Posts Tagged ‘Interviews’

A Cancellation, a Nomination & an Anniversary

Tuesday, June 6th, 2017

HBO/Cinemax has finally officially cancelled the Quarry series, but this comes as no surprise. A shake-up at the network, as well as a conflict between the star (who is committed to another series pilot) and the director of all eight episodes, spelled it out long ago.

What’s most disappointing to me is that my script for season two will not be produced, and I was really happy with it. We had thought some other network might pick the show up, but that now seems unlikely.

I am happy to have had a quality show that gave my Quarry books a higher profile. My hitman has now generated an award-winning short film, a festival-winning feature, and now a first-rate series, and my writing was a part of all three. Maybe we’ll see more of him on screen yet.

More pleasant news came by way of a Shamus nomination for the Spillane/Collins short story, “A Dangerous Cat,” which appeared in The Strand magazine and is also in the collection A Long Time Dead: A Mike Hammer Casebook from Mysterious Press.

Barb and Al, early 1970s
Barb and Al, early 1970s

But the biggest event of the past week was our 49th wedding anniversary, on June 1, which we celebrated with an overnight stay at Galena, Illinois, where always have a wonderful time. For me, it was especially gratifying because – after the various operations and the stroke and all – I was able to spend a long day walking and enjoying myself, feeling very much back to normal (or as close to normal as I ever get). Galena is a quaint, pretty little town of 3500, with lots of boutique shopping and some 65 restaurants. I will be doing a thriller next year set in this scenic community.

On the trip to and from Galena, we finished listening to the audio book of Antiques Frame, so beautifully read by Amy McFadden. It was a reminder to me about how much Barb has grown and flourished as a writer, a profession she never dreamed of entering. Having such a beautiful, talented, smart, funny, patient wife for all these years is the best award/reward I could ever hope for.

The week leading up to the two-way getaway was a busy one, as was the weekend following. I did final edits on the Spillane volume, The Last Stand, which includes the previously unpublished novel of that name, as well as an early ‘50s novella, also previously unpublished, A Bullet for Satisfaction. The latter is a Spillane/Collins collaboration, the former the last solo effort by Mickey. There’s also an introduction explaining the history of both novels. Hard Case Crime will be publishing in both hardcover and soft.

In addition, I wrote the introduction for the collected Dick Tracy Volume 23, for IDW, and dealt with the copy-edited versions of two short stories written by Matt Clemens and me for a pair of horror anthologies. Finally, I wrote the introduction to Scarface & the Untouchable, the joint Capone/Ness bio.

That book now focuses on the Chicago years, with a second volume projected to deal with the rest of Ness’s life. This week I’ll start work on my polish/tweak of the nearly 900-page manuscript. Co-author A. Brad Schwartz and our writing/research associate, George Hagenauer, are working on the bibliography and end notes.

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The complete list of Shamus nominations can be seen at the great site, The Rap Sheet.

Here’s a good current interview with me.

A ton of articles on the cancellation of the QUARRY series are out there, many quoting Michael D. Fuller’s blog post about it. Here’s a good example.

M.A.C.

Quarry’s Daddy on the TV Series

Tuesday, November 8th, 2016

So what’s my opinion of the QUARRY TV series?

It’s a first-rate show. The finale (like the opening episode) is a feature-length crime story worthy of release as an indie film. The Vietnamese war sequence – one long take – is as remarkable a piece of filmmaking as I’ve seen in some time, capturing the feel and pressure and insanity of battle. The cast has been stellar, as well, and the cinematography, art direction, location work, music selection, those elements and more, have been damn near flawless. Greg Yaitanes directed all eight episodes, meaning he pulled off a sustained nine-hour movie, an amazing feat.

Yet I get e-mails and comments from some readers bemoaning that the show isn’t like the books, and in some cases I have been criticized for essentially selling out, letting a bunch of Hollywood punks run roughshod over my creation. Well, first of all, if somebody wants to give me money to make a movie or TV show out of my stuff, and the price is right, they can star a sock monkey and set the show on Venus for all I care. As James M. Cain said (slightly paraphrasing here), “Hollywood hasn’t done anything to my books – they’re right here on the shelf.”

The books are the books. They have existed and will exist, strictly on my terms. Certain aspects of the novels just do not translate to film (this includes the Quarry-derived film THE LAST LULLABY, which I co-wrote). The QUARRY novels are almost entirely dependent on the first-person voice of Quarry himself – his sense of humor, his personal philosophy, the very sound of the things he says, the irony, the black humor. That’s lost in any QUARRY adaptation, unless you use voiceover, which is just not the same (and usually clumsy).

Additionally, the books are short, compact narratives depicting the jobs that Quarry goes on – none of them individually would sustain a season of television. Once the decision was made to do long-form narrative like MAD MEN or BREAKING BAD, the near novella form of the novels had to be dropped. The approach of the novels is what TV folks call “procedural.” Cinemax wanted a cast of recurring characters with their own evolving storylines – the novels are lone-wolf affairs, with few if any recurring characters.

