Posts Tagged ‘New Releases’

The Legend of Caleb York

Tuesday, April 28th, 2015
The Legend of Caleb York
Hardcover:

E-Book: Amazon Google Play Nook Kobo iTunes

Audio MP3 CD:

Audio CD:

Audible:

THE LEGEND OF CALEB YORK is available as a hardcover right now. I can wait while you order it. (Collins humming themes from “Maverick” followed by “Rawhide,” concluding with a rousing rendition of the title song of “The Gunfight at O.K. Corral”). (You have to admit the song would not be as cool if it were “The Gunfight in the Vacant Lot Between Two Buildings Adjacent to the O.K. Corral.” Not only do we sometimes have to print the legend, sometimes we have to sing it.)

Okay, you’re back? Just for your info, there’s an audio book, too, which I’ll report on once I’ve listened to it, and a large print edition for people with eyesight even worse than mine.

If you’re a fan of Mickey Spillane’s, or mine, or both, you will surely want to grab this. In the late 1950s, Mickey wrote a screenplay, “The Saga of Cali York,” for his pal John Wayne that never got produced. It was one of three unproduced screenplays waiting for me in the Spillane files that Mickey had his wife Jane turn over to me. I based the novel on Mickey’s screenplay, which I thought was very good – it’s a traditional 1950s western in the vein of a really top-notch Randolph Scott, Joel McCrae or Audie Murphy flick.

What separates “York” from other westerns is the Spillane-style toughness and the explicit violence. Wayne presumably did not produce the film because his company Batjac got in financial hot water due to the way-over-budget production of THE ALAMO. But it’s also possible the over-the-top violence, at times anticipating Sam Peckinpah, made it a problematic project. It’s somewhat sexually steamy for the 1950s, too.

Writing the novel was tricky. I am right now in the early days of writing a sequel, utilizing material from Mickey’s notes and various drafts of the “York” script, and I spend as much time on Google doing research – and utilizing two shelves of my office library cart with books on the Old West – as I do writing.

Just the same, nobody should expect the level of historical accuracy that I bring to the Nathan Heller (or other historical crime) novels of mine. While I try to drop in tidbits of authenticity, Mickey was clearly operating in a movie/TV world, specifically of the ‘50s. Think of the Warner Bros. westerns of that period, or movies by Howard Hawks, John Ford, and Budd Boetticher. That’s the world.

So I don’t know how western fans will react. And I’m not sure how Heller fans will, either. BLACK HATS showed me taking the Heller approach to Wyatt Earp, but the Spillane westerns I’m doing for Kensington (there will be at least three) are definitely exploring the myth. Exploring it violently, but exploring it.

Not many reviews yet, but two really nice ones popped up last week, including one by modern-day pulpster, Ron Fortier.

And here’s a good one, very smart I think, from the Kindle Taproom.

Speaking of Spillane, I was thrilled to get another Mike Hammer review from the UK’s great Mike Carlson. He really digs KILL ME, DARLING.

Another Hammer review popped up for a title released a few years back, THE BIG BANG.

And, finally, out of nowhere came this write-up about the DICK TRACY comic strip collection, DICK TRACY AND THE NIGHTMARE MACHINE.

M.A.C.

Stacy Keach Kills Me!

Tuesday, April 7th, 2015

Kill Me, Darling Blackstone Audiobook

This week, the audio book of KILL ME, DARLING will be released with the great Stacy Keach as the reader. The book is already available from Audible for download, and Barb and I started listening to it in the car on a trip to the Quad Cities this weekend, and are saving the rest for our next, longer-distance car trip. What a wonderful job Stacy is doing.

Check out the great audio book cover, which I actually prefer to the Titan one (which is very cool, but ignores the Florida setting).

It’s hard for me to express what it means for me to hear Stacy Keach read these novels (he’s done the prior six Spillane/Collins “Hammer” collaborations). Stacy – and I know him well enough to name-drop with that familiarity – is the most famous and certainly the most popular screen Mike Hammer of all time. I was not always crazy about producer Jay Bernstein’s TV version of HAMMER, but Stacy was consistently terrific and he captured the character beautifully, even perfectly. He became the Hammer of several generations.

