Posts Tagged ‘Batman’

Quarry On TV – First Look!

Tuesday, October 20th, 2015

Here’s a first look at Quarry on TV, with a trailer released by HBO/Cinemax. It’s on various sites but we lifted this from Red Carpet Crash, which has a good write-up on the series.

The trailer is getting a very positive response on the Net, and I like it very much myself – great noir-ish mood and a fine evocation of the early ‘70s.

Fans of the novels will need to keep a few things in mind, when the series premieres sometime in the first half of 2016. The first season explores and expands the Quarry back story. We see him come home from Vietnam, and meet his wife Joni and watch the Broker weave a web to pull the young Vietnam vet into the contract killing business. There are new elements, but many, even most, of the characters come from the novels.

The major difference is the Southern setting – the show is set in Memphis and shot there and in New Orleans. While the books are solidly Midwestern, this shift of locale creates mood and color appropriate to Quarry.

One thing you may have noticed in the various publicity materials is that Quarry’s real name is given as Mac Conway. The initial drafts of the pilot script avoided revealing a real name, but it quickly became unwieldy – it was necessary to give the character a “real-life” name, Quarry being (of course) the Broker’s code name for him. Graham Gordy and Michael Fuller, the creators of the TV version, told me the “Mac” was a salute to a certain M.A.C.

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Here’s a write-up about the last straw that caused me to quit the BATMAN comic book, many moons ago.

Check out this lovely piece about my “disaster” series. Nice things are said about me, so clearly the writer has a lot on the ball.

M.A.C.

The Man Who Brought Quarry (Back) To Life

Tuesday, September 22nd, 2015
Quarry
Available October 13
Paperback:
E-Book: Amazon Google Play Nook Kobo iTunes

No, this week’s update isn’t about me – or not primarily about me. Nor is it entirely about Hard Case Crime editor, Charles Ardai. Rather it’s mostly about the man who is very likely (at 89) our greatest living illustrator.

In fairness to myself – and I work hard at being fair to myself – I’d already revived Quarry somewhat by way of a short film I wrote and co-exec-produced, “A Matter of Principal” (2003), followed by a feature film, “The Last Lullaby” (2008), which I co-wrote. But the latter hadn’t happened yet when my friend Charles Ardai, called to try to talk me into writing a new Quarry novel for his emerging Hard Case Crime line.

I had created Quarry in 1971 or ‘72 at the Writers Workshop at the University of Iowa in Iowa City. The book, and three sequels, was published in the mid-70s, and one more in the mid-‘80s.

As it happened, I had my screenplay of what would become “The Last Lullaby” sitting on my desk. Having done any number of novelizations in my time, I figured doing one based on my own script wouldn’t be tough. On the other hand, I had a full plate and didn’t need the work.

So I gave Charles a kind of ultimatum. I would do a Quarry novel for him if he got Robert McGinnis to do the cover. McGinnis was famous for movie posters (including James Bond films) and beloved covers for such private eye series as Shell Scott and Mike Shayne, and had done a number of covers for 1960s Mickey Spillane paperbacks. In mystery fiction fandom, McGinnis was generally considered the master – and I agreed with that assessment. He brought a modern look to the pulp cover that set him way apart, and still does. (Several books, edited by the indefatigable Art Scott, collect many of those incredible images.)

The thing was, Charles – an award-winning writer his own self – had been keeping the McGinnis covers for his own novels. Would he be willing to meet my demand?

As it happens, he was, and once I knew I had a McGinnis cover on the way, I was ready to do just one more Quarry, to be titled THE LAST QUARRY. I’d always felt Quarry was second only to Nate Heller among my creations (all writers sound like God when talking about their work), and relished the idea of writing a final book for the series. Period-at- the-end-of-sentence kind of thing.

As it happened, the cover art was finished before I even started writing the novel (which would become a frequent situation with subsequent Hard Case Crime books of mine). This gave me the chance to write the cover scene, thought up by the great McGinnis, into the novel itself – something many an oldtime pulp writer would do (“Here’s the cover, Ray, flying saucers and shit – come up with a story!”).

Something surprising happened – THE LAST QUARRY did quite well. It had solid sales and garnered incredible reviews. (That didn’t stop the director of “The Last Lullaby” from bringing another writer in and changing things around – which is why I forbade the use of the name “Quarry” in the film itself…though I do quite like the end result). So I began thinking about how to do another Quarry novel. Charles thought that was a good idea, but how could I write another book when the previous series entry was labelled THE LAST QUARRY?

“Because I’m going to write a novel called THE FIRST QUARRY,” I said, detailing my hitman’s first hit, a notion Charles found pretty much delightful.

