Posts Tagged ‘True Crime’

Quarry Pilot Casting News

Tuesday, June 25th, 2013

The producers of the HBO/Cinemax pilot QUARRY have added two more cast members to an already impressive roster:

Nikki Amuka-Bird of the top-notch British series LUTHER and Mary Elizabeth Winstead, whose many credits include the wonderful SCOTT PILGRIM VS. THE WORLD.

I got a fun e-mail from reader Lee Grant relating to the QUARRY pilot, and I’d like to share it with you:

My introduction to your work came back in the 1980s with The Baby Blue Rip Off and Kill Your Darlings. I graduated to the Nathan Heller novels and rediscovered comics again with Ms. Tree. The Nate Heller and disaster novels remain my favorites, though your treatment of Mike Hammer is right up there with the Mick. Now, if you could only do some Travis McGee or Nero Wolfe novels that would be the icing on the cake. Anyway, my wife and I are at home in Bartlett, TN last night when we receive a call from a woman who is doing advance location work for a movie to be set in an old house in Mississippi. She is interested in using my wife’s old family farm house in it – one that looks like it may have been used by Machine Gun Kelly (BTW) who did spend some time in this area. I don’t think much of the conversation other than it is interesting. I ask what the film is and my wife, Jayme, says the advance scout didn’t remember the title but that it was a mystery. So, Jayme goes to visit the scout today at the house in Independence, Mississppi and when she comes out she literally stuns me saying it is for a film based on a mystery by Max Allan Collins. I couldn’t believe what I was hearing. She tells me, “Yeah, it is about some hit man. I think his name is Quarry.” As my teenage daughter would say, “OMG.” I don’t say that myself, I would be more like Nate Heller, but I try to avoid that can of language in emails. The sad news is that the farm house, though no one has lived in it for 25 years, may be too nice to use according to the scout. So it probably won’t be in the film, but to think that it was considered for a Max Allan Collins’ film made my day. Anyway, good luck with the film. If you ever visit the set and need someone to show you some undiscovered BBQ places, or need a driver to Graceland, feel free to drop me a line and I’ll be happy to act as a guide. It would be my way of saying thank you for all of the hours of great reading you’ve given me these past 30+ years.

Any other readers out there who have a close encounter of the QUARRY kind are urged to let me know.

A few comments on recent movies and TV, just briefly….

MAN OF STEEL is well-cast, with both Superman (Henry Cavill) and Lois Lane (Amy Adams) quite wonderful; like Glenn Ford in the first Christopher Reeve SUPERMAN, Kevin Costner gives the Smallville sections a nice homespun weight. But the last act is borderline dreadful, with oh-so-serious co-writer Christopher Nolan meeting up with the excesses of director Zack Snyder in a perfect storm of missteps – i.e., relentlessly idiotic and uninteresting TRANSFORMERS-style destruction of downtown Metropolis, topped off by Superman actually taking a life. And some of the screenwriting is truly abysmal – the movie opens with a lengthy, detailed study of Krypton’s final days, somewhat ponderous but not bad. Then when Russell Crowe as Marlon Brando, I mean Jo-El (Superman’s father), shows up as a ghost or something, he spends five minutes telling Kal-El (Superman) what happened in the first half hour of the movie! Wow. Exposition at its most clumsy, and pointless.

THIS IS THE END, on the other hand, is a truly great comedy, with star/writer Seth Rogen assembling James Franco, Jonah Hill, Danny McBride and many other comic stars of his generation to play themselves in an Apocalyptic horror flick that is largely about these talents pimping themselves out. One of the best movies of the summer, maybe the year.

Barb and I binged on two American remakes/revamps of great foreign TV mini-series – HOUSE OF CARDS with Kevin Spacey standing in for the late Ian Richardson in an excellent U.S. take on the acid British political dark comedy. Not quite as good as the original, which is one of the greatest of all UK television mini-series, but damn good in its own right. Think of it as a very dark take on THE WEST WING.

THE KILLING begins as a faithful remake of the excellent Danish series of the same name (well, the UK name, anyway – the Danish name is Forbrydelsen, “The Crime”), but expands upon it and goes its own way, and ultimately rivals and perhaps exceeds the original. The show got a bad rap and rep because it didn’t solve the central murder by the end of the first season (it never pretended it was going to), but viewing the two seasons binge-style is a hypnotic, rewarding experience. And it’s back for a third season and a new central crime. Mireille Enos and Joel Kinnaman are the very strong leads, two damaged detectives who combine to make an unlikely and even reluctant team.

