Posts Tagged ‘The Dark City’

Bang Bang

Tuesday, April 5th, 2011

J. Kingston Pierce over at the great Rap Sheet site has a fun discussion (with plenty of comments, including from me) about the relative merits of the USA and UK covers of THE BIG BANG, the second Spillane/Collins “Mike Hammer” collaboration. But the key piece of news here is that THE BIG BANG trade paperback is out this week, and if you didn’t pick up the hardcover, now’s your chance to get the Best Private Eye Novel of the Year (according to Sons of Spade).

Big Bang Paperback

Another book that’s out is the TOP SUSPENSE anthology, designed to be an e-book but also available in a very nice trade paperback, too. Here’s the pitch:

Don’t forget the blistering anthology TOP SUSPENSE is now available for $2.99 on Kindle and a mere $11.99 in trade paperback. Our authors at the peak of their powers in thirteen unforgettable tales. This pulse-pounding anthology – packed full of cold-blooded killers, erotic tension, shady private eyes, craven drug dealers, vicious betrayals, crafty thieves, and shocking twists – is only a taste of the thrills you will find in the breathtakingly original ebooks by these authors at www.topsuspensegroup.com.

So sit back, bite down on a piece of strong leather, and prepare to get hit by some gale-force suspense and writing so sharp it will draw blood.

CLICK TO BUY YOUR COPY NOW!

Top Suspense includes:

Unreasonable Doubt by Max Allan Collins
Death’s Brother by Bill Crider
Poisoned by Stephen Gallagher
Remaindered by Lee Goldberg
Fire in the Sky by Joel Goldman
The Baby Store by Ed Gorman
The Jade Elephant by Libby Fischer HellmannThe Big O by Vicki Hendricks
The Chirashi Covenant by Naomi Hirahara
El Valiente en el Infierno by Paul Levine
A Handful of Dust by Harry Shannon
The Canary by Dave Zeltserman
The Chase by Top Suspense Group

Press release over, and M.A.C. back again: this is a terrific bunch of writers, all of whom have work well worth sampling, making this a worthwhile purchase (the e-book price is damn near a gift). Several of the Top Suspense Group writers are good friends of mine, but one is among my best friends – Ed Gorman. This week Ed was nice enough to give my Eliot Ness series a push (and me in general). If you haven’t read Ed’s work yet, you are missing one of the great contemporary voices in crime fiction – funny, wry, sad, innately Midwestern.

Here’s an excerpt from a piece about Ed that I wrote a while back, dealing in part with the notion some people had (early in Ed’s mystery-writing career) that he was a penname of mine – a mistake that arose because (a) Ed is an Iowan but never attends conventions and rarely does book signings, and (b) there are at least superficial similarities in our style and approach:

I am proud to have Ed Gorman’s writing mistaken for mine – having him viewed for a time as the Ed McBain to my Evan Hunter was pretty cool, actually. And, for years, when I would tell people that I had, no kidding, really met Ed Gorman, multiple times, it all seemed to be part of my master plan to put this pen name across.

Of course, this mistaken identity couldn’t last – Ed Gorman is too distinctive a writer, with a laconic, wry voice that is his alone, whether in first- or third-person. But it was fun while it lasted….

Ed’s distinctive voice and style are an outgrowth of his interests. He is an endless resource of arcane information and informed opinion about popular storytelling in the 20th Century. That’s why I spent so many hours on the phone with him – we could do half an hour on why Rex Stout was, line for the line, the best wordsmith of all; forty-five minutes on why we both loved Hammett and Chandler but considered the former superior; or an hour on why certain highly regarded crime writers of our day were worthy of Emperor’s New Clothes awards. It’s Ed’s ability to analyze what works in the fiction he reads that has made him such a skillful writer himself.

No writer of the late 20th and early 21st century has mastered so many genres – Ed is equally adept at mystery, crime, horror, science fiction and western. He is a screenwriter and a columnist. He respects and understands these genres and forms, much as he respects and understands his job as a professional storyteller.