Nonetheless, I have been impressed from the beginning that writers Michael Fuller and Graham Gordy have been able to draw upon the novels in resourceful, respectful ways that guarantee that my DNA stays in the mix. The eight-episode season that just concluded draws heavily upon the first novel, QUARRY (1976), which presents Quarry five years into doing hits for the Broker. The backstory of that novel – Quarry coming home to find his wife having an affair, followed by Quarry killing the guy – is depicted in the first episode right down to how the cheater dies. As director Yaitanes has made clear, the TV series is an origin story, a prequel to the novel series. And Mike and Graham understood, from the start, that Quarry was a PTSD vet (though the term wasn’t around when I wrote the early novels) and that the Vietnam War was very much an underlying theme. I was very pleased when they agreed with me that the show be set in early ‘70s period.

The Broker remains very much my character, and the way he insinuates himself into Quarry’s life on the show is clever and satisfying. In the 1976 novel, Quarry discovers the Broker is involved in heroin trafficking and this initiates the deterioration of their relationship – that aspect is present in the series in a major way. Also, Quarry in that first novel is working with a gay partner who is losing his focus – also a major aspect of the series. Quarry’s self-hating annoyance at the Broker’s various proteges comes from the 1976 novel as well.

Don’t be confused by my Executive Producer credit – that’s doesn’t mean I have control of anything. The TV series is the vision of Fuller and Gordy (as executed by Yaitanes), and when I write an episode, I am following their lead. It’s their baby. And of course when I’m writing a QUARRY novel, it’s all mine. Nobody gets near that crib but me.

What is important is that the original novels get some nice attention drawn to them, because of the quality TV series the books have spawned. It means more sales. More readers. More money. Much as I love my work, this is not a hobby – I’m trying to make a living here. When something like the QUARRY TV series happens that I can be proud of, so much the better.

Haven’t watched Wild Dog on ARROW yet, by the way. Is he played by a sock monkey? Just wondering.

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The extended battle sequence I mention above is discussed by director Yaitanes here.

Here’s a short, sweet review of the new expanded version of the ROAD TO PERDITION prose novel. It was picked up by AP and has had wide coverage on the Net.

Finally, here are “15 Things You Didn’t Know About Wild Dog.”

M.A.C.

Wild Dog on CW & Quarry in the Black

Tuesday, October 4th, 2016

I haven’t said much about the inclusion on CW’s ARROW TV series of my character Wild Dog (co-created with my longtime pal and collaborator, Terry Beatty, currently tearing it up drawing the Sunday PHANTOM and the weekly REX MORGAN for King Features). The reason is that we are being paid little or nothing, and as yet no one from DC or Warner Bros has even approached us, telling us about this great (if non-remunerative) honor. I do understand that Terry and I are in contention this year for the “Siegel and Shuster Screwed-in-The-Ass Award.”

Still, it’s fun to see screen captures of Terry’s great costume design on an actual human being. Check these out.

Wild Dog on The Arrow

Wild Dog on The Arrow

You can catch glimpses of Wild Dog on ARROW in this trailer, courtesy of AV Club.

The free looks at the first three episodes of QUARRY on You Tube have been taken down. I will pass the baton to my son Nate, who has information on where you can watch the show elsewhere.

Nate here. This all applies to the US; I’m not sure about how it works in other countries. If you have cable, the best option is probably adding Cinemax to your current package. The only way I’ve found to watch QUARRY without a cable subscription is through PlayStation Vue, which is Sony’s streaming platform, accessible through a PlayStation 3, PlayStation 4, Amazon Fire, Roku, as well as iPhone and Android devices. You can subscribe to Cinemax, as a standalone channel without any other package, for $15/month. There is a seven day trial if you want to try it out. For details, click here.

Thank you, son. As for QUARRY in the world of novels, QUARRY IN THE BLACK comes out…today! Oct. 4! In celebration, take a look at this fantastic review from Bookgasm, excerpted at length below:

QUARRY IN THE BLACK
reviewed by Alan Cranis

Max Allan Collins continues to chronicle the career of Quarry, the assassin-for-hire star of Collins’s long-running series (and recently a TV series on Cinemax). The latest title, Hard Case Crime’s QUARRY IN THE BLACK, focuses on the early stage of Quarry’s hit man vocation in the early 1970s. But thanks to the overriding theme Collins make it as applicable as this morning’s headlines.

The year is 1972, and Quarry gets a visit from his boss, known only as The Broker, at his A-frame house on Paradise Lake. Quarry has only been working for The Broker for two years, so the Broker wants Quarry to know that he is free to turn down this latest assignment, due to its unusual and highly political nature.

(M.A.C.: I am omitting here a lengthy plot synopsis that wanders close into spoiler territory.)

Collins again demonstrates his prodigious research skills by effectively – but unobtrusively – establishing the time frame of the story. Popular TV and movie titles of the period, along with references to fashion styles and current events help solidify the credibility of the period.

Yet in a masterstroke of irony, the theme of racial violence that permeates the plot, along with the inclusion of Ferguson – the location of a recent incident of a potential racially motivated shooting by police – transcends the period of the story and lends the novel an immediate relevance.

