Posts Tagged ‘Quarry in the Black’

Wild Dog on CW & Quarry in the Black

Tuesday, October 4th, 2016

I haven’t said much about the inclusion on CW’s ARROW TV series of my character Wild Dog (co-created with my longtime pal and collaborator, Terry Beatty, currently tearing it up drawing the Sunday PHANTOM and the weekly REX MORGAN for King Features). The reason is that we are being paid little or nothing, and as yet no one from DC or Warner Bros has even approached us, telling us about this great (if non-remunerative) honor. I do understand that Terry and I are in contention this year for the “Siegel and Shuster Screwed-in-The-Ass Award.”

Still, it’s fun to see screen captures of Terry’s great costume design on an actual human being. Check these out.

Wild Dog on The Arrow

Wild Dog on The Arrow

You can catch glimpses of Wild Dog on ARROW in this trailer, courtesy of AV Club.

The free looks at the first three episodes of QUARRY on You Tube have been taken down. I will pass the baton to my son Nate, who has information on where you can watch the show elsewhere.

Nate here. This all applies to the US; I’m not sure about how it works in other countries. If you have cable, the best option is probably adding Cinemax to your current package. The only way I’ve found to watch QUARRY without a cable subscription is through PlayStation Vue, which is Sony’s streaming platform, accessible through a PlayStation 3, PlayStation 4, Amazon Fire, Roku, as well as iPhone and Android devices. You can subscribe to Cinemax, as a standalone channel without any other package, for $15/month. There is a seven day trial if you want to try it out. For details, click here.

Thank you, son. As for QUARRY in the world of novels, QUARRY IN THE BLACK comes out…today! Oct. 4! In celebration, take a look at this fantastic review from Bookgasm, excerpted at length below:

QUARRY IN THE BLACK
reviewed by Alan Cranis

Max Allan Collins continues to chronicle the career of Quarry, the assassin-for-hire star of Collins’s long-running series (and recently a TV series on Cinemax). The latest title, Hard Case Crime’s QUARRY IN THE BLACK, focuses on the early stage of Quarry’s hit man vocation in the early 1970s. But thanks to the overriding theme Collins make it as applicable as this morning’s headlines.

The year is 1972, and Quarry gets a visit from his boss, known only as The Broker, at his A-frame house on Paradise Lake. Quarry has only been working for The Broker for two years, so the Broker wants Quarry to know that he is free to turn down this latest assignment, due to its unusual and highly political nature.

(M.A.C.: I am omitting here a lengthy plot synopsis that wanders close into spoiler territory.)

Collins again demonstrates his prodigious research skills by effectively – but unobtrusively – establishing the time frame of the story. Popular TV and movie titles of the period, along with references to fashion styles and current events help solidify the credibility of the period.

Yet in a masterstroke of irony, the theme of racial violence that permeates the plot, along with the inclusion of Ferguson – the location of a recent incident of a potential racially motivated shooting by police – transcends the period of the story and lends the novel an immediate relevance.

This is highly unexpected for a Quarry story, but fortunately – and, again, owing to Collins’s skills as a storyteller – never detracts from the suspense that keeps us moving from chapter to chapter. If anything it adds richness to the reading experience while underscoring the enduring nature of the theme.

Along the way Collins includes a cast of completely believable characters who accompany Quarry in his mission, several scenes of intense violence and action, and unexpected plot twists that few will see coming.

In his author’s note following the conclusion, Collins observes, “An odd and oddly satisfying aspect of writing new Quarry novels for Hard Case Crime has been continuing a series that began as contemporary but is now a period piece.” While not considering these historical novels, with their ’70s and ’80s settings, Collins sees them more as a retelling of his autobiography in installments. Perhaps this is reason for the unexpected but highly enriching relevance of the theme.

Reasons aside, QUARRY IN THE BLACK is highly recommended to both devoted followers of the series and those just discovering it. It is a noteworthy addition to the expanding series, and another triumph for one of crime fiction’s most prolific and creative practitioners.

(M.A.C. again: You can read the entire review here, plot synopsis and all.)

Another great review of QUARRY IN THE BLACK from that top-notch mystery and western writer, Bill Crider, can be read here.

