Posts Tagged ‘Two for the Money’

After Party

Tuesday, March 20th, 2018

The Spillane birthday was truly a phenomenon. So much appeared on line and in newspapers and magazines that I am encouraged knowing the world remembers, and I believe will continue to remember, one of the greatest mystery writers of all time, and who is on the very short list of great private eye writers.

And the celebration will continue all year and into next. Right now we’re discussing a follow-up Mike Hammer radio-style play in Clearwater, Florida, next February or so, as the official closing event. Gary Sandy will likely be back as Hammer.

Killing Town will be out in April, and the Mike Hammer graphic novel from Titan will appear through the summer and fall, and probably be collected before year’s end.

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I am working on Girl Most Likely, a new thriller with a mystery aspect. I hope to be almost finished with it by next update. Though it was conceived as a one-shot, it’s showing signs of wanting to become a series. In an odd way, it’s like a non-overtly-humorous version of the Barbara Allan books – the main characters are a retired police detective father (recently widowed) and his small-town chief-of-police daughter. The thriller aspect is represented by a scary and violent murderer, and the mystery involves the father-and-daughter duo finding out who that killer is, and stopping him or her.

To some degree this flows from my desire to do something American that recalls/invokes the Nordic crime thrillers best represented by The Girl With the Dragon Tattoo in its various forms and such TV series as the assorted Wallander adaptations and the three versions of The Bridge. I like the social commentary aspect of those works and the way a character-driven, not overly hardboiled detective or detectives deal with really frightening, violent adversaries.

I did my Dragon Tattoo variation for Thomas & Mercer a few years ago – What Doesn’t Kill Her – developed with my frequent collaborator, Matt Clemens. This time I’m on my own, though I’ve leaned on Matt for some on-the-fly police procedure stuff and on Barb to keep me honest with the female protagonist (both the daughter and father have equal weight in the narrative, alternating chapters, occasionally interrupted by chapters from the killer’s POV).

I will share more as we draw closer to publication, which won’t be incredibly soon because it’s not finished yet.

Ahead for me are the galley proofs of Scarface and the Untouchable – the thing is massive. Very proud of this, and I have a hunch it’s going to make some noise. My co-author, A. Brad Schwartz, and I are exploring ways to promote the book, which I frankly don’t think will be hard – Capone and Ness are iconic figures in our popular culture. I feel we’ve done them justice and told their story in a new, compelling, ground-breakingly accurate way.

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Barb and I left an area movie theater after about an hour of Red Sparrow.

Now, for a long time I didn’t write negative things about movies. When I started making movies, in my modest way, I got a crash course in how effing hard it is to do. Because of this, I resigned from my Mystery Scene role as film critic, and when I wrote a review column for the late, much-missed Asian Cult Cinema, I wrote almost exclusively about movies I liked.

But, as regular readers of this update know, I have weakened, battered by too many terrible films, until I’m beyond the ability to feel compassion for their makers. Red Sparrow is a good example of why – it is horrid. It makes me wonder if I was wrong to walk out of Atomic Blonde, because Sparrow is so similar and so very much worse.

I am not easily offended. When I am offended, it’s usually something a politician did, not a writer or filmmaker or stand-up comic. But stupidity offends me. Red Sparrow is incredibly stupid, its plot inane. Do I exaggerate? Consider. The female star of the Bolshoi Ballet (which you may be forgiven as thinking of as the Bullshit Ballet in regard to this film) suffers a broken leg that ends her brilliant career. So the KGB (or whatever they’re calling themselves now) recruit her to be a spy…and send her undercover.

World-famous ballet stars being ideal choices for undercover espionage.

Jennifer Lawrence is fine, and very beautiful, and that I would walk out of a film knowing that more of her nude scenes lie ahead speaks volumes in and of itself. For her training in spycraft, she goes to sex-and-sadism school and learns how to give blow jobs to men she doesn’t like (Lawrence’s character herself calls this “whore school”). Her trainer is Charlotte Rampling, apparently cast because she was in the famous sadomasochistic Night Porter decades ago, though what she brings to mind here is Natasha in Rocky and Bullwinkle.