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A very nice review of SEDUCTION OF THE INNOCENT in the Cedar Rapids Gazette has been picked up around the Net.

Here’s a review of TWO FOR THE MONEY, the Hard Case crime collection of the first two NOLAN novels, BAIT MONEY and BLOOD MONEY.

Here’s a little preview of THE WRONG QUARRY with a nice uncluttered look at the cover art.

Finally, take a look at this terrific review of TRUE CRIME. I’m so pleased Heller is getting a whole new round of readers thanks to the Amazon reprints.

M.A.C.

Nero Nom For Antiques Disposal—Satisfactory

Tuesday, June 18th, 2013

Barb and I (and for that matter our son Nate) are huge Nero Wolfe fans. Our preferred mode of enjoyment is the fine series of audio books read by Michael Pritchard, which Barb and I have listened to perhaps five times. I am also a fan of Bob Goldsborough’s continuation of Rex Stout’s great series – he was a role model for me in my work on Mickey’s unfinished novels.

So it was with particular pleasure and even a little pride that Barb and I learned that we’d been nominated for the Wolfe Pack’s prestigious Nero Award. This award is, rivaled only by the Edgar, the remaining award in mystery fiction that I still dream of winning – in part because it’s physically cool, being a bust of Wolfe himself. Read about it at the Rap Sheet, where you can see who the other three nominees are (like I’m going to tell you!).

The other big news this week is that top-flight actor Stellan Skadrsgard (THOR, THE GIRL WITH THE DRAGON TATTOO), has been cast as the Broker in the Cinemax QUARRY pilot. This will be a recurring role, if the pilot goes to series, at least for the first season (regular readers of the Quarry books know why the Broker will not likely be around for the long haul…).

IMPORTANT ANNOUNCEMENT: I have learned that reviews of WHAT DOESN’T KILL HER cannot go up on Amazon until after the book has been published. So those of you got review copies from me will have to wait until then, although you can post at Goodreads any time and the also on blogs of your own. When the book comes out in September, I will remind you to post those reviews.

By the way – and this was mentioned in a comment response here, but many of you may not have seen it – I am close to signing with Hard Case Crime to do another Quarry novel, which I would write later this year. The title will probably be QUARRY’S CHOICE. It will not be a “list” novel, but will return to the period where Quarry works for the Broker. (THE WRONG QUARRY will be out in January, and I immodestly suggest it’s among the strongest in the series.)

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Favorable reviews of COMPLEX 90 continue to roll in, but I really get a kick out of it when a young woman like the reviewer at Nerds in Babeland connects with Mike Hammer and his world, particularly a smart one who recognizes how strong Velda and the other female characters are.

A very well-conducted interview, part of the COMPLEX 90 blog tour, is here, at Celebrity Cafe.

And here’s another one, nicely handled by the interviewer, at blogcritics.

David Williams continues to review Heller novels in succinct, smart fashion, as in this look at BYE BYE, BABY.

And Just a Guy That Likes to Read liked reading TRUE CRIME very much, as his review indicates.

An annotated reprinting of my BATMAN comic strip story (illoed by the great Marshall Rogers) is here. I’ve posted this before, but this is a revised, expanded version.

And here’s a fun look at the “Barbara Allan” Marilyn Monroe thriller, BOMBSHELL, a book that really got lost between the cracks until Thomas & Mercer gave it a new lease on life.

M.A.C.

True Crime for Kindle $1.99 Today Only

Saturday, September 1st, 2012

All day today (Saturday, September 1st), TRUE CRIME is on sale for $1.99 on the Amazon Kindle store. The second novel in the Nate Heller series (currently rated at 4.5 out of 5 stars) finds the detective facing Ma Barker, Baby Face Nelson, and perhaps the biggest and most dangerous question in his life: Who was the man shot down in the alley next to the Biograph Theater, the man the FBI had confidently identified as John Dillinger?

