Posts Tagged ‘Quarry’s War’

Walk Out! Girl, Don’t You Walk Out….

Tuesday, July 25th, 2017
Quarry's War

The Quarry comic book mini-series (which will later be collected as a graphic novel) was officially announced at San Diego Comic Con, where I was not in attendance. The splendid cover is included here for your enjoyment, although my enjoyment is hampered by the fact that my name isn’t on it.

I trust this is an oversight that will be rectified by Hard Case Crime Comics, though I admit it rankles when the writer of the other comic book announced did make the cover of that number one issue.

I will leave it to you whether to file this under “What am I, chopped liver?” or sour grapes.

In the meantime, here’s the Booklist advance review of Quarry’s Climax:

Collins, Max Allan (Author)
Oct 2017. 240 p. Hard Case Crime, paperback, $9.95. (9781785651809). e-book, (9781785651816).

Chronology is always a little tricky in Collins’ Quarry series. Take this one. It’s a new entry, but the story is set in the 1970s, when the first Quarry thrillers were written. The hit man with a heart of steel (and a skewed sense of, well, just desserts) is working for the Broker, a murder middleman who farms out hired kills to his operatives. This time it’s a little complicated: Quarry and his partner, Boyd, must first dispatch the hitters sent to eliminate the publisher of the Memphis-based porn mag, Climax; then determine who hired the hitters; and, finally, get rid of them, too. All in a few days’ work for the resourceful Quarry, of course, who developed his killing chops as a Vietnam sniper, but along the way Collins treats us to a wonderfully vivid look at the pornography industry in its heyday. From publishers to centerfolds to strippers to feminist protesters, he cuts through the stereotypes with quick bits of subtle characterization (but, please, don’t say you read a book with ‘Climax’ in the title only for the characters).

— Bill Ott

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The title of this week’s update is a line from the Monkees’ “A Little Bit Me, A Little Bit You,” which Crusin’ covered for a Monkees tribute CD some years back. But the subject is not rock ‘n’ roll – rather, the now legendary tendency of my wife Barb and myself where walking out of movies is concerned.

We were walking out of so many movies, readers of this weekly update were wondering what movies I might actually be able to tolerate, or perhaps even (choke) like. But others have noticed that there have been no reports of such walk-outs lately.

One possible reason for all the walk-outs has been a spate of overblown, mediocre would-be blockbusters, frequently cribbed from comics or otherwise pop-culture retreads. The Great Wall and Kong: Skull Island are typical. CHIPs and Baywatch are the kind of movies where you consider walking out during the trailer, which is all we saw of them.

The truth is, though, something strange happened this summer, at least so far: the blockbuster movie releases have been…how can I put it…good. Here’s a rundown on them, just little mini-reviews to pop like Milk Duds. And what part of the cow is the “dud,” anyway? A few of these I’ve already commented on, in passing.

Guardians of the Galaxy Vol. 2. A lot of care went into making sure the quirky humor of the first film was maintained, and it paid off. Casting Kurt Russell was a very good move. These movies know exactly how to walk you up to sentimentality and then drop the trap door on you.

Wonder Woman. Chris Pine, channeling William Shatner in the manner of the recent Star Trek movies, contributes humanity and humor while lead Gal Gadot brings provides charm, beauty and athleticism in an epic origin tale craftily set in a vivid Great War setting. And it’s surprisingly faithful to the Golden Age comic book.

The Mummy. The weakest of the non-walkout-worthy summer blockbusters is nonetheless a lot of fun, with Tom Cruise (no matter what you may think about Scientology) bringing his genuine movie-star charisma and skill to the party. A female mummy (Sofia Boutella) is a nice twist, although too much back story and the clumsy inclusion of Jekyll/Hyde (Russell Crowe) is a lame attempt to build a franchise nobody is waiting for.

Baby Driver. A reminder of what it felt like to go to the movies in the ‘70s and early ‘80s, this is a slick, fast-moving crime film that is propelled by music and moves from one phenomenal, and mood-changing, set piece to another. It’s an outrageous melodrama, with compelling, often larger-than-life characters. Not sure the proposed sequel is a good idea, though.

