Posts Tagged ‘Interviews’

Days in the Life

Tuesday, January 30th, 2018

Normally I don’t take my work – that is, the novel in progress – along on trips. Business or pleasure or a mix, I like to do the work in my office at home. Also, I hate the smaller, flat-keyed keyboard of a laptop, so generally writing in the hotel room is a non-starter.

Occasionally there are exceptions. On the recent Florida trip, we left Iowa with two chapters remaining to be written on the new Heller, Do No Harm. The second-to-the-last chapter was the action climax, which I was still working on in my mind. It drives me crazy to have to walk away from a book at that late stage because of some event I agreed to do months and months before, never realizing when that event would fall within my writing life.

We were in Clearwater five days. Between rehearsals and performances of Encore for Murder, we were busy and most of what we did, beyond the theater, was look for good eating places and do a little shopping. Took in one movie (Proud Mary, a black version of Gloria that was a nice throwback).

Every night as I tried to go to sleep, my brain was working on that second-to-last chapter. I had outlined that chapter, and knew what needed to be done with it, but something was wrong, or at least wasn’t satisfying. Several nights into the trip, what I needed to do crystalized. And it had hold of me but good.

So the next day I wrote that second-to-the-last chapter in the hotel room, on my laptop, working all afternoon and a few hours after we got back from the opening night performance. I ran it off the next morning in the lobby’s business center and gave it to Barb to read on the plane, and proof and critique. When we got home that night, I incorporated her fixes and suggestions and did a final tweak.

That meant I was able to finish the book ahead of schedule, writing the final chapter and the bibliographic end notes on the day after we got back.

It’s no big deal to write in a hotel room. I have many writer friends (Bob Randisi especially comes to mind) who regularly write on their latest project when they are traveling. But for me it’s a rarity. And it indicates how thoroughly a book I’m writing can take hold of me.

That opened up the following week for other things. In the first few days, I proofed and tweaked the novel, and assembled the manuscript for e-mailing to my editor and my agent. On Wednesday and Thursday I did a rewrite of the other Mike Hammer radio play, The Little Death, for Zev Buffman in Clearwater. Finally Barb and I went to Galena, Illinois, for two days on a combination work-and-pleasure jaunt. The work part was researching Galena for my next novel, The Girl Most Likely (for Thomas & Mercer).

In Galena we met with the charming and very helpful Chief Lori Huntington. This was a particularly important meeting because the protagonist of the novel is the chief of police of Galena. We also drove around the area and got to the know the town a little better than on our previous visits, where we were pretty much strictly downtown shopping and eating. We even toured the historic Galena home of President Grant, the town’s most famous former citizen.

That was Friday and Saturday. On Sunday I wrote a short story, “The Big Run,” for the Strand magazine from an unproduced 1954 Mickey Spillane teleplay — part of the centenary celebration. We also went to a crime movie, Den of Thieves, which has a nice surprise ending, though it suffers from having nobody worth rooting for among either the cops or the crooks.

All in all, a productive couple of weeks.


M.A.C. and Galena police chief, Lori Huntington
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Here’s a nice Publisher’s Weekly interview with me about things Spillane, by fellow Mick fan, Michael Barson, who is a bigtime pop culture expert.

The great James Reasoner likes The Last Stand and tells you all about it here.

M.A.C.

October Country

Tuesday, October 24th, 2017

Barb and I often watch a movie on Blu-ray or DVD in the evenings, and when October rolls around, we make a steady diet of horror films.

For many years, Barb avoided most modern horror films (she’s always liked “monster movies”), but after she worked on Mommy and Mommy’s Day, and had a behind-the-scenes glimpse at making movie mayhem, she has been much more open to such fare. In particular she is a fan of the Alien movies, in part because of the strong female central characters in those films (Aliens by far her favorite).

In the past we’ve gone through the Universal horror films, many Hammer UK films, as well as the Scream, Halloween and Nightmare on Elm Street franchises. This year we tackled Friday the 13th, although we stalled out after number five (a good entry), having begun to tire with number four (a bad entry). We decided to pick up next October with the rest of the series.

The only real misfire was the Phantasm series, which I like but Barb couldn’t abide. I understand that – the Phantasm movies are a very quirky affair and you either get into their sloppy but earnest amateur style or you don’t.

We took comedic side trips into Abbott and Costello Meet Frankenstein and Chopping Mall, the latter a film I’d watched earlier this year and put on the “Barb should see this” pile. I have several more of those I want to show her, mostly low-budget ‘80s fare that had limited releases theatrically but success on home video (not unlike Mommy); these include Warlock and Wishmaster, both spawning series that quickly got terrible. Vamp and the two Waxworks film are pending.