Don’t miss out on the novel the New York Times said has “enough twists, gritty period color and sheer violent momentum to keep crime buffs eagerly turning the pages,” and the Detroit Free Press called “a true gem.” And if that’s not convincing, how about praise from one Mickey Spillane: “Terrific!”

http://amzn.to/PJO4Ks

Sex And Violence

Tuesday, March 13th, 2012

When I set out to write hardboiled mystery novels, very much influenced by Mickey Spillane and the Gold Medal writers, I made sure my work was strong on sex and violence. I still do. Not only are these ingredients key to the noir sensibility, they represent (as I’ve said numerous times) the big topics: life and death.

And while my historical novels have an element of education/information in them, the primary purpose is to entertain, and usually in the fashion that I established early on – meaning there will be sex and violence.

Over the years this has been commented on occasionally by reviewers, but not really that often – the subject tends to come up in a more general way, i.e., why is there so much sex and violence in noir fiction?

But in the past several years, I have been getting criticized much more often about the sexual component of the books. I don’t mean to defend myself here or to complain about those reviews – I am just observing that there seems to be something afoot in the culture, something more staid, even more prudish. I graduated high school in 1966, so the sexual revolution was all around me, reflected in popular culture from underground comix to nudity-flung films.

So what’s up lately with this anti-sex scene sentiment? And almost always coming from men. Men who don’t want to read about sex. Which strikes me as bewildering. These comments often come from readers who otherwise like the books. Here’s an excerpt from an Amazon Review of CARNAL HOURS that is otherwise a rave:

“The author seems determined to inject some short, steamy sex episodes in each book. These are gratuitous and serve no purpose other than to establish the ‘ladies man’ reputation of Heller, which could be accomplished without the silly detail. I’m not prudish but each time these short episodes struck me as stupid and juvenile.”

I might wonder why any reader of book with the word “carnal” in the title would be surprised to find sex scenes in that book. But this Amazon reviewer is joined by a handful of professional reviewers who have lately made similar comments. George Easter, for example, in the fine magazine Deadly Pleasures, made that his sole carp in a very positive review of BYE BYE, BABY.

Again, I mention this because I find it odd, not to complain about it or defend myself. I will say this: anyone who considers the sex scenes in Nathan Heller novels to be mere gratuitous porn isn’t really paying attention. I don’t believe there is a single Heller sex scene involving my guy with some casual pick-up in a bar or whatever – there are references to such happenings, but they remain off-stage. The sexual encounters are there for characterization reasons, usually to build emotion and establish a closeness, even a love, between Heller and a woman who is crucial to the tale being told, often tragic romances as in TRUE DETECTIVE, TRUE CRIME, THE MILLION-DOLLAR WOUND, FLYING BLIND and BYE BYE, BABY. Some of these are real women, like Amelia Earhart, Sally Rand and Evelyn MacClean Walsh, and this gets me nasty letters at times (“How dare you?”). I had death threats over my depiction of Earhart as bisexual. Here’s the thing: Nate Heller didn’t have sex with any of these women, because Nate Heller is a fictional character.

My sex scenes do make people uncomfortable at times, and I’m rather proud of that. A mystery writer pal of mine, when TRUE DETECTIVE came out, was offended (perhaps the term is “grossed out”) that Heller used condoms and he and the lady in question cleaned up after the act. The sex was too real, apparently. An editor talked me into toning down oral sex passages in ANGEL IN BLACK…between Heller and his wife (oral sex was both characterization and a major clue in that novel).

Anyway, if you guys out there want to skip the sex scenes, fine by me. My generation of guys would more likely have underlined them. If this is progress, count me out.

And isn’t it interesting that none of these reviewers have ever complained about the graphic blood-splattering violence in my work?

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We had a very nice review for the upcoming Barbara Allan, ANTIQUES DISPOSAL, in Publisher’s Weekly.

Our good friend and that good writer Ron Fortier wrote a lovely review of ANTIQUES DISPOSAL on his fun Pulp Fiction web site.

Brandywine Books posted yet another fine Heller review, this time looking at TRUE DETECTIVE.

The low price ($2) this month of FLYING BLIND on Kindle e-book caught some nice attention here.

Perfect Crime Books has announced their Nolan reprint series, with all the covers posted.

The quirky and entertaining Temple of Schlock reviewed THE CONSUMMATA, and back on my birthday took an eccentric look at QUARRY’S EX.

Nate is heading to Japan for a month on a business vacation. He will still be handling the weekly Updates, but they will likely be a little shorter in the near future. Also, I’m working on ANTIQUES CHOP, which means you may be spared these longer entries until I am finished and Nate returns.

M.A.C.