Posts Tagged ‘Interviews’

My Life in Crime Begins

Tuesday, August 24th, 2021

For the next seven weeks, leading up to the publication by NeoText of Fancy Anders Goes to War – as both a Kindle e-book and trade paperback – I will be writing a kind of literary memoir about my various book series.

These will be fairly in-depth essays of around 2500 words each. Installments on Nolan, Quarry, Heller, Ms. Tree and Road to Perdition will culminate in a piece about Fancy Anders. They will appear at the NeoText web site – a very entertaining affair with in particular great material about film, particularly the genre stuff from the last seventy years or so that has tended to get lost in the shuffle.

NeoText has invited me to continue writing these essays in support of other books of mine that will be appearing over the next several years, not necessarily published by them. It’s very generous and is allowing me to sum things up about my writing life in a more focused manner than the (I hope) fun but willy nilly manner I indulge in here.

For these seven weeks, the essays will be the primary content of this update/blog. There will continue to be news and links and occasional blathering, but mostly I will be confined to writing these essays.

Here is this week’s – I think you’ll enjoy it, and you’ll find it lavishly illustrated, as will be all the future entries.

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My Mike Hammer editor at Titan, my pal Andrew Sumner, has been ailing of late. But he’s on the mend, which is great news. Here’s his latest interview with me.

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Tom Helberg of Sentai Filmworks led a discussion of the Lone Wolf and Cub series (manga, films, TV, etc.) featuring film reviewer Ed Travis and myself, with an emphasis on how Road to Perdition was influenced by Lone Wolf.

And here’s the trailer for Sentai’s streaming of the 1973 Lone Wolf and Cub TV series.

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I was not a huge fan of writer/director Bong Joon Ho’s Parasite. The film held me but I was unable to fix upon what point he was trying to make – were the rich the actual parasites? The poor? Both? And the resolutely downbeat, violent ending seemed imposed upon the material, not the natural resolution.

But many disagree with me, smart people at that, so it’s just might be I was wrong. Perhaps I’ll revisit it someday. I do know I very much liked Bong Joon Ho’s earlier (2003) film, Memories of Murder (out on Criterion Blu-ray). It’s a police procedural based on a notorious real case in South Korea. The early tone is almost farcical, as the incompetent smalltown cops deal with a serial killer ways alternately buffoonish and thugish. After a young, cool big city inspector joins them to get the case on track, the tone gradually shifts but still has comic moments.

But the story edges toward the abyss as the serial killings continue and the cool cop becomes haunted and frazzled by the crimes. The conclusion will unsettle viewers today, but I warn you not to read anything about this film before giving it a try and, if you have the excellent Criterion edition, make sure to reserve time to watch the supplementary material about the real serial killings and their surprising resolution.

M.A.C.

Sand, Free John Sand Book & More

Tuesday, July 27th, 2021

The Book Giveaway for the third John Sand novel, To Live and Spy in Berlin, by Matthew V. Clemens and me and published by Wolfpack starts right now – ten physical copies are available to the first ten of you who ask for one.

[All copies have been claimed! Thank you for your support!]

In return you agree to write a review at Amazon and/or other review venues (Barnes & Noble, Goodreads, various blogs). Should you dislike the book, you are absolved from that duty if you wish.

I would love to run J. Kington Pierce’s wonderful piece on the John Sand books for January Magazine, but you will need to follow the link here.

But it’s so encouraging to see a really intelligent professional and highly respected reviewer understand what Matt and I are up to in the Sand books. Good reviews are great for marketing, but it’s really gratifying when a smart critic “gets it.” (He also writes about it briefly at the Rap Sheet.)

My pal and Titan editor Andrew Sumner did an interview with me for the at-home San Diego Comic Con. It runs an hour and he did his usual terrific job. We cover all the Titan stuff – the forthcoming Ms. Tree Volume 3: The Cold Dish, the current flurry of Nolan books from Hard Case Crime (including Double Down), and next year’s 75th anniversary Mike Hammer novel, Kill Me If You Can for Titan, which I’m writing now (and which is the reason so little content is available here this week beyond the giveaway and some news items). Generously Andrew asks me about non-Titan projects, including the Spillane bio I’m doing with Jim Traylor for Otto Penzler at Mysterious Press and, yes, the John Sand series (and more) at Wolfpack.

I’m also a guest at the home version of the Sentai con, where I discuss Lone Wolf and Cub and Asian action films in regard to Road to Perdition. Info here.

A couple other pieces of news/information.

First, the rights to the Nate Heller novel Better Dead have reverted to me and I hope to line up a new publisher because there’s never been a paperback edition. And for now the e-book is off the market.

