Posts Tagged ‘Road to Perdition’

Black Hats & A Book Giveaway!

Tuesday, August 7th, 2018

[Note from Nate: The giveaway is over! Thank you for participating!] The book giveaway this week is for the upcoming Scarface and the Untouchable: Al Capone, Eliot Ness, and the Battle for Chicago, which will be published August 14. I have five finished copies and five bound galley proofs (ARC’s). The first five to respond get the finished book, the next five the bound galley. Winners are requested to post a review at Amazon, a blog, Barnes & Noble or any combination thereof.

This week’s update, however, is mostly about Black Hats, a new edition of which has just been published by Brash Books. For the first time, the book has my real byline, and not “Patrick Culhane.”

Brash has done a spiffy job on it, and I hope to get some copies from them for another book giveaway like the one above. Brash is also going to be bringing out Red Sky in Morning under my preferred title, and that will have the Max Allan Collins byline for the first time, too.

Black Hats is a good companion piece to Scarface and the Untouchable, because it’s about young Al Capone encountering old Wyatt Earp. Though their meeting is fanciful, the research for the book was on the order of the Heller saga and it is one of my favorite novels, and one that continues to attract very serious Hollywood attention.

Harrison Ford has been interested in playing Earp pretty much ever since the novel first came out, and he is still part of the mix – nothing signed-sealed-delivered, mind you. But that he has maintained this continued interest in the novel is exciting.

That’s all I can say at the moment, but if you’ve never read this one, send for the Brash Books edition, please. You will not find it in many book stores – the e-book will drive this one, though the “real” book that Brash has produced is handsome indeed.


Paperback:
E-Book: Amazon Google Play Nook Kobo iTunes

How did the byline “Patrick Culhane” come to appear on both Black Hats and Red Sky? Forgive me if you’ve heard this one, but I believe it’s one of the truly remarkable fuck-ups of my career, and one of the rare ones that I didn’t cause myself.

Shortly after Road to Perdition was a huge movie and the novelization made the USA Today bestseller list and the graphic novel made the New York Times bestseller list, some guy at Border’s (remember them?) told my then-publisher that he was a huge M.A.C. fan, but could sell more M.A.C. books if only the name M.A.C. wasn’t on the cover. I was too well-known, it seems, as a guy who wrote series novels. He promised huge sales if we did some standalone thrillers under a new byline.

Oddly, my real identity was never hidden. It’s prominently revealed on the jackets of both books.

I did not want to do this. My editor stopped short of insisting that I go along with it, and my agent suggested alienating my editor was a really bad idea. And Border’s was really, really powerful, right? So I came up with “Patrick Culhane,” the “Patrick” after my mother Patricia and “Culhane” as a Collins variant.

Understand that I hate pseudonyms. I fought to have my name go on my movie and TV tie-ins, figuring (correctly) that having my byline on things like Saving Private Ryan, Air Force One, American Gangster, CSI and so on would only building my audience. All of those titles either made the New York Times list or USA Today’s or both.

The only time I used a pseudonym was on the novelization I Love Trouble, because it was going to be out at the same time as another novelization, plus the movie stunk. I used Patrick again, but also my mother’s maiden name, Rushing, which seemed apt for a book written on a crazy deadline.

I use my name on all but the above exceptions because I am proud of my work, and I want to keep myself honest. I don’t want to hide. I want to acquire readers, not run away from them.

Anyway, I am very pleased that Brash Books – the people who brought you the complete Road to Perdition prose novel, something I thought I would never see – are restoring my name to two of my favorite books. They will also soon be publishing Red Sky under my preferred title, USS Powderkeg.

Now the only thing still unpublished is my original, very loose adaptation of the Dick Tracy movie, in which I fixed all its problems and sins. Getting that in print, however, is a real long shot….

* * *

The advance buzz on Scarface and the Untouchable keeps building.

The Strand’s blog has published a list by my co-author and me looking at ten surprising facts about Al Capone and Eliot Ness.

