Here are two images courtesy of Kensington editor Michaela Hamilton – a photo of Barb, Matt Clemens and me at the recent Albany Bouchercon (courtesy of Mike’s friend Gene) and the cover of the new Trash ‘n’ Treasures Christmas novella, ANTIQUES SLAY RIDE.
SLAY RIDE is available only as an e-book, and is the first of three such novellas (all with Christmas themes) that will appear over a three-year period. This one came out very well, and works as an introduction to the series and the characters if you’ve never tried one of these novels by Barbara Allan (Barb and me).
Barb is working on her draft of the next full-length novel in the series, ANTIQUES SWAP – at about the half-way mark. I am deep into SUPREME JUSTICE, a political thriller for Thomas & Mercer, that Matt Clemens has helped develop. It’s due November 1 and, with any luck, I’ll make that deadline.
WHAT DOESN’T KILL HER has done very well so far, particularly on e-book, which is Thomas & Mercer’s long suit. As I write this, we are still number #1 in serial killer books. If you had a chance to read it, or EARLY CRIMES, let me again say how much positive reviews (however short) are helpful. I’ve been told by a credible source that even negative reviews can be helpful at Amazon and Barnes & Noble – statistics apparently show that books with no reviews don’t sell as well as books with primarily negative reviews. Right now we’re at 34 reviews and a four-star average for WHAT DOESN’T KILL HER. (EARLY CRIMES has 13 reviews and a five-star rating, which is very nice for such an offbeat little book.)
Barb and I have been watching horror movies, in honor of Halloween, with an emphasis on 3-D (we are set up for that in my office). The new 3-D blu-ray of the classic HOUSE OF WAX (SCTV fans, all together now: “Have you theen my paddleball?”) is quite wonderful and shows how effective and fun 3-D effects can be (from an eyepatch-sporting director who could not perceive the effect himself). Though it’s not a great movie, AMITYVILLE 3-D is also out on blu-ray as part of a boxed set of Amityville movies, and it too has wonderful 3-D effects, as well as a strong performance from the too-little-seen Candy Clark.
On the other hand, we tried to watch GATSBY and bailed after twenty minutes of pretentious self-conscious bilge. I avoided this in the theater but gave in to my 3-D curiosity for an attempted home viewing. I never dreamed Baz Lurhmann could make a film more dreadful than his MOULIN ROUGE, but he seems to have knocked the ball out of the park and into the crapper – based on the twenty minutes we watched. (Barb: “Are you having fun?” M.A.C.: “Not in the least.” Barb: “Can we stop watching this?” M.A.C.: “Absolutely.”)
We also took in the 3-D version of GRAVITY at our new multi-plex and were far less impressed than the critics at Rotten Tomatoes who give it 98% fresh. It’s an impressive piece of filmmaking in the technical sense, and well-acted, working fine as a thrill ride. The story, such as it is, is weak, with Sandra Bullock’s character in particular poorly thought through. It’s probably worth seeing, but keep in mind it’s one of those one-damn-thing-after-another movies. It also has one of those New Age orchestral scores with a wordless soprano caterwauling in a vaguely spiritual manner – the kind I hope never to hear again.
Here’s my blurb: “Way better than GATSBY!”
Finally, no firm news on QUARRY for Cinemax yet, but here’s an interesting interview with a mention of the pilot from an HBO exec.