Posts Tagged ‘Nolan’

Catching up with Me

Tuesday, July 5th, 2016

Crusin’ at Muscatine’s Brew July 4

My pal Ed Gorman – one of the best writers around, and at least as good a friend – did an interview with me that I’d like to share with you. Here goes.

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1. Tell us about your current novel.

There are a couple of things that will become available soon. One is the complete version of the ROAD TO PERDITION novel. It was written in 2002 to accompany the release of the film, but DreamWorks licensing made me do a drastic cutting/rewrite, eliminating 30,000 words and any dialogue or action that wasn’t included in the book. I am very grateful to Brash Books for negotiating with DreamWorks for the real, complete novel to finally be published.

About the same time, Hard Case Crime will be bringing out QUARRY IN THE BLACK, obviously a new Quarry novel with what I think or hope is an interesting setting — George McGovern’s presidential campaign and a black leader in St. Louis who is supporting that ticket with public appearances. If you ever wanted to see how Quarry would behave at a Ku Klux Klan meeting, now is your chance.

And Otto Penzler is bringing out A LONG TIME DEAD, collecting eight Mike Hammer short stories that I developed from Spillane fragments. That’s exciting in part because there’s never been a Hammer short story collection before.

2. Can you give a sense of what you’re working on now?

I just finished a Mike Hammer novel, THE WILL TO KILL, working from a few chapters in Mickey Spillane’s files. It’s very unusual for a Hammer, because the mystery is right out of Agatha Christie, with greedy children fighting over the proceeds of a murdered patriarch’s estate.

Not too long before that, I did my pass on the new Barbara Allan mystery, ANTIQUES FRAME, co-written with my wife Barb. That was my first project after open-heart surgery and a minor stroke, and it was very gratifying to be able to get back up on the horse and ride so quickly. just weeks after the surgery.

Next up is EXECUTIVE ORDER, the third Reeder and Rogers political thriller, in collaboration with Matt Clemens.

3. What is the greatest pleasure of a writing career?

The greatest pleasure of a writing career is having one. The notion that I could ever hold down a normal job is highly suspect.

4. What is the greatest DISpleasure?

I don’t know if there’s a dis-pleasure for me. I really love this life. The things that frustrate me are minor in the bigger picture. For example, I despise having copy editors rewrite me, and have spent way too much time in my life putting various Humpty Dumptys back together. It’s always disappointing when a novel is critically ignored or particularly when the public ignores it. When a publisher drops a series, it can be crushing—I had to wait ten years before I felt I could re-launch Nathan Heller, and a lot of time was lost there.

5. If you have one piece of advice for the publishing world, what is it?

For the publishing world itself? Don’t judge an author by how well his or her last book sold. Judge each book on its own merits, and that includes proposed novels from authors whose professionalism isn’t in question.

6. Are there two or three forgotten mystery writers you’d like to see in print again?

So many of my favorites are back in print again in the POD and e-book fashion. But it would be nice to see Horace McCoy, Mike Roscoe and Roy Huggins out there in a more major way. I was pleased to see Ennis Willie finally get some attention, but unfortunately it’s faded somewhat.

7. Tell us about selling your first novel. Most writers never forget that moment.

Mine is easy to remember. I got the letter (my agent at the time never called me) on Dec. 24, 1971—BAIT MONEY, the first Nolan novel, had sold on Christmas Eve! When I told Donald E. Westlake about it—he’d been a mentor to me—he said, “Sometimes God behaves like O. Henry, and there’s nothing you can do about it.”

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Here are a few things on the Net you may enjoy.

First, this is a rare (and detailed) review of MICKEY SPILLANE ON SCREEN by Jim Traylor and me. The author gives me all the credit, which is wrong, but otherwise it’s an interesting read on what is apparently a very right-wing web site.

Take a gander at this early review of the Mike Hammer collection, A LONG TIME DEAD.

Finally, one of America’s greatest mystery book stores, Mysterious Bookshop, has signed copies (available by mail) of BETTER DEAD.

M.A.C.

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Today’s the Day! (Later is Good, Too.)

