Posts Tagged ‘Trash ‘n’ Treasures’

The Borne Girls Are Back! And So Is Quarry…

Tuesday, September 15th, 2026

Antiques Web, the latest adventure of Brandy Borne and her diva mother Vivian, will be published next week – on September 22 (an earlier date than we’d been told).


Pre-order the hardcover here:

Two of my series have distinctions relating to the length of their runs. Quarry, who will return in Quarry’s Reunion (available November 10), is (I’m told) the longest-running mystery series around, having begun in 1976 with Quarry (aka The Broker). It has suffered some stops and starts but has continued on throughout the decades for 17 novels and a short story collection. There’s also been a Quarry short film, a feature film and one-season TV series from HBO/Cinemax.

Other series of mine have had long runs, notably Nathan Heller, starting with True Detective in 1983. Nate’s delivered 19 novels, one short story collection and one novella collection.

But the real winner for durability is the Antiques series (aka the Trash ‘n’ Treasures mysteries) from Barbara Allan, the joint byline of my wife Barb and me. There are twenty novels, starting with Antiques Roadkill in 2006, and a three-novella collection (Antiques Ho-Ho-Homicides, in 2018, including Antiques Fruitcake, the basis of our micro-budget indie, Death by Fruitcake). Antiques also represents the most novels in the shortest span of time, basically one a year.

Nonetheless, because of its cozy nature – even though critics tend to call us a subversive cozy – some readers of my tough stuff have never tried Barbara Allan and the Antiques series. To be fair, some have and found it not to their taste, and that’s okay. I write to keep myself interested and that has seen me jumping around more than some writers of mystery fiction. Barb finds the Antiques novels are a handy way for her to explore numerous themes, motivated as she is by what’s currently of interest to her in what we laughingly refer to as real life.

It’s always puzzled me a bit when a reader loves Quarry but doesn’t go for Nate Heller. Some mystery fiction readers seem to be put off by the historical nature of the books, particularly those who haven’t tried one. Quarry novels are a quick read and the Hellers offer some heft, though they are first and foremost traditional hardboiled private eye stories and only secondarily historical. But doing all these historical cases has kept the books from blurring together, as is often the case with long-running series.

The Antiques series has a quirky, sometimes wacky sense of humor that isn’t for everybody. No apologies for that, because the traditional mystery field is cluttered as hell and being distinctive – even if it turns a few readers away – seems a positive to us. From the beginning Antiques has been a tongue-in-cheek affair.

If you haven’t tried one of the Antiques entries, here’s a brief introduction to Antiques Web.

When Serenity’s most eccentric sleuthing duo is involved, even a quiet Iowa river town can become a hotbed of murder, mayhem, and mid-century collectibles.

Brandy Borne is hoping for a calm life – new marriage, new routines, and only the usual chaos courtesy of her mercurial, melodramatic mother, Vivian.

But when an antiques auction turns disastrous and Vivian’s close friend Evelyn dies in what looks like a freak fall, the Bornes sniff out something far more sinister.

Then another woman turns up dead – crushed beneath a massive Frank Lloyd Wright statue – and the pattern becomes impossible to ignore. Someone in Serenity is weaving an elaborate con, preying on the vulnerable with a too-good-to- be-true investment scheme…and eliminating anyone who gets in the way.

With a suspicious niece, a furious financial advisor, a cryptic message from a dying mob boss, and a fierce dog who can be bribed, Vivian and Brandy find themselves tangled in a web of secrets, scams, and deadly deceit.

To save their friends – and themselves – they’ll have to outsmart a killer, out bid a con artist, and maybe (just maybe) keep Vivian from getting arrested. Again.

* * *

This blog/update space is a politics-free zone.

It always has been, though I’ve slipped a few times. I don’t feel my readers should be subjected to my politics. For one thing, it’s bad business – it can unintentionally chase customers away. For another, it’s way too off point to be tolerated. This is just not the appropriate platform.

But away from here, on Facebook, I have started sharing occasional posts that make my political slant easily perceived. I am doing this because, with the November midterm election looming, I feel it’s my responsibility as an American citizen to express these views.