Read more about Ed Gorman here (cue the NBC “More you know logo”):

http://topsuspensegroup.com/authors/ed_gorman.php

M.A.C.

Eliot Ness Back In Print

Tuesday, January 11th, 2011

Speaking Volumes, the audio company that has brought out several of my novels on CD, is branching out into e-books and print editions. I’m pleased to announce that all four “Eliot Ness in Cleveland” novels are now available in what look to be handsome editions (my author’s copies have not arrived yet). This is the first new printing of MURDER BY THE NUMBERS since its original publication in 1993, so that title in particular may be of interest.

Dark CityThe Dark City: Print | E-Book
Butcher's Dozen
Butcher’s Dozen: Print | E-Book

Each Ness novel is based on a real investigation by the famous Untouchable during his very exciting tenure as the Public Safety Director of Cleveland – less written about than his Chicago days, the Cleveland years mark Ness’s major contributions to crimebusting. THE DARK CITY has him cleaning up a notoriously corrupt police department (with a guest apperance by Nathan Heller), BUTCHER’S DOZEN (the best known of the novels) is the first book-length look at the famous Mad Butcher of Kingsbury Run, BULLET PROOF has Ness taking on corrupt unions, and MURDER BY THE NUMBERS finds Ness making an unlikely alliance with black numbers gangsters to defeat the famous Mayfield Road Mob’s takeover of a “colored” racket. The latter book explores Cleveland as the source of Chester Himes’ imaginary Harlem in his Coffin Ed and Gravedigger Jones crime novels, featuring the real-life black cop who provided the basis for those famous characters.

Bullet ProofBullet Proof: Print | E-Book
Murder By The Numbers
Murder by the Numbers: Print | E-Book

These novels formed the basis for the second act of my play (and film) ELIOT NESS: AN UNTOUCHABLE LIFE.

A very smart review of Mickey Spillane’s classic MY GUN IS QUICK favorably mentions my introduction to that Penguin collection of the first three Mike Hammer novels. Nice to see somebody “getting” Mickey Spillane.

David Rachels’ web site, NOIRBOILED, often has interesting stuff on display, including mini-interviews with authors and “poems” culled from crime novels. He has panned several of my novels and he gives a patronizing, half-heartedly positive review to the current reprint of QUARRY. He’s a smart guy, so it’s worth a look, but I don’t agree at all with his labeling of the Quarry series as chiefly a Richard Stark imitation. His description of QUARRY as a novel built on the Stark approach/structure doesn’t show much insight to either approach or structure – a good deal of the magic of the Parker novels is the section midway that either devotes a chunk to a single point of view other than Parker’s or gives single point-of-view chapters to various characters, enabling Stark to play games with time (a trick Don Westlake admitted to me having learned from Kubrick’s THE KILLING). QUARRY, a first-person novel built much more on the traditional private eye paradigm than that of Stark’s quirky crook books, is far, far less indebted to Richard Stark than the Nolans, which began as outright Stark pastiche (though I believe they grew into something of their own). To really understand what I am doing in the Quarry novels – or for that matter what Stark is doing in the Parker novels – a reviewer would need a better grasp of W.R. Burnett, Horace McCoy, Dan Marlowe and Jim Thompson than Rachels reveals. Rachels also does not appear aware that – after the first book, anyway – Parker never kills a civilian, and he skips entirely any consideration of the key role Vietnam plays in both Quarry the killer and Collins the novelist.

My friend Ed Gorman – one of the best living crime writers – has always been generous to me in his reviews. He continues that tradition in a wonderful review of SPREE, the final (to date, anyway) Nolan and Jon novel. He talks a lot about the Comfort family, and I happen to agree with him that that criminal hillbilly clan is among my proudest achievements. By the way, the Comforts were named as an overt reference to one of my favorite novels, Stella Gibbons’ classic COLD COMFORT FARM. One of the books begins with a sentence that includes the phrase “Cole Comfort’s farm.”

Next week I will talk about the avalanche of Collins material that 2011 will bring. Golden Age or Apocalypse…your call.

M.A.C.