We are one of the Saturday Evening Post’s top ten late summer reads, for example.

And the History News Network has published an article that Brad and I wrote about the Trump/Manafort/Mueller parallels.

Mystery People showcases us, too.

Out of the blue, here’s an interesting look at Quarry’s List, the second Quarry novel, with lots of comments from readers.

The graphic novel, Quarry’s War, gets a boost here, in a somewhat surprising context. [Note from Nate: This is so bizarre.]

On the Mike Hammer/Spillane front, here’s an interview I did at San Diego Comic Con a few weeks ago.

And another.

Finally, here is a terrific, smart review from the smart, terrific J. Kingston Pierce about Killing Town.

M.A.C.

M.A.C. (Barbara) San Diego Comic Con Schedule (And More)

Tuesday, July 17th, 2018

This week’s update will mostly be the SDCC schedule promised above, and some links to reviews and an article from Brad Schwartz and me about Ness and Capone that you may enjoy.

Crusin’ has been active this summer, and it’s unlikely we’ll ever take on this many gigs again. This is the point in the picture where the grizzled movie star says, “I’m getting too old for this shit,” and a helicopter blows up.

Most of our gigs are outside and the Iowa weather (or rather excuse for weather) has lavished us with all the heat and humidity aging rockers could ever dream of. But I’m enjoying playing with the line-up that includes longtime members Steve Kundel, Brian Van Winkle and newbie Bill Anson. The Labor Day weekend induction of the band into the Iowa Rock ‘n’ Roll Hall of Fame will make a nice conclusion for my years of playing rock on a more or less regular basis. This does not mean we won’t do occasional gigs, when the event seems right.


Playing in the park at West Liberty on Sunday July 15 as the County Fair kicks off.

As for SDCC, I am trying to get a good chunk of Caleb York #4 done before I leave, plus putting together trade material for my comic art collecting jones. Unfortunately, Nate and Abby are not going with us this year (grandson Sam, either), and it’s likely Barb and I will attend in future only when we’re guests with somebody else paying the way. Much of what I have gone to the convention for in past years has either faded away – the RiffTrax boys don’t come anymore, and my favorite book dealer, Bud Plant, an old friend, will not be there after decades of attending – or is inaccessible. Don’t you think I’d like to see the panel with the Breaking Bad reunion? Yes, yes, and yes, but hell no, if I have to stand in line – perhaps overnight – to see it.

I am thrilled, however, that the convention is honoring Mickey Spillane’s Centenary. I am being interviewed about Mickey and Mike Hammer and me, and have done a big article for their program book, with an emphasis on Spillane’s comics work.

If you see me there, say hello – you’ve spotted an endangered species.

SAN DIEGO COMIC CON 2018 M.A.C. SKED
NOTE: If you are attending SDCC, check your program guides about these times and room numbers – they may have changed, or I may have screwed them up!

Thursday, July 19:
11:30am-12:30am “You’re Wrong, Leonard Maltin!” Discussing movies on social media has become a blood sport instead of a forum for debate. Leonard Maltin and his daughter Jessie, who host the “Maltin on Movies” podcast for the Nerdist network, are willing to take on all comers who have a gripe over one of Leonard’s reviews. Marquis of Queensbury rules will be enforced, but anyone who wants to have a lively discussion is welcome to spar (verbally) with America’s best-known film critic. Max Allan Collins will join Leonard to defend Deadpool 2. Rm 24AB

12:30pm-1:30pm In this special anniversary discussion, Titan Publishing’s Andrew Sumner sits down with writer Max Allan Collins (Quarry’s War, Road to Perdition) to discuss the life and legacy of Mickey Spillane on what would have been his centenary year. They delve into the history of his most famous creation, Mike Hammer, along with his return to comics in an all-new Titan series based on one of Spillane’s original plots. Room 24ABC

