Posts Tagged ‘Mike Hammer’s Mickey Spillane’

A Buck-Twenty-Five A Movie

Tuesday, March 12th, 2013

If any of you are interested, THE BLACK BOX, the boxed set DVD collection of my indie movies – MOMMY, MOMMY’S DAY, REAL TIME: SIEGE AT LUCAS STREET MARKET and SHADES OF NOIR (which includes the original, longer cut of MIKE HAMMER’S MICKEY SPILLANE as well as the Brian Keith “Mike Hammer” pilot from 1954) – is on sale at Oldies.com for $4.98. That’s a savings of $30.

I want to thank all of you who sent supportive comments (sometimes as private e-mails) after my post last week, complaining about various aspects of the writer’s life, now that I am officially old enough to be a complaining coot. I am considering putting a rocking chair on the porch and writing further updates there on a laptop.

For the record, it took four work days to put ASK NOT back together (also for the record, my editor at Forge was completely on my side and reinstated everything I requested). To give you an idea of how extreme the ASK NOT copy edit was, I also dealt this week with the copy-edited manuscript of the upcoming thriller WHAT DOESN’T KILL YOU from Thomas & Mercer. It took one work day.

Dead Man Down

We saw an interesting crime movie that I am going to recommend, though it is not perfect: DEAD MAN DOWN. It’s directed by Niels Arden Oplev, of the original GIRL WITH THE DRAGON TATTOO, and stars the “girl” herself, the indelible Noomi Rapace, probably my favorite actress working today. I used to not care for Colin Ferrell, but as his star has faded somewhat, his acting has improved immeasurably – he’s terrific here in a subtle, understated performance as a guy who is anything but subtle and understated. It’s a revenge film, with a great premise, but I sometimes felt the foreign director didn’t entirely understand the English language script – it’s a little too long, and some things don’t quite track. But the central romance between two damaged souls and the outlandish shoot-‘em-up finale are well worth the time of anybody interested in crime movies. It has one of the great screen Mike Hammers, Armand Assante, in a small but pivotal role.

SOTI

The reviews for SEDUCTION OF THE INNOCENT continue to roll in, in a very positive way. Let’s start with something I rarely do – customer reviews at Amazon, which includes one from Bookreporter. By the way, if you want to help out your favorite authors (including, I hope, me), a great, easy way is to post a brief four- or five-star review at Amazon, assuming you like what you’ve read. Those reviews really, really count.

Here’s a cool one from the International House of Geek (the fantastic blog names just keep coming).

And here’s a great one from Mystery People.

A somewhat horror-tinged positive review appears here, at The October Country (R.I.P., Ray Bradbury).

Here’s a patronizing but ultimately positive review from the UK’s Telegraph.

Here’s Comic Buzz on SEDUCTION. I’m very pleased that so many comics blogs have picked up on the book.

And what author doesn’t love getting an A+, as happens here at Fandom Post.

Publisher’s Weekly is getting cranky in its old age, but this review of the upcoming ANTIQUES CHOP is pretty good.

PW also isn’t much impressed with the upcoming Mike Hammer, COMPLEX 90, considering it more of the same. First of all, if somebody gives you a hot-fudge sundae when you order one, do you complain that it’s more of the same? Second of all, this is the book where Mike Hammer goes to Russia. Not more of the same – one of the most distinctive books in the series, in my opinion, one of Mickey’s most unusual, even unique plots.

Scroll down for a tardy but fantastic review of THE CONSUMMATA.

And finally Pop Cults weighs in with a late but lovely LADY, GO DIE! review.

M.A.C.

Heller of a Week

Tuesday, June 14th, 2011

I’ve made passing references to the Nate Heller backlist coming back into print, but now it’s official. AmazonEncore has put out a press release on upcoming titles, and this paragraph should be of interest:

“Award-winning author Max Allan Collins’ Chicago Lightning: The Collected Nathan Heller Short Stories, to be published by Thomas & Mercer on October 4, features Chicago PI Nathan Heller as the narrator of thirteen crime stories based on real cases from the 1930s and 1940s. Known for his graphic novel, Road to Perdition, the basis of the Academy Award-winning film starring Tom Hanks and Paul Newman, Max Allan Collins is a recipient of the Private Eye Writers of America lifetime achievement award, the Eye, and is the writer and director of five feature films and two documentaries. Leading up to the publication of Chicago Lightning, AmazonEncore will re-release twelve other Nathan Heller books in August.”

Every one of the previous Heller novels (from TRUE DETECTIVE through CHICAGO CONFIDENTIAL) will be reprinted in handsome, uniform trade paperback editions as well as e-books. CHICAGO LIGHTNING and the forthcoming TRIPLE PLAY are two new collections that take the place of (and expand upon) the previous Heller collections, DYING IN THE POSTWAR WORLD and KISSES OF DEATH. CHICAGO LIGHTNING is all the short stories thus far (including several never before collected) and TRIPLE PLAY will include the three Heller novellas-to-date (“Dying in the Postwar World,” “Kisses of Death,” and “Strike Zone”).

