Posts Tagged ‘Quarry’

The Borne Girls Are Back! And So Is Quarry…

Tuesday, September 15th, 2026

Antiques Web, the latest adventure of Brandy Borne and her diva mother Vivian, will be published next week – on September 22 (an earlier date than we’d been told).


Pre-order the hardcover here:

Two of my series have distinctions relating to the length of their runs. Quarry, who will return in Quarry’s Reunion (available November 10), is (I’m told) the longest-running mystery series around, having begun in 1976 with Quarry (aka The Broker). It has suffered some stops and starts but has continued on throughout the decades for 17 novels and a short story collection. There’s also been a Quarry short film, a feature film and one-season TV series from HBO/Cinemax.

Other series of mine have had long runs, notably Nathan Heller, starting with True Detective in 1983. Nate’s delivered 19 novels, one short story collection and one novella collection.

But the real winner for durability is the Antiques series (aka the Trash ‘n’ Treasures mysteries) from Barbara Allan, the joint byline of my wife Barb and me. There are twenty novels, starting with Antiques Roadkill in 2006, and a three-novella collection (Antiques Ho-Ho-Homicides, in 2018, including Antiques Fruitcake, the basis of our micro-budget indie, Death by Fruitcake). Antiques also represents the most novels in the shortest span of time, basically one a year.

Nonetheless, because of its cozy nature – even though critics tend to call us a subversive cozy – some readers of my tough stuff have never tried Barbara Allan and the Antiques series. To be fair, some have and found it not to their taste, and that’s okay. I write to keep myself interested and that has seen me jumping around more than some writers of mystery fiction. Barb finds the Antiques novels are a handy way for her to explore numerous themes, motivated as she is by what’s currently of interest to her in what we laughingly refer to as real life.

It’s always puzzled me a bit when a reader loves Quarry but doesn’t go for Nate Heller. Some mystery fiction readers seem to be put off by the historical nature of the books, particularly those who haven’t tried one. Quarry novels are a quick read and the Hellers offer some heft, though they are first and foremost traditional hardboiled private eye stories and only secondarily historical. But doing all these historical cases has kept the books from blurring together, as is often the case with long-running series.

The Antiques series has a quirky, sometimes wacky sense of humor that isn’t for everybody. No apologies for that, because the traditional mystery field is cluttered as hell and being distinctive – even if it turns a few readers away – seems a positive to us. From the beginning Antiques has been a tongue-in-cheek affair.

If you haven’t tried one of the Antiques entries, here’s a brief introduction to Antiques Web.

When Serenity’s most eccentric sleuthing duo is involved, even a quiet Iowa river town can become a hotbed of murder, mayhem, and mid-century collectibles.

Brandy Borne is hoping for a calm life – new marriage, new routines, and only the usual chaos courtesy of her mercurial, melodramatic mother, Vivian.

But when an antiques auction turns disastrous and Vivian’s close friend Evelyn dies in what looks like a freak fall, the Bornes sniff out something far more sinister.

Then another woman turns up dead – crushed beneath a massive Frank Lloyd Wright statue – and the pattern becomes impossible to ignore. Someone in Serenity is weaving an elaborate con, preying on the vulnerable with a too-good-to- be-true investment scheme…and eliminating anyone who gets in the way.

With a suspicious niece, a furious financial advisor, a cryptic message from a dying mob boss, and a fierce dog who can be bribed, Vivian and Brandy find themselves tangled in a web of secrets, scams, and deadly deceit.

To save their friends – and themselves – they’ll have to outsmart a killer, out bid a con artist, and maybe (just maybe) keep Vivian from getting arrested. Again.

* * *

This blog/update space is a politics-free zone.

It always has been, though I’ve slipped a few times. I don’t feel my readers should be subjected to my politics. For one thing, it’s bad business – it can unintentionally chase customers away. For another, it’s way too off point to be tolerated. This is just not the appropriate platform.

But away from here, on Facebook, I have started sharing occasional posts that make my political slant easily perceived. I am doing this because, with the November midterm election looming, I feel it’s my responsibility as an American citizen to express these views.

