Posts Tagged ‘Tie-Ins’

Ms. Tree Collected, A Royale Review and Boo to Halloween

Tuesday, October 23rd, 2018

Softcover:
E-Book: Amazon Google Play Nook Kobo iTunes

The Ms. Tree prose short story, “Louise,” an Edgar nominee, is featured in editor Otto Penzler’s new anthology, The Big Book of Female Detectives.

This seems as good a time as any to confirm that Titan will be bringing out (in five or six volumes) the complete Ms. Tree comics, organized into graphic novel form. This is of course long overdue. I will likely be doing new intros, although it’s doubtful Terry Beatty will contribute new covers – the plan right now is to draw from his many outstanding covers for the comic books themselves.

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Two more brief movie reviews…

Barb and I took in Bad Times at the El Royale, a ‘70s noir with an excellent cast that includes Jeff Bridges, Jon Hamm, Cynthia Erivo, Dakota Johnson and Chris Hemsworth. It’s written and directed by Drew Goddard, who wrote for Buffy on TV and did the screenplays for The Martian, Cloverfield and World War Z, among others. El Royale resonates with me in part because it’s a take-off on Cal Neva, the resort straddling California and Nevada that figures in my novels Bye Bye, Baby and Road to Paradise.

I’m sure some critics are comparing El Royale to Tarantino, and its novelistic approach (both the way it’s organized and its attention to character) is in that same ballpark. But El Royale has its own feel, and does not suffer the Tarantino habit of all the characters talking like the writer. I won’t say much about the plot, other than a central element is money from a robbery long-hidden in one of the rooms of a hotel that has become a faded relic of Rat Pack days, having lost its gambling license.

The screenplay draws upon a Spillane novella, “Tomorrow I Die!” (title tale of an anthology of Spillane short fiction I edited) that was adapted into one of the best films from Mickey’s work, an episode of Showtime’s Perfect Crimes. (Mickey’s story was his take on The Petrified Forest.) It also draws upon someone I wrote about here a while back, who was a war hero and a movie star (paying attention?).

Anyway, it’s a terrific film. You’ll feel like you’re spending the evening at the El Royale, though you’ll be having a better time than most of the characters.

We also saw the new take on Halloween, which is getting a lot of good reviews. Most of those reviews focus on Jamie Lee Curtis and her empowered if psychotic take on the older Laurie Strode. What rewards the film has are tied up in Curtis/Strode. I was amped for the film because I’m a horror fan, plus the screenplay is co-written by Danny McBride, of whom I’m also a fan. But the movie isn’t good. It’s not exactly bad, either, but there are almost no scares, merely unpleasantness and gore. It has a low-budget feel, and not in a good way, and even the John Carpenter music feels forced. One plot twist having to do with the substitute shrink for the Loomis (Donald Pleasance) character is meant to be a shocking surprise and just plays dumb and unconvincing.

After recently seeing the excellent Insidious films, and revisiting the very good Truth or Dare (all of these are Blumhouse productions, as is this new Halloween), the return of Michael Meyers fell flat for both Barb and me.

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For those keeping track, I have delivered Murder, My Love, the new Mike Hammer. This one is based on a Spillane synopsis, but is the first of the novels with no Mickey prose woven in. I think it came out well, but it raises the question of whether I should continue Hammer when I run out of Spillane source material.

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My novel of In the Line of Fire gets a latterday review! Positive, too.

Finally, here’s a Road to Perdition piece that discussed both the graphic novel and the film. Sorta likes both. Sorta.

M.A.C.

Black Hats & A Book Giveaway!

Tuesday, August 7th, 2018

[Note from Nate: The giveaway is over! Thank you for participating!] The book giveaway this week is for the upcoming Scarface and the Untouchable: Al Capone, Eliot Ness, and the Battle for Chicago, which will be published August 14. I have five finished copies and five bound galley proofs (ARC’s). The first five to respond get the finished book, the next five the bound galley. Winners are requested to post a review at Amazon, a blog, Barnes & Noble or any combination thereof.

This week’s update, however, is mostly about Black Hats, a new edition of which has just been published by Brash Books. For the first time, the book has my real byline, and not “Patrick Culhane.”

Brash has done a spiffy job on it, and I hope to get some copies from them for another book giveaway like the one above. Brash is also going to be bringing out Red Sky in Morning under my preferred title, and that will have the Max Allan Collins byline for the first time, too.

Black Hats is a good companion piece to Scarface and the Untouchable, because it’s about young Al Capone encountering old Wyatt Earp. Though their meeting is fanciful, the research for the book was on the order of the Heller saga and it is one of my favorite novels, and one that continues to attract very serious Hollywood attention.

