Posts Tagged ‘Perdition’

Con Fusion

Tuesday, July 20th, 2010

Saner heads have prevailed, and I will not be trying to attend two panels simultaneously. I’m getting a little long in the tooth to do my Basil Fawlty impression.

So I will be reluctantly forgo the Vertigo Panel (though editor Will Dennis promises to give RETURN TO PERDITION a boost), and concentrate on the Scribes/Tie-in Panel. Here’s a reminder:

Friday, July 23:

5:00-6:30 Scribe Awards/Media Tie-in Writers Panel— Presenting the fourth annual International Association of Media-Tie-in Writers (IAMTW) “Scribe” awards, honoring such notable franchises as CSI, Criminal Minds, The X-Files, Star Trek, Stargate, Star Wars, and Dr. Who. Nominees on hand include Alina Adams (As the World Turns), Max Allan Collins (G.I. Joe), Keith R. A. DeCandido (Star Trek), Stacia Deutsch (Cloudy with a Chance of Meatballs), Jeff Mariotte (CSI), Nathan Long (Warhammer), and Dayton Ward (Star Trek). With moderator Collins and awards presenter Lee Goldberg (Monk). Room 4

IMPORTANT NOTE: There is no autograph session scheduled after the panel. And, throughout the con, I have no autograph sessions set either in the autographing area or at a booth. But there is no panel following the Scribe Awards one, and the panelists listed above – including yours truly – will hang around to sign books you’ve brought. Before the panel, you can buy books by the panelists at Mysterious Galaxy’s booth and elsewhere in the dealer’s hall. Right after the panel, in Room 4 itself – or in the hallway, if we get chased out by officious pratts – all of us will be signing any books and other stuff you haul along.

And I’ve had another panel appearance added (you may not find it in the official con listing – I seem to be among “others” on the panel):

Thursday, July 22:

4:00-5:00 From Screen to Comics— An in-depth look at what it takes to turn big screen action into 32 pages. Join talent creators from across the spectrum, including Max Brooks, Nancy Collins, Peter David, Tony Lee David Tischman, Mike Johnson, Max Allan Collins, and Scott Tipton as they look behind the scenes at some of the biggest properties to come to comics, like True Blood, Doctor Who, The A-Team, TRANSFORMERS, and Star Trek! Room 9

The Iowa City Book Festival was great fun. What a privilege to do a panel with Nick Meyer, one of my heroes (and a fellow University of Iowa grad) and the gifted director/writer who mistakenly confused Iowa and heaven, Phil Alden Robinson. Great guys – funny, knowledgeable, and very nice. I felt very much honored to be in their presence.

The screening of THE LAST LULLABY at the Bijou Theater on Sunday afternoon at the U of Iowa student union was well-attended, and the audience seemed to really like the film. We had a spirited question-and-answer session. Among those attending were such friends and fans as Stephen Borer from Minneapolis, Brad Schwartz from Ann Arbor, and Charlie Koenigsacker from Iowa City. I hadn’t seen the film for maybe six months, and viewing a nice 35mm print was a treat. Jeffrey Goodman reports around a dozen foreign sales for LULLABY – not in the USA yet, though you can still get a copy of the limited edition “screener” DVD at www.thelastlullaby.com.

Speaking of our favorite hitman, two really great advance reviews of QUARRY’S EX have turned up on the net.

Bill Crider loves Quarry almost as much as I love Bill Crider.

And Craig Clarke has made up for not caring for YOU CAN’T STOP ME with a rave review at his excellent SOMEBODY DIES site.

And I gave two interviews that have turned up at two other first-rate sites.

Jeff Pierce of RAP SHEET fame (at his KILLER COVERS site) does a nice write-up (intended for MYSTERY SCENE) on classic gals-and-gats paperback covers, with interview stuff from me, Norman Saunders’ son and somebody called Charles Ardai.

And John Kenyon (also an attendee at the LULLABY screening on Sunday) has posted his recent interview with me at his THINGS I’D RATHER BE DOING site.

See you at the con! Check in here daily starting Thursday morning for brief con updates.

M.A.C.