Second, in a bizarre mistake, the paperback edition of the Caleb York western Hot Lead, Cold Justice was published with the art for the previously published Last Stage to Hell Junction. A new edition will be published soon by Kensington with the correct art (the same art as the hardcover edition of Hot Lead). I hope to be able to have a way for anyone with the a copy of the wrong cover to be sent a corrected version. More on this later.

Dead-End Jobs: A Hitman Anthology
Paperback: Indiebound Amazon Books-A-Million (BAM) Barnes & Noble (B&N) Powell's
E-Book: Amazon Google Play Nook Kobo iTunes

Andy Rausch, editor of Dead-End Jobs: A Hitman Anthology (which features a Quarry short story), is interviewed by Michael Gonzales on the subject of fictional hitmen here.

Book Bub has a $1.99 e-book deal on the Mike Hammer novel Murder Never Knocks, which they describe as a page-turning noir thriller: Legendary PI Mike Hammer scours Hollywood’s dark underbelly for the person who tried to have him killed. “This novel supplies the goods: hard-boiled ambience, cynicism, witty banter, and plenty of tough-guy action” (Booklist).

Check out this excellent write-up on an unfortunately out of print collection of my early Dick Tracy work with Rick Fletcher.

Finally, this should lead you to an excellent documentary about Walter Tevis, who (like Richard Yates) was one of my instructors at the University of Iowa Writers Workshop.

M.A.C.

Caleb York Rides…One Last Time?

Tuesday, April 27th, 2021

Hardcover: Indiebound Bookshop.org Amazon Books-A-Million (BAM) Barnes & Noble (B&N) Powell's
E-Book: Amazon Google Play Kobo iTunes
Digital Audiobook: Libro.fm Amazon Google Play Kobo Chirp

Today the sixth – and, for now at least, final – Caleb York western, Shoot-Out at Sugar Creek, goes on sale. Those of you who won advanced copies are now free to review it. It’s a hardcover. The previous Caleb York, Hot Lead, Cold Justice, is out simultaneously in mass market paperback.

I usually just provide a link, but this review from that first-rate writer Ron Fortier at his Pulp Fiction Review blog is too good not to share.

Here it is, and thank you, Ron:

SHOOT-OUT AT SUGAR CREEK
A Caleb York Western
By Mickey Spillane & Max Allan Collins
Kensington Books

The sixth chapter in the Caleb York series picks where the fifth ended, with the people of Trinidad New Mexico dealing with the aftermath of the worst winter recorded in the west. Many of the local ranchers, having lost most of their stock, have packed up and left the territory, while Willa Cullen, owner of the big Bar-O, is struggling with a decimated herd and a lack of clean running water to support them. The only unfouled source is Sugar Creek which sits on neighboring Circle G land.

As the story opens, the once abandoned ranch is bought by a beautiful widow named Victoria Hammond, who entertains grandiose plans to become the richest, most powerful figure in the county. Events get off on less than desirable footing when Sheriff Caleb York is forced to shoot and kill Victoria’s youngest of three sons for raping and savagely beating a local working girl. Upon meeting the woman to respectfully report the circumstances of the shooting, York discovers that she has no intentions of allowing any other ranchers access to Sugar Creek. She is also planning on buying out Willa for pennies on the dollar. No stranger to past range wars, York finds himself in the precarious role of peace-keeper, between the woman he loves and the ambitious widow Hammond.

Along about this time, we found ourselves musing over Collins’ ingenuous plot with its echoes of a several classic television settings. Thus far the adventures of Caleb York and Trinidad have seemed much like Matt Dillon in the popular Gunsmoke series. Whereas with this book, he offers up a dark-mirror image of another well known oater, The Big Valley; what with Victoria Barclay (note the same first name) and her three boys. That the two, York and Victoria Hammond are on a collision course is obvious from their first scene together. Then, in his usual masterful touch, Collins ups the ante and violence erupts quickly towards the tale’s second half leaving blisters on our fingers. We simply could not put it down. The end was so Mickey Spillane, it was eerie.

We’ve enjoyed all the Caleb York books but this one clearly stands out as a high mark. Nobody spins a yarn like Max Collins. Nobody.

As for why this is the last Caleb York, at least for a while, it’s simple: Kensington didn’t ask for any more. I have strong interest, however, from Wolfpack, who have (obviously) been incredibly supportive of my work of late, and they are a top publisher of westerns. So Caleb may saddle up there in the (as Mystery Science Theater puts it) not too distant future.

