Posts Tagged ‘Quarry’s Deal’

New Mike Hammer Novel

Tuesday, March 7th, 2017

Hardcover:
E-Book:

Available March 14, The Will to Kill is the ninth Mike Hammer novel I’ve completed from material in Mickey Spillane’s files.

Most people taking the time to read this weekly update already know that Mickey, in the last weeks of his life, asked me to complete his final Hammer novel in progress, The Goliath Bone, and that he told his wife Jane to round up everything in his files that wasn’t completed and give it to me – that “Max would know what to do.”

No greater honor has ever been paid me. Mickey’s work, which I discovered at age 13, was what made me transfer my enthusiasm for becoming a cartoonist to an obsession with becoming a writer…specifically, a writer of tough mystery fiction. Ironically, Mickey had been a comic book writer before the Mike Hammer novels turned him into a superstar, and one of the major projects we did together was a comic book – a science fiction variation on Hammer called Mike Danger (the original name for Hammer in the unsold comic book Mickey created right after the war that he turned into the novel I, the Jury).

I had six substantial Hammer manuscripts to deal with – usually around 100 pages (of 300) and sometimes notes on plot and character, and even roughed-out endings. In some cases Mickey had told me what ending he had in mind for an uncompleted book. (Mickey’s shocking surprise endings were his trademark, or anyway one of them.)

A number of very short (two to five page) fragments became short stories, published in various magazines, and were collected last year as A Long Time Dead: A Mike Hammer Casebook. If you’ve never read a Hammer story, that’s a great place to start.

Another half dozen significant unfinished manuscripts remained, and so far they have become the novels Kill Me, Darling; Murder Never Knocks; and now The Will to Kill. Both Darling and Knocks are out in mass-market paperback now – Knocks came out in that format about a week ago. (I am contracted to do three more.)

The Will to Kill is an unusual Hammer, as Bill Crider’s review indicates. (See link below.) Before the success of I, the Jury, featuring what was then a shocking amount of sex and violence, Mickey appeared to have in mind for his private detective a more traditional approach. But the vengeance aspect of the surprise bestseller-list response to I, the Jury sent him down a path of Hammer rarely taking a client, and usually being on a mission of I’ll-find-the-killer-and-kill-him (or her).

I had only the first couple of chapters of The Will to Kill to deal with from Mickey, and while the opening is shocking, the set-up is like something out of Agatha Christie – a bunch of spoiled rich grown kids chasing their late daddy’s fortune in the mansion they share. In about thirty pages, Mickey set up the entire book and its characters. There are aspects that aren’t anything you’d find in Poirot or Miss Marple – a serial killer targeting young women who are on vacation in the Catskills (the setting of the story) – but Hammer is doing a favor for his cop pal, Pat Chambers, looking into the wealthy man’s “accidental death”…not seeking vengeance for a murdered friend (tip: don’t be Mike Hammer’s friend in a Mickey Spillane novel, unless you’re Pat Chambers).

I like the book a lot. It was fun and somewhat challenging to keep the novel and its main character feeling right in a story unusual for them. This is not to say that a bad guy or two don’t get bumped off by the impetuous hero, who also thumps some nasties who deserve it, here and there. And beautiful women come along, too, so…so it’s still Mike Hammer, and I hope you’ll also think it’s a lot of fun.

By the way, the murder victim that starts the story up is the rich man’s butler. So this may be an old-fashioned mystery, but the butler definitely did not do it.

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The new Quarry novel – Quarry’s Climax – has been delivered to editor Charles Ardai at Hard Case Crime. Charles is crazy fast and has already read, and approved, the book.

Usually I take a few weeks off between projects, but because of my various health issues last year, I fell desperately behind, and now must move immediately from one project to another, until I catch up.

Well, I still plan to take a few days off between finishing one project and starting another. We spent the weekend – my 69th birthday weekend (!) – with our son Nate and grandson Sam and daughter-in-law Abby. A lovely time. Sam is the cutest child I’ve ever seen, and I’m sure his resemblance to me hasn’t colored my opinion.