The top of the pile (and I spoke of this one before, briefly) is the South Korean film, Train to Busan. If you haven’t seen this, you need to. I avoided it for a while because it is a zombie film, and I’m fairly sick of those. But Busan is a remarkable piece of filmmaking that works on many levels, not the least of which is the scarcy-as-frigging-hell one. Most of it takes place on a train where a handful of survivors are wading through and battling off the many passengers who have gotten infected, died and quickly returned as ravenous zombies. In that regard, Busan is like Dawn of the Dead and other good zombie movies that have a strong adventure aspect – a resilient group of humans flees and outwits a zombie horde.

Train to Busan

But Busan has many serious socially charged themes, including greed, sacrifice, family, and bio-tech hazard. It’s also well-acted and brilliantly shot and staged; the director is Yeon Sang-ho. I think of the Hollywood fare that I’ve either suffered through or walked out on, in recent years, and see in BUSAN a level of filmmaking I’ve rarely encountered of late. I believe you can find this streaming on various services, and the Blu-ray is inexpensive.

We did take a break from horror to watch the fifth season of Wentworth, the reboot/re-imagining of the great Aussie soap opera, Prisoner Cell Block H (actually, just “Prisoner” in its native land, Patrick McGoohan nowhere in sight). We’re about two-thirds through and remain riveted to this deftly plotted and well-acted series, which strikes me as better than any TV series currently generated in America in the crime genre.

A sixth season is in the works. This one is on Netflix, I believe. We’re watching it on a Blu-ray from the UK.

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On the health front, I am doing quite well. I have a procedure scheduled this week that I may be able to skip, as medication seems to have gotten rid of my a-fib and put my heartbeat back where it’s supposed to be. A cough that has nagged me for many weeks seems beaten back, too, and my energy level is close to normal. I am taking a shitload of pills, but gradually am getting off some of them.

I do regret missing Bouchercon. Looks like everybody had a great time.

On the work front, editing on Scarface and the Untouchable by A. Brad Schwartz and myself continues apace. Killing Town has been delivered, and I am researching the next Heller and hope to be writing in early November.

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Here’s a review column by the great Maxim Jakubowski (no one knows his stuff better) that includes a nifty Quarry’s Climax review.

Check out this terrific Bookreporter review of Quarry’s Climax.

And here’s an interview with me on the Quarry novels from Adam Hill.

M.A.C.

A Cancellation, a Nomination & an Anniversary

Tuesday, June 6th, 2017

HBO/Cinemax has finally officially cancelled the Quarry series, but this comes as no surprise. A shake-up at the network, as well as a conflict between the star (who is committed to another series pilot) and the director of all eight episodes, spelled it out long ago.

What’s most disappointing to me is that my script for season two will not be produced, and I was really happy with it. We had thought some other network might pick the show up, but that now seems unlikely.

I am happy to have had a quality show that gave my Quarry books a higher profile. My hitman has now generated an award-winning short film, a festival-winning feature, and now a first-rate series, and my writing was a part of all three. Maybe we’ll see more of him on screen yet.

More pleasant news came by way of a Shamus nomination for the Spillane/Collins short story, “A Dangerous Cat,” which appeared in The Strand magazine and is also in the collection A Long Time Dead: A Mike Hammer Casebook from Mysterious Press.

Barb and Al, early 1970s
Barb and Al, early 1970s

But the biggest event of the past week was our 49th wedding anniversary, on June 1, which we celebrated with an overnight stay at Galena, Illinois, where always have a wonderful time. For me, it was especially gratifying because – after the various operations and the stroke and all – I was able to spend a long day walking and enjoying myself, feeling very much back to normal (or as close to normal as I ever get). Galena is a quaint, pretty little town of 3500, with lots of boutique shopping and some 65 restaurants. I will be doing a thriller next year set in this scenic community.

On the trip to and from Galena, we finished listening to the audio book of Antiques Frame, so beautifully read by Amy McFadden. It was a reminder to me about how much Barb has grown and flourished as a writer, a profession she never dreamed of entering. Having such a beautiful, talented, smart, funny, patient wife for all these years is the best award/reward I could ever hope for.

The week leading up to the two-way getaway was a busy one, as was the weekend following. I did final edits on the Spillane volume, The Last Stand, which includes the previously unpublished novel of that name, as well as an early ‘50s novella, also previously unpublished, A Bullet for Satisfaction. The latter is a Spillane/Collins collaboration, the former the last solo effort by Mickey. There’s also an introduction explaining the history of both novels. Hard Case Crime will be publishing in both hardcover and soft.

In addition, I wrote the introduction for the collected Dick Tracy Volume 23, for IDW, and dealt with the copy-edited versions of two short stories written by Matt Clemens and me for a pair of horror anthologies. Finally, I wrote the introduction to Scarface & the Untouchable, the joint Capone/Ness bio.