Of the various Hammer projects I’ve been involved with, the two audio “radio play”-style full-cast, full-length dramatizations for Blackstone are among my favorites. The first one, THE NEW ADVENTURES OF MIKE HAMMER VOLUME TWO: THE LITTLE DEATH won the Audie for best original work, and the second, THE NEW ADVENTURES OF MIKE HAMMER VOLUME THREE: ENCORE FOR MURDER, was similarly nominated. I am very proud of those two audios, and owe a big thanks to producer Carl Amari. Also, since my late friend Mike Cornelison played Pat Chambers in both, they hold a special place in my heart.

We almost missed out on having Stacy read the audio of KILL ME, DARLING – in fact, we almost missed out on having an audio at all. For reasons I can’t fathom, although I may have been asleep at the wheel myself, Blackstone Audio was not approached in a timely fashion. Audio publishers like to be publish simultaneously with the books themselves. I didn’t check on this until early February, and when I found the ball had been dropped somewhere along the line, rushed to get Blackstone and Stacy together on this. Bless them both for jumping on board with little notice. As it is, the audio is appearing a couple of weeks after the book’s initial availability.

If you’re a Hammer fan and you haven’t listened to Stacy Keach read these new Hammer novels, you are really, really missing out.

From my point of view, a Hammer novel doesn’t feel real to me until I’ve heard Stacy read it.

I was nervous about KILL ME, DARLING – although frankly I love the book – because it was the first time I had a shorter chunk of Mickey’s work to expand and complete (less than fifty double-spaced pages as opposed to one-hundred). Would readers and reviewers find this as authentic a Hammer novel as the previous ones? So far the response has been overwhelmingly positive.

Partly, I think, that’s because this is only the second of the Hammer’s I’ve completed that dates to Mickey’s most popular period (late forties/early ‘50s – the other being LADY, GO DIE!, chronologically the second Hammer novel). KILL ME, DARLING is the book that would have followed KISS ME, DEADLY – in other words, it picks up right where that hugely popular novel left off…right where Mickey left Hammer fans dangling for what would be a decade.

The next partial Spillane “Hammer” manuscript I complete will also be from the ‘50s. I feel privileged and thrilled to be able to fill in those missing years.

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Regular readers of these updates will know that KILL ME, DARLING was created from a false start on THE GIRL HUNTERS. So it’s fun and interesting that (thanks to the Scorpion Blu-ray/DVD releases) that the Spillane-starring movie version of that novel is getting fresh attention.

Here’s one fun look at the film, with some mentions of my contributions to the blu-ray.

And here’s another.

In the meantime, I’m back to work on ANTIQUES FATE.

M.A.C.

Kill Me, Darling—Today!

Tuesday, March 24th, 2015
Kill Me, Darling
Hardcover:
E-Book:

The day this update appears, so will KILL ME, DARLING on the shelves of B & N, BAM! and other brick-and-mortar bastions of bookselling, and of course the on-line forces of Amazon and others will have it available, too.

The response so far has been really gratifying, since this is the first of at least three Hammer novels that will have me fashioning a novel from shorter novel fragments that Mickey Spillane left behind. The previous six novels have all had around 100 pages for me to deal with, and sometimes notes and even roughed-out endings. This time I had around 50 pages, including the first chapter from a completely other tale but similar enough that I could rework it for this one (an earlier take on THE GIRL HUNTERS, with Velda disappearing off to Florida, not Russia) without repeating the first five or six pages that were identical in both manuscripts.

So I was nervous that this one might be perceived differently than the ones that were more heavily Mickey. Thus far, that’s not been the case.

Since this is pub day, I am going to share with you here (rather than just provide a link to) the terrific Bookgasm review of KILL ME, DARLING. Here goes:

Prolific crime author Max Allan Collins continues his role as literary executor and posthumous collaborator for the late Mickey Spillane with KILL ME, DARLING, the first of three intended Mike Hammer novels found among Spillane’s unfinished manuscripts.