Here’s an interview with TV’s Quarry himself, Logan Marshall-Green.

And, finally, here’s an interview with TV’s Buddy on QUARRY (“Boyd” in the novels).

M.A.C.

Quarry TV Sept. 9; Mike Hammer Book Sept. 6

Tuesday, September 6th, 2016

How bizarre it seems – in a sense, it hasn’t registered – that the novel I began at the University of Iowa’s Writers Workshop in late 1971 has spawned a 2016 TV series.

My instructor, William Price Fox, didn’t like it. Most of the class didn’t, either. But several smart people thought the first two chapters of QUARRY were the best thing they’d ever read in a Workshop class. Fox, a writer I admired, was spotty as a teacher. He shared some good stories about his Hollywood perils, but he also spent several classes reading his own stuff to us. The class was only two hours once a week, and I had to drive from Muscatine (forty miles) to attend. I thought then that Fox reading his own work was lazy and self-indulgent, and I still do. But he did teach me the “Indian behind a tree” concept (ask me sometime).

A week or so after my Workshop class with its mixed reviews of QUARRY’s first two chapters, I sold my first novel, BAIT MONEY, and, a couple of weeks later, I sold the second one, NO CURE FOR DEATH. Both were written at the Workshop when Richard Yates was my teacher and mentor – a great writer and a great guy. The NYC editor wanted sequels to both, so I put QUARRY aside (probably a third of it written) and proceeded with THE BABY BLUE RIP-OFF and BLOOD MONEY. I had graduated in early ‘72 by then.

Then I got back to QUARRY, probably in ‘74, and it sold in ‘75 and was finally published in ‘76 (initially published as THE BROKER).

How vividly I remember sitting in my office in our apartment in downtown Muscatine (over a beauty shop – the smells wafting up were not heavenly) and pounding away at those early books. I thought QUARRY was the best thing I’d come up with, as the Nolan books were glorified Richard Stark pastiches and Mallory was just me filtering my private eye jones through an amateur detective. QUARRY was something original. I was going places! This would, in a good way, leave a mark.

And at first it seemed it would. The editor wanted three more novels about the character, and of course I eagerly complied. By the fourth book, two things were obvious – QUARRY was not setting the world on fire, and I was having trouble keeping the black-comedy element from spinning out of control. THE SLASHER seemed to me over-the-top, or anyway a subsequent novel would have been.

That doesn’t mean I wasn’t disappointed that no more books were requested by the editor. But the QUARRY series seemed, at four entries, to be complete. I was going places, all right – back to the typewriter to try again.

But a funny thing happened on the way to obscurity – a small cult of interest arose in QUARRY. Smart people like Jon Breen, Ed Gorman and Bill Crider said nice things about the books. The series started getting fan letters. So when I had some success with the Nate Heller novels, I decided to do just one more QUARRY – and I did, PRIMARY TARGET (since re-pubbed as QUARRY’S VOTE). The book was well-received, but that was the end of it.

The end of it, anyway, till the new millennium dawned and a young filmmaker named Jeffrey Goodman came knocking, and a new publisher/editor named Charles Ardai got in touch. From Goodman’s enthusiasm for the QUARRY short story, “A Matter of Principal,” came an award-winning short film written by me, and then a feature-length version co-written by me, THE LAST LULLABY. More or less simultaneously, Ardai asked me to do a QUARRY novel for his new retro-noir line, and I jumped at the chance to give the series a real ending – THE LAST QUARRY, a novelization of my version of the screenplay of the Goodman feature.

The surprisingly strong response to THE LAST QUARRY resulted in a conversation between Ardai and me that went something like this:

“I wouldn’t mind you doing another QUARRY for us,” he said.

“I wouldn’t mind myself.”

“But you ended the series. What book can you write after you’ve done THE LAST QUARRY?”

“Why not…THE FIRST QUARRY?”

Now we’re at eleven novels – QUARRY IN THE BLACK next month – and, after a somewhat rough birth going back to 2012, the QUARRY TV series will debut on Cinemax this Friday, at 9 pm Central time.

