Posts Tagged ‘Quarry’

What, Me Retro?

Tuesday, November 24th, 2015

I was watching the pilot of the Cinemax QUARRY with my wife, son and daughter-in-law (don’t tell HBO), and Barb turned to me when the character the Broker first entered and nudged me and smiled and said: “You did that.”

Well, I did, but a long, long time ago. About 43 years. At the Writers Workshop in Iowa City, where the instructor didn’t like the opening chapters I’d written very much, and most of the class wasn’t wild about it either.

At 67, I suddenly find myself aware of how very long I’ve been doing this, and am gratified that suddenly a lot of what I’d thought to be ephemeral works of mine are turning back up in print, and getting on the radar of a new generation or two of readers. Some of what I’ve written has almost by definition been ephemeral – specifically the movie novelizations and TV tie-in’s – though SAVING PRIVATE RYAN remains in print and a publisher is seeking permission from DreamWorks to do a hardcover edition.

But almost everything else with my byline is available again or soon will be, much of it from Thomas & Mercer, but also such boutique publishers as Perfect Crime, Speaking Volumes and Brash Books.

For these weekly updates, I routinely do a Google search to see what reviews and such have popped up on the Net, for me to provide links here. More and more I am surprised to find write-ups about older books of mine. It’s almost jarring, because often the reviewers are more familiar with the work than I now am.

Of course, the new Hard Case Crime editions of the first five Quarry novels have sparked interest, and in particular QUARRY (the first novel) has received some gratifying attention. Here’s one such write-up.

And here’s another.

And one more.

Fairly regularly, somebody comes along and praises either the entire “Disaster Series” or singles out one of the books in particular, like this piece that focuses on THE LUSITANIA MURDERS.

So many of these reviews of older work of mine just seem to appear out of the blue, like this look at the Eliot Ness novel BULLET PROOF.

But nothing could prepare me for this article specifically focusing on the musical side of my years on the planet, discussing both the Daybreakers and Crusin’.

Here, dealing with a somewhat more recent novel, is a nice review of the Jack and Maggie Starr mystery, STRIP FOR MURDER.

Coming full circle, the just published FATE OF THE UNION is pulling in some nice reviews, like this lovely one from Bill Crider, a writer I much admire.

Finally, my pal Ed Gorman brought in Ben Boulden of Gravetapping to review FATE OF THE UNION on Ed’s terrific blog, also a positive review.


Movie Round-Up

Tuesday, November 17th, 2015

Regular readers of this blog/update may recall that Barb and I see a lot of movies – usually one a week, sometimes more than that; when you work at home, you need the occasional escape. And you’ll know that I at times write about movies here, as I did last time with SPECTRE.

Here are a few quick notes on other movies I’ve seen over the last several months.

GOOSEBUMPS – We saw this in 3-D, perhaps proving my son Nate’s point that I will see anything in 3-D. Not true: I didn’t go to THE WALK, about that guy who did a tightrope act between the Twin Towers. But then I have vertigo (probably given to me by the movie of the same name). Back to GOOSEBUMPS. This is a basically kid friendly movie that is a lot of fun for grown-ups who were “monster kids” themselves (monster kids being those of us who grew up on FAMOUS MONSTERS and other such horror-movie mags). This is a very funny flick in the monster rally vein, featuring Jack Black as R.L. Stine, whose imagination is so strong, his creepy creations come to life, and must stay locked in their respective bound manuscripts or else (or else we have a movie). Black, playing a grumpy-father role that is quite different for him, is nonetheless very funny, particularly when he pronounces the name of the evil ventriloquist’s dummy he’s conjured: “Slaaappy!” The kid leads are appealing enough, too, and the monsters just keep coming.

BRIDGE OF SPIES – Tom Hanks plays insurance lawyer James B. Donovan, who brokered the trade between the USA and Russia of Soviet spy Rudolf Abel for U-2 pilot Gary Powers (note: U-2 is not a rock band in this instance). While I admittedly have a unique point of view here, I see this as something of a companion piece to ROAD TO PERDITION, with Hanks back in a topcoat and hat, a somber period setting, PERDITION producer Spielberg behind the camera, and influential composer Thomas Newman providing music with its many echoes of that previous score. This first-rate film recalls such ‘60s non-Bond movies as FUNERAL IN BERLIN and THE SPY WHO CAME IN FROM THE COLD – the story is essentially a John Le Carre novel in real life – and Hanks quietly carries the equally quiet screenplay (the Coen brothers were involved) on his shoulders.

STEVE JOBS – This apparently bombed at the box office (as did the previous JOBS), but it shouldn’t have. Michael Fassbender is particularly strong in a stellar cast that includes Kate Winslet, Jeff Daniels, and Seth Rogen, all beautifully cast in a warts-and-all biopic. Danny Boyle’s direction of what is at heart a stage play opens things up with a drifting camera and the occasional daring effect, as when he uses a wall in a hallway to cast a moving image relating to the topic at hand. But the real star is Aaron Sorkin, whose screenplay represents the best post-WEST WING example of his walk-and-talk approach. Perhaps the people in Sorkin’s world are too witty and too articulate, and would that the world itself had the same problem. Sorkin brilliantly structures the film around three key introductions of new product by Jobs, and Boyle gives each section a distinct look, in part via film stock. I have the math skills of a third-grader, and not a top-notch one at that, but I had no trouble following the tech stuff enough to stay in the game. STEVE JOBS plays really well on the big screen, though its life will largely be on video. A pity.