Quarry on a Roll

Tuesday, November 3rd, 2009

Antiques Flee Market

Hey, don’t forget to pick up a copy of ANTIQUES FLEE MARKET out in paperback this week — by Barbara Allan (that’s Mr. and Mrs. Collins to you) — the winner of the Romantic Times Award for Best Humorous Mystery of the Year! Barb and I are so happy with the new, more whimsical cover-art approach Kensington has taken for this reprint, and for the forthcoming ANTIQUES BIZARRE.

The positive reviews for QUARRY IN THE MIDDLE continued last week, and I was honored to have Jeff Pierce at January Magazine (one of the best fiction news and review sites on the web) choose the book as his pick of the week.

Mostlyfiction provided a great review with a Collins reading list (a pretty good one, though omitting any movie and TV tie-ins, as well as a few random titles, like BUTCHER’S DOZEN and MURDER BY THE NUMBERS in the Eliot Ness series).

They also ran a Quarry-centric interview with me.

It’s really gratifying to have such web attention for Quarry, now that mainstream media sources for reviewing have dried up so dramatically. When THE LAST QUARRY came out, and DEAD STREET too for that matter, the books landed reviews (1, 2) in ENTERTAINMENT WEEKLY. That seems a thing of the past, with EW’s book review section pared back. And of course lots of newspapers have dropped local reviewers in favor a handful of nationally distributed ones.

Quarry in the Middle

That makes web sites like the ones you’ve seen me link to recently vitally important for the future of books. Word of mouth is important, too.

A major reason I decided to write originals for Charles Ardai at Hard Case Crime — as opposed to just letting him reprint the original Nolan and Quarry novels (my first Hard Case Crime book was TWO FOR THE MONEY, reprinting the first two Nolans, BAIT MONEY and BLOOD MONEY) — is that I wanted a new generation of readers to get to know my work. In reprint, I was honored to be among Westlake, Block, Erle Stanley Gardner and other masters of the medium; but I felt it was more important to be seen and read in the company of the new breed of noir writers, like Jason Starr and Christina Faust. By doing originals for Charles, I am part of the new wave, and not consigned to oldie-but-goodie programming.

I have not been terribly productive this past week. I am still decompressing from writing the new Heller, BYE BYE, BABY in under two months (not counting month upon month of research, of course — still a personal record, though). This week I will get back to RETURN TO PERDITION, the graphic novel finale of the PERDITION saga.

My son and your trusty webmaster Nate Collins is home for a visit, but he is spending a lot of his time working on two Japanese-to-English free-lance translation gigs that came in on top of each other, and he may also be doing some mystery stories in translation for a very famous American magazine. More on that later. In the meantime, when we are not working (Barb is writing her draft of ANTIQUES KNOCK-OFF), we’ll be having some fun, taking in movies (ASTRO BOY was lots of fun), watching/listening to DVDs with Riff Trax (TRANSFORMERS II was a riot but the length and stupidity of it wore us and the Riffers down), and going to see the great comedy group Broken Lizard next weekend. Nate and I watched the fun Sam Raimi horror film DRAG ME TO HELL over Halloween weekend, and Barb and I watched the excellent woven-anthology film TRICK ’R’ TREAT, which inexplicably was shelved by Warner Bros and went straight to video. Probably the best horror film of the last five years, and disheartening to think that studio execs found it less than worthy of wide release.

M.A.C.

Gearing Up

Monday, August 17th, 2009

No major news to report — I am immersed in Nathan Heller research and will be writing in a few weeks. I also plan to start RETURN TO PERDITION (graphic novel for DC/Vertigo) this coming week.

I will be reverting to the pattern I kept to for many, many years of my career when I was writing comics more regularly and often working on a Heller novel — giving one day a week to comics (usually Wednesday) and spending the rest on the novel. I’m older, of course, and may need to make some adjustments; but I relish returning to the routine of those halcyon days, and can’t wait to get going on Heller. My research associate George Hagenauer will soon be coming to Muscatine for a two or three day session to pull all the research together, and refine the plot.

