Posts Tagged ‘Quarry’

Heart-Felt Pt. 5

Tuesday, February 2nd, 2016
Quarry's Cut

Okay, this is getting ridiculous. The day this is posted I will be getting an out-patient procedure that will determine whether I will finally get my heart surgery, which if so, will likely (pause while I laugh hysterically) be next week. I never dreamed that I would be so eager to get an operation like this, but this has been going on since last June.

I will continue to keep you posted, and either Nate or I will provide updates here and on Facebook (our weekly ones will continue to be posted each Tuesday morning).

My apologies for this unintentional cliffhanger serial – I’m usually not quite this corny – but I continue to appreciate the support from my readers, friends and acquaintances. It’s been a great boost to the spirits.

Perhaps in honor of my inevitable surgery, the Quarry reprint out this month is QUARRY’S CUT. Also coming out this month are mass-market paperbacks of ANTIQUES SWAP and KILL ME, DARLING.

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A piece of good news for longtime readers of my stuff: my complete novel version of ROAD TO PERDITION the movie is due to be published along with reprints of ROAD TO PURGATORY and ROAD TO PARADISE. You may recall that my PERDITION novelization was reduced to a pale shadow of itself back in the day – a 40,000 word condensation of the 70,000-word novel is what was foisted upon the public (it even made the New York Times best-seller list). As a great man once said, “Pfui.” But we appear to be on the verge of vindication.

In addition, new editions of BLACK HATS and RED SKY IN MORNING are in the works, to be published under my own name for the first time (R.I.P. Patrick Culhane).

All five of these books will be published by Brash Books, which is in part the brainchild of my buddy Lee Goldberg.

I now have in hand all five Hard Case Crime reprints of the first five QUARRY novels, each with a stunning Robert McGinnis cover. Or I do, assuming this isn’t an hallucination, which is kind of what it feels like. This latest publication of QUARRY continues to stir up reviews of a novel that was first published in 1976 – that’s forty years ago – and written a few years before that.

For example, there’s a splashy QUARRY review, featuring the McGinnis cover, in the second issue of the amazingly slick and colorful (and expensive) UK magazine, CRIME SCENE. On your newsstands now. Nice write-up, but one that includes the now-usual complaint about Quarry’s non-PC gender attitudes – again, a forty-year old book is accused of being somewhat “dated.” No one seems to mind that he’s an assassin. I guess some things just never get old.

Check out this QUARRY review from Col’s Criminal Library.

And this one from the San Francisco Book Review.

QUARRY’S DEAL is given a fine review at Everything Noir.

Finally, here are a couple of splendid reviews from Bill Ott at Booklist that you may have missed:

QUARRY.
Collins, Max Allan (Author)
Oct 2015. 271 p. Hard Case Crime, paperback, $9.95. (9781783298839).

Originally published in 1976 as The Broker, this first novel in Collins’ series starring the Vietnam-vet-turned-hit-man finds Quarry five years into his career as an assassin for hire, getting his assignments from a middleman called the Broker. Trained to kill in Vietnam, Quarry finds he quite likes the work and has no trouble distancing himself emotionally from what he does. But he doesn’t like complications, and when the Broker adds a wrinkle involving drugs to Quarry’s latest job, the hit man protests. So begins the severing of the Quarry-Broker connection, a relationship that we learn much more about in succeeding novels in the series.

Collins didn’t know Quarry would lead to a series when he was writing it, but he set the table perfectly, even so. Quarry was the first hit-man antihero in crime fiction, and, unlike most of his successors, he remains the most “pure,” in the sense that he isn’t somehow a good guy who only kills those who need killing (Dexter, et al.); no, Quarry kills for money and tells you so. Yes, he has his own sense of justice and will sometimes kill (pro bono) those he feels are on the wrong side of his very personal scales of right and wrong, but he’s still a killer more than a knight errant. And, yes, Collins makes us root for Quarry, or he draws us so completely into Quarry’s world that rooting for anybody becomes beside the point. That, after all, is the real trick to creating a compelling antihero.

Collins also pairs his antihero with a writing style that is perfect for the man and the premise: mainly straightforward, no-nonsense declarative sentences, more Hammett than Chandler, more Spillane than Hammett. Killers shouldn’t be fancy talkers, especially those who work the drab mean streets of places like the Quad Cities, spanning the Mississippi and connecting Illinois and Iowa, where the action in Quarry takes place. And, yet, just to keep us off balance, Collins will occasionally show some Chandlerian chops, as when he describes a cluster of trees “bent over green and graceful in the less than gentle afternoon breeze, like oversize, out-of-shape ballet dancers trying in vain to touch distant toes.” Even hit men can wax poetic now and again.