Spiderman – Homecoming. It took some doing, getting Barb to go along, and she wasn’t won over immediately. But this third reboot (who’s counting?) manages to both re-imagine and yet be quite faithful to the Stan Lee/Steve Ditko original (how I wish I had hung onto Amazing Fantasy #15). Tom Holland is a winning Peter Parker/Spidey, though the heart and soul of the movie, oddly enough, belongs to the villain, the wonderfully cast Michael Keaton. Only real flaw is how hard the film works to invoke other aspects of the Marvel film franchise universe, with much more Avengers and Iron Man stuff than necessary. It’s too much salt on an already well-seasoned popcorn.

War for the Planet of the Apes. This may be the best Planet of the Apes movie of all, and as good as the two previous ones are (Rise and Dawn), that’s saying something. There is a grandeur and even majesty to this one, and the believability of the apes is complete and stunning. But it’s also emotionally wracking, action-packed and even frightening. Give Andy Serkis an Oscar already, would you, Academy?

Dunkirk. I’ve never been a Christopher Nolan fan, but I am now a convert. This is the year’s best movie so far. It’s demanding – for Americans, the various Brit accents may mean losing this line or that one, and there’s no Pearl Harbor back story: you’re just thrown right into four or five storylines that crisscross over the running time. The Hans Zimmer score is ruthlessly relentless, and a relaxing time at the movies this isn’t. A few have complained that the film lacks any overview, but the situation is simple: the Germans have driven the British and the French armies to the coast of France with the Channel between the Brits and home. Hundreds of thousands of allied soldiers are trying to get home, and the advancing German army as well as their fighter pilots are trying to stop that, while British civilians in their own little boats are heading across the Channel to take soldiers home by the handful. That’s all you need to know. There is heroism and cowardice and various other shades of humanity, but also a sense of patriotism in a just cause that today somehow seems remote. Churchill’s famous speech, read by a soldier from a newspaper, is a reminder that giants once guided government.

* * *

My pal Bud Plant has found a supply of the first Ms. Tree trade paperback. It’s cheap and it’s here.

The Hard Case Crime announcement of Quarry’s War made at SDCC was picked up all over the Internet.

Finally, here’s news of the live performance of Mike Hammer: Encore for Murder next January in Florida. It stars my buddy Gary Sandy, who appeared in Mommy’s Day.

M.A.C.

How to Buy Books

Tuesday, June 20th, 2017
Quarry's Climax

A few months from now, Quarry’s Climax will appear. How the demise of the TV show will impact the book series remains to be seen. A graphic novel is coming, for sure, from Hard Case Crime Comics – Quarry’s War (in four issues, then collected). I have discussed a novel called Quarry in the Cross Hairs (or possible Quarry on Target) with my editor at Hard Case, but don’t have a contract yet.

I would like to keep going, and I hope the higher profile given Quarry by the TV series will keep us alive. But it’s a small miracle – maybe not so small – that after all these years, I was able to produce more novels about the character than I did on the first go-round back in the mid-‘70s.

The book business, from the author’s end, is a weird and troubled one, and unless you are an airport author, not terribly secure. But then the book business from the retailer’s end is just as bad – maybe worse.

Barb and I have always made shopping a big part of our recreation, particularly when we go off on a day trip to the Chicago suburbs or Des Moines. I now realize – looking back on the book-, record- and video stores I have frequented – that we experienced a kind of Golden Age of shopping. It says something that my favorite shop of all time was a laser disc outlet. I would spend about three hours there.

Yesterday (Father’s Day), we celebrated my day and Barb’s birthday with a Des Moines trip – actually, we mostly go to Clive. There’s a fine Half-Price Books on offer – the place where all my enthusiasms have gone to die – and a big, well-stocked Barnes & Noble. I shop at Barnes & Noble in Davenport, Oak Brook and Cedar Rapids, as well, and another Barnes & Noble in a different part of Des Moines.

Picking a few things out in the DVD and CD area of the store, taking advantage of a 40% off sale, I noticed no one was at the register – no one around to ask me if I needed help, which I never do (not in a bookstore, anyway). I had noted the same thing at both the Cedar Rapids and Davenport stores over the past month or so. A sales person came back to see how things were going, and I asked about the lack of personnel in this department, apparently chain-wide.

“I used to work with fifteen others,” she said. “Now I’m one of five.”

And it’s a big store.

Those of us who love books need to support bookstores. That sounds obvious, and there’s no question that Barnes & Noble helped drive many indie bookstores out, even pushing Border’s off a corporate cliff. But they are what we browsers have left. I also trade at BAM! (Books-a-Million), who took over the space of a much-missed Border’s in Davenport, and have filled the gap well.

