Posts Tagged ‘Spillane’

Here’s to Bill Crider

Tuesday, August 2nd, 2016

My friend Bill Crider, that terrific writer whose blog is one of the most entertaining in the mystery field, got some bad health news recently. Read about it here (and use the link to his Bill Crider’s Pop Culture Magazine blog to leave him some good wishes):

http://therapsheet.blogspot.com/2016/07/best-wishes-to-bill-crider.html

What is special about Bill, beyond his talent as a storyteller and the humor he displays every day in his blog, is the way he supports and encourages other writers. If you follow these updates, you should have noticed how often he has had nice things to say about my work. So send one up for Bill, and make it a good one.

I came back from the San Diego Comic Con with a few health issues of my own, albeit much more minor. For one thing, I’m retaining water (do your own joke here) and, in unrelated medical fun, am facing another procedure. An apparently non-cancerous growth on my right lung requires some attention that will give me a return trip to the hospital for a couple of days followed by a week or two of serious loafing. I have lots scheduled this month and next, including Bouchercon and my 50th High School Reunion, at which the Daybreakers are regrouping for a rare performance. So I’m hoping to put this off till very late September or early October.

Right now I’m working on EXECUTIVE ORDER, third in the Reeder and Rogers “Branches of Government” trilogy. It’s been very stop/start – last week two doctor’s visits screwed me up – and that’s not helpful. Before that, five days came out of my schedule to attend San Diego Comic Con (somehow I don’t sense any sympathy coming my way for that). Thing is, I like to burrow in, keep right at it. Writing a novel is like reading one: put it down for a while, you forget what it’s about.

Also, I just signed 1000 signature pages for the limited hardcover of the Mike Hammer short story collection, A LONG TIME DEAD. Jane Spillane will be signing, too. Here’s the info if you’re interested.

Speaking of A LONG TIME DEAD, here’s a typically patronizing but really pretty good Kirkus review of it. Considering how often they have filleted me with a rusty pocketknife, I’m pleased.

My pal Terry Beatty clued me in about a nice defense of the much-maligned-but-actually-quite-wonderful STAR TREK: THE MOTION PICTURE from Simon Pegg, who not only plays Scottie in STAR TREK: BEYOND, but co-wrote it. Barb and I saw BEYOND for a second time, in 3-D for this go-around, which I thought was an improvement over an already strong entry. BEYOND is possibly too action-heavy, some of it incoherently so, and the villain’s motivation is hazy to say the least; but it really captures the characters and their interplay, and should delight STAR TREK fans (and I am one). Several references to the late Leonard Nimoy are moving, and an end card dedicates the film to the late Anton Yelchin, tragically dead at 27, who has many nice moments as Chekov in the film.

The QUARRY TV series is getting lots of Net play. Check out Crimespree’s coverage here.

This site has a complete listing of QUARRY episode titles and air dates.

The writers responsible for getting Quarry on the tee-vee, Michael Fuller and Graham Gordy, are interviewed here. They have spent four hard years making this happen.

Finally, here’s another podcast devoted to a MS. TREE issue (haven’t listened to this one yet myself, but I will).

M.A.C.

Con Fab

Tuesday, July 26th, 2016

I’m writing this from our hotel room in the Marriott Marina after a fairly exhausting San Diego Comic-Con.

We arrived Wednesday and I attended the preview night. Once upon a time it was limited to professionals, and was a real pleasure. Now it’s kind of a frantic mess, and the best days to get around in the crowded dealer’s hall are Thursday and Sunday.

Because I’m still recovering from heart surgery and a stroke (minor), I took it easy, only going over to the dealer’s area for two hours a day Wednesday thru Friday, and skipping Saturday entirely, because it’s a zoo. Every day at least one nap went down, but on Sunday I had my stamina up and did several long sessions. I made some nice finds (I mostly collect hardcover collections of comics) but bought only one or two per day, because I can’t carry the kind of loads I once did (and fully expect I will again).

But I frankly don’t know if the San Diego Con is for me anymore. The crowds are so huge, and so much of what goes on is outside my areas of interest, I sometimes feel like that moment in a buddy movie starring aging action actors when they say, “I’m getting too old for this shit.” Also a problem is the things I wanted to see – like the Archer panel and the Evil Dead one – required endless waits in line to MAYBE get in. Worst of all, our son Nate and his missus Abby did not come along with us this year, and we missed them terribly.