Although Collins originally saw Quarry as a stand-alone, he did leave his protagonist in a major pickle at the end of the book. The implication seemed to be that Quarry was doomed—a fitting end for a one-off noir—but when an editor asked the author to write more about the character, Collins was happy to find a way to get Quarry out of his pickle. When Hard Case finishes its reissuing of the first five Quarries, there will be a total of 11 pickle jars on the shelf (the original five plus the six Collins has written since he brought back the series in 2006)—and plenty of room for more.

QUARRY’S LIST
Collins, Max Allan (Author)
Oct 2015. 219 p. Hard Case Crime, paperback, $9.95. (9781783298853).

His relationship with the man known only as the Broker irretrievably broken in Quarry, the first in the series, Collins’ hit-man-for-hire hopes to develop a new business plan. Without the Broker to act as middleman, setting up clients for Quarry and others to kill, it could prove difficult to find marks, but Quarry has grown disenchanted with working through someone else and wants to go another way. But before that can happen, he must deal with the other hit men he knows will be coming for him, as various lethal entrepreneurs vie for the prize of taking over the Broker’s business. Quarry is ready when they come and dispatches a pair of killers with little trouble, but that’s only the beginning. Tracking back to find the man who wants him killed, he falls hard for a blonde in a swimming pool, only to discover that she’s the Broker’s wife and, further, that the man he is hunting is setting up a hit on Mrs. Broker. A plan is forming in Quarry’s mind: the killers in the Broker’s employ will all contract with other brokers eventually and go back to work. If Quarry can find the Broker’s list of killers, he can start his own business by tracking them to their next jobs and hiring himself out to their would-be victims: pay me, and I’ll kill the guy hired to kill you. It’s an ingenious scheme, but there’s lots of preparatory killing to do first.

Hats off to Collins: he needed a scheme to keep his series going, and he found a doozy. As Quarry puts it, “I’d still be killing people, but for the most part it would just be other hit men, like myself, and that seemed a step up somehow.” Originally published in 1976 as The Broker’s Wife, Quarry’s List is being reissued by Hard Case Crime along with the four other early Quarry novels (Collins took a 30-year hiatus from the series before bringing Quarry back in 2006). This one shows Collins developing the storytelling skills that eventually will define his long career as a genre writer. His plots are tricky but never overly so; like the late, great Ross Thomas, he knows how to build a maze but not lose his readers in it before showing them a way out. So it is here, as Quarry must juggle various pieces on a moving chessboard: the list, the widow, the killers, the plan. Fortunately for genre fans, Quarry (and Collins) are up to the challenge.

M.A.C.

Heart-Felt Pt. 2

Tuesday, January 12th, 2016

Last week I anticipated going in for my heart surgery on Tuesday, but time is being allowed for me to recuperate from my carotid surgery first. I may be going in this coming Thursday (Jan. 14), but won’t know till Wednesday. If it doesn’t happen then, it will likely be Jan. 25.

Since we’ve spent many months having this surgery face one postponement after another, Barb warned me not to do a posting like the one I did last week. She said I didn’t want to sound like the Little Boy Who Cried Surgery. I had wanted to keep my situation to just family and a small handful of friends, until the surgery was literally under way, not wanting to put people in a position where they had to comment or show support or feel concerned.

In retrospect, while Barb was (typically) right, I am not sorry I posted last week, because I found myself – recuperating somewhat uncomfortably at home – comforted and complimented and touched by the messages here and on Facebook (and some e-mail ones, too). It’s nice to know that people prefer you alive.

Among the joys was hearing from long-out-touch friends going back decades, and from folks – particularly in the writing game – who know me only in passing but who nonetheless showed support and indicated the mystery genre would be a lesser place without me. I happen to agree with that, but it would be ungracious of me to say, wouldn’t it? Anyway, it’s nice to know I’m not entirely delusional.

I will keep you nice people posted here and on Facebook, and if I’m not able to – the first several days after the surgery are tough, I’m told – my son Nate will. You may have already guessed that Barb and Nate have been incredible in this situation. I think when you’re faced with something like this, which is (let’s face it) a matter of life or death, you realize – at least if you’re lucky like me – that there’s a wonderful, boring little existence waiting for you that you do not want to let go of.

My thanks and love to all of you who took time to send support. Those who didn’t can make it up by buying books.

* * *

Here’s a delightful review of QUARRY – described as a “classic.” I begin to suspect that the word “classic” might be a synonym for “f**king old.”

The QUARRY TV series – not yet scheduled by Cinemax, with summer 2016 looking more and more likely – has its own Wikipedia entry.

Here’s a very positive and, I think, intelligent take on my BATMAN issues, as reprinted in BATMAN: SECOND CHANCES.