Guess what the plot is about? There’s a mole in the KGB that Lawrence is supposed to expose! Yes, the same as Atomic Blonde. Someone who liked this film said on Facebook (when Terry Beatty wondered if Red Sparrow was worth seeing) that it reminded him of John le Carré. Yes, if you were to read Fifty Shades of Grey and say, “Wow – this is just like Lolita!”

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Here’s a nice Spillane-oriented interview of me by Mike Barson at Crimespree.

I’m somewhat weirded out by reviews of my early work, but this one – of Bait Money and Blood Money in their Hard Case Crime iteration, Two for the Money – isn’t bad.

J. Kingston Pierce provides my chronology of the Mike Hammer novels, which shows where the Spillane/Collins collaborations fit.

Here’s a preview of the final issue of Quarry’s War.

And I am pleased to see Road to Perdition singled out as one of the ten most stylish movies of the century thus far. Most of the writer’s other choices are good ones, though he includes two movies by Darren Aronofsky, one of my least favorite directors, and his top choice, Blade Runner 2049, Barb and I walked out of. A bad movie that looks great is still a bad movie. The play is the thing says I.

M.A.C.

Today’s the Day! (Later is Good, Too.)

Tuesday, April 26th, 2016
The Big Showdown
Hardcover:
E-Book:

The Legend of Caleb York
Paperback:
E-Book: Amazon Google Play Nook Kobo iTunes

Antiques Fate
Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes

The day this appears (April 26) is the pub date of the second Caleb York novel, THE BIG SHOWDOWN, in hardcover, and also of THE LEGEND OF CALEB YORK in mass-market paperback (co-bylined with the great Mickey Spillane). On this same big day, the new Trash ‘n’ Treasures mystery, ANTIQUES FATE, appears in hardcover. A week from now (May 3), the new Nate Heller will be out: BETTER DEAD (more about that next week).

These are all books I’m pleased with. I think THE BIG SHOWDOWN has one of the best, moody scenes of action/violence – a shoot-out in a rainstorm – that I’ve ever come up with. ANTIQUES FATE may be my favorite of the Brandy and Vivian Borne novels, with its faux-British setting reminiscent of MIDSOMER MURDERS and Miss Marple’s St. Mary Mead. It’s also very funny. No brag, just fact, as we western novelists are wont to say. Or is that want to say?

You may think that novels are flying out of my computer as if it were haunted. Actually, last year was one of my least prolific ones, due to the health problems that turned up in May. The only book I wrote during that period was MURDER NEVER KNOCKS (a Hammer, as usual working from Spillane material), and I also managed to do the short story “A Dangerous Cat,” which appears in the current Strand Magazine. The novel was written in the weeks after the treatment in which my heart was jump-started like an old Buick, to get rid of the irregular heartbeat that had turned up with my condition – for maybe a month I felt a lot better.

I wrote “A Dangerous Cat” later, feeling fairly shitty actually, but the story needed writing. It represented the last Hammer fragment that I’d set aside for short story purposes, and writing it would give me a Hammer collection (eight stories) – Otto Penzler is publishing it later this year as A LONG TIME DEAD.

The books that are coming out today (if you’re reading this on the day it appears) predate the health problems, and give something of a false impression about my apparently prolific 2015. But I am happy to report that I am back at work here in 2016, and in fact Barb and I have already delivered the next Trash ‘n’ Treasures mystery, ANTIQUES FRAME. She had been working on her draft throughout the medical adventures during which she was my incredible support system – the last bits of it were written by her in my hospital room. The rapid comeback my right hand made allowed me to get to work after two or three weeks at home.

Currently I am working on the third Reeder and Rogers political thriller. My cohort Matt Clemens is wrapping up his draft while I start mine. So far it looks like SUPREME JUSTICE and FATE OF THE UNION will have solid company. By the way, SUPREME JUSTICE recently hit the 100,000 books-sold mark. This does not count 175,000 books generated in the Kindle First program. Most of those copies were e-books, a fact I have trouble caring about.

Much of this year will be dedicated to getting back on deadline, as much as possible. I have no way to know how quickly the recovery will go, although so far – at nine weeks – I’m told by doctors and physical therapists that I’m doing very well. The biggest obstacle to getting my work done are the essential twice-weekly occupational and physical therapy sessions, which last 80 minutes. Or I should say the biggest obstacle is my reduced stamina and increased fatigue – after the physical therapy, I invariably have needed a nap of an hour or two. Takes a bite out of the writing day.