I’ve seen all eight episodes and they are excellent. It’s essentially an extended origin story of how returning Marine Mac Conway (the character’s real name, according to the show anyway) becomes hitman Quarry. Michael Fuller and Graham Gordy, the creators of the series, initially did not reveal the character’s “real name,” but it became clumsy for the lead character not to have, well, a name. They dubbed him “Mac” after me – M.A.C. Nice gesture.

And they were smart enough to set the show in the early ‘70s. It’s a nice fit with my current approach, which is to do my new QUARRY novels in ‘70s/‘80s period. You know you are old when a series you began as contemporary is now historical.

So I hope you like the TV series. If you don’t, and are a fan of the books, pretend to, will you? If the show becomes a hit, I may get to write more QUARRY novels.

Stranger things have happened.

* * *
A Long Time Dead

Softcover:

E-Book: Amazon Nook Kobo iTunes

Limited Signed Hardcover: Mysterious Bookshop

Also this week, the Mike Hammer short story collection, A LONG TIME DEAD, will become available in print and e-book editions from Mysterious Press. This is an exciting project for me, as it represents the first collection of Hammer stories, and possibly the last, since I have exhausted the shorter fragments in the Spillane files.

My sincere thanks to Otto Penzler for publishing it. Otto, who edited and published the first three posthumous Hammer novels, has been a great friend to Mickey, Mike Hammer and me.

* * *

The advance reviews for the QUARRY TV show are strong, like this one.

And this one.

Here QUARRY is seen as one of the nine best shows of the fall season.

And here it’s seen as one of the ten best shows.

You’ll enjoy this interview with Michael Fuller, half of the creative team behind the writing of the QUARRY series.

Here’s a nice write-up on the forthcoming QUARRY comics mini-series.

Check out this terrific review of the Hammer novel, MURDER NEVER KNOCKS.

And, finally, here’s a positive review from Kirkus, of all people, for A LONG TIME DEAD.

M.A.C.

Heart-Felt Pt. 2

Tuesday, January 12th, 2016

Last week I anticipated going in for my heart surgery on Tuesday, but time is being allowed for me to recuperate from my carotid surgery first. I may be going in this coming Thursday (Jan. 14), but won’t know till Wednesday. If it doesn’t happen then, it will likely be Jan. 25.

Since we’ve spent many months having this surgery face one postponement after another, Barb warned me not to do a posting like the one I did last week. She said I didn’t want to sound like the Little Boy Who Cried Surgery. I had wanted to keep my situation to just family and a small handful of friends, until the surgery was literally under way, not wanting to put people in a position where they had to comment or show support or feel concerned.

In retrospect, while Barb was (typically) right, I am not sorry I posted last week, because I found myself – recuperating somewhat uncomfortably at home – comforted and complimented and touched by the messages here and on Facebook (and some e-mail ones, too). It’s nice to know that people prefer you alive.

Among the joys was hearing from long-out-touch friends going back decades, and from folks – particularly in the writing game – who know me only in passing but who nonetheless showed support and indicated the mystery genre would be a lesser place without me. I happen to agree with that, but it would be ungracious of me to say, wouldn’t it? Anyway, it’s nice to know I’m not entirely delusional.

I will keep you nice people posted here and on Facebook, and if I’m not able to – the first several days after the surgery are tough, I’m told – my son Nate will. You may have already guessed that Barb and Nate have been incredible in this situation. I think when you’re faced with something like this, which is (let’s face it) a matter of life or death, you realize – at least if you’re lucky like me – that there’s a wonderful, boring little existence waiting for you that you do not want to let go of.

My thanks and love to all of you who took time to send support. Those who didn’t can make it up by buying books.

* * *

Here’s a delightful review of QUARRY – described as a “classic.” I begin to suspect that the word “classic” might be a synonym for “f**king old.”

The QUARRY TV series – not yet scheduled by Cinemax, with summer 2016 looking more and more likely – has its own Wikipedia entry.

Here’s a very positive and, I think, intelligent take on my BATMAN issues, as reprinted in BATMAN: SECOND CHANCES.

The great Jeff Pierce at Killer Covers shows off the cover of QUARRY IN THE BLACK here.

Finally, here’s a really smart review of Mickey’s 10th Mike Hammer novel, THE BODY LOVERS.

