Posts Tagged ‘Quarry’

A Movie We Didn’t Walk Out On

Tuesday, March 27th, 2018

The truth of it is, Barb and I rarely walk out of movies. But when we do, I usually post a rant about it here at the weekly update.

This week we saw Tomb Raider somewhat accidentally – I was trying to drag Barb along to see Pacific Rim: Uprising, having really liked the first movie, but we were there to see it in 3-D, as the Internet had assured us this screening would be.

It wasn’t.

So Barb and I went to Tomb Raider in 3-D instead.

We entered about a minute late, because of the Pacific Rim screw-up. This is rare, as I hate not seeing a movie from the very beginning. But we had made a trip to Quad Cities to see a movie in 3-D and I will not be denied, at least not with such important matters.

Anyway, we had seen the preview of Tomb Raider, thought it looked like a passable Saturday or Sunday afternoon matinee. We were wrong. Surprise: it’s more than that. It is a very good, rip-roaring, occasionally amusing, sometimes exciting and even scary Indiana Jones-type adventure, a sort of haunted house of a movie wherein the ghosts are 1940s serials.

Is it a great movie? No. But it delivers on what it promises – imagine that! Yes, it’s a movie based on a video game, and those underpinnings are there, and typically silly. But if you take the ride, assuming such a ride sounds like fun to you, you will be pleased. This reboot is superior to the earlier Tomb Raider movies starring Angelina Jolie (the second of those being particularly dire). Alicia Vikander is intelligent and charismatic as Lara Croft, and the villain is played by the great Walton Goggins of Justified and Vice Principals. A number of fine British actors pop up here and there, too. Oh, and a tomb is raided.

By the way, among the many things that make going to movies in theaters less and less appealing is the general stupidity of the audiences. I refer not to what they seem to put up with (we were surrounded by people in Red Sparrow who seemed to like it, apparently sadomasochists) but actual sheep-like, lemming-like stupidity.

When Barb and I entered Tomb Raider a minute or two late, it was clear we were not in a 3-D screening. Since we were only here because the film we came for was not in 3-D, as advertised, that this one wasn’t in 3-D was…an irritant. Everyone had their 3-D glasses on. No 3-D was happening. No one seemed to notice or care, though everyone had paid extra for the 3-D experience.

We went out to the lobby, reported the lack of 3-D and the mistake was rectified. The movie was in 3-D now. But if Barb and I hadn’t gone out to the lobby, Tomb Raider would have played flat, much like the graph line of mental activity in the brains of the rest of the attendees.

This is not the first weird thing that has happened to me at the movies lately, not hardly.

On my birthday (my 70th, goddamnit and get off my lawn), Barb and I were visiting our son Nathan, his bride Abby and our hilarious genius grandson, Sam. Nate and I left the rest of the brood home and went to a movie, driving some distance to see Annihilation, a s-f film about which more later. I bought my popcorn and Coke Zero and we were soon seated in the theater. About two minutes into the film, someone came in.

This someone was stomping on the floor and laughing manically. Not an exaggeration – if the Joker had been there, he’d have said, “Who’s the lunatic?” The somewhat late arrival stomped slowly up the steps and took a seat in back, making this weird, loud sort of laugh as he went.

I immediately turned to Nate and said, “Let’s go.”

He understood and nodded. We exited quickly and quietly.

Here’s the thing. We were in St. Louis, a big city. For the first time in my life, during which I have seen hundreds, maybe thousands of movies in theaters, I have never thought I might be in danger. But my response now was instant: this person may be here to kill us.

I’m not going to go into a rant about gun control and mental health and school shootings and movie house mayhem. I am going to let you conjure all that yourself. But it says a lot that I did not hesitate to leave at once in the circumstances described above. Nate and I both wondered if we were overreacting. But neither of us wanted to sit through a movie with someone loudly making noise in the back row (which I figured was a good spot for a shooter, but never mind) even if our lives weren’t in potential danger.

We scouted for another movie on another screen and were spotted by someone with the theater, wondering what we were up to. We reported the incident (if that’s what it was) and, eventually, were given a refund. We drove quite a while to another theater where we indeed saw Annihilation, which is interesting but pretentious, and needlessly unpleasant…or was I not for some reason in the mood for a violent movie?

* * *

I have completed Girl Most Likely. I am setting it aside for much of the rest of the week, to dig into the Scarface and the Untouchable galley proofs…all 700 pages. When I’m done, I will return to Girl with some distance and will do the final read-through, tweaking, chasing down typos and fixing errors and inconsistencies. Should be shipping it in about a week.