The decline of retail, obviously, is one half of the story, the other half being the rise of Amazon and other on-line ordering options. I am not anti-Amazon. One of my publishers is Amazon’s in-house suspense line, Thomas & Mercer, and all of my books at various publishers have benefitted from the success of my T & M books – none of which are easily found in any brick-and-mortar outlets…as if not selling Amazon-published books will “show them.” As we say in the comics business, “Sigh.”

What can a consumer of books and magazines and DVDs and Blu-rays and CDs do about the apparent slow death of bookstores?

I don’t suggest never ordering from Amazon. I order there a lot, particularly Blu-rays, mostly because Best Buy (where I used to buy my movies) has cut back so far on what they carry. With Amazon and other on-line services, I can pre-order discs and often get guaranteed lowest prices.

The nastiest thing Amazon does, where books and so on are concerned, is give prominence to secondary sellers – who offer used or even new copies at somewhat lower prices than even buying from Amazon itself. Book publishers send out a ton of review copies, and a lot of those freebies wind up as copies available from secondary sellers. When you use that option to buy, you are denying both author and publisher any income.

What do I suggest?

Well, I can share my personal policies, as a consumer of books and more. When I see a book in Barnes & Noble, or any bookstore, I didn’t know existed, that is where I buy it. I don’t look it up on Amazon to see how much cheaper it is. And when I do buy a book (or any media-type item) from Amazon, I buy it from them, not a secondary seller – I want the author and the publisher to benefit, so that more books can happen.

I also buy magazines from B & N and BAM!, unless the title has become hard to find, in which case I subscribe. But I enjoy the little thrill of seeing the new issues of my favorite mags, just as I have since childhood. If the editors/publishers of your favorite magazine request that you subscribe, because it will help them more than newsstand sales, by all means do so.

Just last week I received the final issue of one of my favorites, Video Watchdog, in the mail – a long, glorious run from Tim and Donna Lucas. Bless them both. Such deaths are small things but they add up to a publishing apocalypse.

Keep ‘em flyin’ – keep buying.

* * *

My pal Bill Crider, at his indispensable blog, has revisited a book of mine from the misty past of the ‘80s.

M.A.C.

This Just In…

Tuesday, November 29th, 2016

Not much to say at the moment other than I am thrilled and flabbergasted.

Mystery Writers of America Announces 2017 Grand Masters
Max Allan Collins and Ellen Hart
Plus 2017 Raven and Ellery Queen Award Winners

November 29, 2016 – New York, NY – Max Allan Collins and Ellen Hart have been chosen as the 2017 Grand Masters by Mystery Writers of America (MWA). MWA's Grand Master Award represents the pinnacle of achievement in mystery writing and was established to acknowledge important contributions to this genre, as well as for a body of work that is both significant and of consistent high quality. Mr. Collins and Ms. Hart will receive their awards at the 71st Annual Edgar Awards Banquet, which will be held at the Grand Hyatt Hotel in New York City on Thursday, April 27, 2017.

When told of being named a Grand Master, Collins said, “To be in the company of Agatha Christie, Rex Stout and Mickey Spillane is both thrilling and humbling.  This is an honor second to none in the art of mystery and suspense fiction.”

Max Allan Collins sold his first two novels in 1972 while a student at the University of Iowa Writers Workshop.  More than one hundred novels have followed, including his award-winning and groundbreaking Nathan Heller historical series, starting with True Detective (1983). His graphic novel Road to Perdition (1998) is the basis of the Academy Award-winning 2002 film starring Tom Hanks.  His other comics credits include the syndicated strip "Dick Tracy"; his own "Ms. Tree"; and "Batman.”  For the hit TV series CSI: Crime Scene Investigation, he wrote ten novels selling millions of copies worldwide, and his movie novels include Saving Private Ryan, Air Force One, and American Gangster.

Upon learning that she was named a Grand Master, Hart said. “A writer's stock-in-trade is imagination.  I’ve always felt mine was pretty good, but never in a million years did I ever think winning the MWA Grand Master award was a possibility.  I’m stunned, grateful, and profoundly honored.”

Ellen Hart is the author of thirty-two crime novels.  She is the six-time winner of the Lambda Literary Award for Best Lesbian Mystery, the four-time winner of the Minnesota Book Award for Best Popular Fiction, and the three-time winner of the Golden Crown Literary Award for mystery.  Ellen has taught crime writing for seventeen years through the Loft Literary Center, the largest independent writing community in the nation.