The great Jeff Pierce at Killer Covers shows off the cover of QUARRY IN THE BLACK here.

Finally, here’s a really smart review of Mickey’s 10th Mike Hammer novel, THE BODY LOVERS.

M.A.C.

Heart-Felt

Tuesday, January 5th, 2016

I have mentioned in passing some health issues I’ve been dealing with, and perhaps I’ve even been a little coy about it. It’s not been my intention to burden my friends and readers (not mutually exclusive categories) with a boring account of what we’ve been dealing with. I say “we” because Barb has been at my side throughout, as you might imagine, but your imagination cannot do justice to just how fantastic she’s been.

I’m going to make this brief, because even if you’re concerned – and if so, thank you – you shouldn’t have to be bored with the details of somebody else’s health problems. Still, I’m a novelist, so this will most likely go into the situation in more depth than I should.

We’ve been dealing with this for a good eight months. I first got sick (somewhat ironically) when we visited the set of QUARRY in New Orleans late last May. The path has been torturous and frustrating, as it took a while to get this diagnosed, and it really shouldn’t have been. The roughest patch was a period of three weeks when I couldn’t sleep – couldn’t find a position that was comfortable enough – and for that period, I was getting maybe an hour a night.

The problem is a heart valve that needs replacing. There’s also a bypass, and before any of that can happen, I need to get one of my carotid arteries unclogged. The latter appears to be a fairly routine procedure. Open-heart surgery, however, is rather more sobering. But I have top-notch surgeons for both operations, and I feel confident I’ll be back at the old stand before too long.

This has stretched out maddeningly because when the condition was discovered, I was already in pretty bad shape. I needed to get myself back in shape, which consisted of medication and a few preliminary procedures (i.e., getting a jump start to correct an irregular heartbeat that had presented itself). For frustrating reasons (but good ones), I’ve had this surgery postponed on me something like eight times. In fact, Barb wishes I weren’t writing this, because that could happen again.

But right now the plan is for me to go in for the first of the two surgeries on Monday, January 4 (tomorrow, as I write this). And the heart surgery is set for January 5. If you are one of those loyal souls who check out this update the moment it appears each Tuesday morning, it’s likely I’ll be in the operating room as you read this.

There’s a chance – I honestly think not much of one – that my heart surgeon may postpone again, if he thinks I need more time to recover from the first procedure. If that’s the case, my son Nate will update this. He will also post updates on my status here and on Facebook in the several days following the procedures.

[Update from Nate: (Monday Jan. 4, 10 PM) Dad did have a minor complication after the first, successful procedure, and the docs are erring on the side of caution by (again) postponing the second surgery until some time next week. He is doing well and should be back home Tuesday to begin recuperating for the main event.]

You are welcome to post encouragement here and on Facebook, but I held this back so things wouldn’t get out of hand. I also accept prayers and positive thoughts and cash money.

The heart valve/bypass procedures will be followed by some rough weeks of recuperation – the first several, obviously, the most challenging. My next novel deadline isn’t till April 1 (no fooling), so I intend to take my first protracted “vacation” from writing in, well, as long as I can remember. I have been healthy as a horse my whole life (I was asked if I’d ever had surgery before, and I said, “Just my birth”) so there’s no precedent. Before you feel too sorry for me, know that I will be watching a lot of Blu-rays and reading a good number of the books that have piled up around here, and will be given even better treatment than usual by my lovely wife.

It’s possible I may get back to work sooner than the projected six weeks. I’m proud of myself that during this nasty period, I still wrote two episodic TV episodes (one of them for QUARRY) and the Mike Hammer novel, MURDER NEVER KNOCKS. And you may have already realized that I never missed one of these weekly updates.

Okay, we all know what’s important here – these weekly updates. I am going to write another three updates, in advance, dealing with forthcoming books. At that point, I am hopeful that I will be back doing this.

I am told I am “low risk.” Like anybody, I don’t hear the “low,” just the “risk.” So without getting too sentimental (or for that matter pessimistic) about it, I want to give all of you my heart-felt thanks. This has been a great career, and it will continue to be.

* * *

My pal Ed Gorman has been kind enough to pay tribute to Quarry by reviewing two of the recent books in the series. The review of THE WRONG QUARRY is a reprint, but the QUARRY’S CHOICE write-up is brand-new and a real corker.

The first novel in the series, QUARRY, got itself onto this fun top-reissues-of-last-year list. I’m on it with one of my favorites, the late great Ted Lewis. As usual, I deplore all such lists…unless I’m on them.

Here’s a nice (if somewhat guarded) Kindle Taproom review of FATE OF THE UNION.

Now check out this even-better FATE OF THE UNION review.