Harrison Ford has been interested in playing Earp pretty much ever since the novel first came out, and he is still part of the mix – nothing signed-sealed-delivered, mind you. But that he has maintained this continued interest in the novel is exciting.

That’s all I can say at the moment, but if you’ve never read this one, send for the Brash Books edition, please. You will not find it in many book stores – the e-book will drive this one, though the “real” book that Brash has produced is handsome indeed.


Paperback:
E-Book: Amazon Google Play Nook Kobo iTunes

How did the byline “Patrick Culhane” come to appear on both Black Hats and Red Sky? Forgive me if you’ve heard this one, but I believe it’s one of the truly remarkable fuck-ups of my career, and one of the rare ones that I didn’t cause myself.

Shortly after Road to Perdition was a huge movie and the novelization made the USA Today bestseller list and the graphic novel made the New York Times bestseller list, some guy at Border’s (remember them?) told my then-publisher that he was a huge M.A.C. fan, but could sell more M.A.C. books if only the name M.A.C. wasn’t on the cover. I was too well-known, it seems, as a guy who wrote series novels. He promised huge sales if we did some standalone thrillers under a new byline.

Oddly, my real identity was never hidden. It’s prominently revealed on the jackets of both books.

I did not want to do this. My editor stopped short of insisting that I go along with it, and my agent suggested alienating my editor was a really bad idea. And Border’s was really, really powerful, right? So I came up with “Patrick Culhane,” the “Patrick” after my mother Patricia and “Culhane” as a Collins variant.

Understand that I hate pseudonyms. I fought to have my name go on my movie and TV tie-ins, figuring (correctly) that having my byline on things like Saving Private Ryan, Air Force One, American Gangster, CSI and so on would only building my audience. All of those titles either made the New York Times list or USA Today’s or both.

The only time I used a pseudonym was on the novelization I Love Trouble, because it was going to be out at the same time as another novelization, plus the movie stunk. I used Patrick again, but also my mother’s maiden name, Rushing, which seemed apt for a book written on a crazy deadline.

I use my name on all but the above exceptions because I am proud of my work, and I want to keep myself honest. I don’t want to hide. I want to acquire readers, not run away from them.

Anyway, I am very pleased that Brash Books – the people who brought you the complete Road to Perdition prose novel, something I thought I would never see – are restoring my name to two of my favorite books. They will also soon be publishing Red Sky under my preferred title, USS Powderkeg.

Now the only thing still unpublished is my original, very loose adaptation of the Dick Tracy movie, in which I fixed all its problems and sins. Getting that in print, however, is a real long shot….

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The advance buzz on Scarface and the Untouchable keeps building.

The Strand’s blog has published a list by my co-author and me looking at ten surprising facts about Al Capone and Eliot Ness.

We are one of the Saturday Evening Post’s top ten late summer reads, for example.

And the History News Network has published an article that Brad and I wrote about the Trump/Manafort/Mueller parallels.

Mystery People showcases us, too.

Out of the blue, here’s an interesting look at Quarry’s List, the second Quarry novel, with lots of comments from readers.

The graphic novel, Quarry’s War, gets a boost here, in a somewhat surprising context. [Note from Nate: This is so bizarre.]

On the Mike Hammer/Spillane front, here’s an interview I did at San Diego Comic Con a few weeks ago.

And another.

Finally, here is a terrific, smart review from the smart, terrific J. Kingston Pierce about Killing Town.

M.A.C.

The November Man

Tuesday, September 2nd, 2014
The November Man

You should probably see THE NOVEMBER MAN, the new Pierce Brosnan espionage thriller. I attach the “probably” because for all its merits, Brosnan’s return to Bond territory is less than great. It’s a movie easy to damn with faint praise – “pretty good,” “not bad” – but for anyone who’s a fan of the Bond films, this is required viewing.

It’s a typically convoluted spy thriller, with Bourne-ish element and even Le Carre aspects, with strong if not mind-blowing action scenes. But what it mostly has to offer is Brosnan thumbing his nose at the Bond producers who let him go prematurely. Brosnan was excellent in his four Bond films, and not at all to blame for the unfortunate excesses of DIE ANOTHER DAY, which proved to be his final outing.