Right now I feel very pleased. I think I’ve done something different enough to attract some new readers and not so different as to alienate the rest of you.

Meanwhile, Barb is doing very well on her draft of the new Antiques novel. Her steady development as a writer is impressive and a little scary.

* * *

Here is an absolutely splendid Cinema Retro review of The Last Stand, dealing both with the title story and “A Bullet for Satisfaction,” which I co-wrote.

The Mystery Site has posted a smart review of The First Quarry.

The Criminal Element has chosen The Last Stand as one of the five new books you should read.

And, finally, the indefatigable Jeff Pierce provides several links pertaining to Mickey Spillane and me.

M.A.C.

After Party

Tuesday, March 20th, 2018

The Spillane birthday was truly a phenomenon. So much appeared on line and in newspapers and magazines that I am encouraged knowing the world remembers, and I believe will continue to remember, one of the greatest mystery writers of all time, and who is on the very short list of great private eye writers.

And the celebration will continue all year and into next. Right now we’re discussing a follow-up Mike Hammer radio-style play in Clearwater, Florida, next February or so, as the official closing event. Gary Sandy will likely be back as Hammer.

Killing Town will be out in April, and the Mike Hammer graphic novel from Titan will appear through the summer and fall, and probably be collected before year’s end.

* * *

I am working on Girl Most Likely, a new thriller with a mystery aspect. I hope to be almost finished with it by next update. Though it was conceived as a one-shot, it’s showing signs of wanting to become a series. In an odd way, it’s like a non-overtly-humorous version of the Barbara Allan books – the main characters are a retired police detective father (recently widowed) and his small-town chief-of-police daughter. The thriller aspect is represented by a scary and violent murderer, and the mystery involves the father-and-daughter duo finding out who that killer is, and stopping him or her.

To some degree this flows from my desire to do something American that recalls/invokes the Nordic crime thrillers best represented by The Girl With the Dragon Tattoo in its various forms and such TV series as the assorted Wallander adaptations and the three versions of The Bridge. I like the social commentary aspect of those works and the way a character-driven, not overly hardboiled detective or detectives deal with really frightening, violent adversaries.

I did my Dragon Tattoo variation for Thomas & Mercer a few years ago – What Doesn’t Kill Her – developed with my frequent collaborator, Matt Clemens. This time I’m on my own, though I’ve leaned on Matt for some on-the-fly police procedure stuff and on Barb to keep me honest with the female protagonist (both the daughter and father have equal weight in the narrative, alternating chapters, occasionally interrupted by chapters from the killer’s POV).

I will share more as we draw closer to publication, which won’t be incredibly soon because it’s not finished yet.

Ahead for me are the galley proofs of Scarface and the Untouchable – the thing is massive. Very proud of this, and I have a hunch it’s going to make some noise. My co-author, A. Brad Schwartz, and I are exploring ways to promote the book, which I frankly don’t think will be hard – Capone and Ness are iconic figures in our popular culture. I feel we’ve done them justice and told their story in a new, compelling, ground-breakingly accurate way.

* * *

Barb and I left an area movie theater after about an hour of Red Sparrow.

Now, for a long time I didn’t write negative things about movies. When I started making movies, in my modest way, I got a crash course in how effing hard it is to do. Because of this, I resigned from my Mystery Scene role as film critic, and when I wrote a review column for the late, much-missed Asian Cult Cinema, I wrote almost exclusively about movies I liked.

But, as regular readers of this update know, I have weakened, battered by too many terrible films, until I’m beyond the ability to feel compassion for their makers. Red Sparrow is a good example of why – it is horrid. It makes me wonder if I was wrong to walk out of Atomic Blonde, because Sparrow is so similar and so very much worse.

I am not easily offended. When I am offended, it’s usually something a politician did, not a writer or filmmaker or stand-up comic. But stupidity offends me. Red Sparrow is incredibly stupid, its plot inane. Do I exaggerate? Consider. The female star of the Bolshoi Ballet (which you may be forgiven as thinking of as the Bullshit Ballet in regard to this film) suffers a broken leg that ends her brilliant career. So the KGB (or whatever they’re calling themselves now) recruit her to be a spy…and send her undercover.

World-famous ballet stars being ideal choices for undercover espionage.

