Posts Tagged ‘Spillane’

Mike Hammer Comics First Time Ever (sort of)

Tuesday, February 27th, 2018

Titan and its Hard Case Crime line of noir comics has officially announced the Mike Hammer comic book – actually, a graphic novel that will first be serialized as a four-issue comic book series – and word about it is all over the Net.

We even made the Hollywood Reportersee for yourself.

One of the most exciting aspects of all this is having the great Robert McGinnis provide a cover for a comic book – isn’t that a first? As I kid I dreamed of having a book of mine appear with a McGinnis cover – now I’ve had five!

The other covers are great, too, and you can see some of them here.

A lot of the Net write-ups take the angle that this is the first time Mike Hammer has appeared in a comic book. Well…kind of. Hammer was originally conceived by Mickey Spillane as a comics character, first materializing as Mike Lancer in Green Hornet Comics #10, December 1942. Mickey probably wrote this right before going into the Army Air Corps. Mickey re-named Lancer as Mike Danger, with the same artist, Harry Sahle, and tried to market it after the war. The lack of success of the comics version led Mickey into doing a prose version of the character, re-named (do I have to tell you?), Mike Hammer. Hammer’s first appearance in print was in 1947’s I, the Jury.

Two of Mickey’s unsold Mike Danger comic book stories appeared in Crime Detector #3 and #4 in 1954. Mickey didn’t know about this till years later – somebody pulled them from a drawer and sold them…the unsigned artist maybe? Not Sahle, who did not draw the two stories that were published; but Mickey apparently put together an entire issue, so one or two other stories remain lost.

Hammer himself hit the comics in ‘53 – not funny books, but in newspapers as a daily and Sunday strip, written by Mickey and sometimes by Joe Gill and the strip’s terrific artist, Ed Robbins. It ran for about a year and was collected, and edited with an intro by me in a fifty-buck book from Hermes Press. But you can get it here (in digital form) for under $15.

Here’s where we get into technically murky waters in claims that my comic book series is a first for Mike Hammer. I have two issues of an Australian Mike Hammer comic book from the ‘50s doing reprints of strips. Not original material, however….

Remember Mike Danger? Well, some of you know that Mickey and I revived the original character for Big Entertainment. The differences between Danger and Hammer are slight, but the comic book stories we did from 1995 – 1997 were science-fiction-oriented. For most of the run, Danger was thrust up into a politically correct future. Toward the end we returned him to the 1950s for X-Files type s-f. The first cover was by Frank Miller, a longtime Spillane enthusiast, and my pal Terry Beatty worked on the book for the last year or so, inking several other artists. I would love to see these collected.

You can read about Mike Danger’s torturous history in even more detail here, at Kevin Burton Smith’s fine Thrilling Detective web site.

Does this take anything away from the upcoming Mike Hammer four-issue comic book series? Not at all. It’s just that he and Mickey Spillane – who once wrote comic books for Timely and other Golden Age outfits – are not strangers to the medium. And it will be a great, significant part of the Mike Hammer centenary celebration.

My graphic novel, “The Night I Died,” has a basis in an unproduced Spillane screenplay from the early ‘50s, although I have set it in the vague 1960s, around the time of the Darren McGavin TV version. The art by Marcelo Salaza and Marcio Freire has a lot of flair, and I am glad to be part of bringing Mike Hammer more officially to the world of comic books…back again for the first time ever!

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Two quick notes on movies….

Do not come to our house with torches, but Barb and I did not like Black Panther. In fact, we walked out after about an hour. We are not racists (although most people who say they aren’t are), but found it dumb and convoluted and pandering, with a torturously slow set-up. Speaking of racist, I found the central notion of an African country developing advanced technology but hiding it from the world by pretending to be backward tribesman, well, racist as hell. Now ours is obviously a minority (you should pardon the expression) opinion. We are probably wrong. But we don’t sit through anything we don’t like anymore. We have better things to do, and to watch.

Speaking of which, Game Night with Jason Bateman and Rachel McAdams, both wonderful, is one of the best comedies of recent years. Reminiscent of Mad, Mad, Mad, Mad World, it’s a crime story and wild comedy about a group of couples going after a shared goal; along the way it pays surprising attention to character. Mostly, though, it’s just very funny. Kyle Chandler and Jesse Plemons of the great TV series Friday Night Lights are among the stars, and both are hilarious. One imagines every time “Cut” was shouted at the end of a Plemons take, everybody on set fell apart laughing. This had two directors, apparently collaborating (as opposed to one of them getting fired and replaced), one of whom is John Francis Daley who was the main geek on the great Freaks and Geeks TV series. Good for him!

