Posts Tagged ‘Better Dead’

Nate Heller’s Girl Amy

Tuesday, July 18th, 2017

The History Channel’s documentary on Amelia Earhart as a Japanese POW in Saipan has been called into question. “Amelia Earhart: The Lost Evidence,” which I watched on July 9, was two hours with seemingly an hour of commercials, a docudrama restaging an investigation into Earhart’s (and navigator Fred Noonan’s) disappearance at sea eighty years ago.

Utilizing a documentary style more suited to Bigfoot, ancient aliens or maybe an episode of Pawn Stars, the show did a fairly good job of summarizing the theory I explored in the 1999 Heller novel, Flying Blind. Islanders were interviewed, actual locations visited, a supposed gravesite excavation undertaken, and so on. Admittedly, it had a real Geraldo/Capone vault feel.

I know a lot of Heller fans were watching, the media having gone gaga over a supposedly newly discovered photo of Amelia and Fred on a Marshall Islands pier taken just after they disappeared in 1937. Forensic examiners declared the vague figures in question were “very likely” to be Earhart and her navigator.

The ratings had barely settled when Japanese military history blogger Kota Yamano called foul on the photo, citing the inaccuracy of the declared date, saying the picture had been published in a Japanese-language travel book in 1935, two years before Amelia, Noonan and their Lockheed fell off the planet.

I chatted with my son Nate about this, and shared some thoughts, seeking his wisdom as someone who knows a lot about Japanese culture. Nate has lived in Japan and, as many of you know, works as a freelancer translating Japanese books, manga and video games into English. The kid knows his stuff. (The “kid” is also in his early thirties.)

My reaction was this: the media was instantly accepting of the validity of the photo; and then just as immediately took the debunking at face value. What amused me was how many “experts” on line and on cable news said that if the Japanese had taken Amelia prisoner, and then she died in captivity (possibly executed), their government would surely have come forward and told us. After all, we’re friends now, right?

I’m sure the friendly folks who brought us Pearl Harbor would say “So sorry” and admit to imprisoning and slaughtering one of America’s most beloved historical figures. Right?

This isn’t to say that I think the debunking is fake. It does strike me that no one in the United States (that I know of) has examined the book in question – that the evidence comes only from Japan. And it’s all too typical that we immediately accept the debunking, just as quickly as we did the new “evidence.”

Nate has looked into this and thinks the blogger is legit, and the debunking is likely the real thing, not a Japanese government-engineered hoax, to save face. But I maintain the latter is a possibility.

And despite the Loch-Ness-Monster-is-Real approach of the “documentary” from History Channel, the Saipan theory is more than just a theory – it’s the basis of a Nate Heller book! And most likely true.

Speaking of Nate Heller, Better Dead just won something that I had almost nothing to do with, but which nonetheless pleases me very much – a “Best Cover” award!

And, for those who are wondering, I will spend much of the second half of this year working on a new Heller novel. The Better Dead mass market paperback won’t be released until the next hardcover comes out (which I have to write first).

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Here’s another one of those movies-you-didn’t-know-were-from-comics articles, with nice M.A.C. mentions.

M.A.C.

“The Will to Kill” Coming to Audio

Tuesday, May 23rd, 2017

This is one of those Good News/Bad News situations, only it’s really Good News/Bad News/Good News.

Stacy Keach
Stacy Keach

Many Mike Hammer fans – myself included – were dismayed when Blackstone Audio ceased releasing the new Hammer novels on audio, performed by the great Stacy Keach, starting with the current Will to Kill.

All of the previous Spillane/Collins “Hammer” collaborations, read by Stacy, remain available on Audible and elsewhere – they include The Goliath Bone, The Big Bang, Kiss Her Goodbye, Lady, Go Die!, Complex 90, King of the Weeds, Kill Me, Darling, and Murder Never Knocks. In addition are the two Audie-honored radio-style, full-cast audios, The New Adventures of Mike Hammer Vol. 2: The Little Death and The New Adventures of Mike Hammer Vol. 3: Encore for Murder. (There’s also a volume one that Stacy appears in but I did not write, more keyed to the ‘80s TV show than the novels).

