice, but highlighted the differences in our approach as well as how we go about collaborating.
We spoke for about forty minutes, followed by answering questions from attendees.
As it happens, our first collaborative novel – Regeneration – is out this week in a new edition from Wolfpack, with another of that company’s stunning covers. The novel – which I’d classify as Dark Suspense, but could be a Psychological Thriller or even Horror – began as a short story by Barb, which we expanded into our debut collaborative novel. Bombshell would follow, and of course we began the Antiques/”Trash ‘n’ Treasures” cozy mystery series after that. (Wolfpack is planning an edition of Bombshell as well.)
Regeneration was originally published by Leisure Books, and a while back by Thomas & Mercer under our joint “Barbara Allan” byline. In many respects, this book was Barb’s baby as the idea was hers, as was the original plot of the short story, and nicely reflects the way she explores some social concern of hers in her fiction (a topic we discussed in that Zoom “Master Class”).
She really deserves top billing, but for marketing reasons I’ve reluctantly taken it.
The recent book giveaway (and more will follow, possibly including Regeneration) was nicely successful, and all thirty books were gone in 23 hours and signed copies have gone out in the mail to the winners.
Kiss Her Goodbye – one of the three books in that giveaway – is out tomorrow (April 6). My mentioning that it has the previously censored ending has attracted some attention, including questions like, “What previously censored ending?”
The editor of the original hardcover edition (and there was a trade paperback as well) of the third of the first three of my “Mike Hammer” Spillane/Collins collaborative novels objected to what he saw as an ending too similar to a certain famous Mike Hammer novel. I am dodging exactly which novel, and what ending, by way of avoiding a spoiler.
But I should say this editor was and is a friend to my efforts to get the unpublished, unfinished Mike Hammer novels in Mickey Spillane’s files finished and published. He aggressively went after those first three novels, and would have continued on with them, but his relationship with the publisher came to an end.
Publisher Nick Landau of Titan then stepped up immediately to take over publishing the Hammer novels as part of a greater Mike Hammer Legacy Project. Also, Nick went after mass market publication rights of the first three of those collaborative Spillane/Collins Mike Hammer novels (The Goliath Bone, The Big Bang, Kiss Her Goodbye), to bring the entire run under one imprint.
When this occurred, I asked my editor, the great Andrew Sumner – a true Hammer fan and expert – if I might restore the ending of Kiss Her Goodbye. Andrew thought it was a great idea, both in terms of honoring my artistic vision and to give the mass market edition something special to set it apart. (Ironically, I rather like the rewritten ending – if less than the previously unpublished one – and hope diehard fans will put both the original and the restored version on their shelves.)
Call it double-dipping if you like, but – as I’ve said elsewhere – double-dipping never hurt a hot fudge sundae.
I was very excited about HBO Max, specifically after the announcement that all Warner Bros movie releases for the next year would be streaming in tandem with actual theatrical presentations.
Then came the Wonder Woman 1984, as pathetic a major super-hero release as has come down the pike since Green Lantern.
Now Barb and I have endured Godzilla Vs. Kong, a movie we had been looking forward to for months. One of the definitions of insanity is to keeping doing the same thing over and over, always expecting a new result. That’s me and American Godzilla movies – I am always excited, thrilled by the preview, and the movie always disappointments.
Some people like this film – it’s 73% Fresh on Rotten Tomatoes – but that’s just Covid Derangement Syndrome. So starved are theatergoers (and streamers) for entertainment, they embrace this vapid, stupid exercise in SFX artistry and screenwriting incompetence. Only Stranger Things star Millie Bobbie Brown emerges with her dignity. Well, also the great Kyle Chandler, wasted in a walk-on.
The print edition of the International Association of Media and Tie-in Writers anthology, Turning the Tied, is available now (the e-book too, of course) (Paperback: | E-Book: ). It features many terrific writers doing famous characters in new short stories, including a Sherlock Holmes by a couple of guys named Collins and Clemens.
Check out this lovely gallery of Hard Case Crime Quarry covers.
M.A.C.
