Posts Tagged ‘The Baby Blue Rip-Off’

Toe Hold

Tuesday, August 8th, 2017

This will be a brief update, because I have just returned from having Cortisone shot into my arthritic big toe. It doesn’t hurt but I am woozier than usual. Yes, after defeating open-heart and lung surgery, not to mention whooping cough (but I guess I did just mention it), I am facing defeat at the hands of a toe.

But it takes more than excruciating pain to stop me from entertaining my public. My wife will, however, tell you that living with when I am not just a pain but am in pain is no effing picnic. Just yesterday she lovingly reminded me that I am more trouble than I’m worth.

I knew that, but an occasional reminder comes in handy.

I’m preparing to get back to writing the new Mike Hammer comic book mini-series (issue #1 delivered) and fighting that just-stepped-off-the-merry-go-round feeling from having shipped Scarface & the Untouchable, co-written by Brad Schwartz. What an incredible collaborator! The level of research into Eliot Ness that Brad pulled off is staggering. Very proud of this – almost 150,000 words, not counting end notes!

A quick note on a movie that you should seek out, either streaming or on Blu-Ray (it’s available cheap, lots of places): Train to Busan, a South Korean film that’s on the list of all-time high-grossers (in several senses) in that country. I avoided this for a while because it’s a zombie movie and I’m kind of zombied out.

But this rivals any zombie movie I’ve ever seen, including Romero ones, and has a lot more going on that just the undead trying to catch a train, or claw their way off one, either. The story is about a business-oriented father and his neglected child, and the theme is our responsibility to each other. It’s always scary as hell. I found it more reminiscent of John Carpenter’s great Assault on Precinct 13 than any zombie film, and that’s high praise indeed.

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For the month of August, Supreme Justice, Fate of the Union, and Executive Order are $1.99 each on the Kindle Store. Check them out at these links:

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That top-notch scribe Ron Fortier likes Murder Never Knockssee what he has to say about it!

Here is JournalStone’s announcement of The Will to Kill on audio.

And here is their announcement for Hardboiled Horror, an anthology of noir horror yarns that includes a new one by me and my frequent cohort in crime, Matt Clemens.

Check out this terrific piece on tie-in writing (from the Atlantic, no less!) that includes sage wisdom from an expert (humility prevents me from saying more).

Here’s a podcast on Wild Dog that I haven’t had a chance to listen to yet.

Finally, here’s a new review of The Baby Blue Rip-Off, which I wrote forty or fifty years ago (the book, not the review….).

Quarry TV Sept. 9; Mike Hammer Book Sept. 6

Tuesday, September 6th, 2016

How bizarre it seems – in a sense, it hasn’t registered – that the novel I began at the University of Iowa’s Writers Workshop in late 1971 has spawned a 2016 TV series.

My instructor, William Price Fox, didn’t like it. Most of the class didn’t, either. But several smart people thought the first two chapters of QUARRY were the best thing they’d ever read in a Workshop class. Fox, a writer I admired, was spotty as a teacher. He shared some good stories about his Hollywood perils, but he also spent several classes reading his own stuff to us. The class was only two hours once a week, and I had to drive from Muscatine (forty miles) to attend. I thought then that Fox reading his own work was lazy and self-indulgent, and I still do. But he did teach me the “Indian behind a tree” concept (ask me sometime).

A week or so after my Workshop class with its mixed reviews of QUARRY’s first two chapters, I sold my first novel, BAIT MONEY, and, a couple of weeks later, I sold the second one, NO CURE FOR DEATH. Both were written at the Workshop when Richard Yates was my teacher and mentor – a great writer and a great guy. The NYC editor wanted sequels to both, so I put QUARRY aside (probably a third of it written) and proceeded with THE BABY BLUE RIP-OFF and BLOOD MONEY. I had graduated in early ‘72 by then.

Then I got back to QUARRY, probably in ‘74, and it sold in ‘75 and was finally published in ‘76 (initially published as THE BROKER).