That book now focuses on the Chicago years, with a second volume projected to deal with the rest of Ness’s life. This week I’ll start work on my polish/tweak of the nearly 900-page manuscript. Co-author A. Brad Schwartz and our writing/research associate, George Hagenauer, are working on the bibliography and end notes.

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The complete list of Shamus nominations can be seen at the great site, The Rap Sheet.

Here’s a good current interview with me.

A ton of articles on the cancellation of the QUARRY series are out there, many quoting Michael D. Fuller’s blog post about it. Here’s a good example.

M.A.C.

Quarry’s Daddy on the TV Series

Tuesday, November 8th, 2016

So what’s my opinion of the QUARRY TV series?

It’s a first-rate show. The finale (like the opening episode) is a feature-length crime story worthy of release as an indie film. The Vietnamese war sequence – one long take – is as remarkable a piece of filmmaking as I’ve seen in some time, capturing the feel and pressure and insanity of battle. The cast has been stellar, as well, and the cinematography, art direction, location work, music selection, those elements and more, have been damn near flawless. Greg Yaitanes directed all eight episodes, meaning he pulled off a sustained nine-hour movie, an amazing feat.

Yet I get e-mails and comments from some readers bemoaning that the show isn’t like the books, and in some cases I have been criticized for essentially selling out, letting a bunch of Hollywood punks run roughshod over my creation. Well, first of all, if somebody wants to give me money to make a movie or TV show out of my stuff, and the price is right, they can star a sock monkey and set the show on Venus for all I care. As James M. Cain said (slightly paraphrasing here), “Hollywood hasn’t done anything to my books – they’re right here on the shelf.”

The books are the books. They have existed and will exist, strictly on my terms. Certain aspects of the novels just do not translate to film (this includes the Quarry-derived film THE LAST LULLABY, which I co-wrote). The QUARRY novels are almost entirely dependent on the first-person voice of Quarry himself – his sense of humor, his personal philosophy, the very sound of the things he says, the irony, the black humor. That’s lost in any QUARRY adaptation, unless you use voiceover, which is just not the same (and usually clumsy).

Additionally, the books are short, compact narratives depicting the jobs that Quarry goes on – none of them individually would sustain a season of television. Once the decision was made to do long-form narrative like MAD MEN or BREAKING BAD, the near novella form of the novels had to be dropped. The approach of the novels is what TV folks call “procedural.” Cinemax wanted a cast of recurring characters with their own evolving storylines – the novels are lone-wolf affairs, with few if any recurring characters.

Nonetheless, I have been impressed from the beginning that writers Michael Fuller and Graham Gordy have been able to draw upon the novels in resourceful, respectful ways that guarantee that my DNA stays in the mix. The eight-episode season that just concluded draws heavily upon the first novel, QUARRY (1976), which presents Quarry five years into doing hits for the Broker. The backstory of that novel – Quarry coming home to find his wife having an affair, followed by Quarry killing the guy – is depicted in the first episode right down to how the cheater dies. As director Yaitanes has made clear, the TV series is an origin story, a prequel to the novel series. And Mike and Graham understood, from the start, that Quarry was a PTSD vet (though the term wasn’t around when I wrote the early novels) and that the Vietnam War was very much an underlying theme. I was very pleased when they agreed with me that the show be set in early ‘70s period.

The Broker remains very much my character, and the way he insinuates himself into Quarry’s life on the show is clever and satisfying. In the 1976 novel, Quarry discovers the Broker is involved in heroin trafficking and this initiates the deterioration of their relationship – that aspect is present in the series in a major way. Also, Quarry in that first novel is working with a gay partner who is losing his focus – also a major aspect of the series. Quarry’s self-hating annoyance at the Broker’s various proteges comes from the 1976 novel as well.

Don’t be confused by my Executive Producer credit – that’s doesn’t mean I have control of anything. The TV series is the vision of Fuller and Gordy (as executed by Yaitanes), and when I write an episode, I am following their lead. It’s their baby. And of course when I’m writing a QUARRY novel, it’s all mine. Nobody gets near that crib but me.

What is important is that the original novels get some nice attention drawn to them, because of the quality TV series the books have spawned. It means more sales. More readers. More money. Much as I love my work, this is not a hobby – I’m trying to make a living here. When something like the QUARRY TV series happens that I can be proud of, so much the better.

Haven’t watched Wild Dog on ARROW yet, by the way. Is he played by a sock monkey? Just wondering.

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The extended battle sequence I mention above is discussed by director Yaitanes here.

Here’s a short, sweet review of the new expanded version of the ROAD TO PERDITION prose novel. It was picked up by AP and has had wide coverage on the Net.

Finally, here are “15 Things You Didn’t Know About Wild Dog.”

M.A.C.