Yes, another book giveaway!
I have ten copies of the second John Sand novel, Live Fast, Spy Hard by Matt Clemens and me, and ten copies of the new Wolfpack edition of Regeneration by Barb and me. It’s first-come first serve. You must include your address (include your name as part of your address, so I can copy paste) and agree to write a review for Amazon (Barnes & Noble and review blogs are also welcome). USA only, please – foreign postage is prohibitive.
[All copies have been claimed. Thank you for your participation! –Nate]
Give me an order of preference, or if you are only interested in one title of these two.
If you read and then don’t like the book, you are released from your pledge to review it, and in fact I’d rather you didn’t. The purpose of these exercises is not to show you what a fine, generous man I am (though of course that’s true), but to attract favorable attention to these books.
You know – get others to buy them.
Live Fast, Spy Hard represents the second of what will be at least three John Sand novels. I’ve mentioned the premise here – that Sand is the spy who (reading between the lines) Ian Fleming based James Bond upon. The secondary conceit is that what happened at the end of On Her Majesty’s Secret Service (SPOILER ALERT: Bond marries and his wife is killed) was not reflected in John Sand’s “real life.” He does marry, but the wife – and, so far, the marriage – survives.
I have heard through the grapevine that some readers have avoided Come Spy With Me and now Live Fast, Spy Hard because they are assuming that these are spoofs of spy novels. This may be a result of the lead espionage agent being married and teaming up with his wife for duties with a new spy agency called GUILE, which is vaguely like UNCLE in, you know, THE MAN FROM.
A couple of things.
First, these novels derive from my love for the Ian Fleming novels and the Sean Connery-starring Bond films. I only tolerate Roger Moore, and defend Timothy Dalton because his Bond is like the book Bond, and enjoy the two later Bonds (Brosnan and Craig) because they are loyal to Fleming and Connery each in his own way. As for George Lazenby, he was a faithful to Fleming Bond, too.
I’ve told the story here many times that when – at around age 14 – I ran out of Mickey Spillane books to read, I turned to the author advertised as “the British Mickey Spillane” – Fleming, Ian Fleming. And you may recall that, in junior high, I talked my parents into taking me to see the opening of Dr. No on a school night.
Second, while I was very much caught up in the spy craze that accompanied Beatlemania while I was in high school – watching every dreadful spy spoof from Dean Martin as Matt Helm to James Coburn as Flint (actually walked out of In Like Flint) – I have no love for any spoofy spy thing of the period with the exception of Get Smart. (I do love the latterday OSS 117 films from France. Also, for the record, I love both Dino and Coburn, just not in those films – though I own all of them on Blu-ray, so go figure).
Third, the UNCLE reference, which puts some people off, has a basis in Ian Fleming, thank you very much. First of all, the acronym thing was a big deal in real life, and in the reality of the spies Fleming wrote about (SMERSH being real, with of course SPECTRE a Fleming invention). Fleming named both Napoleon Solo and UNCLE, but was forced off the TV project by the producers of the Bond film series. Hardcore Bond fans may recall that “Solo” was the name of a gangster in Goldfinger.
So the presence of GUILE does not indicate that Matt and I are going down a spoofy path.
Readers who think John Sand marrying a beautiful woman means there is no sex in these books need to either (a) if single, start dating, or (b), if married, buy their wives some flowers and see what happens.
And readers who like the harder-edged side of my work – who value Quarry, Mike Hammer and Nate Heller – should not misconstrue the nature of the John Sand books, which are extremely tough with brutal action and lots of plot twists and turns. Heller fans may in particular enjoy the historical aspect. In pursuing the conceit of John Sand being the “real” James Bond, Matt Clemens and I have devised stories within the early ‘60s time frame that bring in the likes of Castro, JFK and the Rat Pack. These are at once historical novels and espionage thrillers, as well as bloody valentines to Ian Fleming.
But in some ways John Sand is a change of pace, simply because I haven’t written much espionage, although such movie tie-ins as I Spy, Air Force One and In the Line of Fire seem to qualify, as well does the Reeder & Rogers trilogy (Supreme Justice, Fate of the Union and Executive Order) that Matt and I did for Thomas & Mercer.
Here is an interview Matt and I did with Wolfpack editor Paul Bishop.
As I mentioned above, the point of these book giveaways is generating good reviews to in turn generate sales. That’s how I keep food on the table, the lights on, and you entertained. When I – or any writer whose work you enjoy – change things up with a different type of book, and you don’t like it, might I make a suggestion? If you usually like the writer, don’t write an Amazon review advising other fans to steer clear of it. Have some respect for the author, and give your fellow fans the opportunity to judge for themselves.
Now and then I see an Amazon review that begins, “I’m a big Max Allan Collins fan,” followed by a blisteringly bad review. Either I’m not writing as well, or these readers may just not really be “big” fans.
The other book in this week’s giveaway, Regeneration, has generated many terrific Amazon reviews, but I am always up against resistance when I try to break out of my specific noir/historical niche. I write different kinds of things to stay fresh, to stay interested. Particularly when I collaborate, as with Barb or Matt or recently Dave Thomas, I am looking to do something different. That’s on purpose.
Regeneration is a novel I’m particularly proud of. It began as a short story of Barb’s in which I saw possibilities for a novel. As the Mommy movies indicate (and the Mommy novels for that matter) (available from Wolfpack), I am interested in horror and dark suspense. My anthology Reincarnal is packed with specifically that kind of tale. And Regeneration, thanks to Barb’s terrific idea as well as her draft on the novel, is definitely in that cubicle of my wheelhouse.
Regeneration explores ageism on the one hand, and the failure of Baby Boomers to save for retirement on the other, putting them together in a darkly comic and intentionally disturbing mix that reflects Alfred Hitchcock Presents and The Twilight Zone as influences on both Barb’s and my work.
Check out the knockout cover Wolfpack has come up with for this new edition.
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Here’s a podcast interview with me, nicely handled by Joe Meyers.
M.A.C.