Posts Tagged ‘The Little Death’

Mike Hammer Under Cover

Tuesday, November 24th, 2009

I’ve mentioned in previous updates how pleased I am with THE LITTLE DEATH, the MIKE HAMMER audio novel I wrote for producer Carl Amari, which Blackstone will be issuing momentarily (Amazon lists it as already in print, but I haven’t seen a copy yet).

As you may recall, I got to go to Chicago and watch Stacy Keach and a gifted cast (including Second City veteran Tim Kazurinsky) bring my script to audio life. This is the second volume of THE NEW ADVENTURES OF MIKE HAMMER, but I didn’t write the first (which was two short stories as opposed to one novel). I based it on material Mickey had prepared in the fifties for both a radio version and a television one; I had adapted this during Mickey’s lifetime into the short story “The Night I Died.” And about ten years ago, I had developed it as a screenplay for Mickey and his longtime partner, Jay Bernstein, for a TV or possible theatrical movie. But a film never happened.

Now it’s a reality, as an audio “movie,” and Carl and Stacy really hit the ball out of the park. Anybody with even the slightest interest in either Mickey’s work or mine will love this. Interestingly, it marks the first time Stacy has ever played Hammer in a piece directly derived from a Spillane story.

There was a nice response from my behind-the-scenes look at the creation of the cover of the forthcoming Spillane/Collins HAMMER novel, THE BIG BANG. So I thought you might enjoy seeing the several versions of the audio cover.

Here was the first try from Blackstone’s terrific art department:

The Little Death First Revision
Image copyright 2009, Blackstone Audio

I liked this pretty well, but Stacy Keach objected to using his image so directly. He felt it made this brand-new project look like some kind of re-release of his HAMMER material from several decades ago. Carl and I agreed, and so the artist at Blackstone listened to various suggestions from all of us. I sent along attachments of the early HAMMER paperbacks, which never really showed Hammer dead-on, creating a man of mystery.

The Little Death Second Revision
Image copyright 2009, Blackstone Audio

Everybody liked this better, but Stacy (and all of us) felt Hammer could use with a better-looking “babe.” Not that this model was unattractive, but Stacy wittily pointed out that she belonged on a Jane Austen cover, not Mickey Spillane. Also, a bearded, cigar-smoking Hammer was a no go—we asked that the mustache be kept (this is the Keach HAMMER, after all) and the cigar go away, Mike being strictly a Luckies kind of guy. The final version that the artist came up is terrific.

The Little Death Third Revision
Image copyright 2009, Blackstone Audio

We had a nice turn-out at Mystery Cat Books in Cedar Rapids, despite being up against an Iowa Hawkeyes game (tough competition in this part of the world). We dined with Ed and Carol Gorman and had a great time, as Ed and I tried to top each other’s publishing horror stories.

Work continues on the graphic novel RETURN TO PERDITION, and Terry Beatty has turned in his first, finished pages—and they are knockouts. I predict this will be our best work together, at least until next time.

Quarry continues to attract fine reviews. Rod Lott at Bookgasm used his knowledge of the Quarry novels to write a particularly insightful review of THE LAST LULLABY.

And another knowledgeable Quarry fan, crime novelist Tom Piccirilli, has a Quarry-centric interview up at his blog that you may get a kick out of.

Happy Thanksgiving! For those of you in Eastern Iowa, we’ll see you at Plamor Lanes on Saturday night for our first Crusin’ gig at this venue.

M.A.C.

The Little Death Recording in Chicago, Trash ‘n’ Treasures

Wednesday, July 15th, 2009

This Monday (July 13), at a recording studio in Chicago, my novel for audio, THE NEW ADVENTURES OF MIKE HAMMER: THE LITTLE DEATH, was recorded with Stacy Keach and a gifted cast, including Second City/SNL star Tim Kazurinsky. The cast did great and producer/director Carl Amari was generous enough to allow me to sit in and give occasional direction myself. My pal Mike Cornelison (ELIOT NESS himself) came along from Des Moines to play Captain Pat Chambers of Homicide.

Max and Stacy Keach and Carl Amari
Max with Stacy Keach and Carl Amari

Max and Tim Kazurinsky
Max with Tim Kazurinsky

Mike Cornelison with Stacy Keach
Mike Cornelison and Stacy Keach

This three-hour, full-cast audio novel will be released by Blackstone Audio in October, and I have to say I’m really, really excited about it. Hearing Stacy read THE GOLIATH BONE was a thrill, but to be in the studio with him reading my lines (with Tim, Mike and other wonderful Chicago actors) made the thirteen year-old Mike Hammer fan in me very happy indeed.

“Barbara Allan,” which is to say Barb and I, are pleased to announce that we have won the following:

The Romantic Times 2008 Toby Bromberg Award for Most Humorous Mystery

Here is how the Romantic Times editors describe the honor:

“The Toby Bromberg Award is named in honor of RT’s longtime mystery reviewer, who passed away in 2002. To honor Toby Bromberg’s memory and to celebrate her enthusiasm and love for authors and the mystery genre, we have created an annual award to be given in her name.

“This year we are proud to announce the seventh recipient of the Toby Bromberg Award for Most Humorous Mystery Novel, Barbara Allan aka Max Allan Collins and Barbara Collins, for ANTIQUES FLEE MARKET, published by Kensington.”

Barb and I are thrilled to receive this award, the first such honor for the Trash ‘n’ Treasures series (although not our first nomination), and are particularly happy that the book and series were singled out for this particular award. The humor aspect of those books — often commented on by EQMM reviewer Jon Breen, who has expressed a suspicion that we are spoofing the cozy genre in the Brandy Borne and Mother mysteries — is second only in our collective mind to character.