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Finally, I need to mark the passing of actor Wayne Rogers, who provided one of the best classic PI performances of all time in the too-brief CITY OF ANGELS TV series (1976). That series, and the Huggins/Cannell-created character Jake Axminster, had a huge impact on Nate Heller. Rogers, despite the short run of ANGELS, made such an impact as a private eye that he wound up playing a similar recurring character on MURDER SHE WROTE. He also portrayed real-life private eye Raymond Schindler in PASSION AND PARADISE (1989), about the Massie case, which I wrote about (including Schinder) in DAMNED IN PARADISE.

M.A.C.

Tweaking (Not Drug-Related)

Tuesday, December 22nd, 2015
Better Dead by Max Allan Collins

The work over the past week, and the work ahead during the week after Christmas, is a part of the career of writing that is little discussed. But it’s key to the process.

Over the period of a week, I read and corrected the galley pages of three novels of mine – THE BIG SHOWDOWN (the second Caleb York), ANTIQUES FATE (by Barb and me as “Barbara Allan”), and BETTER DEAD (the McCarthy-era Nate Heller). The latter is a long manuscript, almost the length of the previous two combined.

This stage marks the last chance for a writer to catch goofs, seek out typos and make final revisions and tweaks. Oftentimes, the production person scolds the writer in advance about making any changes. The attitude is that the book is finished and it would be too costly to make any changes that don ‘t address typos or outlandish errors. I ignore this admonition, although I keep my tweaking to a minimum and rarely rewrite unless I really have come across an outright error.

But these final tweaks are often the difference between a smooth read and a rough one. I noticed with BETTER DEAD something that happens too frequently in my work: the last few chapters can have a rushed quality, because I am gathering steam and racing toward the ending – much as a reader of an exciting novel reads faster, even skimming, to get to the end. In BETTER DEAD’s near 400 pages, I found next to nothing in the first 2/3’s, but quite a bit in the final third. These tweaks represent nuance via word choice and sometimes the elimination of repeated words.

To me this is vital part of the writing process – that final polish, and a read that occurs several months after the initial writing, which breeds better objectivity. True, I’ve had a chance to view the novel in the copy-edited form a month or so before the galley proofs arrive. But with a copy-edited manuscript, my focus goes to the changes that the copy editor has made, each of which has to be thought through – sometimes copy editors are right, like a stopped clock.

Next up are the galley proofs of MURDER NEVER KNOCKS (the Mike Hammer novel previously announced as DON’T LOOK BEHIND YOU) and QUARRY IN THE BLACK. I also hope to put together a collection of the Mike Hammer short stories I’ve developed from shorter fragments in Mickey’s files; these have appeared in the STRAND, mostly. I’m talking about such a collection with Otto Penzler at Mysterious Press. I need to read my stories and determine what order they should appear in, and I’ll want to write an introduction.

For me it’s a luxury not to be working on a novel over Christmas week – as I often have – and attending to some of the less-glamorous aspects of the writing trade (well, there aren’t really any glamourous aspects to it, unless Hollywood buys something) is a good way to get something done without spoiling your own holiday season, and that of the others in your life.

* * *

I’ve discussed the oddity of reading current reviews of early works, but nothing tops reading a write-up about MOURN THE LIVING, which was my first novel and introduced Nolan…and was written almost fifty years ago. It’s a book I would be loathe to re-read, but in some respects it’s the most important one I ever wrote, as it’s the novel that Richard Yates read that convinced him to invite me into his Writers Workshop class at the University of Iowa. So much of my career has flowed from Yates as my mentor. On the other hand, I always like reading good reviews like this one.

Of course, Hard Case Crime has been reprinting the early QUARRY novels, but late in 2016 they will be publishing a brand-new one, QUARRY IN THE BLACK. Read about it here and get a look at the fantastic cover.

One of those QUARRY HCC reprints has made a stocking stuffers list at the Geek Hard Show. Festive little write-up!

Here’s yet another one of those “best movies that you didn’t know were based on comics” lists. But ROAD TO PERDITION is treated very nicely, so check it out.

That same website – Talking Comic Books – has an interesting podcast (well over an hour) in which a number of film buffs discuss the film of ROAD TO PERDITION in a lively fashion. One oddity, at least from my POV: the guy who says ROAD TO PERDITION is his favorite movie has never bothered to read the graphic novel. In fact, for a podcast that’s part of Talking Comic Books, one might think the graphic novel would get more than one fleeting mention. But that’s all it rates. Still, there’s some fun to be had and some intelligent commentary to be heard.

Finally – Merry Christmas! Or Merry Whatever You Celebrate, as long as it doesn’t involve sacrificing a goat.

M.A.C.