Previous Grand Masters include Walter Mosley, Lois Duncan, James Ellroy, Robert Crais, Carolyn Hart, Ken Follett, Margaret Maron, Martha Grimes, Sara Paretsky, James Lee Burke, Sue Grafton, Bill Pronzini, Stephen King, Marcia Muller, Dick Francis, Mary Higgins Clark, Lawrence Block, P.D. James, Ellery Queen, Daphne du Maurier, Alfred Hitchcock, Graham Greene, and Agatha Christie.

The Raven Award recognizes outstanding achievement in the mystery field outside the realm of creative writing. Dru Ann Love will receive the 2017 Raven Award.

Dru Ann Love is owner/editor of dru’s book musings (https://drusbookmusing.com/), a blog where characters give a glimpse into a day in their life, as well as her musings. Her musings also appear in Crimespree Magazine. She is also a guest blogger at the Stiletto Gang. Dru Ann is an avid reader, writes poetry, quilts, and loves attending reader/fan conventions. Dru Ann’s blog was nominated for a 2015 Anthony Award for Best Critical or Non-Fiction Work. She also serves on the Bouchercon standing committee.

When told that she would receive the Raven Award, Love said, “I’m so thrilled and honored to be awarded the Raven. The mystery community is like a big family and I’m so proud that they have embraced me with open arms. Thanks to the nominating committee for selecting me and a big thanks to the authors—without them, this would not be possible.”

Previous Raven winners include Sisters in Crime, Margaret Kinsman, Kathryn Kennison, Jon and Ruth Jordan, Aunt Agatha’s Bookstore in Ann Arbor, Michigan, Oline Cogdill, Molly Weston, The Mysterious Galaxy in San Diego, Centuries & Sleuths Bookstore in Chicago, Once Upon a Crime Bookstore in Minneapolis, Mystery Lovers Bookstore in Oakmont, PA, Kate’s Mystery Books in Cambridge, MA, and The Poe House in Baltimore, MD.

The Ellery Queen Award was established in 1983 to honor “outstanding writing teams and outstanding people in the mystery-publishing industry”. This year the Board chose to honor Neil Nyren.

On learning he would receive the Ellery Queen Award, Nyren said, “I’ve spent most of my life with crime and suspense fiction, both as a fan and a professional, but I never imagined this. It’s an enormous honor even being mentioned in the same breath as such legendary previous Ellery Queen Award winners as Joan Kahn, Ed Gorman, Jacques Barzun, Otto Penzler, and Eleanor Sullivan (just to name a few!).”

Neil Nyren is the Executive VP, associate publisher and editor in chief of G.P. Putnam’s Sons, a division of Penguin Random House. He has been at Putnam for over 32 years, and before that, at E.P. Dutton, Little Brown, Random House, Arbor House, and Atheneum.

Among his current authors of crime and suspense are Clive Cussler, Ken Follett, C.J. Box, John Sandford, Robert Crais, Jack Higgins, W.E.B. Griffin, Frederick Forsyth, Randy Wayne White, Alex Berenson, Ace Atkins, Alex Grecian, Carol O’Connell, Owen Laukkanen, Michael Sears, and Todd Moss. He has also worked with such writers as Tom Clancy, Patricia Cornwell, Daniel Silva, Martha Grimes, Ed McBain, Thomas H. Cook, and Thomas Perry, and he was the first to publish books by Carl Hiaasen, Jonathan Kellerman, Gerald Seymour, Garrison Keillor, and Ian McEwan.

Among his nonfiction authors: A. Scott Berg, Maureen Dowd, James A. Baker III, Dave Barry, Joe McGinniss, Charles Kuralt, Andy Rooney, Jeff Greenfield, Senator Harry Reid, General Tony Zinni, Abba Eban, John McEnroe, Pat Riley, Bobby Orr, and Wayne Gretzky.

Previous Ellery Queen Award winners include Janet Rudolph, Charles Ardai, Joe Meyers, Barbara Peters and Robert Rosenwald, Brian Skupin and Kate Stine, Carolyn Marino, Ed Gorman, Janet Hutchings, Cathleen Jordan, Douglas G. Greene, Susanne Kirk, Sara Ann Freed, Hiroshi Hayakawa, Jacques Barzun, Martin Greenburg, Otto Penzler, Richard Levinson, William Link, Ruth Cavin, and Emma Lathen.