Well, somewhat distant, because I am booked up for the rest of the year and into the next. Ironically, a lot of this has to do with getting ready for the 75th anniversary of Mike Hammer next year. This includes a new Hammer novel, developed from an unpublished Spillane manuscript, and I haven’t started that yet. Very much under way is a biography of Mickey for Mysterious Press, which Jim Traylor and I are doing. I’m also considering an expanded version of my documentary, Mike Hammer’s Mickey Spillane, if I can work it in. Also on the docket is a possible non-Hammer novel based on an unproduced Spillane screenplay, which I may do for Wolfpack – still in the talking stages, but….

In addition, I have an Antiques novel to co-write and a Nate Heller(although that will slop over somewhat into next year). And currently I’m doing the third John Sand novel with Matt Clemens – working from his draft, I’m half-way through mine. It’s called To Live and Spy in Berlin.

Besides all this, I’m involved with getting my ‘40s female PI Fancy Anders out to the reading public. She will appear in three novellas: Fancy Anders Goes to War; Fancy Anders For the Boys; and Fancy Anders Goes Hollywood. These are written. When they are collected into book form, I intend to title it Meet Fancy Anders. These are for Neo-Text, who will be bringing them out initially as e-books.

Neo-Text will also be doing e-books of the three-part serialized The Many Lives of Jimmy Leighton by Dave Thomas and me. That will be the title of the eventual collected edition. I’m pleased to announce that the incredible Howard Chaykin will be illustrating Jimmy Leighton.

As I’ve mentioned here before, artist Fay Dalton, a fantastic talent, is doing the illos for Fancy Anders. She’ll be doing cover illos as well as one illustration per chapter (numbering 10 per novella, not counting covers). Some will be in color, a few in black-and-white or partial color for a noir effect. We have not seen Howard’s work on Jimmy yet, but I know it will be outstanding. This is not comics, or graphic novels, rather prose novels that include a good amount of strong artwork, perhaps invoking the classic magazine illustration of the ‘30s through the ‘50s.

To give you the first look at Fancy, I’ve included one of her roughs, which I predict will knock your eyes out and your socks off. I am incredibly excited about both of these Neo-Text projects. They are at once typical of my work even as each charts a new course.

Cover sketch for Fancy Anders Goes to War

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There was a bit of fuss last week over my stating that if a winner in a book giveaway here didn’t like that book, the responsibility to review the book could be considered optional.

A bait and switch went on to some degree, because the complaining parties seemed not to be winners in the book giveaways, but actual paying customers…and of course an actual paying customer can dislike a book and say so in an Amazon review with my (grudging) blessing.

But this seemed to be really about those who don’t like my complaining (which I did) about self-professed “big fans” advising other big fans not to read the book – scaring off other paying customers. No law against that, but I don’t think they understand the concept of Amazon reviews. When you write a review for Amazon, or Barnes & Noble or Goodreads, you are not a professional reviewer with the status and credibility of a critic in, say, Entertainment Weekly or for that matter The New York Times. You’re just a reader expressing an opinion. Which is fine. But the public forum you’re in does carry weight, and particularly at Amazon with its averaging of reviews, its reliance on the number of reviews, and policy of showing a “top” negative review.

I went into some detail about this in the comments last week, and so did people on both sides of this fence, and you may wish to check that out.

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This is a long, freewheeling interview (audio only) with my buddy Andrew Sumner, one of my favorite people on the planet.

M.A.C.

Not Another Book Giveaway! Live Fast….

Tuesday, April 20th, 2021
Live Fast Spy Hard cover

Yes, another book giveaway!

I have ten copies of the second John Sand novel, Live Fast, Spy Hard by Matt Clemens and me, and ten copies of the new Wolfpack edition of Regeneration by Barb and me. It’s first-come first serve. You must include your address (include your name as part of your address, so I can copy paste) and agree to write a review for Amazon (Barnes & Noble and review blogs are also welcome). USA only, please – foreign postage is prohibitive.

[All copies have been claimed. Thank you for your participation! –Nate]

Give me an order of preference, or if you are only interested in one title of these two.

If you read and then don’t like the book, you are released from your pledge to review it, and in fact I’d rather you didn’t. The purpose of these exercises is not to show you what a fine, generous man I am (though of course that’s true), but to attract favorable attention to these books.

You know – get others to buy them.

Live Fast, Spy Hard represents the second of what will be at least three John Sand novels. I’ve mentioned the premise here – that Sand is the spy who (reading between the lines) Ian Fleming based James Bond upon. The secondary conceit is that what happened at the end of On Her Majesty’s Secret Service (SPOILER ALERT: Bond marries and his wife is killed) was not reflected in John Sand’s “real life.” He does marry, but the wife – and, so far, the marriage – survives.

I have heard through the grapevine that some readers have avoided Come Spy With Me and now Live Fast, Spy Hard because they are assuming that these are spoofs of spy novels. This may be a result of the lead espionage agent being married and teaming up with his wife for duties with a new spy agency called GUILE, which is vaguely like UNCLE in, you know, THE MAN FROM.

