Posts Tagged ‘Nathan Heller’

Better Read

Tuesday, May 10th, 2016

Audiobook (Digital Download): Amazon Audible

Books are on their way to the winners in the giveaway announced a week ago. As usual, the books were spoken for in about 48 hours. Thanks to all of you for your willingness to write Amazon (and other) reviews. I encourage all of you who actually paid for BETTER DEAD, THE BIG SHOWDOWN and/or ANTIQUES FATE to post reviews, anyway. And we’re still very short on MURDER NEVER KNOCKS reviews.

Barb and I are half-way through the audio of BETTER DEAD and, as usual, Dan John Miller has done a stellar job. He really is the voice of Nathan Heller. The Forge hardcover’s great jacket (among my favorites ever) has been replaced on the audio with an evocative but rather generic private eye figure. Really, both are cool. If you like the Nate Heller books, I highly recommend the audios as read by Dan – really nice for long car trips (we made a day trip to Bowling Brook, Illinois, to visit Barb’s 93 year-old mother in a nursing home).

We’ve had two raves for BETTER DEAD in key places. Take a look:

Booklist:
Chicago private eye Nate Heller has investigated most of the last century’s headline-grabbing crimes and, thanks to Collins’ impeccable research, has always come up with believable explanations of what really happened. So it’s no surprise that Heller was in the mix in the 1950s when the Rosenbergs were executed for being Soviet spies. But we all know that Julius was guilty, and Ethel was a sort-of accomplice, so what’s left for Nate to uncover? Plenty. It starts with a superb premise that has Nate playing both ends against the middle, helping Joe McCarthy hunt for Reds in the CIA and, at the same time, working for Dashiell Hammett and a group of literary lefties trying to uncover new evidence that will exonerate the Rosenbergs. His investigation, though, leads him to another, equally juicy scandal—at least for today’s reader—involving a real-life CIA scientist, on McCarthy’s hit list, who disappears after Nate contacts him. The shocking, little-known story of what happened to Frank Olson makes a great true-crime subject, but it’s even better in the hands of fact-fiction maestro Collins.
— Bill Ott

Kirkus:
The prolific Collins (Ask Not, 2013, etc.) finds veteran gumshoe Nathan Heller in the McCarthy era, when Wisconsin’s demagogue senator looked for a Commie under every bed and his counsel Roy Cohn manipulated the Rosenbergs into the electric chair.
Read this one as two novellas, loosely connected by McCarthy’s appearance. The senator summons Heller to Washington while noted author Dashiell Hammett takes the Fifth at a Senate hearing. Later, Hammett hires Heller to conduct “an eleventh hour investigation” into the Rosenbergs’ case. McCarthy—”big off-white smile blossomed in the blue-jowled face”—wants to stick his nose in the atomic-bomb spy case, too. With that, and bringing in an interesting cast of real-life characters sure to be familiar to baby boomers, Collins offers another homage to the noir detective genre, albeit laced with post-Vietnam/Watergate knowing cynicism. Book 2 festers with nuclear-age conspiracies and the CIA running amok. Institutional paranoia has the spooks conducting LSD-25 experiments on its own people, and innocent civilians, while using the mob for a bit of wetwork. There’s a tenuous link between the two books—Heller’s hired to pry McCarthy’s file from the CIA in Book 2—but Collins generally navigates that tightrope fine, all while keeping both plots logical, the pace electric, and scenes powerful—Nate’s observation of an LSD–induced suicide is cringe-inducing. Characters real and imaginary are believably sketched, and Collins’ take on 1950s New York City, especially Greenwich Village—dancing at the Village Barn, breakfast at the Waldorf Cafeteria—is impeccable.
Veteran author Collins knows detective novels work best when there’s a rugged, flawed, self-aware sleuth, a shades-of-gray atmosphere, a righteous quest, and a bed-ready damsel, Bettie Page filling the bill here.

Okay, now it’s a small miracle that I got a rave review from Kirkus, where I have been routinely savaged (recently a review of somebody else’s book had a gratuitous “at least he isn’t as bad as Max Allan Collins” type remark. Of course, J. Kingston Pierce, who writes the Kirkus mystery/suspense blog, has said many kind things about my work. But it’s kind of stunning to get a review like this in Kirkus itself.

