Posts Tagged ‘Blood Money’

Go Go Gone

Tuesday, April 23rd, 2013

As predicted, Barb and I wrapped up the eighth “Trash ‘n’ Treasures” mystery, ANTIQUES A GO GO, last week. It took through Thursday to finish it – I always take a couple of days to go over a manuscript and do a final tweak before sending it off. Still seems strange not to be packaging up an actual manuscript and instead just sending an attachment to an editor.

The book is something of a change of pace, as it takes Brandy and her mother to Manhattan, but I won’t dwell on that book, since the new one – ANTIQUES CHOP – is about to come out. I think CHOP may be my favorite of the series (the new one is too fresh in my mind for any kind of judgment beyond, “Whew! Glad to get that outa here!”). For those of my readers fearful of trying a “cozy,” this one has axe murders in it. So put on a bib and dig in.

I’ve alluded to a Kickstarter project here that would take one of my Dreadtime Stories radio plays into low-budget feature-film territory. We had a lot of great things in our favor, among them the participation of Danielle from AMERICAN PICKERS, my longtime cinematic collaborator Phil Dingeldein (a d.p. on PICKERS), Malcolm McDowell as narrator, and of course the Fangoria brand-name. But at the very last minute (we were going to meet on Sunday afternoon, with my son Nate coming in from St. Louis for Kickstarter consulting), a different Fangoria deal interceded to make ours untenable. The good news is that Phil and I will likely be involved in some aspect of this new direction. I’m hopeful we can involve Danielle, too. We’d spent a lot of time (including me doing three or four drafts of “House of Blood” as a screenplay) gearing up for the Kickstarter effort with producer Carl Amari, so there’s disappointment in the mix, but also the promise of filmmaking to come.

Speaking of films, I can recommend OBLIVION, a very smart s-f adventure with Tom Cruise. The reviews are mixed on this one, but I am solidly in the plus column. The art direction alone is worthy of your attention, but the screenplay has some nice surprises, and it’s a well-directed film in general, though a big shoot-‘em gun battle seems out of place and maybe patched-in to satisfy studio execs.

This weekend my band Crusin’ played two nights in a row – a real oddity for us, because I try very hard to avoid that. It’s more like twice a month I’m after. And I will freely admit that on Sunday, I felt like I’d fallen down a flight of stairs (I’m writing this on Monday and feel only marginally better). I continue to enjoy the band, but sometimes it’s starting to feel like that moment in the action movies where the old star says, “I’m getting too old for this shit!” You know, right before a helicopter blows up?

This week I am looking at galley proofs of THE WRONG QUARRY and ASK NOT.

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The three-part look at the Nolan series by Dan Luft over at the Violent World of Parker has wrapped up with a discussion mostly about SPREE. This is a nice series of articles, and with some smart commentary. Occasionally, though, Dan misses the mark fairly wide – he’s about the only reader I’ve ever encountered who disliked the use of the Comfort family in SPREE. He claims to really like the book, except for the Comforts, which is kind of like loving everything about JURASSIC PARK except the dinosaurs.

Here’s a really nice COMPLEX 90 review. Coming up soon, by the way!

This BLOOD MONEY review is basically positive, but it’s a little odd, albeit in an interesting way. It continues to be weird reading reviews of stuff I wrote forty years ago.

Here’s a very good TRUE DETECTIVE review. It’s amazing how resilient that book has been. Published thirty years ago, it sold more copies in the last year (e-book format) than in its first several.

Mel Odom, himself a hell of a writer, has some interesting things to say about BYE BYE, BABY, the first book in the Nathan Heller JFK Trilogy.

Finally, here’s yet another positive look at SEDUCTION OF THE INNOCENT (mine, not Wertham).


Crusin’ Update

Tuesday, January 19th, 2010

Crusin' at Warehouse Four
Crusin’ at Warehouse Four, 1970’s
L to R: Ric Steed, M.A.C., Bruce Peters, Paul Thomas

This will be a brief update, because this week Nate and I have put our time into getting a long overdue revised update on my band Crusin’. Anyone interested in me and my work should find this of interest — lots of photos and a detailed history of the group’s 35 year history (41 year history, counting the Daybreakers, the band Crusin’ evolved into).

A very interesting write-up on Johnny Craig’s early EC crime work touches upon my introductions to the collected EC CRIME SUSPENSTORIES and even discusses ROAD TO PERDITION in that context. Any article that extols Ralph Meeker’s Mike Hammer is jake by me.

And my old pal Christopher Mills has posted a great LAST LULLABY review at his DVD Late Show site.

Chris has also re-posted a terrific ELIOT NESS: AN UNTOUCHABLE LIFE review from a while back.

Brian Drake, who is a lively writer with great taste (i.e., he likes my stuff), wonders if I’m one person or not. I get this all the time — “When do you sleep?” and so on.

I have said any number of times that I am very lazy by nature, but that no one sends money to my house if I don’t work. Being called prolific gets you credit for hard work but is the most left-handed of writing compliments. Some years (like 2009) I have very little out — the only original novel was QUARRY IN THE MIDDLE. This year is heavier, with ANTIQUES BIZARRE, YOU CAN’T STOP ME and THE BIG BANG just around the corner. But do note that in the case of those three projects that I am working with talented collaborators (Barbara Collins, Matthew Clemens, and, well, Mickey Spillane) and I am not carrying the entire workload.

Speaking of collaborators, never forget Terry Beatty — and also hitting the net this week is a very nice overview of our MS. TREE feature.

A blog called UNSQUARE DANCE gives a nice write-up to the Hard Case Crime joint reprint of BAIT MONEY and BLOOD MONEY (as TWO FOR THE MONEY).

See you next Tuesday.