Were there pleasures? Oh yes. The Scribe Awards went well, thanks to a fine panel of mostly nominees, with my pal Andy Mangels presenting the awards themselves and doing a bang-up job. We were hampered by not enough time (an hour) but everybody got to talk. And I won a Scribe for my Mike Hammer story, “Fallout.”


Left to right, M.A.C., Andy Mangels, Michael A. Black, Adam Christopher, Matt Forbeck, Glenn Hauman, Nancy Holder, R.L. King, Jonathan Maberry, Cavab Scott and Marv Wolfman


Michael A. Black, Adam Christopher, Matt Forbeck, Glenn Hauman, Nancy Holder, R.L. King, Jonathan Maberry, Cavab Scott and Marv Wolfman


Kevin Dillmore, M.A.C., Michael Black, Matt Forbeck, Jonathan Maberry, Nancy Holder, Glenn Haumann, Adam Christopher, and Cavan Scott.

We also had dinner with our friends Leonard and Alice Maltin, and their daughter Jesse and her newlywed husband, Scott. Among those I connected with at the con itself were the great Stan Sakai, M.A.C. fan Tom Kenny of Spongebob and Mr. Show fame, and Maggie Thompson, a superstar in the history of comics fandom.


Leonard Maltin and M.A.C.


M.A.C. and Stan Sakai

There was also some excellent food (though some not so excellent, like the hotel’s lousy $27! buffet) (no ordering off the menu either) and we ended Sunday by seeing the terrific new STAR TREK movie (STAR TREK BEYOND). So we kind of fought the con to a draw this time.

M.A.C.

Catching up with Me

Tuesday, July 5th, 2016

Crusin’ at Muscatine’s Brew July 4

My pal Ed Gorman – one of the best writers around, and at least as good a friend – did an interview with me that I’d like to share with you. Here goes.

* * *

1. Tell us about your current novel.

There are a couple of things that will become available soon. One is the complete version of the ROAD TO PERDITION novel. It was written in 2002 to accompany the release of the film, but DreamWorks licensing made me do a drastic cutting/rewrite, eliminating 30,000 words and any dialogue or action that wasn’t included in the book. I am very grateful to Brash Books for negotiating with DreamWorks for the real, complete novel to finally be published.

About the same time, Hard Case Crime will be bringing out QUARRY IN THE BLACK, obviously a new Quarry novel with what I think or hope is an interesting setting — George McGovern’s presidential campaign and a black leader in St. Louis who is supporting that ticket with public appearances. If you ever wanted to see how Quarry would behave at a Ku Klux Klan meeting, now is your chance.

And Otto Penzler is bringing out A LONG TIME DEAD, collecting eight Mike Hammer short stories that I developed from Spillane fragments. That’s exciting in part because there’s never been a Hammer short story collection before.

2. Can you give a sense of what you’re working on now?

I just finished a Mike Hammer novel, THE WILL TO KILL, working from a few chapters in Mickey Spillane’s files. It’s very unusual for a Hammer, because the mystery is right out of Agatha Christie, with greedy children fighting over the proceeds of a murdered patriarch’s estate.

Not too long before that, I did my pass on the new Barbara Allan mystery, ANTIQUES FRAME, co-written with my wife Barb. That was my first project after open-heart surgery and a minor stroke, and it was very gratifying to be able to get back up on the horse and ride so quickly. just weeks after the surgery.

Next up is EXECUTIVE ORDER, the third Reeder and Rogers political thriller, in collaboration with Matt Clemens.

3. What is the greatest pleasure of a writing career?

The greatest pleasure of a writing career is having one. The notion that I could ever hold down a normal job is highly suspect.

4. What is the greatest DISpleasure?

I don’t know if there’s a dis-pleasure for me. I really love this life. The things that frustrate me are minor in the bigger picture. For example, I despise having copy editors rewrite me, and have spent way too much time in my life putting various Humpty Dumptys back together. It’s always disappointing when a novel is critically ignored or particularly when the public ignores it. When a publisher drops a series, it can be crushing—I had to wait ten years before I felt I could re-launch Nathan Heller, and a lot of time was lost there.