But things are improving. I had my first band practice (Crusin’) last Tuesday – an hour was about all I could manage, but I managed. We’ll practice again soon and play a two-hour gig in June. This weekend son Nate and his bride Abby visited with our incredible grandson, the criminally cute Sam Collins, in tow. Nate and Abby – currently living in St. Louis – are exploring coming back here to Iowa.

Realtor Suzi Webb (great name) – a good friend from my high school days – arranged a tour for us of half a dozen houses. I went along and, despite a lot of stairs, held up fine. Okay, I took and hour and a half nap after – but just a few weeks ago that adventure would have been out of the question.

For those of you who haven’t stopped reading yet, let me say that I never expected to discuss these health issues here. But my son has always encouraged me to look at behind-the-scenes stuff, and me reporting on how the writing is going seems pretty basic.

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a ten minute interview I did at the last Bouchercon (in Raleigh), specifically focusing on B’Con memories and my general attitude about the annual event.

Here’s a fun review of TWO FOR THE MONEY, the Hard Case Crime omnibus of BAIT MONEY and BLOOD MONEY.

And here’s a list from a lawyer selecting 10 “Great Novels About the Supreme Court.” One of them is SUPREME JUSTICE!

M.A.C.

Quarry Pilot Casting News

Tuesday, June 25th, 2013

The producers of the HBO/Cinemax pilot QUARRY have added two more cast members to an already impressive roster:

Nikki Amuka-Bird of the top-notch British series LUTHER and Mary Elizabeth Winstead, whose many credits include the wonderful SCOTT PILGRIM VS. THE WORLD.

I got a fun e-mail from reader Lee Grant relating to the QUARRY pilot, and I’d like to share it with you:

My introduction to your work came back in the 1980s with The Baby Blue Rip Off and Kill Your Darlings. I graduated to the Nathan Heller novels and rediscovered comics again with Ms. Tree. The Nate Heller and disaster novels remain my favorites, though your treatment of Mike Hammer is right up there with the Mick. Now, if you could only do some Travis McGee or Nero Wolfe novels that would be the icing on the cake. Anyway, my wife and I are at home in Bartlett, TN last night when we receive a call from a woman who is doing advance location work for a movie to be set in an old house in Mississippi. She is interested in using my wife’s old family farm house in it – one that looks like it may have been used by Machine Gun Kelly (BTW) who did spend some time in this area. I don’t think much of the conversation other than it is interesting. I ask what the film is and my wife, Jayme, says the advance scout didn’t remember the title but that it was a mystery. So, Jayme goes to visit the scout today at the house in Independence, Mississppi and when she comes out she literally stuns me saying it is for a film based on a mystery by Max Allan Collins. I couldn’t believe what I was hearing. She tells me, “Yeah, it is about some hit man. I think his name is Quarry.” As my teenage daughter would say, “OMG.” I don’t say that myself, I would be more like Nate Heller, but I try to avoid that can of language in emails. The sad news is that the farm house, though no one has lived in it for 25 years, may be too nice to use according to the scout. So it probably won’t be in the film, but to think that it was considered for a Max Allan Collins’ film made my day. Anyway, good luck with the film. If you ever visit the set and need someone to show you some undiscovered BBQ places, or need a driver to Graceland, feel free to drop me a line and I’ll be happy to act as a guide. It would be my way of saying thank you for all of the hours of great reading you’ve given me these past 30+ years.

Any other readers out there who have a close encounter of the QUARRY kind are urged to let me know.

A few comments on recent movies and TV, just briefly….

MAN OF STEEL is well-cast, with both Superman (Henry Cavill) and Lois Lane (Amy Adams) quite wonderful; like Glenn Ford in the first Christopher Reeve SUPERMAN, Kevin Costner gives the Smallville sections a nice homespun weight. But the last act is borderline dreadful, with oh-so-serious co-writer Christopher Nolan meeting up with the excesses of director Zack Snyder in a perfect storm of missteps – i.e., relentlessly idiotic and uninteresting TRANSFORMERS-style destruction of downtown Metropolis, topped off by Superman actually taking a life. And some of the screenwriting is truly abysmal – the movie opens with a lengthy, detailed study of Krypton’s final days, somewhat ponderous but not bad. Then when Russell Crowe as Marlon Brando, I mean Jo-El (Superman’s father), shows up as a ghost or something, he spends five minutes telling Kal-El (Superman) what happened in the first half hour of the movie! Wow. Exposition at its most clumsy, and pointless.