M.A.C.

Bloody Book Giveaway!

Tuesday, February 6th, 2018
The Bloody Spur
Hardcover:
E-Book: Google Play Kobo

The Bloody Spur, third in the Caleb York series, is now available.

All copies have been given away. Thank you for your support!

To celebrate, I am offering free copies to the first seven of you who write me at [REDACTED], on assurance you will review it at Amazon and/or Barnes and Noble (blogs also welcome). You must be in the United States (no Canada or overseas), and you must include your snail mail address.

The production in Clearwater, Florida, of Encore for Murder (which concluded its run Feb. 3) kicked off the Spillane centenary. Here’s a rundown on everything else (up to now):

The Bloody Spur (A Caleb York Western) Out now!
by Mickey Spillane and Max Allan Collins. Kensington hardcover.

The Will to Kill (Mike Hammer), February 27, 2018 by Mickey Spillane and Max Allan Collins. Hard Case Crime mass market paperback.

The Mike Hammer Collection, Volume IV, Mar 6, 2018 by Mickey Spillane introduced by Max Allan Collins (Mickey’s final four Mike Hammer novels) Possibly e-book only.

The Last Stand March 20, 2018 by Mickey Spillane (Spillane’s final solo novel with Max Allan Collins intro & co-written novella, “A Bullet for Satisfaction”). Hard Case Crime hardcover.

Killing Town (Mike Hammer), April 17, 2018 by Mickey Spillane and Max Allan Collins. Titan hardcover.

Playboy April 2018, “Killing Town” by Mickey Spillane & Max Allan Collins,” excerpt from novel.

Articles in Publisher’s Weekly, Mystery Scene, Crimespree, and the Wall Street Journal.

New Spillane/Collins short story, “The Big Run,” to be announced. Based on an unproduced 1954 teleplay by Spillane.

Mickey Spillane’s Mike Hammer: The Night I Died comic book, in four issues followed by graphic novel collection, debuts Fall 2018, written by Max Allan Collins from Spillane/Collins story.

I have also done as second draft of the follow-up play to Encore for Murder – Mike Hammer: The Little Death, which is likely to be produced in Clearwater in the Fall of ‘18. It uses the same source material as the graphic novel above.

Other work this week included doing the galleys for Killing Town and writing a proposal/sample chapter for a Spillane critical bio by James Traylor and me.

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Here’s a preview of Quarry’s War #3. Releases this Wednesday!

M.A.C.

Days in the Life

Tuesday, January 30th, 2018

Normally I don’t take my work – that is, the novel in progress – along on trips. Business or pleasure or a mix, I like to do the work in my office at home. Also, I hate the smaller, flat-keyed keyboard of a laptop, so generally writing in the hotel room is a non-starter.

Occasionally there are exceptions. On the recent Florida trip, we left Iowa with two chapters remaining to be written on the new Heller, Do No Harm. The second-to-the-last chapter was the action climax, which I was still working on in my mind. It drives me crazy to have to walk away from a book at that late stage because of some event I agreed to do months and months before, never realizing when that event would fall within my writing life.

We were in Clearwater five days. Between rehearsals and performances of Encore for Murder, we were busy and most of what we did, beyond the theater, was look for good eating places and do a little shopping. Took in one movie (Proud Mary, a black version of Gloria that was a nice throwback).

Every night as I tried to go to sleep, my brain was working on that second-to-last chapter. I had outlined that chapter, and knew what needed to be done with it, but something was wrong, or at least wasn’t satisfying. Several nights into the trip, what I needed to do crystalized. And it had hold of me but good.

So the next day I wrote that second-to-the-last chapter in the hotel room, on my laptop, working all afternoon and a few hours after we got back from the opening night performance. I ran it off the next morning in the lobby’s business center and gave it to Barb to read on the plane, and proof and critique. When we got home that night, I incorporated her fixes and suggestions and did a final tweak.

That meant I was able to finish the book ahead of schedule, writing the final chapter and the bibliographic end notes on the day after we got back.

It’s no big deal to write in a hotel room. I have many writer friends (Bob Randisi especially comes to mind) who regularly write on their latest project when they are traveling. But for me it’s a rarity. And it indicates how thoroughly a book I’m writing can take hold of me.

That opened up the following week for other things. In the first few days, I proofed and tweaked the novel, and assembled the manuscript for e-mailing to my editor and my agent. On Wednesday and Thursday I did a rewrite of the other Mike Hammer radio play, The Little Death, for Zev Buffman in Clearwater. Finally Barb and I went to Galena, Illinois, for two days on a combination work-and-pleasure jaunt. The work part was researching Galena for my next novel, The Girl Most Likely (for Thomas & Mercer).