Terry Beatty came through town this week and we talked about RETURN TO PERDITION, and had our first (brief) story conference on what the MS. TREE graphic novel will be. No, we haven’t signed contracts yet, and the flurry of interest on the web (however gratifying) is probably premature.

Matthew Clemens and I got together and plotted the follow-up to next year’s Kensington serial killer thriller, YOU CAN’T STOP ME.

G.I. JOE killed at the box office on its first weekend; as I write this, I don’t know how it fared second week out. A couple of nice reviews for the books appeared on the net:

Bookgasm: G.I. JOE: THE RISE OF COBRA

Luke Reviews: G.I. JOE: ABOVE AND BEYOND

And a belated but welcome BLACK HATS review came from UK crime fiction expert Michael Carlson:

Irresistible Targets: BLACK HATS

Two movies I would heartily recommend: DISTRICT 9, a little exposition-heavy in its opening docu reels, but overall one of the best films for many months and an incredible ride with a great heart despite Peter Jackson-approved splatter; and a DVD release (BLU-RAY, too) THE GREAT BUCK HOWARD, with Colin Hanks wonderful in a show biz-tinged coming of age tale…this disappeared at the box office, so catch up with it now — John Malkovich essentially plays the Amazing Kreskin, and it’s funny and way too true. Somebody called Tom Hanks does well in a small role — he shows promise.

See you next week.

M.A.C.

Message from M.A.C. – November 6, 2005

Sunday, November 6th, 2005

Road to Paradise

A lot to report on, and I hope the infrequency of these updates will be explained if not excused when you see what all I’ve been up to. ROAD TO PARADISE, which received a great advance rave review from Publisher’s Weekly, will be out in the last week of November. This means that once again I have somehow earned the worst imaginable time of year to go out and promote a book — I have a very narrow window to do signings and readings and so on, so check this website for the list of dates. Most of them will be in the midwest, though I may go to the West Coast in January.

The novel is the last of the ROAD trilogy, and more info about it appears elsewhere on this site. Is this really the end of the story? As usual with me, that depends on you. I have a notion for at least two prequels and one after-quel or whatever-the-hell you might call it. What would they be? Well, there’s been some movie interest in my developing a prequel that explores the beginnings of the Michael O’Sullivan/John Looney relationship. And when you read PARADISE, you’ll see for yourself the major loose end I purposely left myself.

The next book will not be a PERDITION spin-off, however, nor a new Nate Heller. I have a novel about Wyatt Earp in the works which will be delivered to Morrow in 2006, with a commitment for another book after that (which could or could not be one of the PERDITION novels mentioned above).

Eliot Ness

Also, I’ve just finished the initial post-production (locking the visual side) of the feature-length version of ELIOT NESS: AN UNTOUCHABLE LIFE. Elsewhere a press release on this site will fill you in in detail on that project; but I will say that Mike Cornelison, actor, and Phil Dingeldein, shooter/editor, have knocked it out of the park. So did everyone else involved, including Lighting Designer John Houghton and Audio wizard Mark Johnson (who is working on the music and finished audio right now). We shot in Hi-Def, and anyone expecting a straightforward record of a play will be surprised…pleasantly.

Quarry fans will be excited to learn that I’ve written my first novel about our favorite hitman in a couple of decades — THE LAST QUARRY will be published by Hard Case Crime sometime next year, probably last summer. It is indeed the last story chronologically in Quarry’s career, though I reserve the right to fill in the blanks of the “missing years” (though “blanks” rarely enter in where Quarry is concerned). The novel expands upon the short story and short film “A Matter of Principal.” Director Jeffrey Goodman is still working on getting my screenplay version of the longer take on this tale in front of the cameras.

Those who haven’t had a chance to see that short film (written/produced by me, directed by Jeffrey) will soon be able to — the new DVD label Neo-Noir (distributed by Troma) will issue my anthology feature SHADES OF NOIR next year. At some point it will be an individual release, but in late January it will be available exclusively in my boxed set THE BLACK BOX, which includes new lavish 10th anniversary editions of MOMMY and MOMMY 2: MOMMY’S DAY as well as REAL TIME: SIEGE AT LUCAS STREET MARKET.