5. If you have one piece of advice for the publishing world, what is it?

For the publishing world itself? Don’t judge an author by how well his or her last book sold. Judge each book on its own merits, and that includes proposed novels from authors whose professionalism isn’t in question.

6. Are there two or three forgotten mystery writers you’d like to see in print again?

So many of my favorites are back in print again in the POD and e-book fashion. But it would be nice to see Horace McCoy, Mike Roscoe and Roy Huggins out there in a more major way. I was pleased to see Ennis Willie finally get some attention, but unfortunately it’s faded somewhat.

7. Tell us about selling your first novel. Most writers never forget that moment.

Mine is easy to remember. I got the letter (my agent at the time never called me) on Dec. 24, 1971—BAIT MONEY, the first Nolan novel, had sold on Christmas Eve! When I told Donald E. Westlake about it—he’d been a mentor to me—he said, “Sometimes God behaves like O. Henry, and there’s nothing you can do about it.”

* * *

Here are a few things on the Net you may enjoy.

First, this is a rare (and detailed) review of MICKEY SPILLANE ON SCREEN by Jim Traylor and me. The author gives me all the credit, which is wrong, but otherwise it’s an interesting read on what is apparently a very right-wing web site.

Take a gander at this early review of the Mike Hammer collection, A LONG TIME DEAD.

Finally, one of America’s greatest mystery book stores, Mysterious Bookshop, has signed copies (available by mail) of BETTER DEAD.

M.A.C.

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Between a Rock and a Hard Place

Tuesday, June 7th, 2016

Risking straining your patience, I thought perhaps I should report in on my health status. I’ll pause here for you to say “Goodie goodie” and clap your little hands.

Anyway, after three and a half months since the open-heart surgery, I seem to be doing well. I have completed both my physical therapy and occupational therapy. I’m told my hand, post-stroke, is at about 90%. I fatigue somewhat easily and usually am pretty wasted by mid-evening, though I stay up till midnight. We’re walking twice a day in our neighborhood (I would jump off a bridge before mall walking).

Work goes well. I reported here that Barb and I completed ANTIQUES FRAME, which I started working on about two weeks after getting out of the hospital. After that, I started working on the new Reeder and Rogers political thriller, EXECUTIVE ORDER, and got a third of the way through when I realized the plot needed work. My cohort Matt Clemens has been rewriting his story treatment and I’ll be back at the novel myself in probably a week or two. While Matt did that, I tackled the new Mike Hammer, THE WILL TO KILL. I should finish that this week.

In addition this coming weekend George Hagenauer and Brad Schwartz are coming to Muscatine for an overdue meeting about our joint Ness/Capone biography-in-progress.

A milestone for Barb and me, in several senses, was our trip June 1st and 2nd to scenic Galena, Illinois, a favorite haunt of ours. It involves a lot of walking but also eating (there are 67 restaurants in this town of 3500). We scheduled this trip months ago, figuring I should be in shape to handle it when it rolled around – a fairly long drive and an overnight – and I did fine. We were celebrating our 48th wedding anniversary. What a lucky bastard I am.

Another milestone is coming up – my first Crusin’ band job since the surgery. It’s June 9 outside the First National Bank at Muscatine, open to the public and free. We play 5 to 7 pm. We’ve been rehearsing quite a bit and had a three-hour session Saturday afternoon, which I managed to survive.

Speaking of rock ‘n’ roll, I want to deal with two comments that last week’s update elicited, due to my mini-rant on the Zombies, Monkees and Vanilla Fudge not being in the Rock and Roll Hall of Fame.

Here’s what mystery writer (and audio artist) Mike Dennis had to say:

Max – don’t worry over the Monkees and Vanilla Fudge not making the Rock & Roll Hall Of Fame. It’s a bullshit outfit, created solely to produce the annual induction TV show, and as a side benefit, snag a few tourists into their building to see Jimi Hendrix’s leather pants or whatever. Other than the expected greats — Elvis, Beatles, Stones, etc — the Hall is straining more and more each year to find someone worthy of induction. In recent years, they’ve stooped to one-hit wonders: Buffalo Springfield, Laura Nyro, and others. Who’s next? Norman Greenbaum? Ronny & the Daytonas?