2pm-3pm signing, Titan, Booth 5537

Friday, July 20:
2pm-3pmInternational Association of Media Tie-in Writers: Scribe Awards – Max Allan Collins (Mike Hammer) will host this year’s Scribe Awards for excellence in tie-in writing. Join nominees/panelists Michael Black (The Executioner), David Boop (Predator), Matt Forbeck (Halo), Christie Golden (Star Wars), Jonathan Maberry (Planet of the Apes), and Sarah Stegall (Deadworld) for a lively look at one of the most popular and yet under-appreciated branches of the writing trade. Room 32AB

Sunday, July 22:
12:30pm-1:15pm Mysterious Galaxy booth #1119, Max and Barbara Collins will both be signing, with a number of titles available. (It’s always a great booth.)

* * *

A. Brad Schwartz – my co-author on Scarface and the Untouchable: Al Capone, Eliot Ness and the Battle for Chicago and I have done an article for the Chicago Review of Books on the upcoming Ness fest in Coudersport, Pennsylvania. We talk about Ness and Capone in some depth, so if you’re yearning for a real update/blog this week, check this out.

And check out this great five-minute clip from the forthcoming audiobook of Scarface and the Untouchable with the terrific Stefan Rudnicki (veteran of Quarry audios).

Speaking of Eliot Ness, here’s a nice Dark City review from Paperback Warrior.

Here is an intelligent and perceptive review of Quarry, a book I wrote a long time ago that seems to have something of a life.

The current Caleb York western, The Bloody Spur, makes the big time with this True West magazine review!

Here’s a Mike Hammer #1 comic book review, brief but nice.

And here’s another.

M.A.C.

Hey Kids – There’s a Prize in the Serial Box!

Tuesday, June 19th, 2018

I try to stay away from politics here, but the latest wrinkle in the immigration story calls for an exception. I think the Onion covered it best.

But I would ask my Christian friends on the Right to consider that when Jesus said, “Suffer little children to come unto me,” He didn’t mean He wanted little children to suffer.

* * *

This may be as good a time as any for me to talk about Facebook, which is the only social media platform I use. I’m so out of touch I don’t even know if “platform” is the right word.

For a long time, I read the daily feed or whatever-the-hell you call it, and would get very upset about the political nonsense I saw posted – a surprising amount of it dark and nasty and often racist. Plus stupid. Did I mention stupid?

Because I am a reactive wise-ass at heart (and everywhere else), I would weigh in, often sarcastically, and bad things would transpire. I lost several good friends.

A while back I started only rarely checking in on the daily feed, and instead checked posts from a bunch of groups (not sure what Facebook calls them) that give me stuff about things I’m interested in, like paperback collecting, illustration and comic art, cult movies, pin-ups and so on. I have dropped one of these (about oddball LP covers) because the members of the group often made stupid, cruel, “funny” comments – imagine MST3K with morons.

But mostly these groups are fun.

I mention this to explain why you may have made a friend request to me that I have not accepted. My policy for several years was to accept any friend request because that represented a current or potential reader (or customer, as Mickey would put it). So many, even most, of the names were ones I didn’t recognize.

I mean, hey – who doesn’t want more friends?

But then I started seeing the far-right nastiness, the lies, the racism, the stupidity, and I just couldn’t take it any more. Plus, it tempted me into getting into fights with those very readers I was courting!

So I retreated into the posts about books and movies and art and pretty girls.

I do still post this update every week, and respond to responses to them. But only once a week (at most) do I see what the daily feed is feeding on.

And I haven’t accepted a friend request from someone I don’t already know in a very long time.

No offense! You may not be a moronic fascist, but I just can’t take the chance….

* * *

Barb and I spent a delightful weekend in St. Louis with son Nate, our daughter-in-law Abby and grandson Sam. It was in part celebration of Father’s Day but also of Barb’s birthday (today, as I write this – June 18).