The Edgar Awards, or "Edgars," as they are commonly known, are named after MWA's patron saint Edgar Allan Poe and are presented to authors of distinguished work in various categories. MWA is the premier organization for mystery writers, professionals allied to the crime-writing field, aspiring crime writers, and those who are devoted to the genre. The organization encompasses some 3,000 members including authors of fiction and non-fiction books, screen and television writers, as well as publishers, editors, and literary agents. For more information on Mystery Writers of America, please visit the website: www.mysterywriters.org

* * *

When I was discussing the up’s and down’s of 2016 last time, I neglected two major “up’s.”

Among the blessings for me in the vale of tears that was 2016 was having a Quarry TV series…and a good one, at that. Considering I created Quarry in 1971 at the University of Iowa Writers Workshop, this blessing took a while to pay off…but pay off it did. Many of you have had nice things to say about show. A few wish it were more like the books, and I’ve discussed that here. But for me it was a major blessing.

Soon I will be starting a new novel, Quarry’s Climax, and beginning work on a graphic novel, Quarry’s War, which will be serialized as comic books by Titan’s new Hard Case Crime comics.

The other major blessing, overlooked last time, was being able to play some band jobs this year. In 2015, I had to cancel all but one gig for Crusin’ because of my heart condition – I don’t remember ever cancelling a gig before in the five decades I’ve been playing, and I hated doing so. I’m strictly a show-must-go-on kind of guy. This year we were able to do half a dozen gigs, and I hope more will follow in 2017. My guitar player, the incredible Jim Van Winkle, and I have been together for over a decade. Drummer Steve Kundel has been with the band, off and on, since the ‘90s, and is truly world-class. “New kid” Brian Van Winkle, Jim’s brother, took over bass when Chuck Bunn passed away a few years ago – Brian is one of the coolest guys you could ever hope to meet, and an excellent bass player.


Crusin’ at Muscatine High School 50th class reunion, left to right, M.A.C., Jim Van Winkle, Steve Kundel, guest Joe McClean, and Brian Van Winkle.

The gigs we played in 2016 were a mixed bag. Actually, every gig went well, but three of them were impacted by my pertussis. Whooping cough does not do a lead singer any favors. The third gig I was getting somewhat back to normal, but it was something of a disappointment because we had originally intended to have a reunion of my original band, the Daybreakers. Illness (not mine for a change!) threw a wrench in the works, although we did add guest artist Joe McClean of the XL’s into the standard Crusin’ mix. The dance went well but I’m afraid a 50th class reunion could not live up to the wild, rockin’ affair of my imagination.

Anyway, 2016 had its highlights, and QUARRY on TV and Crusin’ on stage were chief among them.

Today I am putting finishing touches on the third Caleb York western, The Bloody Spur. That’s the last one on the contract – we’ll see if more follow.

Hope you all had a great Thanksgiving. Barb cooked up a storm, and baby Sam Collins was the life of the party. We had our Department 56 Halloween houses up, with lots of movement and scary sounds, and he was fascinated…not frightened in the least.

* * *

J. Kingston Pierce has included Better Dead on his Best 10 list, and has wonderful things to say about it.

Here’s a great review of The Legend of Caleb York.

Mystery Scene magazine has a wonderful Quarry in the Black review by Hank Wagner. Here’s a taste: “…Collins delivers some of the crispest, funniest and most gripping prose of his long career to date. Hardboiled crime fiction at its finest, the Quarry series continues to provide top-notch action, wit and suspense.”

M.A.C.

Comic Con Sked, Quarry News, Movies & More

Tuesday, July 19th, 2016

Barb and I will be attending Comic Con in San Diego. I will be taking it easy, since I’m still in recovery, but it’s nice to be getting back to normal…not that Comic Con is in any way “normal.”

No signings are scheduled, but if you’re in the hall and spot me, and have something for me to sign, I’ll gladly do so. Usually Mysterious Galaxy’s booth has a decent supply of my most recent novels.

The only event I’m part of is the annual International Association of Media and Tie-in Writers “Scribes” awards. I will be moderating the awards panel (I have two nominations, both for Mike Hammer – the short story “Fallout” and the novel KILL ME, DARLING).