Tuesday, April 26th, 2016
The Big Showdown
Hardcover:
E-Book:

The Legend of Caleb York
Paperback:
E-Book: Amazon Google Play Nook Kobo iTunes

Antiques Fate
Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes

The day this appears (April 26) is the pub date of the second Caleb York novel, THE BIG SHOWDOWN, in hardcover, and also of THE LEGEND OF CALEB YORK in mass-market paperback (co-bylined with the great Mickey Spillane). On this same big day, the new Trash ‘n’ Treasures mystery, ANTIQUES FATE, appears in hardcover. A week from now (May 3), the new Nate Heller will be out: BETTER DEAD (more about that next week).

These are all books I’m pleased with. I think THE BIG SHOWDOWN has one of the best, moody scenes of action/violence – a shoot-out in a rainstorm – that I’ve ever come up with. ANTIQUES FATE may be my favorite of the Brandy and Vivian Borne novels, with its faux-British setting reminiscent of MIDSOMER MURDERS and Miss Marple’s St. Mary Mead. It’s also very funny. No brag, just fact, as we western novelists are wont to say. Or is that want to say?

You may think that novels are flying out of my computer as if it were haunted. Actually, last year was one of my least prolific ones, due to the health problems that turned up in May. The only book I wrote during that period was MURDER NEVER KNOCKS (a Hammer, as usual working from Spillane material), and I also managed to do the short story “A Dangerous Cat,” which appears in the current Strand Magazine. The novel was written in the weeks after the treatment in which my heart was jump-started like an old Buick, to get rid of the irregular heartbeat that had turned up with my condition – for maybe a month I felt a lot better.

I wrote “A Dangerous Cat” later, feeling fairly shitty actually, but the story needed writing. It represented the last Hammer fragment that I’d set aside for short story purposes, and writing it would give me a Hammer collection (eight stories) – Otto Penzler is publishing it later this year as A LONG TIME DEAD.

The books that are coming out today (if you’re reading this on the day it appears) predate the health problems, and give something of a false impression about my apparently prolific 2015. But I am happy to report that I am back at work here in 2016, and in fact Barb and I have already delivered the next Trash ‘n’ Treasures mystery, ANTIQUES FRAME. She had been working on her draft throughout the medical adventures during which she was my incredible support system – the last bits of it were written by her in my hospital room. The rapid comeback my right hand made allowed me to get to work after two or three weeks at home.

Currently I am working on the third Reeder and Rogers political thriller. My cohort Matt Clemens is wrapping up his draft while I start mine. So far it looks like SUPREME JUSTICE and FATE OF THE UNION will have solid company. By the way, SUPREME JUSTICE recently hit the 100,000 books-sold mark. This does not count 175,000 books generated in the Kindle First program. Most of those copies were e-books, a fact I have trouble caring about.

Much of this year will be dedicated to getting back on deadline, as much as possible. I have no way to know how quickly the recovery will go, although so far – at nine weeks – I’m told by doctors and physical therapists that I’m doing very well. The biggest obstacle to getting my work done are the essential twice-weekly occupational and physical therapy sessions, which last 80 minutes. Or I should say the biggest obstacle is my reduced stamina and increased fatigue – after the physical therapy, I invariably have needed a nap of an hour or two. Takes a bite out of the writing day.

But things are improving. I had my first band practice (Crusin’) last Tuesday – an hour was about all I could manage, but I managed. We’ll practice again soon and play a two-hour gig in June. This weekend son Nate and his bride Abby visited with our incredible grandson, the criminally cute Sam Collins, in tow. Nate and Abby – currently living in St. Louis – are exploring coming back here to Iowa.

Realtor Suzi Webb (great name) – a good friend from my high school days – arranged a tour for us of half a dozen houses. I went along and, despite a lot of stairs, held up fine. Okay, I took and hour and a half nap after – but just a few weeks ago that adventure would have been out of the question.

For those of you who haven’t stopped reading yet, let me say that I never expected to discuss these health issues here. But my son has always encouraged me to look at behind-the-scenes stuff, and me reporting on how the writing is going seems pretty basic.

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a ten minute interview I did at the last Bouchercon (in Raleigh), specifically focusing on B’Con memories and my general attitude about the annual event.

