Posts Tagged ‘King of the Weeds’

Supreme Debate

Tuesday, June 10th, 2014

SUPREME JUSTICE continues to ride high on the Kindle bestseller charts. I am under no delusions about this – it’s a book a lot of readers are getting free this month, but it still feels good to have a #1 bestseller and to have so many new readers exposed to my work. (I should say “our” work because Matt Clemens was my co-conspirator on this one.)

The Amazon reviews are pushing 150 at this point. Keep in mind that the recent Heller novels are lucky to get over 30 reviews (hint hint), and Quarry novels often stall out in the mid-teens. SEDUCTION OF THE INNOCENT has been sitting at 14 Amazon reviews for some time now, and even TRUE DETECTIVE – which also hit #1 on Kindle when it came out a couple of years ago – has yet to break 100, even with the fresh sales from confused readers who think it’s the HBO show’s source (some revenge, anyway).

What’s most interesting about the reviews is the continuing debate over the book’s supposed liberal bias. There continue to be far right readers who give the book a one star rating without having read it – they’ve just heard the book is a liberal screed, or have been misled by the Amazon write-up, which rather overstates that aspect of the book. Others do read the book, or some of it, but are offended by what they see as a caricature of Clarence Thomas. This is of course odd, since Clarence Thomas is a caricature….

On the other hand, a growing number of conservatives who have read the book seem to like it. Some continue to find more liberal bias than I think is in there, but I may be too close to see it. (Note the Clarence Thomas crack above.) But I am grateful when these readers express themselves honestly and react to the book and not what they’ve heard or assume about it.

I’ve done some limited commenting on reviews, and had an extended, civil exchange with one reader who claimed I’d called conservatives “Nazis.” I pointed out that the word appeared nowhere in the novel. He said I’d used “fascists” and that that was the same thing. I said it wasn’t, no more than “Commie” and “socialist” were the same thing, and so on. The back and forth was respectful and even illuminating. And I tried to make the point that I didn’t call anybody anything – one of my characters did.

Anyway, a new post went up from a prospective reader who had read this exchange, and I thought it was pretty great. Here it is with my response:

Max,

I am staunchly conservative and staunchly Christian. I was reviewing the options for the Prime First this month and was reading the reviews for your book. I am getting to the point where media has become exhausting as it tends to lean heavily towards the left. Almost all Hollywood politically set movies make the conservative the bad guy. So as I was reading the reviews, I almost decided to skip past your book as the other reviewers have stated it leans left and I figured it would end up bashing my beliefs as most other forms of media do.

Now, let me tell you why I am not going to do that. This exchange between you and Todd has completely changed my outlook on my decision for reading the book. I refuse to watch any movie that Sean Penn is in, regardless of the content, because I choose not to support him. I will however watch anything Tom Hanks is in for 2 reasons. One, he plays amazing characters. And 2, he has his beliefs, and they side with Sean, but he keeps it to himself. So I choose to support him with my money.

So with all that being said, I will read your book even though, I believe I will feel like it leans to the left, but it will be because I want to support you. Seeing that you were willing to come here to have a civil discussion regarding your book was great. Your first line made me think it was going to head in a direction of an angry internet commentor. “I do my best not to respond to bad reviews… (But I’m going to bash you and your conservative beliefs now.)” That’s not what you did and I respect you enough to support your work. So I will read your book and I will give you an honest and fair review when I complete it. Best of luck to you.

MY REPLY: This was a very thoughtful post, and I appreciate you giving my novel a try. I admit to being a little surprised by the fuss, because the novel was not intended to be liberal or conservative. In fact, I strongly considered having a conservative hero defend the lives of liberal justices. The important thing was that a man be put in the position of defending people he disagreed with…powerful people. I think some conservative Christians misread my use of Rowe V. Wade being overturned by a (fictional) conservative Supreme Court. The idea was not to say anything in favor of or against that move, but to choose a topic that dealt with life and death — that could inspire someone to resort to violence to change the balance of justices. There’s a remark in the book about zealots that I think was probably misjudged on my part, because it’s easily taken as a swipe at Christianity when the intent was to criticize someone viewing his opinion about something as if it were a religious belief. On the other hand, readers who limit themselves to books whose protagonists mirror their own beliefs are…well, limiting themselves. Again, as the writer who Mickey Spillane chose to take over the Mike Hammer books, I am quite accustomed to attacks from the extreme left. And if SUPREME JUSTICE does have a political message, it’s the dangers of extremism. It’s been said that the place the far right and the far left meet is a book burning — they’re just bringing different books. Thank you again for these comments.