Since then, as many of you know, I’ve been filling in the blanks between the first four novels and QUARRY’S VOTE (aka PRIMARY TARGET), and the years after that, as well. You know you’re effing old when a series you began as contemporary now requires you to write period pieces.

Only one other Quarry novel has been graced with a McGinnis cover – the recent QUARRY’S CHOICE – though the other HCC covers have been stellar, too. I also had the joy and honor of seeing a McGinnis cover adorn one of my Spillane collaborations, THE CONSUMMATA (also at Hard Case, of course).

And now a QUARRY TV series has completed shooting its first (and I hope not last) season of eight episodes. Think about it: something I created in college in 1972 will be a TV series in 2016.

And without that McGinnis painting, none of it would have happened.

So when Charles and I began discussing doing Hard Case Crime editions of the first five Quarry novels – and publishing them on a fast schedule, to take advantage of the Cinemax series – the need for wonderful covers, right away, came into play. HCC is known first for its fantastic covers, and not the afterthought of writers like me.

I said, “Why not go to Bob McGinnis? See if he has any paintings of beautiful women in his inventory?”

Charles thought this was a splendid idea, but unlikely. He contacted McGinnis and learned the master had five such paintings in his inventory – the exact number we needed!

I was sent the available unpublished images, which I loved, and put each cover painting with an appropriate novel. Several are spookily appropriate. There was also a need for an image of Quarry himself, and Charles chose the Quarry face from…THE LAST QUARRY cover. While the TV series tracks the adventures of a much younger Quarry, the McGinnis version seemed definitive – and also would match up with a McGinnis cover.

When I look at these covers, it’s as if I were spinning a rack of paperbacks at Cohn’s Newsland in 1966 – I see dream-come-true imagery, taking on the look of the old Dell “Mike Shayne” books. Perhaps I am in a LIFE ON MARS type coma, and inventing all of this stuff.

Because this can’t really be happening, can it?

Five vintage books by me re-published in a five-month period…all with Robert McGinnis covers?

And surely it can’t be possible that I’m looking at the original LAST QUARRY cover painting by McGinnis, hanging on my office wall? (The painting that is, not McGinnis.) And in what universe would a sweet guy named McGinnis just send me that original, because I’d been so overjoyed, having him do the cover of one of my novels?

Feel free to hate me. I would. Particularly since I’ve been married, since 1968, to a woman who looks like she stepped out of a McGinnis painting.

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Here’s a nice review of the BATMAN: SECOND CHANCES collection, out now.

And here’s a lovely review of STRIP FOR MURDER, which will soon be available in a new edition from Dover.

M.A.C.

Two Non-Political Observations On Donald Trump

Tuesday, August 25th, 2015

I have been warned not to talk politics here. This warning has come from my son, my wife and many other people saner than me. And I think they’re right. People who read these updates generally know that my politics are left of center – slightly left, I think, but to a Tea Party conservative I probably look like a Commie.

So I won’t write about politics.

But I will write about Donald Trump.

I have friends, smart ones, who like Trump and are with him all the way, assuming that this phenomenon turns out not to be relatively fleeting. I understand the appeal of the outsider, and sometimes the man says things I agree with, at least vaguely. He really is the least conservative conservative I’ve ever seen. How he’s been embraced, it seems to me, has more to do with disgust for Washington, D.C., than any endorsement of his policies. He doesn’t seem to have any policies that I can see, beyond having issues with illegal immigrants.

So this isn’t political. These are just two observations about Mr. Trump.

First, I keep hearing commentators in the media say again and again that they’ve never seen anything like the Donald Trump phenomenon. Well, I have. So have they, or at least they’ve read about it, if they’d think past last Tuesday.

Trump and his cult of personality are straight out of the Huey Long playbook. Yes, we have seen this kind of phenomenon in politics before. So has Europe. They had one guy who made the trains run on time, and another who had an ethnic group he turned into national bad guys. I don’t equate the Donald with the implied names of that last sentence, but the phenomenon is similar. It’s of that stripe. And if he were actually elected and able to do the things he says he wants to do, and claims he can do, he’ll have to become dictator.

But the real reason I’m writing an update on this subject is this: for weeks, Trump has been reminding me of somebody. Reminding me very much of somebody, and I couldn’t put my finger on it.

Then it came to me: Tony Clifton.

Tony Clifton

Tony Clifton, the jaw-jutting lounge act blowhard who struts and spews nonsense, thanks to his creator Andy Kaufman. Watch Donald strut cluelessly through the Alabama crowd (“How many of you have a Mercedes?”), and wonder if this isn’t yet another brilliant comic creation of someone who left us too soon, a 21st Century reality TV variation on the sublime Tony Clifton.

So my question is this: is that you, Andy? Is that you under there?

* * *

Here’s a review of the BATMAN: SECONDS CHANCES collection – pretty positive.