Here’s a fun review of TWO FOR THE MONEY, the Hard Case Crime omnibus of BAIT MONEY and BLOOD MONEY.

And here’s a list from a lawyer selecting 10 “Great Novels About the Supreme Court.” One of them is SUPREME JUSTICE!

M.A.C.

Tweaking (Not Drug-Related)

Tuesday, December 22nd, 2015
Better Dead by Max Allan Collins

The work over the past week, and the work ahead during the week after Christmas, is a part of the career of writing that is little discussed. But it’s key to the process.

Over the period of a week, I read and corrected the galley pages of three novels of mine – THE BIG SHOWDOWN (the second Caleb York), ANTIQUES FATE (by Barb and me as “Barbara Allan”), and BETTER DEAD (the McCarthy-era Nate Heller). The latter is a long manuscript, almost the length of the previous two combined.

This stage marks the last chance for a writer to catch goofs, seek out typos and make final revisions and tweaks. Oftentimes, the production person scolds the writer in advance about making any changes. The attitude is that the book is finished and it would be too costly to make any changes that don ‘t address typos or outlandish errors. I ignore this admonition, although I keep my tweaking to a minimum and rarely rewrite unless I really have come across an outright error.

But these final tweaks are often the difference between a smooth read and a rough one. I noticed with BETTER DEAD something that happens too frequently in my work: the last few chapters can have a rushed quality, because I am gathering steam and racing toward the ending – much as a reader of an exciting novel reads faster, even skimming, to get to the end. In BETTER DEAD’s near 400 pages, I found next to nothing in the first 2/3’s, but quite a bit in the final third. These tweaks represent nuance via word choice and sometimes the elimination of repeated words.

To me this is vital part of the writing process – that final polish, and a read that occurs several months after the initial writing, which breeds better objectivity. True, I’ve had a chance to view the novel in the copy-edited form a month or so before the galley proofs arrive. But with a copy-edited manuscript, my focus goes to the changes that the copy editor has made, each of which has to be thought through – sometimes copy editors are right, like a stopped clock.

Next up are the galley proofs of MURDER NEVER KNOCKS (the Mike Hammer novel previously announced as DON’T LOOK BEHIND YOU) and QUARRY IN THE BLACK. I also hope to put together a collection of the Mike Hammer short stories I’ve developed from shorter fragments in Mickey’s files; these have appeared in the STRAND, mostly. I’m talking about such a collection with Otto Penzler at Mysterious Press. I need to read my stories and determine what order they should appear in, and I’ll want to write an introduction.

For me it’s a luxury not to be working on a novel over Christmas week – as I often have – and attending to some of the less-glamorous aspects of the writing trade (well, there aren’t really any glamourous aspects to it, unless Hollywood buys something) is a good way to get something done without spoiling your own holiday season, and that of the others in your life.

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I’ve discussed the oddity of reading current reviews of early works, but nothing tops reading a write-up about MOURN THE LIVING, which was my first novel and introduced Nolan…and was written almost fifty years ago. It’s a book I would be loathe to re-read, but in some respects it’s the most important one I ever wrote, as it’s the novel that Richard Yates read that convinced him to invite me into his Writers Workshop class at the University of Iowa. So much of my career has flowed from Yates as my mentor. On the other hand, I always like reading good reviews like this one.

Of course, Hard Case Crime has been reprinting the early QUARRY novels, but late in 2016 they will be publishing a brand-new one, QUARRY IN THE BLACK. Read about it here and get a look at the fantastic cover.

One of those QUARRY HCC reprints has made a stocking stuffers list at the Geek Hard Show. Festive little write-up!

Here’s yet another one of those “best movies that you didn’t know were based on comics” lists. But ROAD TO PERDITION is treated very nicely, so check it out.

That same website – Talking Comic Books – has an interesting podcast (well over an hour) in which a number of film buffs discuss the film of ROAD TO PERDITION in a lively fashion. One oddity, at least from my POV: the guy who says ROAD TO PERDITION is his favorite movie has never bothered to read the graphic novel. In fact, for a podcast that’s part of Talking Comic Books, one might think the graphic novel would get more than one fleeting mention. But that’s all it rates. Still, there’s some fun to be had and some intelligent commentary to be heard.