Here he demonstrates both charisma and toughness, and a streak of brutality not seen in Bond since the Fleming books themselves. Thematically, the film has him as a legendary secret agent who retired ten years ago and now is getting yanked back into the game. He’s up against Luke Bracey’s younger agent – read: Daniel Craig (there’s an even more direct reference early on, when Brosnan’s shown photos of agents who were recent victims of a Russian assassin, and the final dead agent is identified glumly by Brosnan as “Craig”). Fleming’s famous “blunt instrument” description of a good secret agent is invoked, and the female lead, quite good, is “Bond Girl” Olga Kurylenko (QUANTUM OF SOLACE). We’re not meant to think that Brosnan’s character might really be Bond – as was the case with Sean Connery in THE ROCK – but these references add up to a sort of kiss-his-ass valentine to the Bond films. My favorite moment might be Brosnan yanking a guy off a motorcycle but not climbing on and riding off – just stepping over the thing on his shark-like way.

The budget doesn’t allow Bourne or Bond level stunts and set pieces, and the script is uneven. The usually first-rate Bill Smitrovich (Lt. Cramer in TV’s NERO WOLFE and a co-star of THE LAST LULLABY) is given some bad dialogue and responds by chewing the scenery like a starving billygoat. But it’s worth seeing for anyone with an affection for Brosnan as Bond.

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Here’s a nice article that gives Terry Beatty and me some credit for the re-birth of crime comics via MS. TREE.

Vanity Fair online, of all places, has this positive look at novelizations, with quotes from me and my pal Lee Goldberg.

Here’s a nice discussion of Mickey Spillane and Mike Hammer, with an emphasis on the radio version and mentions of my completions of unfinished work from Mickey’s files.

Finally, this link to an early ‘60s ALLEY OPP comic book includes a nice boost for my documentary, CAVEMAN: V.T. HAMLIN & ALLEY OOP.

The San Diego Comic-Con International site posted a photo of author Jonathan Maberry and me at the 2014 IAMTW tie-in panel.

M.A.C.

Say Hello To Goodbye

Tuesday, May 17th, 2011

Kiss Her Goodbye

I have spotted KISS HER GOODBYE on the shelves of the Davenport Barnes & Noble, so you should be able to find the new Mike Hammer hardcover at your favorite brick-and-mortar. (The trade paperback of THE BIG BANG should be right next to KISS HER.) I don’t know if Borders is carrying the new Hammer (they aren’t getting as many titles in right now, for obvious reasons), but I encourage you to snag this one at Amazon or elsewhere on line, if you don’t have a “real” bookstore handy.

Don’t wait for the trade paperback, because I don’t know if there will be one. This is the last of the Harcourt Spillane/Collins Hammer novels, and the future of the remaining three is in your hands.

Also, the Stacy Keach-read audio book should be out soon. Stacy thinks KISS HER is the best of the three. Our old friend Craig Clarke seems to agree at his Somebody Dies blog.

Great news on about THE LAST LULLABY. I’ll let director Jeffrey Goodman tell you:

“I am very excited to announce that we have signed with Level 33 Entertainment to distribute THE LAST LULLABY in the United States. We are currently aiming for a Fall release of a newly-packaged DVD. At this point, I am not sure what extras it will include, but we are looking into some different things. We also expect this release to place LULLABY in many other places and make it much more readily available.”

Whether there will be a blu-ray seems up in the air. I also don’t know if Jeffrey will include me in the extras on the disc, but I’m hoping there will be some short history-of-Quarry feature, and possibly the original, award-winning short (“A Matter of Principal”) that spawned the film.

Speaking of Quarry, Hard Case Crime has brought out all of their Quarry novels again as part of their re-birth at Titan, the great UK publisher distributed in the USA by Random House.

You might check out this interesting if odd and not entirely accurate mini-article about my DICK TRACY movie tie-in, as part of a list of 100 famous rejections. For the record, it wasn’t Warrren Beatty who went to bat for my novel, rather producer Barry Osborne. And the rewritten version was deemed fine by Disney, they just made me remove the identity of the Blank, making the book the bestselling mystery novel ever published that didn’t reveal who did it. (The 6th printing includes my real ending – all other printings are incomplete.)

ROAD TO PERDITION has made another top ten comic book movies list.

It has also made this top 25 comic-book movies list.

And speaking of movies, you can get my long out-of-print boxed set THE BLACK BOX on sale for under $25 right here. It includes an anniversary edition of MOMMY and MOMMY’S DAY (with lots of special features not previously available), plus REAL TIME: SIEGE AT LUCAS STREET MARKET and the anthology film SHADES OF NOIR (available nowhere else, and including the original, longer cut of my Mickey Spillane documentary, recently shortened/re-edited for the Criterion KISS ME DEADLY release).

M.A.C.