M.A.C.

X-Files Is Out There

Tuesday, July 28th, 2015
The X-Files: Trust No One
Paperback:
Audio MP3 CD:

The surprising news of a new, six-episode season of THE X-FILES featuring the original cast caused me to reflect on just how much Barb, Nate and I enjoyed the series, back in (as they say) the day. How we never missed an episode, even when we were so frustrated we wanted to throw a brick through the screen (“All will be revealed!”), and binge watching our laser discs that allowed some of the fan favorite episodes to be viewed again and again at home (amazing).

The series ran nine seasons and a major, big-budget motion picture was part of the mix, as well. Toward the end of the run, I was well-established as a writer of tie-in novels, and was approached by Harper Collins (the publisher, not some obscure cousin of mine) to develop a proposal for an original X-FILES novel.

In the business of writing tie-ins, Fox TV was notorious for being hard to work with, especially on the X-FILES franchise. But I was such a fan, I wanted to do it anyway. So for a period of about a year, off and on, I worked under the guiding hand of a Harper Collins editor to produce a fifty-page story treatment for a novel. This was entirely on spec, something I rarely do – but remember, I was a fan.

I came up with something I thought was very, very good, and so did the editor – a kind of X-FILES MEETS AMITYVILLE. We sent it in. We never heard a word. No rejection, much less an acceptance. That’s the writing biz – you drop something down a well and don’t even hear a splash.

By this time the series was in its final season, and not only did my tie-in never happen, no other X-FILES novels by anybody happened, either.

Then in 2008, a second film was produced: THE X-FILES: I WANT TO BELIEVE. Out of the blue, I was approached to write the novelization. I was thrilled, although I was apprehensive, because the movie was being produced in great secrecy, and the reputation of the X-FILES people being impossible to work with was a less than distant memory.

As it happened, I WANT TO BELIEVE was the single best experience I ever had, writing movie novelizations. I was one of a small handful of people (something like five) who had a copy of the script. The actors, I understand, had only their own script pages. The cinematographer had to read the script in a bank vault. But it was on my desk in Muscatine, Iowa.

Both Chris Carter and especially co-writer/producer Frank Spotnitz were terrific; I was frequently on the phone with the latter. If I had questions about wardrobe, I was sent daily costume sheets. I had photos from the set when the Internet had next to nothing. In one case, the editor of the film (Richard A. Harris, Academy Award winning editor of TITANIC and TERMINATOR 2) sat at his computer in Canada and described an action scene to me, frame by frame, that was not in my script. We were on the phone for two wonderful hours. Incredible.

I think I WANT TO BELIEVE is one of my best movie novels, but the film itself disappointed a lot of people. I liked it. It was an intelligent monster-of-the-week episode with some daring themes. The mood was right and the two leads were typically stellar. I remain thrilled that, sort of at the last minute, I became a part of THE X-FILES.

Now with the six-episode special-event series coming, a real push on X-FILES material is under way, particularly from IDW, with whom I have a long history. I was approached by the fine writer (also fine guy) Jonathan Maberry to contribute a story to an X-FILES anthology, TRUST NO ONE. I asked if I could do a novella and was given permission.

Now all will be revealed: I used my long-ago story treatment for the novel that never happened to write “The House on Hickory Hill.” Finally I got some money for writing it! Finally that story gets to be seen. And I think it’s a good one.

Also, a series of X-FILES audio books has been produced including the various vintage original tie-in novels and the two movie novelizations (also TRUST NO ONE). That means that suddenly a 2008 movie novel of mine has an audio book. I haven’t heard it yet, but admit I am pleased it exists and will delight at revisiting that underrated tale again, on some road trip to come.

The X Files: I Want To Believe

It’s hard to know if THE X-FILES will be a “thing” again or just be a nostalgic blip on the pop-culture radar. The early ‘90s is suddenly a very long time ago. But THE X-FILES is a series that had an incredible impact on everything that came after. CSI, for example, played off a similar flashlights-in-the-dark vibe. As frustrating as the serialized nature of X-FILES could be, it set the stage for so many novelistic series to follow. Of current series, ORPHAN BLACK is steeped in the X-FILES approach.

I, for one, can’t wait to once again be thrilled and frustrated by this seminal series.

* * *

I am pleased to find this review of BATMAN: SECOND CHANCES that likes and understands my run on the comic book. This is definitely worth checking out (scroll down some).

This somewhat ancient but lovely review of my novel SAVING PRIVATE RYAN has popped up on the Net.

Here’s an interesting article on the QUARRY TV series moving to Memphis for its last weeks of production on season one. Lots of mentions of the novels.

Finally, here’s a write-up on the Eclipse comic book company that includes a brief but very nice mention of MS. TREE.

M.A.C.