Nonetheless, I have no intention of alienating or insulting readers who (obviously) have every right to their own opinions. The hardcore followers of the President are not my intended target. It’s the independents and more traditional Republicans (I know them when I see them because I used to be one) who I would hope to reach. To provoke thought and even debate.

Years ago, when I first got on Facebook, I would comment about disagreements I had with friends who had posted political opinions. I damaged several such friendships – including several quite painful losses (miss you, Joe) – and I stopped posting any comments on their sites.

I don’t think it’s ever been hard to detect that I am left of center; but generally I’m not very far left of center, which frequently puts me in the middle of the road where I can be swiped by cars coming from either direction. (One of them driven by my son.)

I do this only because of this coming election, the importance of which is something I think we can all agree about. Interestingly, my sharing of these videos has been greeted mostly were smiley faces, but a few scowls are scattered in as well. What’s confusing is whether the scowling faces mean they agree or disagree.

Of course, if AI kills us all, I suppose the point is moot.

M.A.C.

Physical Media Lives! So Does M.A.C.

Tuesday, September 1st, 2026

A few of you knew about me going in for a procedure last week (Thursday to be exact). I am recuperating at the moment, so this will be a brief update. Medically speaking, I’m doing fine – it was an ablation/cardioversion having to do with trying to tame my a-fib.

Flowers are unnecessary but good wishes always appreciated. I have the most incredible wife in the world, by the way – Barbara Collins is exactly who any smart person would like to have at their side in any tight scrape.

As the Christmas season approaches, I notice a number of my movies on physical media are popping up at good prices – some of these are steals. I’ll annotate each (they are listed here in no particular order).

For the casual browser who’s just happened to stop by I’ll mention that, in addition to some bigtime stuff like Road to Perdition and the HBO/Cinemax Quarry series, I have done (written and directed) a number of indie projects – seven features, two documentaries, and a handful of short films. Also, I’ve written a few produced screenplays that others have directed – The Last Lullaby, The Expert and recently Mickey Spillane’s Cap City.

Some of the prices listed below are sale prices and may not last long – so now’s the time….

BLUE CHRISTMAS $3.49 (Blu-ray) at Oldies.com

Blue Christmas is a micro-budget adaptation my novella “A Wreath for Marley,” which is essentially The Maltese Falcon Meets A Christmas Carol. We shot it in a week for ten thousand bucks on a single set with a largely local cast, who I think did a terrific job. We won some awards and scored some very nice reviews.

ELIOT NESS: AN UNTOUCHABLE LIFE (Blu-ray) $17.47 at VCI

This is my late friend Michael Cornelison’s signature role as Eliot Ness in a one-man show. It was produced and performed at a theater in Des Moines, Iowa, but we shot it movie style with only the opening and closing from a live performance. It appeared on Iowa PBS and also was an award-winner.

MICKEY SPILLANE’S ENCORE FOR MURDER $1.98 (DVD) at Oldies.com

This is a performance (actually a movie culled by me and editor Chad Bishop from a dress rehearsal and the sole performance) of a radio-style play starring Gary Sandy (who was one of the stars of Mommy 2: Mommy’s Day). Gary had performed Encore (originally written for Stacy Keach in an audio production) in several larger venues, but this captured the version done here in Muscatine, Iowa, with (again) local talent backing him. He did a terrific job, and so did they. Again, a micro-budget production that won awards.

MOMMY & MOMMY 2 (Blu-ray double feature) $16.99 at Amazon

These are the two movies starring Patty McCormack as a sort of grown-up version of her classic Bad Seed role. They were done at the tail end of the home video rental era, and were hits – with respectable budgets in the half-million range – in that market. Mommy also appeared on Lifetime in primetime, and we had a stellar cast backing Patty up – Majel Barrett Roddenberry, Brinke Stevens, Jason Miller, Mickey Spillane, Gary Sandy, Arlen Dean Snyder and more.