Last Wednesday’s Grindhouse presentation of MOMMY at Iowa City’s cool Film Scene theater was fun if sparsely attended (I blame it on finals week). I hadn’t seen the film in a while, and it nudged me again into thinking my cohort Phil Dingeldein and I should re-master the film (also MOMMY’S DAY). Both were shot on Betacam and taken to Hollywood for the FilmLook process. We could do better now, and MOMMY particularly got darkened in that effort. I hope to find some DVD/Blu-ray company that might release a double-feature disc (and a few dollars to do the new post-production work). It’s been twenty-two years since we shot MOMMY!

* * *

Finally, here’s a condescending but really very good review of my WATERWORLD novelization, of all things!

M.A.C.

Hey Kids! Free Books (2016 Edition)

Tuesday, May 3rd, 2016

Before we get to the free book section, I want to invite anyone and everyone in the Iowa City area to come to a special screening of MOMMY at the wonderful indie theater, Film Scene, this coming Wednesday (May 4) at 10:00 p.m. I will be introducing the film and maybe taking a few questions after. We’re part of Film Scene’s Grindhouse series. This is from their Facebook write-up:

Late Shift at the Grindhouse – Wednesdays get weird when Late Shift hosts Ross Meyer, Joe Derderian and Aaron Holmgren dig up low-budget b-movies, horror and gore-fests, and camp classics for your viewing pleasure. Buy your ticket and take a ride in our Time Machine! Punch in and earn a bonus! $3 Pabst Blue Ribbon tallboys and $2 small popcorn! PLUS– special custom trashy trailer reel curated by Ross with cheap swag and prize giveaways!

MOMMY
She’s pretty, she’s perfect, she’s June Cleaver with a cleaver.
“The Bad Seed grown up… chillingly good!” – Leonard Maltin

“Writer/director Max Allan Collins (Road to Perdition) has crafted a fun little tribute to The Bad Seed that succeeds despite its ultra-low budget.” – Stacie Ponder, Final Girl

“What must be noted about Mommy is the amazing cast that Max Allan Collins has managed to assemble.” – Richard Scheib, Moria: The Science Fiction, Horror and Fantasy Film Review
Dialogue with writer/director Max AllanCollins in person.
In 1995 mystery writer Max Allan Collins created an indie thriller that scored surprising media attention and killer reviews – an “unofficial” sequel to The Bad Seed (1956) starring that classic film’s Academy Award nominated child star, Patty McCormack, grown into the menacing Mommy.
The scary black comedy also features Jason Miller (The Exorcist), Majel Barrett (Star Trek), scream queen Brinke Stevens and legendary “Mike Hammer” creator, Mickey Spillane, with an award-winning performance by 11-year-old Rachel Lemieux.
Happy Mother’s Day!
co-presented by Bijou Film Board
Free tickets for University of Iowa students. (Free U.I. student tickets will be distributed at 9:00 p.m.)

* * *

Hardcover:
E-Book: Amazon Nook Kobo

The day this update appears (May 3) is the pub date of the new Nathan Heller. As you may recall, a flurry of new M.A.C. books has just hit, so we’ve decided to do what we’ve done occasionally in the past and offer free books in return for a review at Amazon (Barnes & Noble and personal blogs are also good). We will be giving out at least five copies of BETTER DEAD, THE BIG SHOWDOWN (Caleb York) and ANTIQUES FATE. We may go up to as many as ten copies each if demand is strong.

ALL COPIES GONE, THANK YOU!!
We ask the following: e-mail us at REDACTED and make your request for a free book, listing the order of preference. IMPORTANT: include your snail-mail address. Only USA please – foreign postage (even Canada) is a killer. Act now, because within about three days, they’ll be gone.

Also, if you’ve read and liked MURDER NEVER KNOCKS, we are still very under-reviewed at Amazon. If you’ve written a review at your blog, please post it at Amazon; and if you’ve read and liked it, please take time to write a short review there.

* * *

In honor of the publication of BETTER DEAD, I thought it made sense to share with you this lovely review from the Historical Novel Society:

“Told in two novellas tied together by the unscrupulous Senator Joe McCarthy, Better Dead’s Book One finds Collins’s Nathan Heller hired by writer Dashiell Hammett to try to find anything to clear Ethel and Julius Rosenberg on the eve of their executions. Heller uncovers some discrepancies in the Rosenberg trial, including discovering the missing drop-leaf table. But even in Collins’s world, he can’t change history, and the Rosenbergs still die. In the second book, Heller is retained by McCarthy to try to pry loose any information the CIA might have on him. As Heller digs more deeply, he becomes entrenched in a labyrinthine maze of CIA spooks, LSD-25 experiments on civilians and agents alike, and an unlikely partner in a young Bettie Page.