In Galena we met with the charming and very helpful Chief Lori Huntington. This was a particularly important meeting because the protagonist of the novel is the chief of police of Galena. We also drove around the area and got to the know the town a little better than on our previous visits, where we were pretty much strictly downtown shopping and eating. We even toured the historic Galena home of President Grant, the town’s most famous former citizen.

That was Friday and Saturday. On Sunday I wrote a short story, “The Big Run,” for the Strand magazine from an unproduced 1954 Mickey Spillane teleplay — part of the centenary celebration. We also went to a crime movie, Den of Thieves, which has a nice surprise ending, though it suffers from having nobody worth rooting for among either the cops or the crooks.

All in all, a productive couple of weeks.


M.A.C. and Galena police chief, Lori Huntington
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Here’s a nice Publisher’s Weekly interview with me about things Spillane, by fellow Mick fan, Michael Barson, who is a bigtime pop culture expert.

The great James Reasoner likes The Last Stand and tells you all about it here.

M.A.C.

Hammer on Stage!

Tuesday, January 23rd, 2018

Barb and I are back in Iowa after a lovely sojourn to Florida for five days, where my play Mickey Spillane’s Encore for Murder was produced at the Murray Theater of Ruth Eckerd Hall in Clearwater. The roster of name artists who have appeared at this venue is mind-boggling – Encore premiered the same night that another stage at the complex featured Jackson Browne. We had a full house of 200. So did Jackson – of 4200.

The mastermind of this event is legendary Broadway producer Zev Buffman. He is the President and CEO of Ruth Eckerd Hall, and has produced more than 40 Broadway shows. He partnered with Elizabeth Taylor to present her in her Broadway debut, The Little Foxes. He’s also the co-founding General Partner of the NBA Champion Basketball team the Miami Heat.


The set of Encore for Murder with the radio sound effects table and the looming screen that set the scenes — here showing the play’s poster.

In addition to all that and much more, Zev is a wonderful guy with impeccable theater instincts. Encore for Murder was designed to be a play presented in the “old radio” format. But Zev got the idea (which I frankly was not sold on) to open the play up by having the central character (named Mike Hammer – ring a bell?) be played more theatrically, with Hammer off script, a full music score, a looming projector with dozens of scene-setting images somewhat in Sin City style, and with even the radio actors in costume and participating in theatrical blocking and action. Zev’s hybrid – beautifully executed by director Richard Rice with his son Devin providing noir-ish music and a solid mostly local cast supporting consummate pro Gary Sandy – made me a believer. Yes, you heard it here first – I was wrong. The preview and opening night audiences loved it.


Barb was amused and probably a little appalled that within the first fifteen minutes of us arriving at the theater, I began “directing” director Richard Rice.

Gary – who was Lt. Anderson in my film Mommy’s Day (1995) – was a bundle of energy, the engine of the piece, perfectly playing Hammer for tongue-in-cheek humor where appropriate but turning on a dime into tough-guy brutality. This didn’t occur to anybody till I pointed it out, but Gary is the first and only actor to date to play Hammer on stage – all previous Hammer actor portrayals have been in the movies or on radio and TV. (Gary was star of the radio-style production of Encore for Murder in Owensboro, Kentucky, in 2010).


Gary Sandy as Mike Hammer at the start of the play — the trenchcoat and hat go quickly on a coat tree, returning in full only at the close, with the hat returning now and then during the proceedings.

There’s serious talk of the other Hammer radio-style play, The Little Death (which won the Audie), being presented later this year.

What a wonderful way to kick off Mickey’s centenary!


M.A.C. and Gary Sandy (center) and the entire cast of Encore for Murder at the post-preview night panel.

M.A.C. finding Gary Sandy an easy audience at the panel.

The reviews and press coverage in Florida for Encore were terrific. A sample follows, starting with this behind the scenes article.

And here is the same paper’s rave review of opening night.


Producer Zev Buffman, M.A.C., Gary Sandy, director Richard Rice.

Meanwhile, in the rest of my career….

A cry goes out for DC to reprint the comic strip Batman continuity written by me and drawn by Marshall Rogers. I hope this happens, and I hope I get billing – at the time, the warm and wonderful folks at the Tribune syndicate made me take my name off, threatening to sue me if I didn’t and also to fire me (which they anyway a little while later).

This column talks (favorably) about the Quarry comic book mini-series and The Last Stand.

Here’s a nice Quarry write-up.

And finally this piece presents a Spillane cover gallery that even J. Kingston Pierce would envy. (I own one of these covers. Guess which one and win absolutely nothing.)

M.A.C.