CAVEMAN: V.T. HAMLIN & ALLEY OOP, $9.98 at VCI.
My documentary about the cartoon caveman and his creators V.T. Hamlin (Iowa born) and the assistant who took over the famous strip, Dave Graue, is my secret take on Chester Gould and his assistant Rick Fletcher on Dick Tracy. Includes an interview with the great Will Eisner.

DEATH BY FRUITCAKE (DVD), $18.90 at Oldies.com

This is our most recent production, based on a novella in the Antiques/Trash ‘n’ Treasures mysteries by Barb and me (as “Barbara Allan”). It, too, is micro-budget, but like Blue Christmas we got a lot of streaming play and some nice awards. Quad Cities broadcasting legend Paula Sands plays Vivian Borne, Midwest superstar Alisabeth Von Presley (American Idol) is daughter Brandy, and Rob Merritt (star of Blue Christmas) is Detective Tony Cassoto. You can catch this free on Tubi with a few commercials and on Prime and elsewhere on rental.

THE TWO JAKES $12.49 (Blu-Ray) at Barnes & Noble

This is one of my favorite movies, the sequel to Chinatown; this release [The Kino-Lorber release, not the Paramount!–Nate] includes a commentary track by me and my pal Heath Holland.

Why, you may ask, have I spent so much time out of my career in doing smalltime projects? The thing is, I have a love for movies and specifically hearing my dialogue spoken that draws this moth to the flame. In a fairly successful fiction-writing career that began in 1972 I have had many options for film and TV, and the money was nice, but the satisfaction (when the bulk of those projects inevitably went south) was negligible.

Part of this is my fault for never leaving my smalltown Iowa home. The reasons I stayed are many, but among them was an understanding that my temperament, and what it would take to make it in Hollywood, were almost certainly incompatible. Doing this in a small-scale way has helped me maintain control and get things done.

Say what you will, I have wracked up a filmography that has allowed me to demonstrate, at least to some small degree, what I’m capable of. God bless collaborators like Mike Cornelison, Phil Dingeldein, Steve Henke, Chad Bishop and so many more – chief among them Barbara Collins – for helping me carve out this small, unlikely place in my CV.

* * *

Craig Zablo has announced the upcoming Quarry’s Reunion on his site with a lovely look at the cover.

Barb and I received copies of Antiques Web from Severn House in London and will share a look at it as we grow closer to the pub date (early October).

Meanwhile I’m beginning serious research on Road to Hell, which will include a chapter about Michael O’Sullivan’s harrowing experiences in the Great War.

That’s all for this week…my beautiful nurse is calling….

M.A.C.

Fifty Years (More or Less) of Quarry

Tuesday, August 25th, 2026

Yes, I created my hitman character Quarry fifty years ago. The life he’s led since has been both violent and unexpected.

In the late ‘60s, I’d set my ambitions to be a private eye writer aside to follow the Richard Stark example and write Bait Money, in which the mono-named thief Nolan and his sidekick Jon had one criminal adventure that led somehow to a number more. Nolan was meant to be an homage to Stark (Donald E. Westlake) and his antihero Parker, a one-off; but the publisher wanted more, and Don Westlake gave his blessing, so off and running we went.

But from the start I wanted to come up with something of my own, even if it was bound to reflect the hardboiled likes of Richard Stark, Mickey Spillane, Dashiell Hammett, James M. Cain, Jim Thompson and Raymond Chandler. I’m fuzzy on whether I was, somewhere in my young psyche, wanting to write a novel that could lead to sequels.

I’ll say this: I never have believed in writing a novel consciously designed to do that. It’s too presumptuous and leads to bad decisions – I always have written one book at a time. And with Quarry (originally published under the unfortunate title The Broker) I left my hitman in an untenable position, one from which it was unlikely he might survive.

Of course he did anyway.

I’ve spoken of this before, but I wanted to get away from the Stark/Parker approach that included only other crooks getting killed – no civilians. And, in part because I already felt I had a knack for it, utilize my gift for first-person narration to write about a bad guy in his own voice. To me, much as I liked Stark’s Parker, the character and his world presented in third person gave the reader some protection.