This week I start Scarface and the Untouchable, the massive dual bio of Al Capone and Eliot Ness. My co-authors, A. Brad Schwartz and George Hagenauer, have delivered their rough drafts of their respective sections (Brad, Ness; George, Capone) reflecting incredible, groundbreaking research on both their parts. My job: not screw it up.


Nate and Sam Collins
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Here’s Bill Crider’s lovely Will to Kill review.

Check out this nice review of the early Quarry novel, Quarry’s Deal, from the UK.

Here’s an article about fifteen people other than Bruce Wayne who have been Batman – and wait till you see who’s number one! Hint: more late-coming unexpected love for my Batman work.

Finally, more nice words about the Quarry TV series.

M.A.C.

Better Dead

Tuesday, March 15th, 2016
Better Dead

Hardcover:
E-Book: Amazon Nook Kobo

The first Nathan Heller novel in three years, BETTER DEAD takes a step back in time from the JFK Trilogy (BYE BYE, BABY; TARGET LANCER; ASK NOT) to deal with the events of the Red Scare-era 1950s.

This book has been coming for a long time. It’s one of the projects that got set aside when it came time for Heller to make a comeback after about a decade away. To get Heller back out there, I proposed the Kennedy trio, a good bet for a sale because of the high-profile nature of the material; a trilogy with Marilyn Monroe, Jack Kennedy and Bobby Kennedy was appealing. But it meant skipping several things I had planned to do, including a Robert Kennedy/Jimmy Hoffa book that I hope eventually to get around to.

With BETTER DEAD, the tricky thing is that I have two cases for Nate to deal with. Neither seemed right for a single book, but together – with the shared era and a number of common characters beyond Heller himself – the whole just might exceed the sum of its parts.

Joe McCarthy is one of the characters – and factors – that joins the two stories: the Rosenberg “atom spies” case, and the Frank Olson murder. The latter has to do with the Army scientist who was dosed with LSD at a CIA retreat, which had unfortunate results.

Heller is working on the East Coast exclusively this time around – he’s just opened a branch office in the Empire State Building – which puts him right in the heart of Mike Hammer’s world circa 1953. Heller has always had things in common with Hammer, but this time – in this setting – those commonalities come out more prominently. In fact, as the guy completing the Hammer stories from Spillane’s files, I several times questioned whether I’d slipped out of Heller territory and into Hammer. And is that a bad thing? Certainly wouldn’t be the first time.

On the other hand, Heller’s victories can never be as complete as Hammer’s.

Others in the cast include Bettie Page, Dashiell Hammett, Roy Cohn, Bobby Kennedy, and Sidney Gottlieb (the CIA’s Dr. Feelbad).

It’s a wild one. Watch for it May 3rd.

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Check out this cool QUARRY’S LIST review.

MURDER NEVER KNOCKS is a Pierce’s Pick this week!

Here’s a nice review of QUARRY’S DEAL.

And here’s a somewhat late-in-the-game review of DEAD STREET.

M.A.C.

Heart-Felt Pt. 7

Tuesday, February 16th, 2016

[Update Thurs. Feb. 18 @ 3:25 PM CST] Nate here with another quick update — We’re allowed to visit Dad every two hours, and every time he’s a little bit better. We talked with the cardiac surgeon, and so far it looks like they were able to fix everything that needed fixing. They’re gradually getting him off of the machines, and he’s already started on the physical therapy, but there’s a long road to go. Thanks again for all the kind words and support.

[Update Wed. Feb. 17 @ 2:50 PM CST] Nate here: Dad came through the surgery well. It sounds like everything got put back in the right place, and he’s in recovery right now. Thank you everyone for your words and thoughts and prayers of support.

It appears, at long last, that I will be going in for the open-heart surgery – scheduled for Wednesday, Feb. 17, a day after this update is posted. I suppose anything could happen, but right now this seems carved in stone.

I have complained here about the various postponements, but I have to admit that some part of me always relished them. I am scared shitless, frankly. Not afraid to admit that. I think Heller and Quarry would feel the same. But I have great confidence in my surgeon, and as for the aftermath, my wife and son will be there to prove my point that there are no two better examples of those roles.