Jennifer Lawrence is fine, and very beautiful, and that I would walk out of a film knowing that more of her nude scenes lie ahead speaks volumes in and of itself. For her training in spycraft, she goes to sex-and-sadism school and learns how to give blow jobs to men she doesn’t like (Lawrence’s character herself calls this “whore school”). Her trainer is Charlotte Rampling, apparently cast because she was in the famous sadomasochistic Night Porter decades ago, though what she brings to mind here is Natasha in Rocky and Bullwinkle.

Guess what the plot is about? There’s a mole in the KGB that Lawrence is supposed to expose! Yes, the same as Atomic Blonde. Someone who liked this film said on Facebook (when Terry Beatty wondered if Red Sparrow was worth seeing) that it reminded him of John le Carré. Yes, if you were to read Fifty Shades of Grey and say, “Wow – this is just like Lolita!”

* * *

Here’s a nice Spillane-oriented interview of me by Mike Barson at Crimespree.

I’m somewhat weirded out by reviews of my early work, but this one – of Bait Money and Blood Money in their Hard Case Crime iteration, Two for the Money – isn’t bad.

J. Kingston Pierce provides my chronology of the Mike Hammer novels, which shows where the Spillane/Collins collaborations fit.

Here’s a preview of the final issue of Quarry’s War.

And I am pleased to see Road to Perdition singled out as one of the ten most stylish movies of the century thus far. Most of the writer’s other choices are good ones, though he includes two movies by Darren Aronofsky, one of my least favorite directors, and his top choice, Blade Runner 2049, Barb and I walked out of. A bad movie that looks great is still a bad movie. The play is the thing says I.

M.A.C.

A Tale of Two Birthdays

Tuesday, March 6th, 2018

Before I dig in this week, be sure to check out the incredible Wall Street Journal article on Mickey’s centenary and my role in it.

I was born March 3, 1948. Mickey Spillane was born March 9, 1918. I just turned 70. Mickey is about to turn 100. My friend, mentor and collaborator was almost exactly thirty years older than me.

When I told my agent, the great but always skeptical Dominick Abel, that I was going to do everything I could to get notice for Mickey’s centenary, he had his doubts. I reminded him that Mickey was the best-selling American mystery writer of the 20th Century (possibly best-selling writer of that era period), and he reminded me that the 20th Century was a long time ago.

As we say in comics, sigh.

But I had a plan, involving the first, previously unpublished (unfinished-till-now) Mike Hammer novel (Killing Town) and the very last novel Mickey completed on his own (The Last Stand). I felt those bookends could attract attention, and a PR person at Titan (which includes Hard Case Crime) agreed with me. Her name is Katharine Carroll and she has done a stellar job, and continues doing so. That Wall Street Journal piece is her doing, as is coverage in Publisher’s Weekly, Library Journal (see below), Booklist and much more. She also landed a Playboy spot for the opening chapter of Killing Town – that issue of Playboy is on the stands now. If you buy it, you will see how big I like to see my byline (a combination of healthy ego and poor eyesight). I have spent so much time staring at my huge byline that I keep forgetting to look at the nude women.

The Titan news release about the Mike Hammer serialized graphic novel (four issues to be followed by a collection) is all over the Net, as well as the Hollywood Reporter (link provided last week). What Titan’s publisher, Nick Landau, and Hard Case Crime’s editor, Charles Ardai, have done for Mickey and me is fairly amazing.

I just completed a massively long interview with J. Kingston Pierce, who is scary in the knowledge and precision of his questioning. That will, I presume, appear on his essential mystery-fiction site, The Rap Sheet, before long.

So Mickey is 100. And I am 70 (a fact noted fairly widely on the Net also). I admit I find this a sobering birthday. When you are in your sixties, life still seems to stretch ahead some. When you are in your seventies, not so much. I look around and my film collaborator, actor Mike Cornelison, is gone…for some time now. Ed Gorman has passed. Bill Crider is gone. That the universe can reclaim that kind of talent and energy is unspeakably sad.

I now look at the books I still want to write and don’t know if I’ll be able to get to them all. I wonder if an indie film project rears its head if I can still direct. Stress is a motherhumper after you’ve had open-heart surgery. I find myself working harder than ever, and as fast as I can manage without a negative impact on the quality of the work and the state of my health. Barb wants me to slow down, but I quite honestly feel my best when I’m working.