Nonetheless, I have no intention of alienating or insulting readers who (obviously) have every right to their own opinions. The hardcore followers of the President are not my intended target. It’s the independents and more traditional Republicans (I know them when I see them because I used to be one) who I would hope to reach. To provoke thought and even debate.

Years ago, when I first got on Facebook, I would comment about disagreements I had with friends who had posted political opinions. I damaged several such friendships – including several quite painful losses (miss you, Joe) – and I stopped posting any comments on their sites.

I don’t think it’s ever been hard to detect that I am left of center; but generally I’m not very far left of center, which frequently puts me in the middle of the road where I can be swiped by cars coming from either direction. (One of them driven by my son.)

I do this only because of this coming election, the importance of which is something I think we can all agree about. Interestingly, my sharing of these videos has been greeted mostly were smiley faces, but a few scowls are scattered in as well. What’s confusing is whether the scowling faces mean they agree or disagree.

Of course, if AI kills us all, I suppose the point is moot.

M.A.C.

Physical Media Lives! So Does M.A.C.

Tuesday, September 1st, 2026

A few of you knew about me going in for a procedure last week (Thursday to be exact). I am recuperating at the moment, so this will be a brief update. Medically speaking, I’m doing fine – it was an ablation/cardioversion having to do with trying to tame my a-fib.

Flowers are unnecessary but good wishes always appreciated. I have the most incredible wife in the world, by the way – Barbara Collins is exactly who any smart person would like to have at their side in any tight scrape.

As the Christmas season approaches, I notice a number of my movies on physical media are popping up at good prices – some of these are steals. I’ll annotate each (they are listed here in no particular order).

For the casual browser who’s just happened to stop by I’ll mention that, in addition to some bigtime stuff like Road to Perdition and the HBO/Cinemax Quarry series, I have done (written and directed) a number of indie projects – seven features, two documentaries, and a handful of short films. Also, I’ve written a few produced screenplays that others have directed – The Last Lullaby, The Expert and recently Mickey Spillane’s Cap City.

Some of the prices listed below are sale prices and may not last long – so now’s the time….

BLUE CHRISTMAS $3.49 (Blu-ray) at Oldies.com

Blue Christmas is a micro-budget adaptation my novella “A Wreath for Marley,” which is essentially The Maltese Falcon Meets A Christmas Carol. We shot it in a week for ten thousand bucks on a single set with a largely local cast, who I think did a terrific job. We won some awards and scored some very nice reviews.

ELIOT NESS: AN UNTOUCHABLE LIFE (Blu-ray) $17.47 at VCI

This is my late friend Michael Cornelison’s signature role as Eliot Ness in a one-man show. It was produced and performed at a theater in Des Moines, Iowa, but we shot it movie style with only the opening and closing from a live performance. It appeared on Iowa PBS and also was an award-winner.

MICKEY SPILLANE’S ENCORE FOR MURDER $1.98 (DVD) at Oldies.com

This is a performance (actually a movie culled by me and editor Chad Bishop from a dress rehearsal and the sole performance) of a radio-style play starring Gary Sandy (who was one of the stars of Mommy 2: Mommy’s Day). Gary had performed Encore (originally written for Stacy Keach in an audio production) in several larger venues, but this captured the version done here in Muscatine, Iowa, with (again) local talent backing him. He did a terrific job, and so did they. Again, a micro-budget production that won awards.

MOMMY & MOMMY 2 (Blu-ray double feature) $16.99 at Amazon

These are the two movies starring Patty McCormack as a sort of grown-up version of her classic Bad Seed role. They were done at the tail end of the home video rental era, and were hits – with respectable budgets in the half-million range – in that market. Mommy also appeared on Lifetime in primetime, and we had a stellar cast backing Patty up – Majel Barrett Roddenberry, Brinke Stevens, Jason Miller, Mickey Spillane, Gary Sandy, Arlen Dean Snyder and more.

CAVEMAN: V.T. HAMLIN & ALLEY OOP, $9.98 at VCI.
My documentary about the cartoon caveman and his creators V.T. Hamlin (Iowa born) and the assistant who took over the famous strip, Dave Graue, is my secret take on Chester Gould and his assistant Rick Fletcher on Dick Tracy. Includes an interview with the great Will Eisner.