How vividly I remember sitting in my office in our apartment in downtown Muscatine (over a beauty shop – the smells wafting up were not heavenly) and pounding away at those early books. I thought QUARRY was the best thing I’d come up with, as the Nolan books were glorified Richard Stark pastiches and Mallory was just me filtering my private eye jones through an amateur detective. QUARRY was something original. I was going places! This would, in a good way, leave a mark.

And at first it seemed it would. The editor wanted three more novels about the character, and of course I eagerly complied. By the fourth book, two things were obvious – QUARRY was not setting the world on fire, and I was having trouble keeping the black-comedy element from spinning out of control. THE SLASHER seemed to me over-the-top, or anyway a subsequent novel would have been.

That doesn’t mean I wasn’t disappointed that no more books were requested by the editor. But the QUARRY series seemed, at four entries, to be complete. I was going places, all right – back to the typewriter to try again.

But a funny thing happened on the way to obscurity – a small cult of interest arose in QUARRY. Smart people like Jon Breen, Ed Gorman and Bill Crider said nice things about the books. The series started getting fan letters. So when I had some success with the Nate Heller novels, I decided to do just one more QUARRY – and I did, PRIMARY TARGET (since re-pubbed as QUARRY’S VOTE). The book was well-received, but that was the end of it.

The end of it, anyway, till the new millennium dawned and a young filmmaker named Jeffrey Goodman came knocking, and a new publisher/editor named Charles Ardai got in touch. From Goodman’s enthusiasm for the QUARRY short story, “A Matter of Principal,” came an award-winning short film written by me, and then a feature-length version co-written by me, THE LAST LULLABY. More or less simultaneously, Ardai asked me to do a QUARRY novel for his new retro-noir line, and I jumped at the chance to give the series a real ending – THE LAST QUARRY, a novelization of my version of the screenplay of the Goodman feature.

The surprisingly strong response to THE LAST QUARRY resulted in a conversation between Ardai and me that went something like this:

“I wouldn’t mind you doing another QUARRY for us,” he said.

“I wouldn’t mind myself.”

“But you ended the series. What book can you write after you’ve done THE LAST QUARRY?”


Now we’re at eleven novels – QUARRY IN THE BLACK next month – and, after a somewhat rough birth going back to 2012, the QUARRY TV series will debut on Cinemax this Friday, at 9 pm Central time.

I’ve seen all eight episodes and they are excellent. It’s essentially an extended origin story of how returning Marine Mac Conway (the character’s real name, according to the show anyway) becomes hitman Quarry. Michael Fuller and Graham Gordy, the creators of the series, initially did not reveal the character’s “real name,” but it became clumsy for the lead character not to have, well, a name. They dubbed him “Mac” after me – M.A.C. Nice gesture.

And they were smart enough to set the show in the early ‘70s. It’s a nice fit with my current approach, which is to do my new QUARRY novels in ‘70s/‘80s period. You know you are old when a series you began as contemporary is now historical.

So I hope you like the TV series. If you don’t, and are a fan of the books, pretend to, will you? If the show becomes a hit, I may get to write more QUARRY novels.

Stranger things have happened.

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A Long Time Dead


E-Book: Amazon Nook Kobo iTunes

Limited Signed Hardcover: Mysterious Bookshop

Also this week, the Mike Hammer short story collection, A LONG TIME DEAD, will become available in print and e-book editions from Mysterious Press. This is an exciting project for me, as it represents the first collection of Hammer stories, and possibly the last, since I have exhausted the shorter fragments in the Spillane files.

My sincere thanks to Otto Penzler for publishing it. Otto, who edited and published the first three posthumous Hammer novels, has been a great friend to Mickey, Mike Hammer and me.

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The advance reviews for the QUARRY TV show are strong, like this one.

And this one.

Here QUARRY is seen as one of the nine best shows of the fall season.

And here it’s seen as one of the ten best shows.

You’ll enjoy this interview with Michael Fuller, half of the creative team behind the writing of the QUARRY series.

Here’s a nice write-up on the forthcoming QUARRY comics mini-series.

Check out this terrific review of the Hammer novel, MURDER NEVER KNOCKS.

And, finally, here’s a positive review from Kirkus, of all people, for A LONG TIME DEAD.