I wanted to tear that wall down, to confront readers with just who they were identifying. Additionally, I wanted Quarry to be in many ways normal, so you could go for long stretches and not have to deal with who and what he really was. I wanted him to be good company. He was damaged goods, but in many ways was just like us.

Also, I knew I had to do something original (again, within the hardboiled spectrum) to really make my mark in my chosen field. The way Spade, Marlowe, Hammer, Bond had. And Quarry seemed just the ticket. Nobody had written that character before, not in the first person, anyway.

So some part of the young me felt I’d found the thing that would set me apart, and my mark would be made. Except…no. The four Quarry paperbacks I wrote for Berkley Books generated scant sales; yes, a few nice reviews and some fan mail, but…when the fourth book came and went, so did Quarry.

And Nathan Heller, with his historical approach and first-person narration, became how I really made at least some sort of mark in my chosen field.

Enough so that a publisher approached me about doing whatever novel I wanted to…and I took that opportunity to write a fifth Quarry, to see if I could jump-start the series. The novel was well received (Primary Target aka Quarry’s Vote) but no further novels immediately followed. A few short stories did, however, and one of them (“A Matter of Principal”) generated a short film.

From there, Quarry just kept coming. Editor Charles Ardai at Hard Case Crime, in the early days of that line, gave me the opportunity to wrap the series up with The Last Quarry. But somehow that led to The First Quarry, and now the novels number eighteen…and somehow he’s been around since 1976. Along the way there has been a movie I wrote plus a single season of a Quarry TV series.

Actually the character was created at the University of Iowa’s Writers Workshop around ‘72, but it took a while for me to finish the novel and get it sold.

In November the 50th anniversary Quarry novel will be published by Hard Case Crime: Quarry’s Reunion. Reviews have started to appear and they’ve been positive. Take a look at Publisher’s Weekly on the novel:


Trade Paperback: Bookshop Purchase Link Amazon Purchase Link Books-A-Million Purchase Link Barnes & Noble Purchase Link
E-Book: Bookshop Purchase Link
Quarry’s Reunion (Quarry #18)
Max Allan Collins. Hard Case Crime, $18.99 trade paper (224p) ISBN 978-1-83541-646-4

Aging ex–hit man Quarry is in fine form in the pulse-pounding sequel to Quarry’s Return from MWA Grand Master Collins. At 71, Quarry is trying to lead a tranquil life in Minnesota. He jumps into action when he’s approached by Jenny Means, an attractive 40-something who’s the spitting image of her mother, Mary Ann—Quarry’s high school sweetheart. Jenny, who’s recently experienced a series of strange accidents and been shot at, fears someone is out to kill her. The police have dismissed her worries, attributing the gunfire to random gang violence, but Quarry returns to his hometown of Fair View, Ohio, where Jenny lives, to investigate. He arrives just in time for his 50th high school reunion, and finds several people who might want Jenny dead. They include her half brother, Alex, who’ll benefit financially if she dies before him, and Quarry’s former classmate, Caldonia Jackson, who has a fraught history with Quarry and has become Alex’s mentor. As in other series entries, Collins complements the brisk, pulpy plot with plentiful sex scenes, resulting in a gritty adventure that lives up to series standards. Collins’s fans will be well pleased. (Nov.)

Well, I’m well-pleased, as PW can be tough, and I took a chance with this one, because it’s not a typical Quarry (if there is such a thing). I wanted to explore his past in a way I haven’t before, and I also wanted to do a traditional mystery with a noir approach – something I’ve done a few times, including with Quarry in Quarry’s Cut.

The novel will not be out till November, but I am planning to do a book giveaway in September. I’ll offer ten copies to readers willing to write Amazon reviews. Or if you have a blog and do reviews, and would like a copy, let me know at macphilms@hotmail.com. More about this later.