“Collins’s writing is as electric as the Cold War atmosphere he’s set Heller into. All the characters, both real (McCarthy, Page, the Rosenbergs) and created, are authentic and believably written. There is a coarse, edgy feel to the writing that helps drive a frenetic pace to an ending that has Heller looking back at both cases with a sense of loss and wonder. In his wonderful take on the insanity of the McCarthy Red Scare and the CIA LSD-25 experiments of the 1950s, Collins weaves a fanciful story that honors history yet allows for his usual deft creative styling.”

We have a less enthusiastic but not bad review from Publisher’s Weekly:

“In trying to cover too much ground, Collins dilutes the impact of the main investigation in his 18th historical whodunit featuring PI Nate Heller (after 2013’s Ask Not). In 1953, Sam Spade–creator Dashiell Hammett hires Heller to find whatever evidence he can to secure Julius and Ethel Rosenberg, who are on death row for treason, a new trial. The investigator adroitly persuades U.S. senator Joe McCarthy, whose Communist witch hunt is at its height, and columnist Drew Pearson, a former McCarthy ally, to help fund his work by promising to reveal anything he finds to them as well. After learning how flimsy the government’s case was against the couple, Heller pursues some leads he gets from a visit to Julius and Ethel in Sing Sing. The truth proves to be more nuanced than any of his employers believes, and Collins again does an effective job of bringing the past to life and making a complex cause célèbre accessible. Recent disclosures about the so-called atomic spies, however, lessen the suspense.”

What both of these refer to is that BETTER DEAD is two stories, Book One and Book Two, that are linked by Senator McCarthy and general Red Scare era themes. I have known from the start that some reviewers, and perhaps readers, will complain that they are getting two short novels instead of one; but that was the best way, in my opinion, to deal with two very interesting McCarthy era cases, neither one of which could quite fill out a full 100,000 word Heller novel. I believe it works as a single novel. But if you view it as two Gold Medal paperbacks about Nate Heller, I am cool with it.

* * *

Reader Kevin Helmsberg wrote a nice e-mail that included a number of questions. I figure it makes sense to answer them here.

1) I was very glad to learn that you’ll finally be publishing Road to Perdition (the novel) as it was meant to be. In one of the early interviews (2002) you said you’d turned in 90,000 words, however in your February 2016 post you mention 70,000 words as the complete version. You pointed out it was essentially the same book as intended in 2002, apart from “some tweaking” and “very little rewriting or additional writing.” So how come there’s a 20,000 words difference?

Also, in one of your interviews, you mentioned a Road to Perdition prequel – any news?

The PERDITION novel is about 70,000 words. I was just estimating when I used 90,000 words in that and other interviews – or maybe it was just hyperbole. Still, when you cut 30,000 words from a book, and replace all the dialogue with lines from the movie, it’s not only shorter, but bad things happen. I am thrilled that Brash Books is bringing out the novel and publishing it as it was intended to be.

2) The graphic novels in the series – Road to Perdition: On the Road (i.e. Oasis, Sanctuary, Detour) and Return to Perdition – is there a slightest chance of producing the prose versions? I’m one of those people who prefer prose fiction to comic books, so would be thrilled if I could enjoy it that way. I read some of your thoughts on the subject, including your love for comic books and some of the advantages in presenting the story, but still it would be great if you considered making real books. You’re a hell of a writer and I have no doubt the final product would be a hit. To quote yourself, “It’s great that I’ve become the poster child for graphic novels… but the fact is for my career, I need to hit a mainstream audience and I won’t by going out and only selling 3000 copies.”

I think it’s doubtful – but not impossible – that I would do a novel based on ON THE ROAD and RETURN. They probably suffice in their present form. The prequel I’m considering would work in either prose or graphic novel; it might be called RETURN FROM PERDITION, as it deals with Michael O’Sullivan Sr. returning from WW 1 to work for John Looney. Whether it’s a graphic novel or prose one might depend on what publisher is interested.