THIS IS THE END, on the other hand, is a truly great comedy, with star/writer Seth Rogen assembling James Franco, Jonah Hill, Danny McBride and many other comic stars of his generation to play themselves in an Apocalyptic horror flick that is largely about these talents pimping themselves out. One of the best movies of the summer, maybe the year.

Barb and I binged on two American remakes/revamps of great foreign TV mini-series – HOUSE OF CARDS with Kevin Spacey standing in for the late Ian Richardson in an excellent U.S. take on the acid British political dark comedy. Not quite as good as the original, which is one of the greatest of all UK television mini-series, but damn good in its own right. Think of it as a very dark take on THE WEST WING.

THE KILLING begins as a faithful remake of the excellent Danish series of the same name (well, the UK name, anyway – the Danish name is Forbrydelsen, “The Crime”), but expands upon it and goes its own way, and ultimately rivals and perhaps exceeds the original. The show got a bad rap and rep because it didn’t solve the central murder by the end of the first season (it never pretended it was going to), but viewing the two seasons binge-style is a hypnotic, rewarding experience. And it’s back for a third season and a new central crime. Mireille Enos and Joel Kinnaman are the very strong leads, two damaged detectives who combine to make an unlikely and even reluctant team.

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A very nice review of SEDUCTION OF THE INNOCENT in the Cedar Rapids Gazette has been picked up around the Net.

Here’s a review of TWO FOR THE MONEY, the Hard Case crime collection of the first two NOLAN novels, BAIT MONEY and BLOOD MONEY.

Here’s a little preview of THE WRONG QUARRY with a nice uncluttered look at the cover art.

Finally, take a look at this terrific review of TRUE CRIME. I’m so pleased Heller is getting a whole new round of readers thanks to the Amazon reprints.

M.A.C.

New Antiques

Tuesday, February 8th, 2011

Antiques Knock-Off

ANTIQUES KNOCK-OFF is supposed to be coming out March 1st, but I am getting reports that it’s already out. I am pleased to report that Barb and I have had rave reviews from both Kirkus and Publisher’s Weekly for this entry in the “Trash ‘n’ Treasures” series. I’m getting increasing positive feedback from readers of my usual hardboiled fare that they are digging this cozy series, which Jon Breen aptly describes as “subversive.” If you don’t laugh at these, check your pulse – you may have passed away.

One of the interesting things about the net is that reviews of older books show up. This week some really perceptive reviews popped up of various not-current works.

With ANTIQUES KNOCK-OFF just hitting the shelves (our best “Barbara Allan” yet in my opinion), it’s fun to see ANTIQUES MAUL, the second book in the series, turn up on a Kindle review site. I love it when a reader “gets it” – particularly a reader who blogs. Reviewer Joe M. points out that ANTIQUES MAUL is on sale for Kindle at under five bucks!

Indian Book Reviews has a very nice review of MORTAL WOUNDS, the collection of my first three CSI novels. I’m very proud of those novels, written in collaboration with my NO ONE WILL HEAR YOU co-author Matt Clemens. We did eight CSI novels and two CSI: MIAMI, all of which are among the most successful non-science-fiction TV tie-ins of all time. Matt and I are waiting to hear if the Harrow series will continue at Kensington – if you buy copies (real books or Kindle) you will help the cause!

The fun blog Not The Baseball Pitcher has a review of my 1981 Nolan novel – FLY PAPER! Pretty decent review, too. Speaking of Nolan, I am working on a deal to bring Nolan and Jon back into print (books #3 through #8 – the first two are still available as TWO FOR THE MONEY). They will be trade paperbacks, not initially available on e-book.

Finally, I’ll mention we had a very successful two-night stand at the Riverside Casino here in Iowa. We appeared with Denny Diamond, an excellent Neil Diamond tribute act, and had great response. We are in talks right now possibly to appear at the St. Louis Bouchercon. That would be our third Bouchercon appearance, and we hope it happens, because the other two were a blast!

M.A.C.