M.A.C.

Tweaking (Not Drug-Related)

Tuesday, December 22nd, 2015
Better Dead by Max Allan Collins

The work over the past week, and the work ahead during the week after Christmas, is a part of the career of writing that is little discussed. But it’s key to the process.

Over the period of a week, I read and corrected the galley pages of three novels of mine – THE BIG SHOWDOWN (the second Caleb York), ANTIQUES FATE (by Barb and me as “Barbara Allan”), and BETTER DEAD (the McCarthy-era Nate Heller). The latter is a long manuscript, almost the length of the previous two combined.

This stage marks the last chance for a writer to catch goofs, seek out typos and make final revisions and tweaks. Oftentimes, the production person scolds the writer in advance about making any changes. The attitude is that the book is finished and it would be too costly to make any changes that don ‘t address typos or outlandish errors. I ignore this admonition, although I keep my tweaking to a minimum and rarely rewrite unless I really have come across an outright error.

But these final tweaks are often the difference between a smooth read and a rough one. I noticed with BETTER DEAD something that happens too frequently in my work: the last few chapters can have a rushed quality, because I am gathering steam and racing toward the ending – much as a reader of an exciting novel reads faster, even skimming, to get to the end. In BETTER DEAD’s near 400 pages, I found next to nothing in the first 2/3’s, but quite a bit in the final third. These tweaks represent nuance via word choice and sometimes the elimination of repeated words.

To me this is vital part of the writing process – that final polish, and a read that occurs several months after the initial writing, which breeds better objectivity. True, I’ve had a chance to view the novel in the copy-edited form a month or so before the galley proofs arrive. But with a copy-edited manuscript, my focus goes to the changes that the copy editor has made, each of which has to be thought through – sometimes copy editors are right, like a stopped clock.

Next up are the galley proofs of MURDER NEVER KNOCKS (the Mike Hammer novel previously announced as DON’T LOOK BEHIND YOU) and QUARRY IN THE BLACK. I also hope to put together a collection of the Mike Hammer short stories I’ve developed from shorter fragments in Mickey’s files; these have appeared in the STRAND, mostly. I’m talking about such a collection with Otto Penzler at Mysterious Press. I need to read my stories and determine what order they should appear in, and I’ll want to write an introduction.

For me it’s a luxury not to be working on a novel over Christmas week – as I often have – and attending to some of the less-glamorous aspects of the writing trade (well, there aren’t really any glamourous aspects to it, unless Hollywood buys something) is a good way to get something done without spoiling your own holiday season, and that of the others in your life.

* * *

I’ve discussed the oddity of reading current reviews of early works, but nothing tops reading a write-up about MOURN THE LIVING, which was my first novel and introduced Nolan…and was written almost fifty years ago. It’s a book I would be loathe to re-read, but in some respects it’s the most important one I ever wrote, as it’s the novel that Richard Yates read that convinced him to invite me into his Writers Workshop class at the University of Iowa. So much of my career has flowed from Yates as my mentor. On the other hand, I always like reading good reviews like this one.

Of course, Hard Case Crime has been reprinting the early QUARRY novels, but late in 2016 they will be publishing a brand-new one, QUARRY IN THE BLACK. Read about it here and get a look at the fantastic cover.

One of those QUARRY HCC reprints has made a stocking stuffers list at the Geek Hard Show. Festive little write-up!

Here’s yet another one of those “best movies that you didn’t know were based on comics” lists. But ROAD TO PERDITION is treated very nicely, so check it out.

That same website – Talking Comic Books – has an interesting podcast (well over an hour) in which a number of film buffs discuss the film of ROAD TO PERDITION in a lively fashion. One oddity, at least from my POV: the guy who says ROAD TO PERDITION is his favorite movie has never bothered to read the graphic novel. In fact, for a podcast that’s part of Talking Comic Books, one might think the graphic novel would get more than one fleeting mention. But that’s all it rates. Still, there’s some fun to be had and some intelligent commentary to be heard.

Finally – Merry Christmas! Or Merry Whatever You Celebrate, as long as it doesn’t involve sacrificing a goat.

M.A.C.