We spent the birthday weekend with son Nathan, daughter-in-law Abby and the preternaturally smart and funny Sam, our two-and-a-half-year old grandson. It is with sadness and humility that I must report to you that Sam is smarter than all of your grandchildren (put together), should you have any. Don’t bother trying to correct me. You might as well tell a Trump voter the truth about their guy.

At my birthday I reflect on how lucky I am and continue to be. Let’s start with the smartest, most beautiful and talented wife on the planet, Barbara Collins. Let’s continue with a great son and his growing little family. Let’s continue with my ability to avoid a real job while making impossible career dreams come true…continuing Dick Tracy after Chester Gould, completing Mike Hammer from Mickey’s unfinished manuscripts (for a dozen years!), Ms. Tree, the unstoppable Nate Heller, the resurrection of Quarry, making an unofficial sort of sequel to The Bad Seed with Patty McCormack herself, finally (with brilliant Brad Schwartz) setting the record straight on Eliot Ness and Al Capone (the upcoming Scarface and the Untouchable), playing in a band with some of the most gifted musicians in the Midwest, and, oh hell…lots of other stuff. Little things, like a Grandmaster “Edgar” from the MWA (did I ever mention that to you?).

It’s always seemed special and (ridiculous, I know) that Mickey Spillane and I have birthdays just a few days apart – his 9 is even divisible by my 3 (and you thought I couldn’t do math). And yet here we both still are, writing books together.

Even if the 20th Century was a long time ago.

* * *

Here’s some nice coverage of The Last Stand and the centenary at Library Journal, by way of an interview with me.

Check out this great review of The Bloody Spur at Gravetapping.

To help celebrate Mickey’s centenary, that gifted writer Raymond Benson has reviewed Mickey Spillane on Screen (by Jim Traylor and me) at the Cinema Retro web site.

Here’s a quirky (I think) positive review of Quarry’s Climax.

You have to scroll down a ways for it, but there’s a nice look at the Quarry TV series at Hardboiled Wonderland.

Finally, I was wished a nice happy birthday by Comics Reporter…and an old friend of Terry Beatty’s and mine.

M.A.C.

You Screen, I Screen, We All Scream for…

Tuesday, February 13th, 2018

Last time here I pretty much just hawked a bunch of books. Seems like it’s time I blessed you with opinions about movies and TV series that Barb and I have viewed lately.

The third season of Fargo arrived on DVD, and I am well and truly pissed that FX has not released this on Blu-ray, after issuing the previous two seasons that way. They are doing the same with Archer. As if I weren’t pissed enough that they didn’t pick up Heller for TV, though they did pay through the nose for my script.


Mary Elizabeth Winstead and Ewan McGregor in Fargo Season 3.

Anyway, Fargo Season 3 is wonderful. It certainly deserves a Blu-ray release, because visually it’s unique – the director has dialed down the blue despite the winter time frame, and has created a singular mood. Where do I start? The story has two major threads – a Russian takeover of a parking lot business with strip-mining it in mind; and the rivalry between two brothers (both played by Ewan McGregor) over which of them got the better of their late father’s belongings. The dumb brother took the Corvette, the smart one a valuable stamp collection, the former becoming a parole officer whose charges piss all over his shoes as he collects urine for drug testing, the latter building a fortune around that aforementioned parking lot business. Add into this the underestimated small-town local cop (a staple of Fargo, whether movie or TV show, this time Carrie Coon) who says, “Okay, then,” a lot, and a villain (David Thewliss) as a guy who makes Billy Bob Thornton’s Malvo of Season One seem like St. Francis of Assisi. Other elements include the dumb brother’s squeeze, parolee Nikki Swango (Mary Elizabeth Winstead), a whiz at bridge, looking to tourneys to build a better future (she came in third once); a dead grandpa who turns out to have been a briefly famous science-fiction writer, somewhat in the vein of Vonnegut’s Kilgore Trout; a benign and occasionally meddling Jehovah by way of beloved Twin Peaks actor Ray Wise; the return of a character who appeared in both previous series; and some particularly nasty Russian thugs. Also Prokofiev’s “Peter and the Wolf” narrated by Billy Bob, and an animated version of one of the dead grandpa’s s-f tales.