Now a new audio publisher, JournalStone, has stepped in, with The Will to Kill first on the docket. Efforts to secure the rights to the short story collection, A Long Time Dead, are under way (I don’t personally hold those). That’s the very good news.

But the bad news is that Stacy Keach is stepping down.

Having ten works of mine (and Mickey’s) with the participation of perhaps the most famous screen Mike Hammer has been a privilege and a gift. I can’t convey what a thrill it’s been hearing Stacy’s voice roll out of those speakers, playing Hammer in stories I co-wrote. I remain thrilled and grateful to Stacy, and he and I will continue to explore projects (both Spillane and otherwise) to do together.

In the meantime, JournalStone has accepted my suggestion for a new audio Mike Hammer in the form of Dan John Miller.

Dan John Miller and his very Velda-like wife Tracee Mae Miller
Dan John Miller and his very Velda-like wife
Tracee Mae Miller

Dan is singer-songwriter and actor from Detroit, currently guitarist and lead vocalist for the gothic country-garage band, Blanche, which also features his lovely wife, Tracee Mae Miller. He has appeared in a number of films, notably Walk The Line, playing Johnny Cash’s guitar player Luther Perkins. Among his many outstanding musical accomplishments, Dan collaborated with Jack White in the band Two Star Tabernacle. (He is also a man of great musical taste, once calling Crusin’s “First Step” on the Bullets CD “the perfect rock ‘n’ roll song.”)

For our purposes, however, it’s his work as one of the top audiobook narrators in the field that is most pertinent.

Dan was named a Best Voice by AudioFile magazine for performances of Pat Conroy’s The Lords of Discipline and Philip Roth’s My Life As a Man. In 2009, he was nominated for two Audies, as well garnering an Audiofile magazine Golden Earphone award, and a Listen Up! award from Publishers Weekly.

Even more important, for anyone likely to be looking at this update, is that Dan John Miller has been the voice of Nate Heller for several years now. He has recorded every Heller novel to date, from True Detective to Better Dead, as well as the short story collection (Chicago Lightning) and novella omnibus (Triple Play). He has done an outstanding job and – much as I’ve looked forward to hearing Stacy as Hammer – the new Heller novels of recent years have only seemed “real” to me after Dan has brought them to life.

At my urging, other audio publishers have tapped on Dan’s shoulder for the Mallory series, entries in the Disaster series, a Quarry (The Wrong Quarry), and the Reeder and Rogers series, currently Executive Order. He brings tough characters to life with both an edge and warmth, and I am very fortunate to have him agree to pick up where Stacy left off with Mike Hammer.

No release dates yet. In fact, I may be a trifle premature here, because some of the negotiations remain under way. But everything looks good – and will sound good.

If you’re a fan of my work, I couldn’t recommend Stacy and Dan – and their respective contributions to the Collins canon – to you more highly. The JournalStone releases will be available on CD, and as downloads from Audible.

Stay tuned.

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Appropriately, Ron Fortier has posted a nice review of The Will to Kill.

Here is a rather unflattering review of the same Mike Hammer book. I generally do not respond to critics, but I have asked my grandson Sam to reply for me. You will see his reply below the link to the review.

Finally, here’s a positive review of The Wrong Quarry, one of my favorite books in the series.

M.A.C.

“Please Sir, I Want Some More…”

Tuesday, May 9th, 2017

The International Association of Media Tie-In Writers has announced the Scribe Award Nominees for 2017, and I pleased to have three nominations.

Acknowledging excellence in the tie-in field, the IAMTW’s Scribe Awards honor licensed works that tie in with other media such as television, movies, gaming, or comic books. They include original works set in established universes, and adaptations of stories that have appeared in other formats and that cross all genres. Tie-in works run the gamut from westerns to mysteries to procedurals, from science fiction to fantasy to horror, from action and adventure to superheroes.

The Scribe Award winners will be announced at ComicCon San Diego in July. The exact day, time and location of the Scribes Panel including the award ceremony will be announced once it’s known. I am weighing whether or not I’ll be attending this year – if I am, I will host the panel. If not, I have a distinguished author lined up to take over for me.