It’s all bullshit and not worth getting upset about.

There’s much wisdom in what Mike says here, although I think arguments could be made for both Buffalo Springfield (surely one of the most influential ‘60s bands) and Laura Nyro (a great songwriter). But the Hall is indeed bullshit. Trouble is, it’s all rock fans have – it’s our Cooperstown. So we have to make noise about the injustices.

Here’s what my good friend (and former Crusin’ sound man) Charlie Koenigsaecker had to say:

To me the most egregious omission in the Rock HOF would be Love, followed close behind by the Monkees and Zombies.

The MC5 should be in also and I would not look askance at the Fudge. For those who regard the Monkees as a mere vocal group whose musical accomplishments were buoyed by the talents of others, would they have the same reservations regarding the Coasters or the Supremes or the Four Tops or any other group who neither wrote their own material or played on their own records? Plus the Monkees eventually did both write and play on a lot of fine recordings.

I agree with everything Charlie says here, including that the MC5 and Love should be in the Hall.

My point of view here is, I think, one that has a certain amount of credibility. I grew up with rock ‘n’ roll. Saw Elvis on Sullivan. Owned a 78 of “Hound Dog.” Went nuts over Bobby Darin. Saw the Beatles on Sullivan (the Fudge too). Played in rock bands at the peak of the ‘60s/early ‘70s and opened for scads of famous acts.

Here is some of what’s wrong with the Hall of Fame, mostly flowing from a snobbish, narrow view of the history of rock merged with a politically correct bent that allows rap and country in when many key rock artists are omitted.

Where the hell is Pat Boone? I remember very clearly that he and Elvis were, for a long time, the only games in town. Boone gets shit for covering r & b records, but those original records were banned from mainstream radio and it was Boone who popularized them and opened the doors (and made Little Richard and other black artists a ton of money). The guy sold millions of records, and made rock palatable for White America. It’s called history. Deal with it.

The period between Elvis going into the Army and getting out again (or possibly up to the emergence of the Beatles) is mostly ignored by the Hall. It’s a tough call with the popular likes of Paul Anka, Frankie Avalon and Fabian, who are artistically pretty shaky. But what about Bobby Rydell? Has Jan Wenner ever heard “Wild One”? What about Bobby Vee? So many great records, and a top-notch live performer. He’s in the Iowa Rock ‘n’ Roll Hall of Fame, by the way (like my band, The Daybreakers).

Charlie’s point about the Monkees being pilloried for not playing on their records is well-taken. During the ‘60s many great bands were not allowed by their bigtime labels to play on their own records (usually after playing on the first album or so) because it was better for those bands to be out touring and more efficient to use studio musicians for the instrumentals on the records…mostly the Wrecking Crew.

Who, incidentally, played on the records of such Hall of Famers as the Mamas and Papas, the Byrds and the Beach Boys.

One of those Wrecking Crew-ghosted bands – who played on their own first two albums, and their later ones as well – is the Association. They are often dismissed as a vocal group with a folky California sound (Mamas and Papas anyone?) but “Along Comes Mary” is one of the best, most driving singles of its era, and “Never My Love” is one of the two or three most played-on-radio records of the ‘60s…including the Beatles’ output. Slow songs need love, too.

I could easily build a case for Paul Revere and the Raiders, who inspired so many local garage bands. And laugh if you like, but Gary Lewis and the Playboys made a ton of great records. And, I mean, if you’re going to induct Laura Nyro for writing “Eli’s Comin’,” how about a slot for Three Dog Night? And where the hell are the Turtles/Flo and Eddie?

And that’s just the ‘50s and ‘60s. Don’t get me started about Warren Zevon’s absence.

Snobbishness and no sense of history earns the Rock Hall the “bullshit” label that Mike Dennis gives it. But, again – it’s what we’ve got. It is wonderful to see the Dave Clark Five being honored. It’s a thrill to hear Cat Stevens sing and play again.

But rock deserves better. And so do we. And so do a lot great bands and artists.

M.A.C.