Barb has been both a soft shoulder and a rock, and everything in between, as needed. I am very, very lucky, as those of you who’ve met her already know. Whenever fans come around to get to know me, and encounter Barb at my side, they go away saying, “What an incredible woman! Max Allan who?”

Now I want to thank you for your patience with this ongoing soap opera/Republic serial. Barb had warned me about posting information about this surgery, rather wisely advising me to wait till after-the-fact. And I didn’t write about it, till I knew the update would appear on the day of the surgery…and then it got postponed again, when I had complications from the initial surgery, an unclogging of a carotid artery.

But the upside is that so many of you – from close friends to acquaintances to fellow writers (many of the latter not knowing me personally at all) – have approached me with support and good wishes, which are gratifying and warmly received. I am something of a loner – only child that I am. Barb is similarly a loner, though she is one of seven. So we are loners together, not terribly social, though I like social situations, if they relate to my work and interests. What I dislike is being at a social event and, once people find out who I am and what I do, having to play performing monkey.

When I look back, my closest friends have been my bandmates and other writers, and various collaborators of assorted kinds. Not a week goes by that I don’t think of my late friend Paul Thomas, my musical collaborator for decades; or my late friend Michael Cornelison, who was at my side on all of my features and both of my documentaries, as well as my short films. Writers like Ed Gorman and Bob Randisi, and of course my longtime collaborator Matt Clemens, represent friends made through the writing trade, though they are certainly not alone.

But the nature of my business, and my personality, make me a loner. Even the names mentioned above I rarely socialized with – get-togethers tended to be work-related. So it comes as a very nice shock to me to get the support and even love of those whose paths have crossed mine, even in minor ways or sometimes just through the pages of my books and stories.

So thank you, everybody. As I’ve mentioned, I wrote several updates in advance, dealing with upcoming book releases, and they will appear over the early weeks of my convalescence. Nate will post updates here and on Facebook about my progress, and I’ll get back to my weekly updates as soon as possible.

* * *

I’m pleased to share with you this great dual review of QUARRY’S DEAL and QUARRY’S CUT at the review-site-among-review-sites, Bookgasm.

And here’s a nice review at the San Francisco Book Review of QUARRY’S LIST.

M.A.C.

Heart-Felt Part 6

Tuesday, February 9th, 2016

Yes, let’s get on with it already! I should very soon (today or tomorrow) get test results that will immediately pave the way for the heart surgery. In that case, a good chance I’ll be going in yet this week. If that happens, my son Nate will start posting weekly the four updates I wrote in advance, and I should be in shape to get back to the regular stand after that.

Watch here and at Facebook for health updates from me or Nate.

Everybody has been great. Thanks for the love and support. Back at ya.

* * *

Publication of the ROAD TO PERDITION novel appears to be happening. As I was looking for a project to keep me busy while waiting for test results, I decided to prepare the manuscript for Brash Books. For those who came in late, in 2002 I wrote a 70,000-word movie tie-in novel (okay, novelization) of the script for the movie that was based on my graphic novel. In my novel, I attempted to be true to the screenplay while weaving in material from the graphic novel as well as historical material about the real John Looney and his era.

The DreamWorks licensing department put me through hell, making me cut anything – including dialogue! – that wasn’t directly from the script. They could not have cared less that I was the creator of this story and its characters. Even after they had accepted my 40,000-word debasement of my original novel, they kept cutting – if, in the film-editing process, director Sam Mendes dropped a scene or even a few lines of dialogue, they removed that from my novel as well. One chapter was reduced to a page and a half.

I’ve always felt I did really good job on the book, and it really paved the way for my sequels, ROAD TO PURGATORY and ROAD TO PARADISE. So I’ve looked for a way to get the novel into print. Now, enough years have passed that nobody at Paramount (who control DreamWorks) seems concerned about my original version finally being seen.

Quick anecdote. I was told by the DreamWorks licensing people that Mendes himself was making the requests for my drastic cuts of the novel. That he wanted it exactly like the movie. Then when I talked to Mendes at the London premiere, he said, “I hear you’ve written the movie novel – can’t wait to read it!”