CRIMSON PEAK – Guillermo Del Toro’s haunted house movie is a near masterpiece swaddled in gothic trappings with steampunk seasoning. It’s as if Stephen King was writing DOWNTON ABBEY – actually, the first act, set in 1880s Boston, exceeds the latter in its time-machine feel. Essentially a gothic romance – think JANE EYRE or even REBECCA – CRIMSON PEAK weds a young, talented woman (Mia Wasikowska) with writerly ambitions to a mysterious, handsome, financially strapped aristocrat (Tom Hiddleston) with a tragic background. She soon finds herself in a magnificent but ramshackle mansion where her husband and his spooky sister (Jessica Chastain) share secrets. This is sumptuous filmmaking, filled with haunting images, like the snowy landscape turned red by the brick-fodder clay beneath.

SICARIO – A crime movie with a fine cast, stylish direction and a compelling score has no excuse to be this disappointing. Emily Blunt as an FBI agent is at the center of the action, but despite her T-shirt and sloppy attire, she is painfully girly, whining and deferring to men and even being saved by one, after she makes a bad dating decision. The script is a mess, illogical and poorly structured, with Blunt disappearing from the twenty-minute climax, which suddenly, jarringly puts Benicio Del Toro in charge of the narrative. And the joint CIA/FBI plot to bring down a drug lord is stunningly stupid. Still, the film has a lot going for it, in particular its unsettling look at crime-ridden Juarez. But the failed FX series, THE BRIDGE (reworking the nordic original), mined similar territory much more effectively, particularly in its second season.

THE PEANUTS MOVIE – Okay, it’s in 3-D. You don’t have to see it in 3-D, but why would you not? Do you really want to see Snoopy go after the Red Baron, all two-dimensional? My wife gave me a sideways look when I said I wanted to go to this, but in the theater, she came around quickly when we discovered that the film was a faithful compendium of the great Schulz comic strip, essentially Peanuts’ greatest hits wrapped up in a loose but rewarding narrative. The three-dimensional modeling of the characters is offset by their facial expressions having a drawn-on look.

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Here’s an intelligent review of the first Quarry novel (entitled, as you may recall, QUARRY, recently reprinted with a Robert McGinnis cover). Interestingly, this same reviewer did not like THE WRONG QUARRY, which I consider to be a superior novel. Still, the first book in a series almost always has more integrity than what follows, particularly when that novel wasn’t conceived to be the first in a series.

Check out this brief but interesting look at the forthcoming QUARRY TV series.

Finally, ROAD TO PERDITION gets some decent coverage on this list of worthwhile non-superhero comic-book movies. Scroll down a little and you can vote for your favorite such movie (helpful hint: your favorite such movie is ROAD TO PERDITION).


Hot Links

Tuesday, November 3rd, 2015

I’m not going to write much of a piece this week, since I’ve already done one for J. Kingston Pierce’s terrific blog, Killer Covers. Read it here.

On the same topic, here is the best article/appraisal ever written about the Quarry novels, and I don’t say that merely because the author calls me one of the greatest writers of the second half of the 20th Century. Really, the least he could have done is add “and also the first half of the 21st Century.” Seriously, folks, you gotta check this out.

A shorter but also nice piece on just the reprint of the first QUARRY novel (as opposed to the novel THE FIRST QUARRY) is here.

And while we’re basking in the sunshine of that Quarry series appraisal, have a look at a similarly in-depth and flattering look at the entire run of MS. TREE. Thank you to a reader named Terry Beatty, who kindly forwarded this link to me. Your No Prize is in the mail.

Finally – and that’s the end of the links – I’ll report that I’ve seen the first cut of the final episode of the eight-episode run of the Cinemax QUARRY series. Frankly it’s great. For the first time you see Quarry in Vietnam, in an extended series of flashbacks. Again I warn hardcore fans that the series is an extended look at the character’s back story, and often goes its own way, though always with underpinnings of my work.

And I’m told if the series is picked up for a second season, the next batch of episodes will draw heavily on QUARRY’S CHOICE, which is among my personal favorites of the novels.


Halloween 2015
M.A.C. and his latest work (pumpkin, left, Collins, right)

Quarry On TV – First Look!

Tuesday, October 20th, 2015

Here’s a first look at Quarry on TV, with a trailer released by HBO/Cinemax. It’s on various sites but we lifted this from Red Carpet Crash, which has a good write-up on the series.

The trailer is getting a very positive response on the Net, and I like it very much myself – great noir-ish mood and a fine evocation of the early ‘70s.

Fans of the novels will need to keep a few things in mind, when the series premieres sometime in the first half of 2016. The first season explores and expands the Quarry back story. We see him come home from Vietnam, and meet his wife Joni and watch the Broker weave a web to pull the young Vietnam vet into the contract killing business. There are new elements, but many, even most, of the characters come from the novels.

The major difference is the Southern setting – the show is set in Memphis and shot there and in New Orleans. While the books are solidly Midwestern, this shift of locale creates mood and color appropriate to Quarry.

One thing you may have noticed in the various publicity materials is that Quarry’s real name is given as Mac Conway. The initial drafts of the pilot script avoided revealing a real name, but it quickly became unwieldy – it was necessary to give the character a “real-life” name, Quarry being (of course) the Broker’s code name for him. Graham Gordy and Michael Fuller, the creators of the TV version, told me the “Mac” was a salute to a certain M.A.C.

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Here’s a write-up about the last straw that caused me to quit the BATMAN comic book, many moons ago.

Check out this lovely piece about my “disaster” series. Nice things are said about me, so clearly the writer has a lot on the ball.