I also at one time considered a story about the Two Jacks and a Queen characters from ON THE ROAD, and I would love to do another project (PERDITION-related or otherwise) with Richard Piers Rayner.

3) In one of your posts, you mentioned that “several goofs in the hardcover of Complex 90 were corrected in the paperback version.” Do you have a list of errata?

Not a long list (references are to the hardcover edition):

On page 130, third line from the bottom:
“Irene Worth” should be “Irene Carroll.”

On page 222, third line from the bottom:
“Marley” should be “Romanos.”

4) Do you have plans to publish the following as ebooks:
– the Road to Perdition series, plus Black Hats and Red Sky in Morning;
– the Quarry stories: “A Matter of Principal,” “Quarry’s Luck,” and “Guest Services”;
– the Sherlock Holmes stories in jigsaw puzzles: “The Adventure of Professor Moriarty’s Notebook,” and the other one you mention in your blog (don’t know the title)?

ROAD TO PURGATORY and ROAD TO PARADISE – along with the full-length, aforementioned movie novel, ROAD TO PERDITION – will be published by Brash Books. BLACK HATS and RED SKY IN MORNING will be published by Brash as well, under my real byline (R.I.P., Patrick Culhane). At some point the three Quarry short stories will be published in a format that includes e-book, but no plans are afoot as yet. I doubt the Holmes stories by Matt Clemens and me will be collected anywhere, but it’s possible.

Thanks, Kevin!

* * *

If you need convincing, here’s an except from BETTER DEAD at Criminal Element.

More on MOMMY at Film Scene.

Finally, here’s a lovely review of MURDER NEVER KNOCKS from J. Kingston Pierce at the Kirkus blog. I never thought I’d live to see the day I got a positive Kirkus review.

M.A.C.

Today’s the Day! (Later is Good, Too.)

Tuesday, April 26th, 2016
The Big Showdown
Hardcover:
E-Book:

The Legend of Caleb York
Paperback:
E-Book: Amazon Google Play Nook Kobo iTunes

Antiques Fate
Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes

The day this appears (April 26) is the pub date of the second Caleb York novel, THE BIG SHOWDOWN, in hardcover, and also of THE LEGEND OF CALEB YORK in mass-market paperback (co-bylined with the great Mickey Spillane). On this same big day, the new Trash ‘n’ Treasures mystery, ANTIQUES FATE, appears in hardcover. A week from now (May 3), the new Nate Heller will be out: BETTER DEAD (more about that next week).

These are all books I’m pleased with. I think THE BIG SHOWDOWN has one of the best, moody scenes of action/violence – a shoot-out in a rainstorm – that I’ve ever come up with. ANTIQUES FATE may be my favorite of the Brandy and Vivian Borne novels, with its faux-British setting reminiscent of MIDSOMER MURDERS and Miss Marple’s St. Mary Mead. It’s also very funny. No brag, just fact, as we western novelists are wont to say. Or is that want to say?

You may think that novels are flying out of my computer as if it were haunted. Actually, last year was one of my least prolific ones, due to the health problems that turned up in May. The only book I wrote during that period was MURDER NEVER KNOCKS (a Hammer, as usual working from Spillane material), and I also managed to do the short story “A Dangerous Cat,” which appears in the current Strand Magazine. The novel was written in the weeks after the treatment in which my heart was jump-started like an old Buick, to get rid of the irregular heartbeat that had turned up with my condition – for maybe a month I felt a lot better.

I wrote “A Dangerous Cat” later, feeling fairly shitty actually, but the story needed writing. It represented the last Hammer fragment that I’d set aside for short story purposes, and writing it would give me a Hammer collection (eight stories) – Otto Penzler is publishing it later this year as A LONG TIME DEAD.

The books that are coming out today (if you’re reading this on the day it appears) predate the health problems, and give something of a false impression about my apparently prolific 2015. But I am happy to report that I am back at work here in 2016, and in fact Barb and I have already delivered the next Trash ‘n’ Treasures mystery, ANTIQUES FRAME. She had been working on her draft throughout the medical adventures during which she was my incredible support system – the last bits of it were written by her in my hospital room. The rapid comeback my right hand made allowed me to get to work after two or three weeks at home.

