Posts Tagged ‘Kickstarter’

Go Go Gone

Tuesday, April 23rd, 2013

As predicted, Barb and I wrapped up the eighth “Trash ‘n’ Treasures” mystery, ANTIQUES A GO GO, last week. It took through Thursday to finish it – I always take a couple of days to go over a manuscript and do a final tweak before sending it off. Still seems strange not to be packaging up an actual manuscript and instead just sending an attachment to an editor.

The book is something of a change of pace, as it takes Brandy and her mother to Manhattan, but I won’t dwell on that book, since the new one – ANTIQUES CHOP – is about to come out. I think CHOP may be my favorite of the series (the new one is too fresh in my mind for any kind of judgment beyond, “Whew! Glad to get that outa here!”). For those of my readers fearful of trying a “cozy,” this one has axe murders in it. So put on a bib and dig in.

I’ve alluded to a Kickstarter project here that would take one of my Dreadtime Stories radio plays into low-budget feature-film territory. We had a lot of great things in our favor, among them the participation of Danielle from AMERICAN PICKERS, my longtime cinematic collaborator Phil Dingeldein (a d.p. on PICKERS), Malcolm McDowell as narrator, and of course the Fangoria brand-name. But at the very last minute (we were going to meet on Sunday afternoon, with my son Nate coming in from St. Louis for Kickstarter consulting), a different Fangoria deal interceded to make ours untenable. The good news is that Phil and I will likely be involved in some aspect of this new direction. I’m hopeful we can involve Danielle, too. We’d spent a lot of time (including me doing three or four drafts of “House of Blood” as a screenplay) gearing up for the Kickstarter effort with producer Carl Amari, so there’s disappointment in the mix, but also the promise of filmmaking to come.

Speaking of films, I can recommend OBLIVION, a very smart s-f adventure with Tom Cruise. The reviews are mixed on this one, but I am solidly in the plus column. The art direction alone is worthy of your attention, but the screenplay has some nice surprises, and it’s a well-directed film in general, though a big shoot-‘em gun battle seems out of place and maybe patched-in to satisfy studio execs.

This weekend my band Crusin’ played two nights in a row – a real oddity for us, because I try very hard to avoid that. It’s more like twice a month I’m after. And I will freely admit that on Sunday, I felt like I’d fallen down a flight of stairs (I’m writing this on Monday and feel only marginally better). I continue to enjoy the band, but sometimes it’s starting to feel like that moment in the action movies where the old star says, “I’m getting too old for this shit!” You know, right before a helicopter blows up?

This week I am looking at galley proofs of THE WRONG QUARRY and ASK NOT.

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The three-part look at the Nolan series by Dan Luft over at the Violent World of Parker has wrapped up with a discussion mostly about SPREE. This is a nice series of articles, and with some smart commentary. Occasionally, though, Dan misses the mark fairly wide – he’s about the only reader I’ve ever encountered who disliked the use of the Comfort family in SPREE. He claims to really like the book, except for the Comforts, which is kind of like loving everything about JURASSIC PARK except the dinosaurs.

Here’s a really nice COMPLEX 90 review. Coming up soon, by the way!

This BLOOD MONEY review is basically positive, but it’s a little odd, albeit in an interesting way. It continues to be weird reading reviews of stuff I wrote forty years ago.

Here’s a very good TRUE DETECTIVE review. It’s amazing how resilient that book has been. Published thirty years ago, it sold more copies in the last year (e-book format) than in its first several.

Mel Odom, himself a hell of a writer, has some interesting things to say about BYE BYE, BABY, the first book in the Nathan Heller JFK Trilogy.

Finally, here’s yet another positive look at SEDUCTION OF THE INNOCENT (mine, not Wertham).