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For those keeping track, I have completed KILL ME, DARLING and over the weekend sent it to Titan in the UK via the miraculous Net. I may talk more about the writing experience on this one, much of which occurred while I was on heavy painkillers for my back injury (doing fine, thanks).

* * *

I talk about a lot of movies here, and it must be obvious that Barb and I see a lot of them. We usually go at least once a week. But I can’t remember the last time I reported having seen a great film.

Edge of Tomorrow

EDGE OF TOMORROW is a great film. It’s basically a science-fiction/aliens-attack take on another great film, GROUNDHOG DAY. I don’t want to say much about this other than to advise you to see it, and on a big screen, and preferably in 3-D. Tom Cruise is excellent in the film, and it’s time to admit that whatever we might think about his Scientology lifestyle, he is a superior screen actor who brings passion and commitment to his roles. He’s never been better, and Emily Blunt is every bit as good as he is.

I am, I admit, a sucker for time travel movies. And GROUNDHOG DAY is in my top ten films of all time. I’m also a fan of the 1993 TV movie 12:01 from the Richard Lupoff short story that started it all. EDGE OF TOMORROW is a film I’ll revisit many times. It has genuinely frightening aliens, the likes of which I’ve not seen, and could be viewed as a less overtly satirical STARSHIP TROOPERS. Bill Paxton is wonderful, by the way, as a top sergeant. Does anybody play gung-ho, slightly dim military men better than Paxton?

The ending is controversial. I don’t want to get into spoiler territory, so mostly I’ll just say, “Works for me.” You can’t take Bill Murray through the GROUNDHOG DAY experience without having him emerge a better and breathing man. When John Wayne screened THE ALAMO for Mickey Spillane and asked his take, Mickey said, “Change the ending.” Wayne said, “Mickey – it’s the Alamo! You can’t change the ending.” And Mickey said, in his politically incorrect way, “Nobody wants to pay three dollars to see a bunch of Mexicans kill John Wayne.” THE ALAMO was a flop that almost ruined Wayne financially.

EDGE OF TOMORROW, incidentally, is from a Japanese novel, ALL YOU NEED IS KILL, from Viz, who have published several books translated by my son Nate, including the current BATTLE ROYALE.

If you’ve seen EDGE OF TOMORROW, here’s a really good explanation of the ending. The comments are worth a read, too.

* * *

Here’s a nice SUPREME JUSTICE review.

Here’s more on SUPREME JUSTICE.

And finally, here’s a lovely KING OF THE WEEDS write-up.

M.A.C.

Back at Work

Tuesday, May 27th, 2014

This will be a short update. I have been fighting a nagging back problem that every attempted remedy from chiropractic to massage has only made worse (I am now trying the leave-it-the-hell-alone approach, which seems to be working). Back and neck trouble is a common one for writers, though mine dates back to high school football injuries and hauling band equipment for fifty years.

Right now I am in the middle of the new Hammer, KILL ME, DARLING, and to stay on track, I am devoting as much of my creative energy as possible to just writing about half of what I usually produce per day.

Quick movie notes.

GODZILLA is very disappointing after a strong start, lots of fake conflicts, uninteresting characters and illogical plotting.

X-MEN: DAYS OF FUTURE PAST defies all odds and has no right to be the delight that it is, with so much back story and complicated plotting that a good screenplay should be impossible. The actors are spot on, plus it’s a movie starring Picard with a Captain Kirk reference – what more could you ask?

My recent Huff post article on aging and dying fictional detectives has received a lot of internet play, including at Bill Crider’s great site.

Here’s the other Ed (not Gorman) on KING OF THE WEEDS.

And here’s another, from the UK’s Crime Fiction Lover.

Here’s a positive if odd write-up on the film of ROAD TO PERDITION, claiming that Mendes is doing Frank Miller more than my graphic novel. Excuse me while I pretend to sneeze and say “Bullshit.”

Finally, here’s a rare short story review (for the Hammer tale, “A Long Time Dead”). You have to scroll down for it.

M.A.C.

Supreme Giveaway

Tuesday, May 20th, 2014

[Note from Nate: This just in — M.A.C. is on The Huffington Post with a new article (and a very cool video list): “The Case of the Aging Sleuths and the Dying Detectives.”]