Currently I am working on the third Reeder and Rogers political thriller. My cohort Matt Clemens is wrapping up his draft while I start mine. So far it looks like SUPREME JUSTICE and FATE OF THE UNION will have solid company. By the way, SUPREME JUSTICE recently hit the 100,000 books-sold mark. This does not count 175,000 books generated in the Kindle First program. Most of those copies were e-books, a fact I have trouble caring about.

Much of this year will be dedicated to getting back on deadline, as much as possible. I have no way to know how quickly the recovery will go, although so far – at nine weeks – I’m told by doctors and physical therapists that I’m doing very well. The biggest obstacle to getting my work done are the essential twice-weekly occupational and physical therapy sessions, which last 80 minutes. Or I should say the biggest obstacle is my reduced stamina and increased fatigue – after the physical therapy, I invariably have needed a nap of an hour or two. Takes a bite out of the writing day.

But things are improving. I had my first band practice (Crusin’) last Tuesday – an hour was about all I could manage, but I managed. We’ll practice again soon and play a two-hour gig in June. This weekend son Nate and his bride Abby visited with our incredible grandson, the criminally cute Sam Collins, in tow. Nate and Abby – currently living in St. Louis – are exploring coming back here to Iowa.

Realtor Suzi Webb (great name) – a good friend from my high school days – arranged a tour for us of half a dozen houses. I went along and, despite a lot of stairs, held up fine. Okay, I took and hour and a half nap after – but just a few weeks ago that adventure would have been out of the question.

For those of you who haven’t stopped reading yet, let me say that I never expected to discuss these health issues here. But my son has always encouraged me to look at behind-the-scenes stuff, and me reporting on how the writing is going seems pretty basic.

* * *

a ten minute interview I did at the last Bouchercon (in Raleigh), specifically focusing on B’Con memories and my general attitude about the annual event.

Here’s a fun review of TWO FOR THE MONEY, the Hard Case Crime omnibus of BAIT MONEY and BLOOD MONEY.

And here’s a list from a lawyer selecting 10 “Great Novels About the Supreme Court.” One of them is SUPREME JUSTICE!

M.A.C.

Nice to be Nominated (Nicer to Win)

Tuesday, April 19th, 2016

I’m happy to announce that I’m a double nominee in this year’s International Association of Media and Tie-in Writers “Scribe” awards. Both are collaborations with Mickey Spillane. Here’s the entire list of nominees, with ours highlighted.

BEST ORIGINAL NOVEL – GENERAL
Elementary: The Ghost Line by Adam Christopher
Kill Me, Darling by Mickey Spillane & Max Allan Collins
Don Pendleton’s Mack Bolan: Desert Falcons by Michael A. Black
24: Rogue by David Mack

BEST ORIGINAL NOVEL – SPECULATIVE
Deadlands: Ghostwalkers by Jonathan Maberry
HALO: Last Light by Troy Denning
HALO: New Blood by Matt Forbeck
Pathfinder: Forge of Ashes by Josh Vogt
Shadowrun: Borrowed Time by R. L. King
Star Trek The Next Generation: Armageddon’s Arrow by Dayton Ward
Star Trek Seekers 3: Long Shot by David Mack

ADAPTED NOVEL – GENERAL AND SPECULATIVE
Backcountry by D. E. McDonald
Batman: Arkham Knight by Marv Wolfman
Crimson Peak by Nancy Holder
MANOS —– The Hands of Fate by Stephen D. Sullivan
Star Wars: Dark Disciple by Christie Golden

SHORT STORIES
Mike Hammer The Strand “Fallout” by Mickey Spillane and Max Allan Collins
Shadowrun: World of Shadows “Swamp of Spirits” by Jason M. Hardy
The X-Files: Trust No One “Back in El Paso My Life Will Be Worthless” by Keith R. A. DeCandido
The X-Files: Trust No One “Dusk” by Paul Crilley
The X-Files: Trust No One “Non Gratum Anus Rodentum” by Brian Keene
The X-Files: Trust No One “Statues” by Kevin J. Anderson

AUDIO
Dark Shadows “Bloodlust” by Alan Flanagan, Will Howells and Joseph Lidster
Dark Shadows “In the Twinkling of an Eye” Penelope Faith
Doctor Who “The Red Lady” by John Dorney
Doctor Who “Damaged Goods” by Jonathan Morris
Pathfinder Legends “Mummy’s Mask: Empty Graves” by Cavan Scott

Did you see how many X-FILES stories were nominated from the anthology I also contributed to? Oddly, what I wanted to submit was my X-FILES story “House on Hickory Hill,” but the original printing saw that story (and many others) filled with typos and other mistakes. So I decided to wait for the second printing. When it didn’t come out in time for me to submit, I sent the Mike Hammer story instead…so maybe that was a good thing! Happy accidents are clearly the best kind.