We would be the first to admit that the mystery itself is of a secondary concern to us. We often comment on the fact that the series we love most — Rex Stout’s Nero Wolfe novels — is one whose entries we can re-visit again and again, rarely remembering “who did it,” but having so much fun with Archie and his boss that we don’t care. In fact, we like it, because we can enjoy the stories again and again.

Antques Bizarre

This is not to say we don’t care about the mystery. Just that it’s not our major concern, although we’ve tried to work on that side of things, and the forthcoming ANTIQUES BIZARRE (next March, as usual from Kensington) is probably the best mystery we’ve done so far.

ANTIQUES FLEE MARKET will be out in paperback in November, with a terrific new cover. In the spirit of humor, we’ve been lobbying for more comic-oriented artwork and Kensington has really come through for us, as you can see here.

I know some of my fans — the hard-bitten Nate Heller and Quarry bunch — avoid these novels. I often have male fans tell me their wives love the books. Fine. But be secure enough in your masculinity to read these, because humor plays a big part in most of my work, and these novels are the funniest stuff I (help) turn out.

Whether we’re spoofing the genre of not, well…let me fill you in on how we came to do this series. Barb and I had done two standalone novels together. The first, REGENERATION, was a minor paperback original bestseller; the second, BOMBSHELL, our Marilyn Monroe Meets Nikita Khrushchev thriller, wound up at Five Star, where it was one of that small company’s best sellers…but we’d had higher hopes. We thought it was time to find a series to do together.

Antques Bizarre

Michaela Hamilton, who had been my first Nate Heller editor at NAL, had moved to Kensington Books. We were chatting on the phone about how nice it would be to work together again, but she said, “I’m doing cozies…that’s not exactly your cup of cyanide.” (Cozy editors talk that way.) (Actually, they don’t. I made that up.) Anyway, I said Barb and I had been wanting to do a series together, and that we were big Christie fans (although Christie isn’t really that cozy — those are nasty, violent books) and would love to take a swing at the genre.

We wrote a proposal from my notion of doing a Red Hat Society mystery, with an elderly eccentric detective and her forty-something widowed daughter. Michaela wrote back and said we didn’t understand her market. She needed a young-ish female protagonist, although a sidekick older gal was fine, as well as the following: a cute pet, a memorable, even exotic setting and an overall gimmick (i.e., crossword puzzles, recipes, etc.).

As a writing exercise (since I generally don’t believe in writing to market), we took a shot. We made the young protagonist a Prozac-addled divorcee of around thirty who had screwed up her marriage in the big city and went running home to Mama. We made Mama a bipolar diva of local theater who made Auntie Mame look low-key. For the cute pet, we (not caring for cats) gave our girls a diabetic and blind dog (based on a pet of ours we’d recently lost). For the town, the “exotic” setting was just our hometown, changing Muscatine to “Serenity” (after the TV series), making it an “antiquing” town (which to some degree it was). For our gimmick, we had antiques, but didn’t go the big ticket route, Sotheby’s and so on, rather having our girls be flea market, yard sale and even dumpster-diving bottom feeders. We gave our sample chapters outrageous puns for titles, and put on a supposedly helpful (but mostly just funny) tips for collecting antiques.

When we were finished, we really liked what we had (two chapters and a proposal), but thought Michaela would roll her eyes at our blatantly tongue-in-cheek, even subversive approach. We figured we had something Kensington would turn down, but that we might be able to market elsewhere. Instead, we got the best acceptance letter ever — one word in an e-mail: “More.”

We are working on the fifth novel now — ANTIQUES KNOCK-OFF. As for how we can collaborate and stay married, I’ll save that for a later update.

M.A.C.

The Little Death

Monday, June 8th, 2009

I have just written a Mike Hammer novel for audio that will be produced this summer in Chicago by producer Carl Amari and stars Stacy Keach himself as Hammer (with a full cast). This is the second of the “NEW ADVENTURES OF MICKEY SPILLANE’S MIKE HAMMER”from Blackstone Audio. It’s called “The Little Death” and will be out in the fall of this year.

This marks several firsts, probably the least of which is me writing a script in radio format. More important is that this will be the first time Keach — who has appeared as Hammer on film more often than any other actor — will be featured in a Hammer story actually based on Spillane material. The sources are the short story “The Night I Died” by Mickey and an unproduced screenplay that I developed under Mickey’s supervision. (Interestingly, “The Night I Died” was an unproduced 1950s radio script I found in Mickey’s files years ago, which he allowed me to short-story-ize for our NAL anthology, PRIVATE EYES.)

In the Audie-nominated first installment of THE NEW ADVENTURES (not written by me), there were two episodes. When I was invited to write the second installment, I asked if we could do one story — a novel for audio. Keach and Amari loved the idea. This will be the new Hammer novel for 2009 (although THE GOLIATH BONE is due in trade paper soon from Harcourt). The next prose novel, THE BIG BANG, will be out in the spring of 2010, and is a “lost” novel from 1964 — truly vintage Spillane.

I’m thrilled about “The Little Death,” as it was my opportunity to bring the Keach TV Hammer more in line with the novels. I promise you will never have seen (or anyway, heard) Keach’s Hammer this tough.

In other news, Crusin’ is performing this Sunday, June 14, in Muscatine, IA. The concert, from 6 pm to 7:30 at the Pearl City Plaza patio (adjacent Elle’s Tea and Coffee), will cover the history of the band. In the event of rain, we will perform inside the Port City Underground restaurant. Food will be available.

M.A.C.