DEATH BY FRUITCAKE (DVD), $18.90 at Oldies.com

This is our most recent production, based on a novella in the Antiques/Trash ‘n’ Treasures mysteries by Barb and me (as “Barbara Allan”). It, too, is micro-budget, but like Blue Christmas we got a lot of streaming play and some nice awards. Quad Cities broadcasting legend Paula Sands plays Vivian Borne, Midwest superstar Alisabeth Von Presley (American Idol) is daughter Brandy, and Rob Merritt (star of Blue Christmas) is Detective Tony Cassoto. You can catch this free on Tubi with a few commercials and on Prime and elsewhere on rental.

THE TWO JAKES $12.49 (Blu-Ray) at Barnes & Noble

This is one of my favorite movies, the sequel to Chinatown; this release [The Kino-Lorber release, not the Paramount!–Nate] includes a commentary track by me and my pal Heath Holland.

Why, you may ask, have I spent so much time out of my career in doing smalltime projects? The thing is, I have a love for movies and specifically hearing my dialogue spoken that draws this moth to the flame. In a fairly successful fiction-writing career that began in 1972 I have had many options for film and TV, and the money was nice, but the satisfaction (when the bulk of those projects inevitably went south) was negligible.

Part of this is my fault for never leaving my smalltown Iowa home. The reasons I stayed are many, but among them was an understanding that my temperament, and what it would take to make it in Hollywood, were almost certainly incompatible. Doing this in a small-scale way has helped me maintain control and get things done.

Say what you will, I have wracked up a filmography that has allowed me to demonstrate, at least to some small degree, what I’m capable of. God bless collaborators like Mike Cornelison, Phil Dingeldein, Steve Henke, Chad Bishop and so many more – chief among them Barbara Collins – for helping me carve out this small, unlikely place in my CV.

* * *

Craig Zablo has announced the upcoming Quarry’s Reunion on his site with a lovely look at the cover.

Barb and I received copies of Antiques Web from Severn House in London and will share a look at it as we grow closer to the pub date (early October).

Meanwhile I’m beginning serious research on Road to Hell, which will include a chapter about Michael O’Sullivan’s harrowing experiences in the Great War.

That’s all for this week…my beautiful nurse is calling….

M.A.C.

Perdition Milestones, San Diego Con 2027 & More Fruitcake!

Tuesday, July 28th, 2026

As I mentioned last week, Death by Fruitcake – the micro-budget movie we made based on the “Antiques Fruitcake” novella by Barb and me – has hit the major free service, Tubi. You can see it here.

And here’s great new promo art for Fruitcake at the holiday season.

Death by Fruitcake
* * *

You’ll have to scroll down to see it, but No Film School has a “Definitive Ranking of the 40+ DC Comic Book Movies,” and Road to Perdition is number one.

The film was also honored as one of the Five Best Irish Mob Movies of All-time.

I am about to begin writing Road to Hell, the prequel to the Perdition saga. It will be out in 2028, which is the 30th anniversary of the publication of the graphic novel by artist Richard Piers Rayner and me. Next year will mark the 25th anniversary of the film’s release.

No San Diego Comic Con for us this year, though we hope to make it next. In the meantime, enjoy a couple of photos from 1988’s con where our band Seduction of the Innocent made its debut – that’s Bill Mumy, Steve Leialoha, Miguel Ferrer and me (Chris Christensen had not joined the band yet).

[And while digging around, I found this video of their performance from the 1988 comic-con. –Nate]

* * *

The ANTIQUES/Trash ‘n’ Treasures series that Barb and I do was featured in an Internet article, “4 Funny Cozy Mysteries for Teachers Who Need a Recharge this Summer”

by Dr. Bruce Ellis
Antiques Roadkill by Barbara Allan (Trash ‘n’ Treasures Mystery Series)

Barbara Allan is actually a joint pen name for the husband-and-wife writing team of Barbara Collins and Max Allan Collins, and together they created one of the most entertaining mother-daughter duos in cozy mystery fiction. After her divorce, Brandy Borne heads back to the small Midwestern town where she grew up, only to find that her eccentric, larger-than-life mother Vivian has sold all the family’s antiques to an unscrupulous dealer named Clint Carson. Before Brandy can recover the family heirlooms, Carson turns up dead, and both Brandy and her mother become the prime suspects. They decide to investigate before someone else ends up a victim.