Speaking of awards, Barb and I attended the 25th annual Iowa Motion Picture Association awards, held in scenic Pella, Iowa, where windmills reign and the tulips were (nearly) in full flower. The ceremony/show was held in the Pella Opera House, a lovely old restored theater. I won the Award of Excellence for my “Heller” pilot script, in the unproduced screenplay category, as well as (and this was a big surprise) the President’s Award for outstanding career achievement.

Earlier that day I appeared on a “Past Presidents’ Panel,” bringing together five of us who had served in that position. A lot of stories going back to the mid-‘90s were shared, as well as thoughts on changing technology over the years. I made the point that content is king, and the delivery system is ultimately irrelevant.

IMPA 2016
Presidents’ Panel: (l to r) Doug Miller, M.A.C., Marty Jorgensen, Kent Newman

I was active for many years in the IMPA – I served as president three times – and the trip to Pella (where Wyatt Earp was raised) was a joy because Barb and I got to see so many old friends. I particularly want to acknowledge Shirley Long, the “glue” of the organization, who received a life achievement award (now named for her!). I know she had a lot to do with my similar President’s Award.

But the weekend was also a test. We initially went to Des Moines for some R & R that included the great Ohana Japanese steak house in West Des Moines, where our favorite chef Ken was so glad to see me aboveground, he comped us. Then the next morning, on to Pella, about an hour away. Two nights away from home in two hotels. This was our first over-nighter since the surgery two months ago.

How did I do? All right, I guess – Barb was pleased. I continue to tire easily, and between the Past Presidents panel and the evening festivities, I took a short nap. How short? Two hours. And I was very tired on the trip home, and my right hand felt thick and useless, the stroke side of things asserting itself.

Today (Monday as I write this) I feel much better. It’s important to get back to my life, to get things as back-to-normal as possible, without being stupid about it. The next big challenge is a band gig in June (first post-surgery rehearsal is this week). Rock ‘n’ roll…er, I mean, ROCK ‘N’ ROLL!!!

* * *

Here’s another great e-mail (this one from Ken Hollister) about the Mike Hammer novels that I’d like to share with you:

I just started reading Murder Never Knocks, and it occurred to me that I should contact you to express my gratitude for continuing to finish Mr. Spillane’s work.

I have been a fan of Mickey Spillane since the 1980s, when the television series with Stacy Keach introduced me to Mike Hammer. Since that time, I’ve scoured second-hand bookshops to find Spillane’s books; a treasure hunt, so to speak. Fortunately, the Internet has made this easier, but it’s still been difficult – but the enjoyment I’ve received from reading Spillane’s novels has been worth the effort.

I have thoroughly enjoyed the several books you’ve done, as well as the “radio novels” from Blackstone Audio, and your commentary on the Blu-ray release of The Girl Hunters. I am happy to see that this is the “original” Mike Hammer, and that the character hasn’t been re-invented. I hope there more of Mr. Spillane’s work that you’re completing.

After I finish reading Murder Never Knocks, I’ll be starting to read your Quarry series. I’m looking forward to them, and I hope they bring me as much enjoyment as your collaborations with Mr. Spillane.

It’s really gratifying to hear, out of the blue, from a reader who really “gets” the Spillane collaborations.

Also, if you’ve read and liked MURDER NEVER KNOCKS, please post a review at Amazon. Bob Goldsboro’s new Nero Wolfe, STOP THE PRESSES!, has 46 reviews – we have 8! Are you going to let Wolfe and Archie pimp out Mike Hammer?!? (Even if STOP THE PRESSES! is a typically fun Goldsboro continuation.)

Incidentally, if you’ve posted a review of MURDER NEVER KNOCKS (or any of my books, really) on your own site, please also post it at Amazon.

* * *

Here’s a fun QUARRY review from a new reader (who is also a crime novelist).

And here’s a radio piece where I (and Lee Goldberg and several distinguished others) are interviewed about movie novels and TV tie-ins.

M.A.C.