“Veronica Mars” and Kickstarter

Tuesday, March 19th, 2013

It’s been all over the place – not just the Net – that the “Veronica Mars” movie has been funded via Kickstarter. The two-million dollar goal was reached in ten hours (and I contributed, thanks to Nate giving me a heads up). Last time I looked they were at $3.5 mil. “Veronica Mars” is a huge favorite among the Collins clan, and I rate it as probably the best private eye show of all time (make it a tie with “City of Angels”). So this is very good news. No, I did not contribute enough to get a speaking part….

Just as this is happening, serious discussions are under way to do an M.A.C. Kickstarter project. We are looking at doing a “Fangoria/Dreadtime Stories” film here in the Midwest, and the goal will be considerably less than $2 mil. Carl Amari, Phil Dingeldein, Nate Collins and I will be meeting very soon to put together our plan of attack. A draft of the script is written – “House of Blood” – and you can access the radio show version, free right here.

Stay tuned for developments.

Warm Bodies / Oz the Great and Powerful

Barb and I saw two very good movies this weekend – the zombie romance “Warm Bodies” and “Oz the Great and Powerful.” The former initially didn’t grab me, as I think I’m zombied out; but it quickly showed itself to be very much its own quirky animal, clever and funny with a surprisingly good heart. The latter we saw at the new 10-screen cineplex in Muscatine, a lavish movie palace that I can’t believe is in our little home town – we’ve had four shabby screens for so long, I feel like I’m hallucinating. “Oz” is something of a return to “Evil Dead” form for director Sam Raimi, and James Franco is charming and funny as the charlatan at its center. We saw this in an IMAX-style theater in 3-D – excellent, eye-popping 3-D, Raimi really taking advantage of the medium – and it was enormous fun, a valentine to L. Frank Baum and the original MGM musical. It’s not perfect – the pacing can be sluggish and ten or fifteen minutes of trims would have made this a near masterpiece. On the other hand, we walked out of JACK THE GIANT SLAYER a few weeks ago (starring Nicolas Hoult, who has the odd honor of having the lead in both the excellent WARM BODIES and the dreadful JACK at the same time).

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SEDUCTION reviews continue to pop up, like this great one at that stellar book-review site, Bookgasm.

Here, at Books and Writers is a brief interview that covers some new ground.

My old pal Mike Gold – whom with George Hagenauer of course, was instrumental in the research of the first five Nate Heller novels – weighs in with a clever review at Comic Mix. Lovely words, although I do think he sells the band Seduction of the Innocent rather short.

We interrupt these SEDUCTION OF THE INNOCENT reviews to bring you a swell LADY, GO DIE! one from Popcults.

Meanwhile, back at SEDUCTION OF THE INNOCENT, Spinetingler has a review that couldn’t have been much better if I wrote it myself.

Finally, here’s another excellent review, this time from the American Culture.


Target Lancer Out Today

Tuesday, November 27th, 2012

Today (Nov. 27 2012) marks the official publication date of the new Nate Heller novel, TARGET LANCER, although it’s been spotted (snagged) in bookstores here and there for several weeks.

As is often the case, I didn’t receive my copies till just a few days ago (day before Thanksgiving). It’s a handsome book, and features a raised, foil title that is very attractive, and a nice surprise. I hope the book attracts some attention, both for Nate Heller and for the relatively unknown information about the JFK assassination that it reveals.

I am preparing to go out on a two-week book tour for TARGET LANCER, and I face a problem lots of writers do: my mind is filled with the novel I just completed, ASK NOT, the follow-up to LANCER, and I have to shift gears to discuss what to me is an “old” book.

I am happy and frankly relieved to have finished The JFK Trilogy (which began with BYE BYE, BABY). Funny thing – I have lately started to get “name-dropping” criticisms where Heller himself is concerned, and this goes back to the people who don’t grasp the concept of the saga…namely, that we are accessing and experiencing famous crimes/mysteries/events through the eyes of a traditional Chandleresque private detective. And that it is therefore necessary for past cases, however famous, to be mentioned and occasionally dealt with. I believe Heller and I do that with humor – nobody has to remind Heller that he’s been bodyguard to a shocking number of famous murder victims. To me it’s curious that nobody questions Perry Mason having hundreds of murder trials (factoring in the TV show – but even just the books it’s around 100) or Poirot and Nero Wolfe having seventy-some murder cases each, and so on. Readers seem to get the “suspension of disbelief” aspect of the genre in those cases. But some get tripped up by the famous nature of Heller’s cases and clients.