Sam is extremely funny, sometimes on purpose. He won’t be three till September, but his verbal skills already suggest he will be a better writer than Nate, Barb and me. Building a slide out of piled pillows, and considering the small mattress he would have to pile on top of them, breathing hard, he turned to Barb and said, “Now…here’s the hard part….”

Wonderful child.

My son is pretty wonderful, too, giving me for Father’s Day an expensive book about Audie Murphy’s co-stars in movies and television. Again, not a book about Audie Murphy, but a book about people he worked with. Nate did this, admitting that no one in his generation had any idea who Audie Murphy was.

My wife is also wonderful, and feel free to skip this paragraph, because it’s going to be more sentimental slop along the lines of my previous two updates. I failed to mention, when I wrote about our 50th Anniversary, that I fall in love with this woman at least once every day. It’s chiefly her smile. But I also remember how she came to spend the day with me, every day, for my entire time on all three of my hospital stays, which added up to probably nearly a month. As you may imagine, I was not always an ideal patient. But she was a great life’s partner for every second of it. She has caught up with me in numerical age (she’s three months younger) but I won’t remind anyone of the year involved. But no one would ever guess it. Here she is with her birthday roses.

* * *

I have received my copies of the Quarry’s War graphic novel and am very pleased. Though we changed artists between issue #1 and #2 (the original artist didn’t like me telling him what to draw), it’s fairly seamless. I am burying the lead here, but I will offer ten copies to any readers who will write an Amazon (and/or other) review. [Update: All copies have been given away. Thank you for your support!]

You should write me at ****, and you must include your snail-mail address. USA only. I would greatly prefer that those who request a copy are readers who don’t usually read comics or graphic novels, because I want to make it clear to non-comics-fan Quarry readers that this is a genuine and even important entry in the series.

* * *

Here’s a very nice discussion of film noir, all the better because I am quoted and Ms. Tree is cited.

Killer Covers looks at artist Ron Lesser, showcasing his Quarry in the Middle cover.

Bargain hunters! Get the Girl Hunters blu-ray with my commentary here for a new price – $14.95.

Here are ten great comic book movies that aren’t about superheroes – and guess what’s number one!!!

M.A.C.

Put Some Damn Clothes On!

Tuesday, April 17th, 2018

Below is an excerpt from a review of The Bloody Spur from the Western Writers of America Roundup Magazine. It’s what you’d call a mixed review, on the patronizing side, and is mostly a plot summary, which I’ve skipped. But it raises some issues I’ve been wanting to talk about.

“There’s an overdose of descriptions of setting and clothing, and characters are stereotypical. But it’s enjoyable in a conventional-Western way, and the murder mystery has some intriguing twists.”

Let me get the stereotypical charge out of the way first. Yes, the characters established in Mickey’s 1950s screenplay are stereotypical – the stranger in town who becomes sheriff, a beautiful dance hall girl, a blind rancher, a lovely tomboy, and a cantankerous coot who becomes a deputy. There’s also a local doctor. What Mickey did, and what I have continued to try to do, is make these types specific and sometimes surprising in their characterizations, and to bring a gritty, even shocking amount of Spillane-style violence to the party as well as a mystery/crime element.

I don’t mean to respond to the reviewer, just to make clear where Mickey and I are coming from.

What I want to discuss is the charge that I do too much description of setting and clothing. I have always done a good deal of that, but it’s only in recent years that the occasional reviewer (particularly the Amazon variety) has bitched about it. The same is true of the sexual element, but that doesn’t apply too much to the Caleb York novels, so I’ll save that for a future discussion.

From my point of view, too many authors send their characters running around in books stark naked, and I don’t mean in sex scenes. I view clothing as a tool of characterization. The clothing a character wears tells us who this person is, and how these characters perceive themselves, and wish to be perceived.

Setting is the same. A description of a house, interior or exterior, tells us who lives there – a bedroom, particularly, is revealing of character.

Any reader who thinks I can on too much about clothing or setting is free to skip or scan. No harm, no foul.