Supreme Justice

Yes, the time has come to offer up a dozen advance reading copies of SUPREME JUSTICE, the political thriller Amazon’s Thomas & Mercer will be publishing in June…I mean, July…I mean…

Okay, here’s the deal as I understand it. Members of Amazon Prime will have the opportunity to select SUPREME JUSTICE from an offering of four new novels on Kindle, a month before official publication. Prime members can pick one book free and order any others of the four at a vastly reduced price. I’m very lucky to have SUPREME JUSTICE selected for this program, because books in it have tended to do very well. It sort of jump-starts them.

What this means is a couple of things. First, if you’re in Amazon Prime, you can get the book on Kindle as early as June 1. (If you aren’t, you have to wait till July 1, when “real” books become available.) It also means that reviews for SUPREME JUSTICE can appear as early as June 1, if you’ve received one of these twelve advance reading copies.

All I ask is that you post a review at Amazon if you are one of the dozen getting these ARC’s. Reviews elsewhere and on blogs are also appreciated. These tend to go quickly. [Note from Nate: And they’re gone! Thanks for your support!]

This will likely be the last of these giveaways this year. I know some people have the idea that I write a novel a month or something, but the reality is closer to four novels a year, which I admit is a fair amount. But keep in mind a number of these books are collaborations. I work from Spillane manuscripts on the Hammer novels, and with Barb on the ANTIQUES mysteries. SUPREME JUSTICE is a collaboration with Matthew Clemens, although his name isn’t on the cover (he gets a full page credit inside, however).

But because each of these books is for a different publisher, they put them out when they feel like it…and now and then a cluster of novels comes out. ANTIQUES CON, KING OF THE WEEDS and SUPREME JUSTICE are within a couple of months of each other, and THE WRONG QUARRY wasn’t that long ago, either. This tends to discourage reviewers at places like Publisher’s Weekly, Booklist, Kirkus, and Library Journal from reviewing all of them.

That’s one of the reasons why I have started this effort to get advance copies into the hands of readers who might post Amazon and other reviews for the books. Amazon reviews are important, as I’ve said before, because the number of reviews impacts how the books are viewed (and sold) there. Speaking of which, if you received advance copies of ANTIQUES CON and KING OF THE WEEDS and haven’t reviewed them yet, please do. Positive reviews are appreciated but not mandatory.

Also, if you are one of the unfortunate souls who don’t get a free copy and (choke!) have to actually buy one, I would be grateful to you for posting reviews, as well. I know I’m a broken record (remember those?) on this subject, but reviewing my books and those of any author whose work you enjoy is very important in this publishing environment. I talk not just of Amazon but Barnes & Noble and your own blogs.

SUPREME JUSTICE is a rare political thriller from me, although there many be more if this does well. Matt and I have a trilogy in mind for these characters, ex-Secret Service agent Joe Reeder and FBI agent Patti Rogers. We hope to do a thriller based around each branch of government. This one, obviously, is about the Supreme Court.

Advance reviews have been mostly very good, but I am sensing that my perceived liberal politics may be hurting the novel with some readers. This surprises me, because Matt and I strove mightily to keep that out of it; to hit the ball right down the center. Reeder is a sort of JFK liberal, but he spends the book trying to protect conservative justices. Where some conservative readers/reviewers appear to be having trouble comes from the novel depicting an America a few years hence in which Roe V. Wade has been overturned and the Patriot Act expanded. This was intended much less as a political statement than a plot motivation, setting up an America where something extreme might be attempted to reconfigure the Supreme Court.

First and foremost, SUPREME JUSTICE is a thriller with a modern-day Holmes at its center, and politics is the backdrop, not the point of the yarn. Now and then I get slammed over Mike Hammer’s right-wing politics from the other side of the aisle, and a writer can get whiplash that way. My politics are probably what you’d describe as center left. I say to my friends farther right and left than me: lighten up. These are just stories. And if they make you think a little bit, well, that’s just a mint on the hotel pillow, isn’t it?

* * *

KING OF THE WEEDS continues to get some lovely reviews, like this one from Swiftly Tilting Planet.

City of Films has a nice KING OF THE WEEDS review, too.

So does Geek Hard.

And Geek Hard also interviewed me on their podcast last week.