In the meantime, here’s a terrific write-up from writer Ron Fortier, a real pro:

QUARRY’S REUNION
By Max Allan Collins
Available 10 Nov. 2026
Hard Case Crime
217 pgs

Grand Master mystery writer Max Allan Collins has created a number of series during his long career. He’s given us professional thieves, historical private eyes, retired secret agents and a wonderful small town female sheriff among many others. All were brilliantly written, but we do have our favorites. Topping our list is the Quarry books that tell the story of a Vietnam veteran and his evolution into a contract killer. Why it remains our favorite is primarily because, like Collin’s deadly protagonist, we too are veterans of that Southeast Asian conflict and are now well past calling ourselves middle-age.

Collins allows his fictional character to age like the rest of us. With the past few entries in the series, it has been fun to watch a 70-year-old tough guy deal with new, and always dangerous situations. Never quite sure his body will respond to whatever threats he will encounter; Quarry has to rely on his experience and hard earned survival skills.

In this new story, he is summoned back to his home town of Fair View, Ohio, by his long ago high-school sweetheart, Mary Ann Kemper. After he had left home to join the US Marines, Mary Ann married Bobby Means, the son of the town’s wealthiest family. They had a beautiful daughter named Jenny. After the marriage ended in divorce, Bobby married another local girl, Suzanne Shaw, and together they had a son, Alex. Soon after, Suzanne followed Mary Ann’s history and left him. Despite the scandalous divorces, Bobby’s mother, Virginia Means, refused to abandon her grandchildren and set up a trust fund for them. When turning 50, both Jenny and Alex would receive half a million dollars.

Now, as each is nearing that particular birthday, Jenny is nearly killed in three separate incidents. The police believe them to be nothing by random events, but Mary Ann disagrees. Convinced someone is trying to kill her daughter, she reaches out to Quarry. How and why she does this would involve writing our own lengthy dissertation. Suffice it to say, our protagonist agrees to help her. All this occurs during the weekend of his 50th High School Reunion. Among his surviving classmates are several possible suspects with motives for wanting Jenny terminated.

Quarry’s Reunion is a fun read watching Collins juxtapose his mystery over the all too familiar nostalgic torture that these gatherings become. It offers us a rare glimpse into Quarry’s origins, his life and aspiration before the world turned upside down and he found himself lost in a jungle half a world away. Again, it was all too easy for this reviewer to nod time and again, as we share quite a few of the old soldiers’ memories. This Quarry is a different character, attesting to the reality that change is the only true constant. Thanks Max, for not being afraid to grow old with us.

M.A.C.

Cap City in Des Moines – True Noir and Fruitcake Coming Soon!

Tuesday, February 10th, 2026

This coming Valentine’s Day weekend, Barb and I are Guests of Honor at the Star City Film Festival, being held this year at the Fleur Theater in Des Moines. It will include (on Saturday night) the first showing of the final cut of Mickey Spillane’s Cap City, which I adapted from the novella A Bullet for Satisfaction developed by me from an unpublished Spillane manuscript (it appeared in The Last Stand).

Here is the press release courtesy of Dr. Katie O’Reagan, the Star City fest director:

The Star City Film & Theater Festival Announces 9th Season opens at The Fleur Cinema Feb. 12th-14th

Feb. 12–14 at The Fleur Cinema & Café in Des Moines
DES MOINES, IA, UNITED STATES, January 21, 2026 EINPresswire.com — The Star City Film & Theater Festival returns for its 9th season with three days of independent film, live performance, and community engagement, running Thursday, February 12 through Saturday, February 14 at The Fleur Cinema & Café. The festival features more than 20 films, filmmaker talkbacks, live staged script readings, and special events in an intimate, curated setting designed to connect artists and audiences.

Founded and hosted by Katie O’Regan, the festival welcomes acclaimed author and filmmaker Max Allan Collins as Guest of Honor. Collins will participate in special programs throughout the weekend, including a live script reading and a feature film screening.

Festival proceeds benefit Lutheran Lakeside Camp in Spirit Lake, Iowa.