Finally – Merry Christmas! Or Merry Whatever You Celebrate, as long as it doesn’t involve sacrificing a goat.

M.A.C.

2015 Movie Round-Up Part Two

Tuesday, December 8th, 2015

A while back I gave my “awards” for the movies Barb and I saw in the first half of 2015. Here is the second half of my movie round-up for this year. Multiple entries are in order of excellence or terribleness.

MOVIE WE WALKED OUT ON (JUST THIS WEEKEND):
THE NIGHT BEFORE

MOVIE WE SHOULD HAVE WALKED OUT ON:
THE TRANSPORTER REFUELED

INTERESTING INDIES:
PHOENIX
BEST OF ENEMIES (documentary)

MOVIES THAT WERE BETTER THAN THEY HAD ANY RIGHT TO BE:
GOOSEBUMPS
THE PEANUTS MOVIE
HITMAN: AGENT 47

MOVIES THAT WERE WORSE THAN THEY HAD ANY RIGHT TO BE:
PIXELS
SICARIO

BEST SEQUEL:
CREED

BEST ANIMATED FEATURE:
INSIDE OUT

BEST MOVIE A LOT OF PEOPLE DIDN’T LIKE:
TERMINATOR GENYSIS

BEST SPY FILM EVERYBODY SAW (THAT WASN’T “SPECTRE”):
MISSION: IMPOSSIBLE – ROGUE NATION

BEST SPY FILM A FEW PEOPLE SAW:
THE MAN FROM U.N.C.L.E.

BEST SPY FILM NOBODY SAW:
SPOOKS: THE GREATER GOOD

MOVIES I HATE THAT I WILL NEVER SEE:
RIKKI AND THE FLASH
MAZE RUNNER: THE SCORCH TRIALS
PAN
RIKKI AND THE FLASH
MAGIC MIKE XXL
PITCH PERFECT 2
Did I remember to say RIKKI AND THE FLASH?

BEST BASED-ON-FACT MOVIES:
STEVE JOBS
TRUMBO
BRIDGE OF SPIES
BLACK MASS

BEST SCIENCE-FICTION FILM IN A WHILE:
THE MARTIAN

BEST HORROR-FANTASY IN A WHILE:
CRIMSON PEAKS

MOVIES THAT SHOULD HAVE SUCKED BUT DIDN’T:
KRAMPUS
SELF/LESS (or: REGENERATION WITHOUT ROYALTIES)
NO ESCAPE

BEST ACTION MOVIE SINCE “MAD MAX: FURY ROAD”:
SPECTRE

BEST COMEDY SINCE “SPY” (SURPRISINGLY):
VACATION

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Quarry's List

For those wondering what I’ve been up to, I spent last week writing a script for the second season of QUARRY. Does that mean the series has been picked up for a second season already? Unfortunately, not – but it’s a very good sign that HBO/Cinemax has ordered up a second season of scripts.

The possible second season is loosely based on QUARRY’S CHOICE, and the formative Quarry (aka Mac Conway) is moving closer to the Quarry of the novels. This makes sense, because the first season is a kind of expanded origin story.

Speaking of Quarry – and this is something I discussed last week – it’s increasingly gratifying if odd to see books I wrote a long time ago being reviewed today. Check out this very nice review in the prestigious PUBLISHER’S WEEKLY for my 1976 novel, QUARRY’S LIST. How I wish they’d noticed me back then!

My buddy (and one of my favorite writers) Ed Gorman has taken a look at SPREE on his blog. I think this is a reworking of an earlier review, but I am pleased to see it. Ed singles out this, the last of the Nolan novels, as a particular favorite of his among my books.

Here’s another review of SPREE that I was happy to read (and a little surprised to see).

I am particularly pleased to see my Mike Hammer collaborations with Mickey getting some space in one of the numerous overviews about the current trend of continuations of classic mystery and spy series. Frankly, we often get left out. What’s fun here is that the great Jon L. Breen (the Anthony Boucher of our time) is not at all a Spillane fan, but still appreciates these continuations. Specifically, he takes a look at KISS HER GOODBYE, and says wonderful things. No idea why he’s about four books behind! Do try to keep up, everybody….

M.A.C.