Obviously I am thrilled to have Heller climb back into print, timed to support and cross-promote the new Heller novels from Forge.

Speaking of which – and is very big news indeed – BYE BYE, BABY has received a starred PW review. Here it is:

“Set in 1962, Collins’s excellent 13th novel featuring Chicago PI Nate Heller (last seen in 2002’s Chicago Confidential) finds Heller–who’s investigated such high-profile crimes as the Lindbergh kidnapping and Huey Long’s assassination–looking into the death of Hollywood icon Marilyn Monroe. The book’s first half covers the movie star’s last two months, as she tries to deal with attacks on many fronts–by the movie studio that fired her; by her abusive ex-husband, Joe DiMaggio; and by the Kennedys. By the time a drug overdose claims her, there’s no shortage of people who wanted her dead. Heller, Monroe’s sometime lover, who refuses to buy the official line that she committed suicide, steps on powerful toes with his usual tenacity and stubbornness to reach the truth. Collins convincingly portrays the real-life players in the drama, who include Jimmy Hoffa and Frank Sinatra. Readers with a taste for hard-boiled roman à clef will hope that more Heller is in the offing. (Aug.)”

Chicago Lightning

Mike Hammer remains very much in the public eye. An amusing review of KISS HER GOODBYE from AV Club is getting a lot of web distribution. Once again, the reviewer spends most of his time apologizing for liking the novel. But by the end he grudgingly, embarrassedly admits he did enjoy it (and bestows a B grade, not at all bad for the snarky AV Club). You may wish to read some of the comments, which are often hilarious in their idiocy (one guy doesn’t read my stuff because I look like a “nerd” in my author photos) and the knee-jerk political correctness rants that Spillane, even deceased, even in the 21st Century, can still inspire. Also, mention Spillane and “experts” will announce a predictable list of other hardboiled writers you should be reading instead.

This web review of KISS HER GOODBYE is fun and right on the money. Worth checking out.

So is this brief but lovely review of the audio, THE NEW ADVENTURES OF MIKE HAMMER: ENCORE FOR MURDER.

Here’s a nice review of the new Criterion Blu-ray of KISS ME DEADLY. I have an advance copy and it’s a lovely package, and the film looks great. So, I say unblushingly, does my new updated cut of the documentary, MIKE HAMMER’S MICKEY SPILLANE, there as a bonus feature. I am grateful to Criterion for including it, because the sharp-looking booklet and some of the other features (notably the disappointing commentary) make the usual uniformed, sloppy, prejudiced comments about the original material. Constantly we’re told director Aldrich and screenwriter Bezzerides just “threw the novel away.” In fact, Bezzerides used Mickey’s basic plot, most of the characters (including their names), many memorable sequences (the opening of the film, for example, and the death of mobster Carl Evello) and even the fiery ending is a variation on Mickey’s. For Hollywood of the period, it’s quite faithful to its source, and evokes the surrealistic, fever-dream feel of early Hammer uncannily. Commentators continually talk about Hammer as if the books are predominantly about the P.I. taking on “Commies” (the only book of the first impactful six that does so is ONE LONELY NIGHT – a book in which SPOILER ALERT the bad guy turns out to be a thinly disguised Joe McCarthy). END SPOILER ALERT. Director Alex Cox has a piece where he’s enthusiastic about the film, but makes many dubious observations, including that Hammer is stupid in the novel and even more stupid in the film. At least Cox seems to have skimmed the book, which is more than most of the commentators have.

Finally, I recently did a little project with my frequent collaborator, actor Mike Cornelison (Pat Chambers on THE LITTLE DEATH and ENCORE FOR MURDER, and narrator of my Spillane documentary). It was a competition to write and produce a short play in just under a week. I hope to have a You Tube link to the production, called “Alley Cats,” soon.

In the meantime, here’s how we did:

The Judge’s Choice Award for night of competition, Friday, June 10, 2011.

This award signifies that the three-judge panel found “Alley Cats” the best theatrical presentation among the nine shows presented that night. That which most represented the spirit of the 711 competition, created the most engaging theatrical experience and adhered most closely to the rules of the game.

In addition, “Alley Cats” received the “Technical Excellence” award, which is voted by the technical staff of the 711 Project, and given to that production that shows the clearest vision, best use of lighting, sound and design and most concise and effective communication of their needs to the technical staff.

“Team Caligula,” which presented “Alley Cats,” is made up of Max Allan Collins (playwright), Michael Cornelison (director/actor), Nick Cornelison (producer/actor) and Jared Hammer (actor).

M.A.C.