This is highly unexpected for a Quarry story, but fortunately – and, again, owing to Collins’s skills as a storyteller – never detracts from the suspense that keeps us moving from chapter to chapter. If anything it adds richness to the reading experience while underscoring the enduring nature of the theme.

Along the way Collins includes a cast of completely believable characters who accompany Quarry in his mission, several scenes of intense violence and action, and unexpected plot twists that few will see coming.

In his author’s note following the conclusion, Collins observes, “An odd and oddly satisfying aspect of writing new Quarry novels for Hard Case Crime has been continuing a series that began as contemporary but is now a period piece.” While not considering these historical novels, with their ’70s and ’80s settings, Collins sees them more as a retelling of his autobiography in installments. Perhaps this is reason for the unexpected but highly enriching relevance of the theme.

Reasons aside, QUARRY IN THE BLACK is highly recommended to both devoted followers of the series and those just discovering it. It is a noteworthy addition to the expanding series, and another triumph for one of crime fiction’s most prolific and creative practitioners.

(M.A.C. again: You can read the entire review here, plot synopsis and all.)

Another great review of QUARRY IN THE BLACK from that top-notch mystery and western writer, Bill Crider, can be read here.

Here’s an interview with TV’s Quarry himself, Logan Marshall-Green.

And, finally, here’s an interview with TV’s Buddy on QUARRY (“Boyd” in the novels).

M.A.C.

Fifty Years and Counting

Tuesday, September 27th, 2016

Cinemax has posted the third episode of QUARRY on You Tube. Enjoy!

QUARRY Episode 3: “A Mouthful of Splinters”

This weekend was Muscatine High’s 50th Class Reunion. Barb and I both were dealing with the pertussis that had dragged us both down of late, but I am out in front of her a week and a half and was in shape to participate in all of the activities on Friday and Saturday night. This included a boat ride on the Mississippi and then a big get-together at the same Legion Hall where I once ate pancakes prepared by Presidential candidate Howard Dean.

In part because I had attended three grade schools locally, I made lots of friendships that extended beyond the tight little group of us who played poker and palled around and got in Leave-it-to-Beaver type “trouble.” So I had the chance to touch bases with many, many friends, and it was pretty great. Several of my best friends were there – Ron Parker and Mike Bloom in particular, names that mean nothing to you but the world to me – and so many others. For instance, Joyce Courtois was the alto in my high school quartet, fantastic singer and wonderful, warm person – together we set a record: three “number one” ratings that put us in the All-State Chorus three years running…only quartet in the state that ever accomplished that. Impressed? I didn’t think so. It certainly didn’t get me laid.


Crusin’ at Geneva Country Club, Muscatine, MHS 50th Reunion; left to right, M.A.C., Jim Van Winkle, Steve Kundel, Joe McClean, Brian Van Winkle (in back)

Unfortunately, Barb was still having a rough ride with the pertussis, and almost didn’t go at all…but finally she pulled herself together to go to the Saturday night event, which was the big blow-out, including Crusin’ playing for the dance. She looked beautiful despite being sicker than a dog (neither of us is contagious, if you’re wondering) and people were very pleased to see her.

I was supposed to be presenting a reunion of the original Daybreakers for the dance, but health issues worse than mine among the band members made that fall apart. So Crusin’ played, with our good friend Joe McClean of the XL’S as special guest on a dozen songs. The XL’S and the Daybreakers are the only area bands to make it into the Iowa Rock ‘n’ Roll Hall of Fame. Joe is an unparalleled showman and he was warmly received – the XL’S had played our senior prom two years running. (In 1966, the Daybreakers made their debut at an after-prom party.)

I had a rough evening because my cough-ravaged throat was in bad shape, but I got by. We played two one-hour sets that were supposed to be separated by a fifteen-minute break. But I was afraid people of my advanced age would head for home and their jammies if we didn’t keep the party going. So we played a solid two hours – for those of you who are wondering if I’m recovering well from my heart surgery last February.

In honor of the Daybreakers, we played “Psychedelic Siren,” with Joe on bass and our regular bassist, Brian Van Winkle, on siren – an instrument Brian mastered immediately, idiot savant that he is. Discussions about how much is idiot and how much savant are ongoing.

It was a lovely night, all in all. Never skip your high school reunion (and we’re available to play there, by the way).

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I am thrilled and somewhat astonished that PUBLISHER’S WEEKLY has reviewed my expanded ROAD TO PERDITION prose novel and given it a rave – and a rare starred review!

The Mike Hammer collection, A LONG TIME DEAD, continues to get terrific reviews, like this one.

Here’s a lovely LEGEND OF CALEB YORK write-up.

And CALEB is inspiring this discussion group.

Here’s a welcome if not exactly timely SEDUCTION OF THE INNOCENT review.

Check out this excellent interview with QUARRY TV writer, Graham Gordy, although oddly somebody seems to think the Memphis setting came from the books.

This will link you to a local interview I did on Vintage Sound 93.1, Muscatine’s first-rate classic rock station – with the great Tony Tone.

Finally, if you haven’t read BLOOD AND THUNDER, the Nate Heller “Huey Long” novel (and if so, what’s wrong with you?), you can get it on Kindle for 99 cents, as this nice write-up (scroll down) indicates.

M.A.C.