In an historical novel – which westerns like the Caleb York books are by definition – setting is particularly important. It is also a big part of my 20th Century-set mysteries. If I take Nate Heller to a Hooverville or a strip club, you can bet I’ll give you chapter and verse about those settings. If Heller – in a 1960s-era story, when he’s become prosperous – is something of a clothes horse, that speaks of character, of who is and what he’s become. He’s rather shallow in that regard, frankly – part of his characterization.

In a Caleb York story, if I take my hero into an apothecary or a general store, you can bet I will describe the damn thing, and in some detail. York isn’t walking into a Walgreen’s or a Safeway, after all. Part of this is taking what is a mythic western – having to do with movies and ‘50s/’60s TV, more than the reality of the west – and giving it some verisimilitude. By keeping the underpinnings real, making the setting authentic, I can get away with the melodrama.

And what I do is melodrama. Nobody uses that word anymore, at least not correctly. But much of what I have done as a writer for over forty years is present a realistic surface on which to present my somewhat over-the-top stories.

Again, feel free to skim or skip passages that bore you. Elmore Leonard, great writer that he was, pretty much left you on your own. What he did worked for him (but his “rules” of writing are worthwhile only if you want to be Elmore Leonard when you grow up, and we already have one of those).

I am well aware that I am involved in a collaborative process with the reader. It amuses me when two readers argue over whether a book is good or not, as if they shared the same experience. Obviously they didn’t. Sometimes the play or movie mounted in a reader’s mind is a big-budget, beautifully cast affair; other readers are capable only of amateur night productions.

Leonard and others may wish to cede their stories to the whims and abilities of their readers. I know to some extent that is inevitable – because no two readers will have the same experience reading fiction. But I believe in controlling the narrative to the fullest extent that I can. I consider a chief responsibility of my job is doing my job – to do the work for you, where setting and clothing are concerned and much more.

I understand and accept that I’m blessed and sometimes burdened with readers who are my inevitable collaborators. But I want them to come as close to experiencing the movie I saw in my head, and put down on paper for them, as I possibly can.

* * *

This past Saturday, Crusin’ played the first gig of the season (defined as: not winter, though we were somewhat double-crossed by April sleet and snow). We performed for the Wilton, Iowa, High School Alumni banquet, a very well-attended event that had been going since five p.m. when we went on stage around nine-thirty. We held a good share of the audience for two sets (we took no break) and debuted a lot of new material…well, old material, although a new original was included.


L to R: M.A.C., Joe McClean, Steve Kundel, Bill Anson and Brian Van Winkle.

It went well, and our old friend Joe McClean, a Wilton area boy, joined us on several numbers. Joe was the heart and soul of the great Midwestern band the XL’s, who are also in the Iowa Rock ‘n’ Roll Hall of Fame.

Our new guitar player, Bill Anson, is doing a fine job, as are longtime drummer Steve Kundel and our bassist Brian Van Winkle, the “new guy” who has been with us seven years.

It felt great playing again. Loading afterward, not so much. And two days later I still am in anybody-get-the-name-of-that-truck mode.


M.A.C., Joe McClean.
* * *

My Scarface and the Untouchable co-author, A. Brad Schwartz, has written an op-ed piece for the Washington Post that has just appeared. Though I didn’t co-write it, I did some friendly editing and the piece beautifully discusses the somewhat facile comparisons being made of Trump as Capone and Comey/Mueller as Eliot Ness.

Wild Dog is back on Arrow this year. I haven’t watched the previous year yet.

Here’s a great review by Ron Fortier of the complete version of the Road to Perdition novel published by Brash Books.

Here’s where you can get signed copies of my books, including Killing Town and The Last Stand.

Road to Perdition the film is number three on this list of the best twelve Jude Law movies.

Finally, thanks to everyone who responded to the book giveaway posted last week. The books went quickly, and my apologies to those of you who missed out. Another will follow before too very long!

M.A.C.