In short, it’s sublime. Unlike that sorta genius filmmaker David Lynch, who has only presented a straight story once (The Straight Story), Noah Hawley can include quirky elements while still spinning a well-structured, coherent narrative. He also knows how to assemble a cast, which has been true of all three seasons. The standout this time is Winstead, who played Joni in the unaired pilot of Quarry. In a beautifully acted series filled with world-class actors, she nonetheless tucks Fargo Season 3 under her arm and steals it. She is now my personal choice for Ms. Tree, if Hollywood ever comes back around to that property (and its senses).

Well, that took a while, so here are some shorter looks, first at TV.

The Tunnel 3: Vengeance turns out to be the concluding season of the British/French version of the Nordic noir, The Bridge. It tells a brazenly over-the-top tale of a couple of activists who punish people they deem bad, particularly Internet trollers; they, shall we say, take things a bit too far. What’s best about this good season of a terrific show is the secondary theme (vengeance being the first) of the effect the loss of a child has on a parent and of a lost parent on a child. Yet another theme explores how the team of compassionate Brit detective Karl Roebuck and his French counterpart, autistic Elise Wassermann (played by Stephen Dillane and Clémence Poésy, respectively) make bad decisions when the partner isn’t around as a counterbalance. Both actors are excellent. For fans of The Bridge (there was also a pretty good American version from FX – damn them – which paired American and Mexican cops), a real benefit is that – after the first season, which every version has done more or less the same – new stories appear. The Tunnel series has a shocking but ultimately satisfying conclusion. I got this from the UK – it won’t show up here for a while.

Looking for good British series, we tried Shetland, The Loch (shown as Loch Ness here), and Hinterland. We didn’t make it through Hinterland, which was humorless and bleak, and The Loch was passable but nothing more. Shetland, of these somewhat similar series with their barren, beautiful settings, is easily the best, with Douglas Henshall a standout as the central detective. None of these, though, are as good as the Nordic thrillers they somewhat ape – like The Killing, Wallander and Varg Veum.

Victoria‘s second season is very short on murders, but it’s a veddy enjoyable Brit soap opera, with a high standard of acting from a cast that, surprisingly enough, seems largely drawn from the UK.

Onto movies…

The Shape of Water is as wonderful as I’d hoped it would be. Directed by Guillermo del Toro and written by del Toro and Vanessa Taylor, the film is a celebration – and a cautionary tale – of earlier eras and in particular movies. The art direction and lighting, however, creates a mood unique to this film. The only slightly false note is a dance routine that seems straight out of the dreaded La La Land. Otherwise, it’s bewitching and occasionally scary, with dollops of social comment; actors Sally Hawkins, Michael Shannon, and Richard Jenkins are especially good. So is Michael Stuhlbarg, who is also among the incredible cast of Fargo Season 3 (did I mention how good that is?). I had read quite a bit about the film in advance and yet it was very different from what I’d gathered. That’s because it’s a special experience, oddly reminiscent of Phantom of the Paradise, which it invokes in its opening narration.

Winchester is an Australian-made haunted house movie that has a nine-percent rating on Rotten Tomatoes. Keep in mind movie critics, particularly the younger ones, often don’t know shit. Helen Mirren and Jason Clarke are just fine in a movie that wants to be a ghost story, with an intriguing historical backdrop, and delivers on its promise. Perhaps because of the Winchester’s lack of over-the-top gore, the filmmakers (Peter and Michael Spierig) were encouraged to include so many jump scares, it becomes absurd – but a good basis for a Halloween drinking game, as long as there’s a designated driver.

Professor Marston and the Wonder Women – viewed on Blu-ray (like Fargo Season 3 should have been). A compelling if admittedly fanciful take on the creator of Wonder Woman, William Moulton Marston, and the two strong women he lived with. I don’t mind the speculation, but writer/director Angela Robinson shows Marston watching in displeasure and disappointment as kids and their parents burn a bunch of comic books because of urging from Dr. Wertham type critics. Trouble is Marston died in 1947 and the comic book purge was mid-‘50s.

The Snowman – also watched on Blu-ray (fill in Fargo Season 3 bitch here). This seems to me a perfectly serviceable Nordic noir thriller from Jo Nesbø’s novel, though it goes over no new ground and ends somewhat flatly. But the savage reviews indicate the Nordic noir cycle may have run its course.

Marshall – another Blu-ray watch. A solid combination of Civil Rights activism and courtroom drama. Leads Chadwick Boseman, Josh Gad and Kate Hudson are fine.

I touched on Den of Thieves and Proud Mary before – both very watchable.

* * *

And here’s a very nice review of Quarry’s War #3, which is out now.