The dynamic between the practical, long-suffering daughter and her theatrical, completely unbothered mother is pure comedic gold. Vivian treats every situation as though she is starring in a Shakespearean production, and Brandy’s deadpan narration is the perfect foil. The series maintains a strictly PG tone throughout, and the small-town charm keeps you turning pages well past your bedtime.

What a delightful review! And a fun picture of Brandy Borner and her sleuthing mother, Vivian…or is it?

I had sent this to son Nate (who manages this Update/blog) and he immediately flagged both the article and the photo as AI-generated.

Initially I defended this (censored) element (that was an actual use of the word “censored,” not a substitution for “f***ing”). The site it comes from appears legit, and the author is apparently a real guy with a doctorate and everything.

But Nate argued that the site itself was designed to promote AI use, and my son is dead set against such things. I am looser, because I figure free promo is free promo, and anyway I’m not going to live long enough to have to deal with our eventual Robot Overlords like Nate will.

Would love to hear your opinion on the subject in a comment below. And rest assured I am a real guy myself!

M.A.C.

The Borne Girls Are Back

Tuesday, July 21st, 2026

If you haven’t seen Death by Fruitcake yet, it has just gone up on Tubi and you can watch it free. Please do!

Will we continue the book series? We hope so, but that remains to be seen. The final book on our contract is Antiques Web, which will be published by Severn House (now an imprint of Joffe Books) at the beginning of this coming October.

Pre-order in Hardcover:

What a pleasure it is seeing Barb grow and develop as a writer. She began writing short stories, a few of which were collaborations with me; but she has a feel and instinct for the shorter form that I, frankly, lack. When we began the Trash ‘n’ Treasures/ANTIQUES series, the drafts she handed on to me were perhaps 200 of the 300 pages we need to submit. Now her draft is closer to 250 (or more) pages and my addition is around 50.

Those aren’t additional pages in the sense that I continue the story for fifty pages – I revise throughout, expanding her chapters. She leaves breathing room for me in dialogue scenes and often leaves action scenes to me. Early on we plotted the books together, but it’s evolved into us just agreeing on a basic idea of what the next book will be, and Barb does the actual chapter breakdown. I don’t see anything till her draft is complete. Rarely she may run into a problem and ask for my input, but hardly ever.

Just as Barb has grown and developed, our two main characters have evolved considerably. When we sold the series to Kensington in 2005, our editor (Michaela Hamilton) told us to write a “chick lit” mystery – lots of fashion and shopping tips. We set out to do so, but midway, Michaela called and said, “Chick lit is dead,” and we adjusted. There are probably still ghosts of that initial concept in the books. What has been most surprising though, is how Brandy and Vivian have changed.

We set out with Brandy as the amateur sleuth and Mother as the comic sidekick; but Brandy soon became the reluctant partner in the pair who would rather not be dealing with mystery and particularly murder at all. And Mother asserted herself, wanting to write her own chapters. While Brandy, as our Watson, still has the lioness’s share of first-person chapters, Vivian shoulders her way into an increasing number of them.

The two women took over, and Barb and I dutifully followed them.

The idea was always to keep in tongue in cheek, and spoof the cozy genre without minimizing the mystery aspect – to make sure murder was murder. Death is no laughing matter.

I know it’s sometimes been tricky to find us, since we left Kensington in 2020, as Severn is a UK house, though they continue to make inroads into the American market. If you have difficulty finding us in a brick-and-mortar outlet, various sites (including Amazon and Barnes & Noble) will help.

Here are the Severn titles: ANTIQUES CARRY ON; ANTIQUES LIQUIDATION; ANTIQUES FOE; ANTIQUES SLAY BELLES; ANTIQUES ROUND-UP; and of course the forthcoming ANTIQUES WEB. These are all available at the Amazon and Barnes & Noble sites.

M.A.C.