Here are the nominees:

Adapted – General and Speculative
Assassin’s Creed by Christie Golden
Road to Perdition by Max Allan Collins
Suicide Squad by Marv Wolfman

Audio
Dark Shadows: Blood & Fire by Roy Gill
Torchwood: Broken by Joseph Lidster
Torchwood: Uncanny Valley by David Llewellyn
Doctor Who: Mouthless Dead by John Pritchard

General Original
24: Trial by Fire by Dayton Ward
Don Pendleton’s The Executioner: Missile Intercept by Michael Black
Murder Never Knocks by Mickey Spillane and Max Allan Collins
Robert B. Parker’s Slow Burn by Ace Atkins
Tom Clancy’s True Faith and Allegiance by Mark Greaney

Short Fiction
“A Dangerous Cat” by Mickey Spillane & Max Allan Collins
X-Files “Drive Time” by Jon McGoran
X-Files “An Eye for an Eye” by George Ivanoff
X-Files “Love Lost” by Yvonne Navarro
X-Files “XXX” by Glenn Greenberg

Speculative Original
Assassin’s Creed: Heresy by Christie Golden
Warhammer: 40,000 Warden of the Blade by David Annandale
Star Trek: Elusive Salvation by Dayton Ward
Supernatural: Mythmaker by Tim Waggoner

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Edgar winners 2017
Edgar winners 2017

My thanks to all of you who wrote comments here or dropped me e-mails, or even called, to congratulate me on the MWA Grand Master award.

Your kind thoughts, and this award, mean a great deal to me. My career has included so many different kinds of things that an award for the body of work is especially meaningful. For example, no Edgar category is available for a graphic novel like Road to Perdition; no category acknowledges something like the long-running Ms. Tree. A series like Nate Heller or Quarry, however well-received and influential, rarely has one of its entries singled out for an Edgar nomination.

So this feels especially gratifying. Thank all of you, including the MWA.

Thank you, too, those of you who requested books in our recent giveaway and are starting to post Amazon (and other) reviews. For the rest of you, Amazon and B & N reviews (and they can be very brief) would be much appreciated for the new books – Executive Order, Antiques Frame (Barbara Allan), The Will to Kill, and the paperbacks of Murder Never Knocks and The Big Showdown.

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I know what you’re thinking – what movies have you walked out of lately? Well, Barb and I have been trying to be smarter, making our movie selections more discriminately.

That doesn’t mean we skipped Fate of the Furious – we just went in with our eyes open. And it was the big, dumb fun we expected, if even bigger and dumber. Dumbest thing? The great Jason Stratham phoning Vin Diesel to report the latter’s kidnapped baby boy has been saved before the gunfight to do so begins. Well, that and just about every law of physics being broken. Best laugh: the sincere family prayer at the end from Diesel. Yes, I enjoyed the film, but I hated myself in the morning. No – in the parking lot.

Needing no apologies for liking it is Guardians of the Galaxy Vol. 2, one of the best films of its kind I’ve ever seen. A perfect continuation of the first installment (in which this one is carefully set up), Guardians 2 combines thrills and laughs with offhanded skill – whenever it threatens to get sentimental, the movie quickly slaps us silly with a cynical pay-off or aside…somehow never undercutting the growing affection the characters have for each other. What director/co-writer James Gunn has done is draw far less on Marvel’s convoluted universe and more on Firefly/Serenity and classic Star Trek, which was a very good call indeed.

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Check out this great review of The Big Showdown at Gravetapping.

I receive a nice mention at this Detectives Without Borders posting.

And this one, too.

Here’s a piece about villains who had balls enough to visit the Batcave, featuring my Tommy Carma.

Finally, here’s a nice review of Better Dead, posted a while back that I only just ran across.

M.A.C.

The Column I Wrote Instead of Watching the Oscars

Tuesday, February 28th, 2017

As I take a breath from finishing up my novel Quarry’s Climax, here are a few capsule movie reviews. Prepare to be enlightened and enraged….