Here are the details:

Friday, July 22
[ROOM CHANGED, NOW AT:] Room: 28DE
6:00 – 7:00 PM

International Association of Media Tie-in Writers: Scribe Awards — Max Allan Collins(Mike Hammer), co-founder of the IAMTW, will host this year’s Scribe Awards for excellence in tie-in writing, including honoring this year’s Grandmaster Award “Faust” winner, Timothy Zahn (Star Wars) . Join panelists Michael A. Black (Executioner), Adam Christopher (Elementary), Matt Forbeck (HALO), Glenn Hauman (Star Trek), Nancy Holder (Crimson Peak), R.L. King (Shadowrun), Jonathan Maberry (Wolfman), Andy Mangels (X-Files), Cavan Scott (Pathfinder) and Marv Wolfman (Batman) for a freewheeling look at one of the most popular and yet under-appreciated branches of the writing trade. Room 23ABC

Since Nate won’t be along this year, and my activities will be limited, I won’t be posing daily reports from the Con. But there will be a convention wrap-up here next week.

* * *

The news that Hard Case Crime, through Titan, is doing a comics line – with me writing a Quarry mini-series for collection as a graphic novel – was all over the Net last week. No artist has been selected, and I probably won’t start writing for two or three months; the graphic novel will likely be called QUARRY’S WAR and will deal more directly with his Vietnam experiences than I’ve ever done in the novels.

I won’t provide the countless links, but this one should do.

Meanwhile, there’s a new Cinemax trailer for the QUARRY series.

* * *

Here are a few brief reviews of movies recently seen by Barb and me.

GHOSTBUSTERS – Despite the talent on display, and in part because of too much special effects work, this reboot is merely okay. At an hour and forty-five minutes, it seems much longer. Losing ten to fifteen minutes would make it funnier and also more suspenseful. The Bill Murray cameo is disappointing, and the other original cast cameos are mostly perfunctory. Why were the original cast members wasted? Why wasn’t there a passing of the torch, with the original actors/characters? The new cast is winning, though, with Kristen Wiig the standout, though Leslie Jones mostly stands around channeling Ernie Hudson.

LEGEND OF TARZAN – This is much better than it’s cracked up to be, and more faithful to Burroughs than any other Tarzan film with the possible exception of GREYSTOKE. This has more plot and action than the latter, and the two leads, Alexander Skarsgård and Margot Robbie, are charismatic and have nice chemistry. The landscapes are stunning and the CGI animals work fine, especially the apes. Christoph Waltz is starting to wear out his villain welcome, though.

CENTRAL INTELLIGENCE – Kevin Hart is amusing but upstaged by the Rock – okay, Dwayne Johnson – who is extremely, unexpectedly funny in the best spy spoof since, well, SPY. I was shocked by how entertaining this was.

DE PALMA – We caught this at Iowa City’s FilmScene, the theater smart enough (or anyway nice enough) to recently book MOMMY. Brian De Palma was, for many years, my favorite director, and PHANTOM OF THE PARADISE (which back in the day, Terry Beatty and I saw endlessly in theaters around the Midwest) remains in my top ten films…make that top five. But some later missteps of director’s like MISSION TO MARS and SNAKE EYES cooled my enthusiasm for everything but the earlier stuff like SISTERS and OBSESSION. The documentary is a long interview with De Palma made visually arresting by many clips from his own films and the films that influenced him. The result is at once a character study of a kid with a nurturing mother and a distant father whose idea of bonding was taking his son to bloody surgical operations, and a master class in direction in terms of a talented young indie director’s rise to Hollywood fame (and his periodic return to his trademark thrillers, to revitalize himself and his career). Virtually every film of De Palma’s is discussed, and excerpted, and the missteps are explained and put in context. His stories of dealing with Hollywood stars and studio executives are funny and revealing (of both himself and a terrible system), though I strongly disagree with his apparently low opinion of Cliff Robertson’s work in OBSESSION. If De Palma has a flaw as a director – and I’m not referring to misogyny – it’s a tendency to value hammy performances over understated ones. But performances and for that matter characterization are secondary to De Palma, whose visual sense and storytelling via camera is second to none…except maybe Hitchcock, who he unapologetically admits is his model and idol. The film concludes in a bittersweet, even moving manner, with De Palma saying that a director is finished when he can no longer walk, which is juxtaposed with the only non-interview footage of the now-overweight De Palma as he walks unsteadily down a New York street. He also, as the film wraps up, states his opinion that directors do their best work in their thirties, forties and fifties. De Palma is 75.

M.A.C.