Festival Highlights
Independent feature films, documentaries, and short film programs
Filmmaker Q&A sessions following select screenings
Live staged script readings
Valentine’s Day Red Carpet Event
Special appearances by Max Allan Collins

Select Schedule Highlights
Thursday, February 12
4:30 PM – It Isn’t JUST Politics (Documentary, 71 min.)
6:30 PM – Short Films Program
8:15 PM – The Gray (Short, 32 min.)
9:00 PM – Skating on the Razor’s Edge (Feature, 89 min.)

Friday, February 13
3:00 PM – Shorts Program (including web series, music video, and themed selections)
5:45 PM – Live Script Read: The Dream Café — written by Katie O’Regan
8:00 PM – The Painter (Feature, 110 min.) + Q&A with director Michael G. White

Saturday, February 14
2:45 PM – Song & Dance (Feature, 103 min.)
5:00 PM – Valentine’s Day Red Carpet Event
6:20 PM – Live Script Read: True Noir with Max Allan Collins
7:00 PM – CAP CITY (Feature, 80 min.) — co-written by Max Allan Collins
Followed by Q&A with Max Allan Collins

8:55 PM – Art Is Work (Short, 23 min.) + Q&A with Stacy Barton
9:45 PM – Awards Ceremony

Tickets & Information
Full schedule and tickets available at:
www.sacrednoisesociety.org

Barb and I will be there all day Saturday (with time out for meals and a nap) (or two). Probably Friday afternoon, too.

Those of you who live close enough to attend – we hope to see you there! A slightly (slightly) different version of Cap City was shown in August last year at the Last Picture House in Davenport, Iowa, as part of the Alternating Currents Fest.

I can say that seeing Cap City on a big screen in a real theatrical setting was an entirely different experience than getting advance looks at it on a computer or my TV. Very pleased with what my co-writer, co-producer and director/co-star David Wexler did with the material.

This is a long-in-the making picture, starting with a screenplay written with a budget in the low millions in mind. When fund-raising fell through, and David faced the reality of having to move onto the next project, I used Blue Christmas as an example of how a noir mystery could be told in a single setting. He gave me the go-ahead and I rewrote the script into one that takes place almost entirely at the crime scene.

I’m an old hand at finding a way to make a movie on a (sometimes ridiculously) low budget.

* * *

The response to Return of the Maltese Falcon continues to be overwhelmingly favorable and wide-spread. The only disappointment has been the lackluster “support” from Barnes & Noble’s brick-and-mortar chain. I get sporadic reports both that a copy or two are in stock or not at all – the latter includes the Cedar Rapids Barnes & Noble, where I have done business for decades and have done numerous book-signings.

This is not the store’s fault – they simply were sent no copies by corporate. They have since, I’ve learned, ordered copies.

I am glad to say rival chain Books-a-Million (aka BAM!) are doing a better job of it. Note the two unbiased shoppers below at the Davenport BAM! These two, coincidentally, closely resemble my grandson Sam and granddaughter Lucy.

And the Davenport Barnes & Noble has ordered a substantial number, God bless ‘em.

Do please continue to send photos of Return of the Maltese Falcon seen “out in the wild,” particularly at Barnes & Noble.

Another reader sent this, spotted at a Texarkana, Texas BAM!.

* * *

The worldwide release of True Noir: The Assassination of Anton Cermak is imminent: Feb. 17. The 4-CD set can be ordered at Amazon.

* * *

Even for somebody prolific like me, it’s unusual when two major releases debut the same day. But True Noir comes out Feb. 17, as I said, and so does Death By Fruitcake, which will hit DVD on the same date. There will be no Blu-ray (that I know of), so this is your physical media way to get (and support) our little film, based on the Antiques series written by Barb and me.

* * *

In other Nate Heller news, we have a lovely little write-up from Ed Catto about the Hard Case Crime title, The Big Bundle.

I have just proofed, corrected and approved the typeset Quarry’s Return for editor Charles Ardai at Hard Case Crime. That doesn’t come out till November – the 50th anniversary Quarry.

And I’ve also just signed to do two more novels for Hard Case Crime – what they will be, I won’t tell you.

Finally, a few days ago Barb and I delivered Antiques Web to our publisher, Severn House.

M.A.C.