The fact is, Heller almost always fills the role (or roles) of somebody in history – often a real-life private eye. That lays a far more believable groundwork than any strictly fictional case could ever provide. And it occurred to me the other day that I had completed a JFK Trilogy in which JFK himself appears only once, in a not terribly flattering scene (in BYE BYE, BABY).

The reviews so far for TARGET LANCER have been stellar, but I anticipate getting the “name-dropping” dig again. One critic, who liked the book a lot, complained about Heller breaking the fourth wall and talking to the reader. That’s not going to stop, either.

If you still need a nudge, check out the sample chapter (the first) available at the fine Criminal Element web site. [Note from Nate: Leave a comment at that link before November 30 to enter a drawing for a free copy!]

Here’s a spiffy TARGET LANCER review you might want to check out.

And here’s a cool if short mention of LANCER.

Part one of a three-part in-depth look at my Nolan and Jon series has been posted at the Violent World of Parker (that’s Westlake’s Parker, not Spenser’s Parker). It’s very interesting and well-done, focusing on the first three novels (MOURN THE LIVING, BAIT MONEY, BLOOD MONEY), and not always loving them. That’s okay. I realize I was a precocious kid and talented but not really good yet. My God, MOURN was written, what? 44 years ago! As you might guess, I made a couple of comments that are posted there as well, which you may find worthwhile.

For those keeping track, I have just completed a screenplay called HOUSE OF BLOOD that I hope will be my next indie movie. It’s a back-door pilot for a Fangoria’s Dreadtime Stories TV series (based on producer Carl Amari’s radio show that I’ve written about half of the scripts for). It may be a Kickstarter project, so stay tuned for lots more info.

Next up is a thriller called WHAT DOESN’T KILL YA. Matt Clemens is on board for this one, and we’re meeting today for him to deliver story and research materials he’s been working on. I start the book tomorrow, but it will be complicated by the two-week book tour.

You may have noticed I am going directly from one project into another (the screenplay, based on a radio script of mine, was started the Wednesday before Thanksgiving and completed the Sunday after), which is not ideal. But things got piled up on me this year. ASK NOT was a punishing project, particularly the research.

And I have also been very busy helping prepare fourteen back-list titles of mine for Thomas & Mercer to reprint – that’s fourteen covers, cover copy, galley proofs, etc., that had to be dealt with. These novels appear next month (that’s right, December 2012), as both trade paperbacks and e-books, and I’ll have more info for you soon.

Even with me working intermittently on the HOUSE OF BLOOD script, we managed to have a great Thanksgiving with Nate and his bride Abby and their demented dog Toaster. Barb cooked a fantastic traditional meal that calls into extreme doubt her insistence that she’s not a good cook. We saw an excellent 3-D movie, LIFE OF PI, which I highly recommend, and I spent so much on blu-rays on Cyber deals that I will probably have to keep this work pace up for another couple years. I even had a band job Saturday night at Ducky’s Lagoon in Andualusia, Illinois. So, yes, it was a busy weekend.

Next week, if I get ambitious, I may take a swing at rating the 24 James Bond films in order of excellence (and lack thereof) with my comments. Barb and I have been plowing through the 22-blu-ray boxed set. For the record, I don’t count the spoof movie of CASINO ROYALE (or the early TV show), but I do count NEVER SAY NEVER AGAIN. It has Sean Connery playing James Bond. That makes it more official than any movie with anybody else playing James Bond.

That doesn’t mean that some of the non-Connery movies aren’t better than a few of the lesser Connerys. But let me explain this – Sean Connery is James Bond the way John, Paul, Ringo and George are the Beatles. Everything else, however well played, is Beatlemania.