As he explains in his brief introduction, Collins noted that Spillane envisioned the novel as a follow-up to KISS ME, DEADLY (1952). So Collins revised the opening chapter and placed the entire narrative in the 1953-54 time frame. And, as has been the case with previous collaborations, Collins does the Mike Hammer creator proud.

It’s been a tough time for PI Mike Hammer. As the novel opens his secretary and true love of his life, Velda, has walked out on him, leaving a note with a terse goodbye and no further explanation. And Hammer is just surfacing from a four-month bender. Then a highly respected old cop from the NYPD Vice Squad turns up murdered. Hammer visits the scene of the murder, but before long is picked up by a squad car and taken to the home of his pal, Captain Pat Chambers.

Chambers tells Hammer that Velda has been seen in Miami, Florida, and reportedly is the moll of gangster and suspected drug runner Nolly Quinn. What’s more, Chambers suspects that Velda’s disappearance is connected with the murdered cop – especially since Velda once worked undercover for the cop before she was introduced to Hammer. Hammer sobers up as quickly as he can and drives to Miami to find Velda and bring her home.

Once in Miami Hammer enlists the help of a veteran local newspaperman and a police detective to get information on Nolly Quinn. But the more Hammer learns about Quinn and his Miami operation, the more he fears that whatever Velda is involved in is way over her head and could cost her life.

The dust jacket promotes the novel as “The Lost Mike Hammer Miami Thriller,” and at first the thought of Hammer, the archetype of the urban tough guy, in the land of sun and beaches seems horribly out of place. But Spillane and Collins know that when the sun sets the streets of Miami can be as mean as any in New York. So it doesn’t take long for Hammer to get tangled up with the criminal bosses running the gambling and whorehouses that keep tourists busy after dark.

Collins’s contributions, although mostly seamless, can be felt mainly in his research of the historical time frame of the novel’s setting. So he takes full advantage of the knowledge of Miami’s reputation as the place where even underworld bosses brought their families on vacation, the tempting strategic location of Cuba for moving contraband, and most notably the specter of the Kefauver Committee senate hearings on organized crime that hang over Miami like a veiled mist.

But make no mistake; this is a Mike Hammer story, so it’s filled with bullets shot from speeding cars, brutal hand-to-hand fights, plot twists and sudden revelations right up to the novels’ final pages, plus plenty of hard-boiled observations and dialogue. Even the attitudes about sex and sexuality are firmly and bluntly within the period. And while Hammer carries a devoted torch for his beloved Velda, he finds the lure of the scantly clad Miami women hard to resist.

Spillane popularized those characteristics we now know as “pulp fiction,” and set the stage for most of the impulsive, tough-talking detectives that followed Mike Hammer in print, movies, and TV. So it’s reassuring to know that his spirit and influence are in the ultra-capable hands of Collins.

KILL ME, DARLING will delight new and long-time Spillane fans, and effectively whets our apatite for the forthcoming collaborations Collins has in the pipeline. —Alan Cranis

A review like that is gratifying any time, but in this case it feels extra sweet.

Strip for Murder

Also, I’d like to announce that Dover Books is bringing out nifty new editions of the first two Jack and Maggie Starr mysteries, leading with the second one, STRIP FOR MURDER. The first, A KILLING IN COMICS, will follow soon. The covers are not by Terry Beatty this time, but all his wonderful interior art remains. Thanks, Terry!

This past week, the second Reeder and Rogers political thriller, FATE OF THE UNION, went off to my editor at Thomas & Mercer. Matt Clemens worked on it with me and will receive a cover credit. Matt’s story treatment, developed from our co-plotting, gave me a very solid structure to base the novel on, and we were joined-at-the-hip during the writing of my draft. We both think it’s superior to the first novel (which we – and several hundred thousand readers – also like). No pub date yet.

Very soon the QUARRY TV series for Cinemax starts shooting in New Orleans. Barb and I will probably go to the set in April or early May. My episode is now #6 of eight.

This coming week I will be working on the pilot outline for another potential series based on one of my series. More than that I dare not say.