So, anyway, back in 2016, I was faced with looking at my 2002 manuscript and dealing with it. Making decisions, doing tweaks, ferreting out typos and missing words. This was my original manuscript, after all, not any published version.

My first decision was to change the slightly revised movies names of several central characters back to my version of them – “Michael Sullivan” was restored to “Michael O’Sullivan” and John (and) Connor “Rooney” again became “Looney.” (The change from “Looney” to “Rooney” was done when either Mendes or the screenwriter assumed the former was a comic-booky name provided by a graphic novelist, when of course the latter is historically accurate.)

My second decision was to get rid of two major plot changes. (SPOILER ALERT: skip this paragraph if you haven’t read the graphic novel and/or seen the film). In the graphic novel, as in history, John Looney is not killed. And in the graphic novel, the boy Michael kills the hitman who has shot Michael’s father. In the film, Looney memorably dies in the rain, and a Hollywood ending has the boy unable to shoot the hitman and the dying father being pleased. I had already restored the envelope of first-person narration by the grown Michael, Jr., and a last-page revelation of what became of him.

So I spent a day rewriting those scenes, taking them back to my original intention. But it didn’t work. The screenwriter had done too good a job of laying the groundwork for his version of my scenes. And I had done a really good job in the novel of doing the same, including fixing some plot holes in the script. Re-doing those scenes to make them consistent with the graphic novel created a domino effect of terrible proportions. The next work day, I restored the scenes as I’d originally written them (faithful to the movie script).

It quickly became clear that I had no business doing any significant rewriting. The point of the exercise was to get what I wrote in 2002 into print. This is not to say that I didn’t do some tweaking, but it was mostly a few word choice changes. I did fix a couple of things that bothered me in the movie that I had let pass in the novelization.

An example – in the film, Mike Sullivan has just offered his services to Frank Nitti if Nitti will give up Connor Rooney. Nitti turns Sullivan down, then after Mike has gone, we find that in adjacent room both Connor and John Looney are waiting. In what I think of as the Dr. Evil and Scott scene, Connor tells his father that they should take Mike down right now – he’s in their grasp! Rooney, again like Dr. Evil in Austin Powers, says something like, “You just don’t get it, do you son?” As much as I love the film, this makes me cringe. So I revised it with the father telling his son why it would be unwise to kill Sullivan, specifically that in a busy hotel during the day, the resultant melee would be a disaster. Those who’ve read the graphic novel know that I did have O’Sullivan shoot his way out of the hotel. Not staging that scene was a rare misstep and a missed opportunity.

On the whole, I was very pleased by what I wrote in 2002, and again I did very little rewriting or additional writing. Since Brash Books also intends to bring out ROAD TO PURGATORY and ROAD TO PARADISE in new editions, I feel confident that the prose novel of ROAD TO PERDITION will be a good lead-in – that it forms with the two sequels a trilogy that will please readers, particularly those who became familiar with PERDITION via the film.

One final note: one of the trickiest things had to do with converting between word processing programs. You want to know how long ago 2002 was? The book was written in WordStar! I had to convert it to Word Perfect, my preferred program, after which my revised manuscript had to be converted to Word. That meant, as a final step, going through and eyeballing each of around 400 pages, looking for glitches.

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Check out this nifty cover of the mass-market edition of KILL ME, DARLING. By the way, I don’t recall whether I’ve mentioned it or not, but several goofs in the hardcover of COMPLEX 90 were corrected in the paperback version – making it the author-approved text of that novel.

The DARLING paperback will be out this month (the 23rd).

Speaking of my collaborations with Mickey Spillane, I urge you to check out the article at Great Writers Steal that happens to be one of the smartest examinations of either my work or Mickey’s that anybody has ever written.

Less smart is the favorable but patronizing review at the normally more reliable UK site, Crime Fiction Lover. Once again, it turns out that a book written in the ‘70s includes some ‘70s attitudes. And once again, the reviewer troubled by that doesn’t mind at all Quarry killing people.

Speaking of smart reviews, here’s a great one about the Heller novel ASK NOT, from Frank the Movie Watcher.

Let’s wind up with a great piece on THE MALTESE FALCON, from a writer smart enough to quote me.

M.A.C.