SHADES OF NOIR includes “A Matter of Principal” and two other short noir films, the original “demo” film of “Eliot Ness: An Untouchable Life” and “Three Women” (from my wife Barbara’s short story, “World’s Greatest Mother”). The DVD is rounded out by the long-asked-for documentary “Mike Hammer’s Mickey Spillane.” Bonus features include the “lost” Blake Edwards “Mike Hammer” pilot from 1954 starring Brian Keith, as well as a “making of” feature on “A Matter of Principal” and several rare Spillane trailers.

CAVEMAN: V.T. HAMLIN AND ALLEY OOP, my new documentary, has been doing well on the midwestern film festival circuit. I won “Best Director” at the Iowa Motion Picture Awards (and Mike Cornelson picked up “Best Narrator”); won the Silver Eddy at the Cedar Rapids indie fest; were an official selection at SMMASH in the Twin Cities; and won two awards of distinction at the Wild Rose fest in Des Moines. We are in discussion with Iowa PBS about a possible broadcast home, and I’m starting to show the doc to DVD distributors, as well.

Also coming next year is the first book by “Barbara Allan” — the collaborative penname for Barbara Collins and her husband (me). It’s a light mystery somewhat in the Mallory manner called ANTIQUES ROADKILL, and will be a hardcover from Kensington, also in late summer. We have signed to do two more. These are funny and somewhat “chick lit” in nature, but have a nice edge, nonetheless. Barb does the mystery plotting, and I write the fashion tips, of course….

CSI: Killing Game

The latest CSI was just published — KILLING GAME (my title was IMPERFECT CRIMES, for the record) — and another has been delivered: BOOT HILL. It’s not due in print till late next year. The CSI schedule has slowed down, possibly because the original books are being reprinted and issued at lower prices. We have sold well over a million copies in the USA alone. My collaborator Matt Clemens and I are in CSI novel hiatus at the moment (though we just finished doing four new CSI jigsaw puzzles, and I just finished up the fouth CSI video game script) and are at work on a TOP SECRET TV tie-in that will be of interest to anybody who took the time to read this deep into this update.

Fans of the old KOLCHAK: THE NIGHT STALKER show with one of my favorite Mike Hammers, Darren McGavin, should check out Moonstone’s anthology of classic Kolchak-style tales: KOLCHAK: THE NIGHT STALKER CHRONICLES. I’ve been honored with the final slot in the book: “Open House.”

Recently published, THE WAR OF THE WORLDS MURDER is attracting nice sales and attention (a wonderful review in one of my fave mags, FILMFAX!), but the disaster series is probably over. On the other hand, I’m about to begin a new novel for the same publisher, Berkely Prime Crime, in a new series about the history of comics in post-WW 2 America. The first novel will be called A KILLING IN COMIC BOOKS, and each chapter will have…I am delighted to say…an illustration by my longtime MS. TREE collaborator, Terry Beatty.

Speaking of MS. TREE, once again there is serious TV talk, and I may soon be writing a 2-hour pilot for the show. I would also do a number of scripts, if we go to series. This would be a dream come true — no property of mine has generated more interest in TV and movies than MS. TREE. Plans for an elaborate reprinting of the entire run are on hold until we see if this time the dream really does come true. And Terry and I are champing at the bit to do a new graphic novel about our favorite female vigilante.

No other comic book stuff is happening right now, though my CSI: NY mini-series at IDW is being published currently. No, I am not writing the CSI: NY novels (Stu Kaminsky is) but I did deal with those characters in two CSI: NY puzzles and the aforementioned mini-series, which I presume will be collected as a graphic novel.

Nate Heller Fans of the World — do not despair. For various commercial reasons, Nate has to sit on the bench for a little while longer. You can catch up with in an anthology of race track mysteries that Otto Penzler is doing — a new Heller short story, “That Kind of a Nag,” will appear there. And a great new audio book, unabridged, of THE MILLION-DOLLAR WOUND is out right now.

Thank you for your interest and support, and I hope to see many of you soon at signings and other personal appearances. Your support of ROAD TO PARADISE will keep things moving forward, and a purchase of the Neo-Noir BLACK BOX will further our indie adventures.

M.A.C.