The usual four-star rating format:

The Lego Batman Movie – ***. I wrote briefly about this earlier, and those who’ve been paying attention already know how heavily this film leans on my character the Mime. This is a terrific and often very funny film, superior to any Batman film in recent memory (including the so-dark Bale ones). Its only problems are a length that wears out its welcome for young kids and older folks particularly, and a tendency to so fill the screen with so much action as to be dizzying. The theme of family is also a bit heavy-handed, but this return to a non-dark Batman with fun villainy and self-deprecating humor is a welcome one…at least it is for this former Batman writer and fan of the comic book for a good decade before Adam West and Burt Ward came onto the Bat-channel. (For some of us, the shark repellant gags were the best in the film.)

The Great Wall – * 1/2. A lot wrong with this one. What’s right is its epic nature and the very sweep of the thing, so credit that much to director Zhang Yimou (of the overrated House of Flying Daggers). What’s wrong includes a terrible script (six screenwriters – not a good sign!), English-speaking actors given no direction by the Chinese director (Matt Damon spends the film in pursuit of an Irish accent), and a lot of pro-Communist propaganda laughable in its ham-handedness. Hilarious to see the Red Chinese preach against greed while plotting to take greenbacks out of red-white-and-blue pockets. The monsters are rather ugly in their CGI design, another rehash of the Raptors from Jurassic Park Parts Whatever. Back before mainland China took over Hong Kong, there was a vibrant Chinese film culture, including John Woo’s crime dramas, Jackie Chan’s adventure films and such wonderful fantasies as the Chinese Ghost Story films and David Chung’s I Love Maria. Now we get this empty spectacle.

John Wick: Chapter 2 – **** The first Wick movie was the best action film of its year, and this year will find the sequel hard to top. Even if you’re already seen it, watching the first John Wick before taking this one in will be helpful – very nice resonances and returning characters. It’s over the top and people who hate guns will be in the wrong theater. Wick is a modern-day samurai who is driven by vengeance (again) in an almost science-fiction world where contract killers inhabit a secret society of their own. It’s as good as James Bond movies ought to be, and the action sequences – with the understated but very funny and yet scary Keanu Reeves doing almost all of his stunts – is depicted minus the missing frames and frantic editing that turn such sequences into utter incoherence in almost all other modern action films. You can follow what’s going on! What an innovation.

Resident Evil: The Final Chapter. *** I know I’m supposed to hate a movie like this. It does indeed have incomprehensible action scenes at times (well, more just at times). But the video-game-based film series anticipated the zombie craze and has specialized in making social comments through a genre film in a way that clearly eludes the Red Chinese. At the heart of the series and this (supposedly) final entry is charismatic Milla Jovovich, a strong female protagonist if there ever was one. In 3-D this played overly dark, and many of the secondary characters didn’t particularly register. But – unlike The Great Wall, with its evil puppy dog creatures swarming the barricades – the zombies here are a tangible, scary presence, and when they swarm, they really swarm. Also, the many threads of the five films that precede it are cleverly tied up and for once an X-Files-type “all will be revealed” promise is kept.

Manchester by the Sea – no rating. I’m not giving this a rating because I didn’t finish it. I gave it around forty minutes. I know of really smart people, many smarter than me most likely, who rave about this picture. And some of the acting, particularly the justifiably lauded Casey Affleck, is admirable. But the movie is a painfully slow soap opera. Slowing it down seems to be part of what fools people. What we have here is the story of a sad guy whose beloved brother dies, saddling him with a surrogate son in a nephew. Seems the sad guy got sad after he accidentally burned his little kids to death in a fire, which caused his wife to hate him. Scenes include driving in slow traffic to get to the hospital, and another visiting the brother’s dead body in the hospital morgue. I guess I’m not supposed to notice that the kid actors sitting around talking about Star Trek in the wake of their friend’s horrible news are a bunch of stilted amateurs. If you don’t have enough tragedy in your life, this is your film.

As for the Oscars, ever since Bob Hope stopped hosting, I only watch when a movie I had something to do with is nominated. So far that’s once.

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Here’s a great review of Better Dead.

Here, in two parts (One, Two), is a nice look at the Mike Hammer movies and TV shows, with occasional mentions of yours truly.

Another great Quarry TV review, if a bit patronizing to his daddy.

Road to Perdition again gets love as one of the best comic-book movies.

Finally, here’s a nice article that understands that Mickey and Mike Hammer gave birth to James Bond.

M.A.C.