Two weeks in a row (!) The Daily Kos “Monday Murder Mystery” reviewer has looked at one of the Disaster novels. This time it’s THE HINDENBURG MURDERS, and the reviewer likes that one, too.

Finally, a brief but nice THE WRONG QUARRY review has trailed in here (you have to scroll down a bit).

M.A.C.

Royal Reviews for KING OF THE WEEDS

Tuesday, May 13th, 2014

Majestic reviews have been pouring in for the new Mike Hammer, KING OF THE WEEDS (I’ll share some of them below).

Barb and I drove to St. Louis for Mother’s Day weekend with son Nate and his bride Abby (see pic taken on Sunday at the Wildflower restaurant, site of their wedding in 2012). On the way there and back, we listened to Stacy Keach’s reading of KING OF THE WEEDS.

Mothers Day 2014

It’s impossible for me to overstate what a thrill it is for me to hear Stacy read these Spillane/Collins collaborations. He’s done an incredible job on all of them, but perhaps because of the vaguely melancholy nature of this tale of an older Hammer, he brought something very special to it.

The book itself was a tricky and challenging one, because Mickey had taken several passes at it, combining chapters from one draft into another. There are three major plot elements – the mob billions from BLACK ALLEY, the mysterious deaths of police officers by seeming accident, and the release of a man convicted of a notorious series of slayings forty years ago (Pat Chambers’ first major arrest). In various versions, Mickey would abandon one or more of these elements, and I determined – in part to use as much of his work as possible – to make all three weave together in a credible and interesting manner. I actually put off the writing of KING OF THE WEEDS till last among the major manuscripts, because I knew it would be a bear, and I feared it might be the weakest of the six. But I feel it turned out very well indeed – thanks in large part to the genius of Mickey Spillane – and reviewers and readers are agreeing, a number singling it out as the best of all six.

I was asked to write about the process of collaborating with the late great author by the first-rate UK site, Crimetime. Check out my article here.

Before we move on to the KING OF THE WEEDS reviews, I need to share a surprisingly tardy but extremely good review of THE WRONG QUARRY from Publisher’s Weekly this week:

Collins’s 10th noir featuring John Quarry (after 2010’s Quarry’s Ex) is easily his best—a sharp-edged thriller with more than one logical but surprising twist. Quarry used to work as a hit man on assignments arranged for him by a middleman known as the Broker, but that work ended when Quarry had to take him out. Making use of the Broker’s records, he has begun a new phase in his killing career. He identifies the targets of other hit men, and then, for a price, offers to take them out on behalf of the intended victims. And, for an extra fee, Quarry removes the threat entirely by killing the person who ordered the hit. The early 1980s find Quarry doing exactly that in the “Little Vacationland” of Stockwell, Mo. He learns that the local dance instructor, Roger Vale, is to be killed because he’s suspected of murdering a teenage girl, and offers to save his life, for a price. The lean prose, brisk pacing, and clever plotting are a winning combination.

Back to KING OF THE WEEDS. The October Country site has this fine review from a first-time Hammer reader.

The Book Reporter has these nice things to say about KING OF THE WEEDS.

My pal Ed Gorman, one of my generation’s best mystery writers, wrote this brief but fun salute to KING OF THE WEEDS.

You’ll have to scroll down to see it, but Comic Book Resources has good things to say about Mike Hammer’s latest at their site.

The UK’s Bookbag reviews the previous Mike Hammer, COMPLEX 90, a very good review of the “I’m-Embarrassed-But-I-Really-Like-This” school.

Here’s a nice review of the under-seen, under-reviewed FROM THE FILES OF…MIKE HAMMER collection from Hermes Press. I love this book but it’s expensive, so relatively few have seen it (like the McFarland MICKEY SPILLANE ON SCREEN). The reviewer gives nice props to Ed Robbins, but underplays Mickey’s own participation in the strip. Mickey co-plotted all of it and wrote the first two of three Sunday page continuities himself.

Now here’s a peculiar one but gratifying. Despite a painfully politically correct swipe at Mickey Spillane, this reviewer for the Daily Kos has interesting and nice things to say about (ready for this?) THE LUSITANIA MURDERS. Yes, the day KING OF THE WEEDS was published, and a week after ANTIQUES CON came out, the Daily Kos reviewed a book of mine from twelve years ago. But the reviewer likes it, so I’m fine with that.

M.A.C.