A couple of things.

First, these novels derive from my love for the Ian Fleming novels and the Sean Connery-starring Bond films. I only tolerate Roger Moore, and defend Timothy Dalton because his Bond is like the book Bond, and enjoy the two later Bonds (Brosnan and Craig) because they are loyal to Fleming and Connery each in his own way. As for George Lazenby, he was a faithful to Fleming Bond, too.

I’ve told the story here many times that when – at around age 14 – I ran out of Mickey Spillane books to read, I turned to the author advertised as “the British Mickey Spillane” – Fleming, Ian Fleming. And you may recall that, in junior high, I talked my parents into taking me to see the opening of Dr. No on a school night.

Second, while I was very much caught up in the spy craze that accompanied Beatlemania while I was in high school – watching every dreadful spy spoof from Dean Martin as Matt Helm to James Coburn as Flint (actually walked out of In Like Flint) – I have no love for any spoofy spy thing of the period with the exception of Get Smart. (I do love the latterday OSS 117 films from France. Also, for the record, I love both Dino and Coburn, just not in those films – though I own all of them on Blu-ray, so go figure).

Third, the UNCLE reference, which puts some people off, has a basis in Ian Fleming, thank you very much. First of all, the acronym thing was a big deal in real life, and in the reality of the spies Fleming wrote about (SMERSH being real, with of course SPECTRE a Fleming invention). Fleming named both Napoleon Solo and UNCLE, but was forced off the TV project by the producers of the Bond film series. Hardcore Bond fans may recall that “Solo” was the name of a gangster in Goldfinger.

So the presence of GUILE does not indicate that Matt and I are going down a spoofy path.

Readers who think John Sand marrying a beautiful woman means there is no sex in these books need to either (a) if single, start dating, or (b), if married, buy their wives some flowers and see what happens.

And readers who like the harder-edged side of my work – who value Quarry, Mike Hammer and Nate Heller – should not misconstrue the nature of the John Sand books, which are extremely tough with brutal action and lots of plot twists and turns. Heller fans may in particular enjoy the historical aspect. In pursuing the conceit of John Sand being the “real” James Bond, Matt Clemens and I have devised stories within the early ‘60s time frame that bring in the likes of Castro, JFK and the Rat Pack. These are at once historical novels and espionage thrillers, as well as bloody valentines to Ian Fleming.

But in some ways John Sand is a change of pace, simply because I haven’t written much espionage, although such movie tie-ins as I Spy, Air Force One and In the Line of Fire seem to qualify, as well does the Reeder & Rogers trilogy (Supreme Justice, Fate of the Union and Executive Order) that Matt and I did for Thomas & Mercer.

Here is an interview Matt and I did with Wolfpack editor Paul Bishop.

As I mentioned above, the point of these book giveaways is generating good reviews to in turn generate sales. That’s how I keep food on the table, the lights on, and you entertained. When I – or any writer whose work you enjoy – change things up with a different type of book, and you don’t like it, might I make a suggestion? If you usually like the writer, don’t write an Amazon review advising other fans to steer clear of it. Have some respect for the author, and give your fellow fans the opportunity to judge for themselves.

Now and then I see an Amazon review that begins, “I’m a big Max Allan Collins fan,” followed by a blisteringly bad review. Either I’m not writing as well, or these readers may just not really be “big” fans.

Regeneration book cover, Wolfpack edition

The other book in this week’s giveaway, Regeneration, has generated many terrific Amazon reviews, but I am always up against resistance when I try to break out of my specific noir/historical niche. I write different kinds of things to stay fresh, to stay interested. Particularly when I collaborate, as with Barb or Matt or recently Dave Thomas, I am looking to do something different. That’s on purpose.

Regeneration is a novel I’m particularly proud of. It began as a short story of Barb’s in which I saw possibilities for a novel. As the Mommy movies indicate (and the Mommy novels for that matter) (available from Wolfpack), I am interested in horror and dark suspense. My anthology Reincarnal is packed with specifically that kind of tale. And Regeneration, thanks to Barb’s terrific idea as well as her draft on the novel, is definitely in that cubicle of my wheelhouse.

Regeneration explores ageism on the one hand, and the failure of Baby Boomers to save for retirement on the other, putting them together in a darkly comic and intentionally disturbing mix that reflects Alfred Hitchcock Presents and The Twilight Zone as influences on both Barb’s and my work.

Check out the knockout cover Wolfpack has come up with for this new edition.

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Here’s a podcast interview with me, nicely handled by Joe Meyers.

M.A.C.