I am writing this in a St. Louis hotel room (at the Moonrise in the Loop), on a visit to son Nate and his bride Abby, who have moved from a West End apartment to suburban O’Fallon, so that Abby has a shorter work commute. Very cute house where we helped the couple set up Nate’s work desk and a dining room table, both of which we magically got into the back of our Chevy Equinox for delivery. Wonderful seeing them, and our granddog Toaster as well. Nate is working on a video game translation currently. Together we watched several episodes of my favorite new series, THE JACK AND TRIUMPH SHOW.

* * *

Top-notch crime writer Mike Dennis also has nice things to say about KILL ME, DARLING – and Mr. Dennis knows his Mike Hammer.

And here’s a very generous appraisal of my career, focusing on the Nathan Heller short story collections, CHICAGO LIGHTNING and TRIPLE PLAY.

M.A.C.

Choice Stuff

Tuesday, January 13th, 2015

Skyboat Media is a new audio publisher, working with the venerable Blackstone. They are doing QUARRY’S CHOICE, and they are doing a terrific launch for it (and will be doing new audio versions of most of the Hard Case Crime QUARRY novels, as well).

Here’s the trailer they’ve put together for the book.

And here’s a clip of Stefan Rudnicki, president of Skyboat Media and a longtime Quarry fan who went after all available audio rights to the series so he could narrate them himself.

But wait, there’s more. They have a wonderful blog entry about putting out QUARRY’S CHOICE and you can read about it here.

It’s been terrific having Quarry out on audio. Last year the great Dan John Miller (of Nathan Heller fame) read THE WRONG QUARRY for Audible, who also put out the first five QUARRY novels, read by Christopher Kipiniak, who does a good job. Speaking Volumes still has Curt Palmer reading QUARRY’S EX; Curt was a very good Quarry, but the earlier Speaking Volumes audios read by him will soon be replaced by these new ones from SkyBoat. Much as I like Curt’s work, I am pumped to hear what Stefan will do, and (unlike the Speaking Volumes versions) these new ones will be available from Audible, where so many people now go to get their audio downloads.

In further QUARRY’S CHOICE news…

There doesn’t seem to be a link to this great BOOKLIST review of QUARRY’S CHOICE, so here it is:

Quarry’s Choice.
Collins, Max Allan (Author)
Jan 2015. 256 p. Hard Case Crime, paperback, $9.95. (9781783290840). Hard Case Crime, e-book, (97817832890857).
Quarry is a pro. He learned to kill in Vietnam, and thanks to his employer, known only as the Broker, he has found a way to keep doing what he does best. It’s strictly business, of course, killing only those who would be killed anyway, if not by Quarry then by somebody else. In, out, and on to the next job. Naturally, there are sometimes complications, as in his latest assignment: the Broker is not just the middleman this time but also the client. A mobster in Biloxi, Mississippi, has made an attempt on the Broker’s life, and the Broker wants Quarry to kill the would-be killer—with a little help from the vic-to-be’s second in command, who covets the top job. It smells wrong from the start: Quarry doesn’t like to know the client (that’s the whole point of the broker’s brokering), and he sure doesn’t like getting to know the victim, as he must do this time.

Quarry really shouldn’t worry. His creator is also a pro’s pro, one of the best thriller plotters in the business—nothing too elaborate or multifaceted or, God help us, literary; no, just violent, fast-moving, clever storytelling, in the John D. MacDonald and Lawrence Block vein. Collins spins a story in the same no-nonsense way Quarry kills people (seven of them this time around, in the course of about 250 pages): “There’s life in you, and then there isn’t.”
— Bill Ott

This review of QUARRY’S CHOICE is not only good, it’s downright blush-inducing for a wallflower like me.

Some nice attention, if not a review, for QUARRY’S HOICE at Shotsmag UK.

Finally, here’s an enthusiastic overview of the QUARRY series, although the writer thinks Quarry has a first name, John (he doesn’t) and that I’ve had ten Shamus nominations (it’s 22). Small details when you consider what a nice write-up it is.

M.A.C.